“Love is War!” mangaka Aka Akasaka returns with a series about the unpleasant underbelly of the idol industry.
Netflix’s latest trashy thriller anime is as high-octane as it is high off the ground. But does it earn the hype, or is it all bluster?
The New 10s saw the transformation of the magical girl genre into something different, but what?
The light novel adaption is ostensibly a horror series, but is terror really at the heart of the experience?
The 2006 shoujo/political drama/gender identity potpourri is truly one of a kind, but what do its many disparate elements add up to?
I really hate writing things like this.
Originally posted on In Search of Number Nine — An anime blog:
It’s another week, and Twitter has become atwitter with its latest controversy du jour. This time they’re focused on a column by Kambole Campbell that is titled: Wonder Egg Priority is reimagining Magical Girl empowerment. According to the Twitter users, the title was only…
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