Tag: Umamusume

Posted on in anime, Let's Watch

Let’s Watch UMAMUSUME: CINDERELLA GRAY – Episode 22 – “Gray Phantom”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime.

For the Cinderella Gray column, new installments will be posted either on the Sunday each episode airs, or as soon as possible over the succeeding week. Expect spoilers!

Cinderella Gray can be watched, legally and for free, on It’s Anime By REMOW on Youtube. A link is provided below for your convenience.

Native Dancer was an American thoroughbred racehorse. Without getting so into the nitty-gritty that this turns into a column on actual horseracing, the very short version is that he was one of the best. It’s hard to beat 21 victories in a 22-race career (although some have done so). To list just one accolade, the AP’s list of the best racehorses of the 20th century places him at third, behind only Man O’ War and Secretariat. For our purposes, though, his actual career is less important than two other things you need to keep in mind about Dancer. The first is that he had a nickname, the Gray Ghost. The second is that one of his children was Dancing Cap, a horse who, himself, we are primarily interested in here because of one of his children. You’re reading a column about him right now: Oguri Cap.

There is little reason to suspect that any version of Native Dancer ever existed in Umamusume. In general, lineage plays far less of a role in Umamusume than it does in actual horse racing, and the closest Umamusume has ever come to acknowledging any of the legendary racers who fill in the strange, fuzzy area outside of its immediate characters of focus is the vague insinuation that Manhattan Cafe’s mysterious “friend” might be the metaphorical or literal ghost of Sunday Silence. (As always, I recommend IronicLark’s blog if you want Umamusume analysis from someone who really knows their horseracing as opposed to someone with a mere passing interest in it like myself.) Nonetheless, watching this episode today, I thought about Native Dancer and his nickname. I have absolutely no way of proving this, but I think one of the most important aspects of this episode, and indeed the episode itself, takes its name from that epithet. In doing so, Cinderella Gray asks broader questions about what Umamusume actually is. Not as a franchise but as a story.

First, though, let’s pick up where we left off last week. The back half of the Arima Kinen is, to put it as simply as possible, nuts. After entering her Zone and blitzing past most of the playing field, Tamamo Cross duels it out with Oguri Cap for first place in the final leg. I repeat myself, but it’s worth repeating, it’s not merely that there are impressive action scenes here—though there definitely are—it’s that the raw emotion on display here is a very rare thing.

In literal terms, what happens here is the race’s four strongest competitors angling for the lead. Super Creek puts up a surprisingly strong performance, banking on pure stamina as opposed to anything flashier. Dicta Striker’s shotgun final spurt is a spectacle to behold as well, earning her probably the single most impressive cut of animation in the entire episode and deservedly putting her name in the conversation with the other greats here. Between the fierce showdown between rivals and the fireworks animation, I fall back on my old standby comparison: this is essentially a battle shonen anime, and the earlier half of this episode comes complete with plenty of “oh my god, the ultimate technique!”-style commentary from characters like Symboli Rudolf and Sensuke Fujii. This stuff is fantastic on even its worst day, and if that were all the episode was, it would still be great.

But, let’s be serious here. One of two umamusume are going to win this race. It’s either going to be Tamamo Cross or Oguri Cap. One of Cinderella Gray‘s favorite storytelling techniques is to dot an important race episode with little dollops of backstory or reflection from the runners. Previously, this has been used to characterize Oguri’s rivals. In the penultimate episode of the first cour, Tamamo Cross got that treatment, where the show strongly suggested that despite a thwarted crossing of the paths when they were both children, Tama and Oguri were, in some sense, always meant to run together. This episode reinforces that connection, but also reminds us of something else.

We see flashbacks to Oguri Cap’s childhood, a tiny gray puffball of a kidlin enraptured with the lightning-fast running she sees on TV. Her own legs, though, are weak, and her mother1 bandages them as she tries to stand and move around. The young Oguri asks her mother if she’ll ever run like the girls on TV, and her mother hugs her tight.

Of course she will.

And as Oguri’s mind turns to her gratitude toward her mother, it flows to everyone who’s helped get her where she is. The Kasamatsu gang, Fujimasa March, Belno, Jo, Musaka, every one of her rivals, all of whom have asked her, why do you run? Who are you aiming for?

And the answer, of course, is that Oguri isn’t trying to surpass anyone but herself. To whom running at all is a miracle, something fought for rather than given. She’s doing it because she loves it.

As soon as she realizes this, it all clicks into place, and we get to the episode’s namesake. The payoff, the gleefully cool-as-hell ultimate technique, Oguri Cap’s very own Zone.

A ghost, one might say.

Oguri and Tama continue running the final stretch neck to neck. But we actually see only relatively little of the literal events of the race from here on out. Instead, we’re transported to an emotion-driven image space, where the two talk. They reminisce, Tamamo Cross speaks of races come and gone and races that will never come, wistfully talking about how she owes Obey Your Master a beating at the next Japan Cup. But, she knows this won’t ever happen. Together, still in the shared mind space, Oguri and Tama begin running again. Tamamo Cross complains about how short the race is, even here, the finish line is in sight.

Nothing, not in sports, not in life, lasts forever. Every story has an end. There are no perpetual dawns, and any time the Sun rotates around our humble planet, it’s one day closer to going out forever. Here, in what they both know is their last dance together, Tamamo Cross and Oguri Cap bond for one final time over what keeps them going in spite of that, their love of life. Running more specifically, sure, but it is worth seriously understanding that finity and transience are two of Cinderella Gray‘s main thematic ideas.2 This, which is also what I was alluding to at the top of this column, is the first time we see those themes really underscored in a major way. It will not be the last.

Tamamo Cross’s story ends in defeat. Oguri Cap, reborn within the Gray Phantom, manages to edge over the finish line by just the slightest bit. This is not a sad ending, the victory and defeat are less important, perhaps, than who they are experienced alongside.

After the race, they have a talk that is heart-achingly sweet, and they embrace each other. To paraphrase the great Miko Iino, I am someone who enjoys hugs probably 50-70% more than the average person, this one here is one of the best anime hugs ever. I’m honestly jealous. Put it on the accolade board.

The end of the Arima Kinen is not a happy story for everybody. Dicta Striker gets properly fired up when she notices Oguri entering her Zone, but, the combined blood loss from her injury last episode and perhaps just general fatigue mean her body betrays her, and her legs give out as she attempts another shotgun surge. She still takes third, with Super Creek behind her taking fourth. Or at least, she would have taken fourth were she not ruled to be obstructing another racer’s movements after the fact, disqualifying her. It’s sneaky as hell to slip in the start of Creek’s upcoming arc here. But the nature of how Umamusume is written means it’s also a necessity, and it’s handled pretty well, juxtaposing as it does Creek’s embarrassment and loss with the overwhelming warmth of the rest of the episode’s final third.

(There are some other, smaller good bits as well, such as Symboli Rudolf heaping praise on Oguri, a really nice followup from that conversation she and Maruzensky had back in the first cour.)

That warmth truly is the dominant feeling. In what is by now a relative rarity for the series, we get an actual winning concert performance in place of the episode’s usual credits. Oguri Cap, Tamamo Cross, and Dicta Striker—patched up after her injuries, including breaking a tooth! which is perhaps why the concert seems to take place that night instead of immediately after the race—perform “Next Frontier”, one of Umamusume‘s standards, and a swelling, triumphant note to close out the episode.

Except there’s actually one more thing. After the concert, Oguri Cap takes the time to thank everyone who’s inspired her, who made her the racer she is today. She thanks her trainers, her rivals, and the crowd. That includes us.

Overall, “Gray Phantom” probably surpasses “Wild Joker” as Cinderella Gray’s best episode, and it’s one of the best in Umamusume on the whole. It also got me thinking, though, about the series’ overall nature. For a while now, I’ve been workshopping an as-yet unpublished article about a different piece of the Umamusume franchise. In that article, as I am about to here, I propose that despite its ostensibly “silly” or “very anime” premise, Umamusume is actually part of a very long lineage of work that seeks to anthropomorphize the minds and lives of non-human animals. I don’t have an answer as to whether that instinct is selfish, a bad habit of seeing all things as reflections of ourselves, or selfless, a genuine desire to connect with minds very different from our own.

Regardless of which side you fall on, it is fascinating to me that Oguri Cap, in some form or another, continues to inspire people 33 years after the end of his career and 15 after his death. (To float another conspiracy theory, I have wondered if the real Oguri’s epithet of “The Idol Horse” is how the premise of Umamusume was come up with in the first place.) If I can show my hand a little, I do think there’s something beautiful about the ideas that Cinderella Gray puts forward here, even the sad ones. Ultimately, though, these questions are a bit beyond the scope of this column, and I’ll save any harder arguments for another day. Tamamo Cross’s story is over, and while Oguri Cap’s will not last forever either, we still have a good, long time with her, assuming the anime gets renewed for another proper season (here’s hoping).

This isn’t the end of this season just yet, however. See you next week, umadacchi.

Now where have I heard that before?

1: It’s interesting that what little we know about Oguri Cap’s mother in Cinderella Gray doesn’t really fit the profile of either of the real Oguri Cap’s parents. Nonetheless, I usually refer to her as Narubi in my notes on the rare occasion she shows up, since it’s shorter than writing “Oguri Cap’s mom” every time.

2: There is a reason that, despite being “just” the last time we will see these two specific characters compete, this whole scene feels an awful lot like a depiction of some kind of afterlife. Tamamo Cross thus joins the storied ranks of sports anime characters who are being treated vaguely as though they’ve died when they’ve actually just retired or graduated or what have you. Sempai will be furthering her education, no doubt.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Anilist, BlueSky, or Tumblr and supporting me on Ko-Fi. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is manually typed and edited, and no machine learning or other automatic tools are used in the creation of Magic Planet Anime articles, with the exception of a basic spellchecker. However, some articles may have additional tags placed by WordPress. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch UMAMUSUME: CINDERELLA GRAY – Episode 21 – “The Arima Kinen”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime.

For the Cinderella Gray column, new installments will be posted either on the Sunday each episode airs, or as soon as possible over the succeeding week. Expect spoilers!

Cinderella Gray can be watched, legally and for free, on It’s Anime By REMOW on Youtube. A link is provided below for your convenience. The descriptive blurbs for these articles are taken from those of REMOW’s Youtube uploads.

In a way, the episodes of Cinderella Gray that feature an actual race are usually the easiest to write about. This is where the series’ theory turns into practice, where the character work that it winds into a tight coil finally springs. This is where the excitement and the action are. Everything else in the show leads up to this.

It is perhaps a little surprising then that the first half of the episode is devoted to reinforcing all of those stakes. Even so, it’s actually quite effective. The Kasamatsu squad show up in person to witness the most important race of Oguri’s career, leading March to marvel at her first rival and reflect on how her growth has spurred on her own (something we saw in action back in episode fourteen). Kitahara Jo, as Oguri’s first trainer, is immensely proud that she’s here at all. There is a sense here that Oguri runs not just for herself, but for everyone who believes in her. This has always been true, but it’s meaningful that the show seeks to restate it now, right before the big race.

It’s not true of just Oguri, either. The three other major contenders in the race, Tamamo Cross, Super Creek, and Dicta Striker, all get at least a little screen time with their trainers before hitting the field. Tama’s fails to hold back her tears. Super Creek’s reminds her that this is not a clash of three titans, but four, and to not discount herself. Dicta’s, silent hulk of a man that he is, merely offers her an approving nod as she makes her way to the starting gate.

It’s Dicta Striker herself who notes that it’s not just the big four, everyone at the Arima Kinen is a monster in their own right. (Including characters who are essentially background faces to us, like say Lord Royal, also here to avenge her loss at the Fall Tenno Sho.) If it seems like I’m talking in circles about this a little bit, I’ll admit that I am, but I do just think the way Cinderella Gray is so intent on making sure we understand exactly what these races mean to the girls who run them is one of its strengths. (Sometimes this extends even to girls who aren’t presently running. A brief aside tells us that Japanese Derby champion Sakura Chiyono O is currently tending to a foot injury. She, Mejiro Ardan, and Yaeno Muteki get a brief, but sweet scene together in the stands.)

This is reinforced even further with our protagonist’s pre-race activities. She runs into Symboli Rudolf, who congratulates her on how far she’s come and the two more or less make amends from that whole spat way back in episode seven. Oguri Cap’s most important conversation before the race though is, of course, with Tamamo Cross.

Initially, Oguri’s attitude seems almost apologetic, and she’s clearly still kind of stunned that this will be Tamamo Cross’s final race. She talks about how Tamamo Cross, faster and stronger than even her, was once the goal she sought to surpass, but, as Tama’s own sepia-toned flashbacks play across the scene, Oguri hits a nerve when she says that she can tell that Tamamo Cross loves running as much as she does. As Tamamo’s thoughts flash back to the sickly old man who has been on her mind this entire time, she flips.

The brief back-and-forth here is certainly the angriest we’ve ever seen either of these characters. But, in a twisted way, it’s also them at some of their most charismatic. There’s a very raw vein of bitter anger running in both directions here, and this brief scene is one of my favorites in the entire series for managing to say so much with so little, I’m glad the anime was able to capture it this well. Even Tamamo Cross’s parting remark is captured perfectly, owing as much to Oozora Naomi’s performance as anything visual.

The Arima Kinen, both the race and the episode, is thus set up as the most important of the series thus far. Here, on a bright, cold Christmas day, Oguri has to settle her score with Tamamo Cross. She won’t get another chance.

Oguri shudders and shakes as she enters the gate. There are trumpets, and then, there’s a long, lead-heavy moment of dead silence and raw tension.

And then, they’re off.

As front-runner Lord Royal takes first place in the earliest part of the race, we follow our four “titans” one at a time. We focus, first, on Oguri Cap herself. Belno Light’s study of running form, a major component of last week’s episode, is here revealed to be the sole actual stratagem that Oguri is bringing to the Arima Kinen. The idea is simple: by leaning even lower than she normally does, Oguri offsets some of the difficulty of the track’s inclines. Other than that, she is, at Roppei’s encouragement, running mostly on instinct here. (In an amusing bit of prodding at the fourth-wall, he even dismisses the whole pace chaser / late surger dichotomy as a simplification for the sake of “the viewers.” He means the viewers of the races, in a Watsonian sense, but it’s funny nonetheless.)

Super Creek gets only a little focus as the race begins, although we can see how her large, bounding strides might help her with a track this tough even without the show directly calling attention to such. It’s really Dicta Striker who gets the lion’s share of the focus in the latter half of the episode as the race really gets started.

We haven’t known Dicta for nearly as long as Oguri or Tamamo Cross, and it’s fair to say she hasn’t been characterized quite as much as Super Creek either. What we do know is that, all else aside, she seems like a bit of an adrenaline freak. She actually bashes her head against the starting gate as the race starts, and it takes her a bit to realize just how badly she’s hurt herself. To my recollection, this is the first-ever depiction of blood in an Umamusume anime, which is not exactly shy when showing other kinds of injuries.

There is a lot of it, enough to be genuinely pretty worrying! But Dicta soldiers on, her rapid, kicking gait not letting up as she tries to ignore the amount of blood she’s losing and keep herself in the race.

While she does, at least for now, valiantly keep herself up and running, her thoughts of strategy, where to time her last spurt, and so on, turn out to be for unintentional provocation to another racer in the back. Our fourth titan, so to speak, gets annoyed at how slow and conservative the race has been so far. She didn’t come here to coast to an easy victory. She came here to win.

In one of the wickedest cliffhangers Umamusume has made use of to date, a streak of white lightning strikes the racecourse for the third and final time. Tamamo Cross will not go quiet.


Next Week: The Lightning Legend vs. The Gray Goliath, for the last time!

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Anilist, BlueSky, or Tumblr and supporting me on Ko-Fi. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is manually typed and edited, and no machine learning or other automatic tools are used in the creation of Magic Planet Anime articles, with the exception of a basic spellchecker. However, some articles may have additional tags placed by WordPress. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch UMAMUSUME: CINDERELLA GRAY – Episode 20 – “The Answer”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime.

For the Cinderella Gray column, new installments will be posted either on the Sunday each episode airs, or as soon as possible over the succeeding week. Expect spoilers!

Cinderella Gray can be watched, legally and for free, on It’s Anime By REMOW on Youtube. A link is provided below for your convenience. The descriptive blurbs for these articles are taken from those of REMOW’s Youtube uploads.

A recurring tension in the Umamusume series is the fact that all racing careers eventually end. This only makes sense, most athletes retire eventually. You can’t push your body like that forever, and even the best will have to pack it in someday, as the alternative is usually much worse.

In the context of Umamusume, retirement is a peculiar thing. It’s almost never addressed directly. When it is, it’s sometimes accompanied by mention of the Dream Trophy League, a wholly fictional second racing league that we know little about, which existed as a background detail in some of the earlier, no-subtitle Umamusume anime seasons. Whether the Dream Trophy League even exists at this point in Umamusume‘s vague, shifting, and sometimes self-contradictory timeline isn’t clear—if it’s ever mentioned in Cinderella Gray at all, I must’ve missed it, and honestly even asserting that Cinderella Gray and those other seasons take place in the same continuity at all requires some squinting—but I bring this odd relic of the earlier Umamusume anime seasons up here to point out one thing in particular. It doesn’t actually come up in this episode even once, which feels notable.

Why? Because this is the episode where we finally learn what, exactly, has been hanging over Tamamo Cross’s head for the last while. You may recall that she seemed oddly hesitant to commit to racing in the Japan Cup again next year back when Obey Your Master asked. Here, we learn why. The Arima Kinen is going to be her last race.

This episode actually opens on a bit of backstory for Tamtam, showing us how she met her trainer Komiyama Masami. That “old man” whose sake she’s run some of her races was in fact her landlord, implicitly a former umamusume trainer himself, and introducing Tama to Komi was an act of kindness where it’s easy to understand why she’d hold him in such high regard. We aren’t directly told precisely why Tama is retiring, but with the juxtaposition here, we can infer any number of reasons.

Regardless of the “why,” when the two of them meet at a press conference, Tamamo breaks the news privately to Oguri Cap, who does not take it well. Whatever reason Tamamo might have, this means that she and Oguri will only have one more race together, the Arima Kinen itself. Oguri is actually in a fairly good mood up until this point in the episode, and her sharp downturn in demeanor here is quite startling. Moreso when she realizes, as she tries to argue with Tama, that she is now essentially in the same position Fujimasa March was way back in episode six. Tamamo Cross’s ultimatum to Oguri is the same as Oguri’s was to March; if she really wants to settle things, she has to beat her here. There will be no do-overs.

When the actual press conference starts and Tamamo Cross breaks the news to the press that the Arima Kinen will be her final race. We actually get a rare bit of narration from Oguri here, where she admits to not even remembering what she tells the press when they turn their mics to her. We don’t hear it, either, all of her thoughts have been blotted out by the specter of Tamamo Cross’s retirement.

Between the prospect of her greatest rival retiring and her own failure to reach the Zone, Oguri’s in a pretty tough position here, mentally. Some time after the conference, we see Oguri training at night to blow off some steam, and it feels like an open question as to whether the self-doubt, anger, and disappointment might actually snuff out her competitive fire forever. This is a real danger to someone like Oguri Cap, and she’d hardly be the first Umamusume protagonist to let her own hangups psyche her out of a victory.

Enter Dicta Striker, the Chestnut Bullet.

Dicta, based on one of the real Oguri Cap’s contemporaries, the horse Soccer Boy, has been a background presence in the anime since Oguri relocated to Tracen, but this episode is the first time we really get a good handle on her as a character. We get some of her backstory, including how her early career as a young prodigy gave way to a streak of losses that broke her confidence. She rebounded, though, at one point partly inspired by Oguri herself. By the time she calls out to Oguri for a late-night practice race, she’s long since reached the elusive Zone herself.

The training race, then, is as much a direct conversation between these two as it is actual practice. Dicta lightly needles Oguri as they run, saying that as she is now, she’ll never reach it. Privately though, Dicta thinks that Oguri is actually on the verge of breaking through this mental barrier. Dicta pushes her further; what compels her to race? Who does she want to beat? What, at the end of the day, is driving her?

This seesawing tension, between the joy and the fire Oguri Cap feels from running itself, from surpassing her rivals—once Fujimasa March, now Tamamo Cross, perhaps someone else in the not-too-distant future—from surpassing her own limits, and the persistent fear that she won’t be able to, will remain an underlying current for the remainder of the series. Cinderella Gray really leans into the Beast part of Oguri’s nickname in scenes like these, illustrating an underlying, boiling primality at the heart of her character, something fiercer and deeper than just competitiveness.

In a way, it’s unsurprising to see the anime render her in these terms—at the end of the day, this is a sports anime, after all—but the elemental distillation of it here is still a pretty rare thing, and it’s one Umamusume has made an art of over the years. Perhaps because of this, the nighttime practice race between Oguri and Dicta is the episode’s best scene, with most of its best shots being moody, windy cuts of Oguri’s running figure against the night sky.

Oguri comes close to making the breakthrough she needs to—very close, we get that visual effect of gray smoke leaking out of her eyes again, and a shot of a wall of glass cracking but not yet breaking—before Dicta abruptly calls the race off just as Oguri is about to pull ahead of her. Whether her explanation that she doesn’t want to push either herself or Oguri so much before the real race that they hurt themselves is what she really believes or a small bit of saving face is hard to say for sure. Either way, it’s clear that this run helps Oguri a lot.

Directly helping her rival out, even in such an oblique way, may seem contradictory with the goal of actually winning the Arima Kinen for Dicta. But, afterward, when her trainer, a hulking oak tree of a man, lightly chastises her for it, Dicta just wryly replies that she doesn’t want anyone to say that Oguri wasn’t at her best when she beats her.

Dicta isn’t the only one helping her, either. As all of this is going on, Belno Light, who by this point is essentially Oguri’s co-trainer, has been handling the more technical and strategic aspects of planning the race. An early scene at the press conference sees her inspired by how well Komi takes care of Tamamo Cross, and she gets a particularly great showcase here where, as an umamusume herself, she’s actually able to imitate Oguri’s running gait and analyze the specific ways in which the Arima Kinen’s track will affect her.

As with the Tenno Sho, the Arima Kinen features an inclined section, something that can’t be overcome with brute force alone and requires actual strategy to handle. Belno’s scenes in the episode, devoted to tackling this problem, are less dramatic than those with Tamamo Cross or Dicta Striker, but they’re no less important, and I think the story does a great job of making her seem just as important to Oguri’s growth as Oguri’s rivals are. By the time she’s finally come up with a good solution, she’s effectively run a version of the race herself. She may not be a preternatural talent like some of her contemporaries, but Belno’s tenacity here can stand up against that of any other umamusume in the series.

Of course, whether that growth equals success is another question. The episode ends on Christmas Day, at the Arima Kinen, a bright and sunny winter day as the runners take the field….

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Anilist, BlueSky, or Tumblr and supporting me on Ko-Fi. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is manually typed and edited, and no machine learning or other automatic tools are used in the creation of Magic Planet Anime articles, with the exception of a basic spellchecker. However, some articles may have additional tags placed by WordPress. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch UMAMUSUME: CINDERELLA GRAY – Episode 19 – “A Zone Yet Unknown”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime.

For the Cinderella Gray column, new installments will be posted either on the Sunday each episode airs, or as soon as possible over the succeeding week. Expect spoilers!

Cinderella Gray can be watched, legally and for free, on It’s Anime By REMOW on Youtube. A link is provided below for your convenience. The descriptive blurbs for these articles are taken from those of REMOW’s Youtube uploads.

Hello, Umadacchi. This week’s column arrives to you several days late. In my defense, I spent most of the past weekend being jabbed full of about a thousand vaccines I was behind on, and have been a real mess in the days since. I’m still not fully recovered, but I figure I’m well enough to do a little light writing. Luckily, this is a fairly light episode. There’s some important character work done here, to be sure. I also want to touch on the visual aspects since the first half of this episode is brilliantly-directed, but compared to the adrenaline burn of an actual race episode, we can afford to relax a little here.

Someone else who could maybe stand to relax is Oguri Cap herself. Stuck with the bronze medal in last week’s episode, the Gray Monster has entered a period of genuine burnout and self-doubt. While her chibi slumping about is pretty funny to witness, it is also genuinely sad to see our protagonist lose her confidence in such a major way.

It’s not subtle, either. Her classmates pick up on it pretty easily, since she’s been doing things like walking into walls and whatnot. The concerned include Mejiro Ardan, Sakura Chiyono O, and Dicta Striker, who Oguri is slated to race against in the upcoming Arima Kinen. Black Ale, still evidently a bit bitter over her loss to Oguri a whole anime season ago, is less sympathetic, but perhaps describing her as a baby or what-have-you is just the unruly horsegirl’s way of showing concern. (Probably not, but hey.)

I would love to know how many of you thought Black Ale would ever come up in this column again.

Oguri’s problem is that she feels that the two rivals who have bested her, Tamamo Cross and Obey Your Master, have something she doesn’t. Worse, she feels like she almost knows what that is, but not quite. Oguri isn’t the only one frustrated by her failure, either. Belno Light blames herself and, indeed, this is the most Belno-heavy episode in a good while, as she spends a large chunk of it trying to figure out what she can do to help Oguri train for the Arima Kinen. When Oguri meets Belno and Musaka to discuss the race, she seems almost disgusted with herself for what she says, but she’s honest nonetheless: she doesn’t think she can win.

We get a nice bit of scene interweaving here as Oguri’s rivals prepare for the clash at the Arima Kinen in their own ways. Dicta Striker runs, Super Creek boldly proclaims that with her trainer beside her, she can’t lose no matter who she’s running against, and Tamamo Cross….seems oddly reticent about the entire thing. She asks to talk to her trainer, it’s clearly serious, but what exactly is said is left as a mystery this week.

It’s Tamamo Cross who’s clearly on Oguri’s mind as she explains that, without that something that she and Obey have but Oguri doesn’t, she can’t imagine winning. This is more serious, even, than it might sound. Umamusume has a long history of dialing in on the mental state of its athletes as an indicator—maybe the indicator—of their performance. If Oguri Cap can’t conceive of herself winning, it’s difficult to believe she actually will. She’d hardly be the first character in this series to be psyched out by her own regrets.

Talking with Belno, Musaka ponders the intricacies of the Zone, in a very nicely-directed conversation that takes a SHAFT-y visualized-dialogue approach to keep things interesting. The result is some of the nicest looking moments in the entire series, and also a very telling one.

Musaka doesn’t entirely understand the Zone either—it’s been all but said that nobody really does—but what’s certain is that it’s the rarified territory of the racers who define their times. If Oguri Cap is shut out from this exclusive group, what can she really do?

Well, she can train. Musaka, who hilariously comments that this “isn’t an anime”, rejects the notion that the Zone is some kind of cheat or sure-shot victory card. Indeed, over the course of the rest of the episode it’s clear that his main strategy here is reigniting Oguri’s passion for the sport in the first place. If she can remember why she’s running at all, maybe all of this will seem less insurmountable.

To that end, this is the obligatory “everyone from Kasamatsu shows up” episode of the cour. And it’s genuinely great to see all of these characters again, especially Fujimasa March, last seen in the adaptation of “The Mermaid Left Behind” that was the first episode of this cour, and Kitahara Jo, fresh off from flunking the URA national trainer exams. (Better luck next year, Jo.) Musaka’s strategy seems, by the end of the episode, like it’s more or less worked. Oguri’s back in good spirits because she’s been reunited with and training with her hometown friends. There’s even a terribly cute moment where March and Oguri challenge each other in the exact same way they did back toward the start of the first cour, with Oguri directly calling back to her pose and “I won’t lose to you!” declaration. But there’s a lingering question over the entire thing: does that actually mean she can win the Arima Kinen?

We’ll find out on Sunday, I suppose.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Anilist, BlueSky, or Tumblr and supporting me on Ko-Fi. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is manually typed and edited, and no machine learning or other automatic tools are used in the creation of Magic Planet Anime articles, with the exception of a basic spellchecker. However, some articles may have additional tags placed by WordPress. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch UMAMUSUME: CINDERELLA GRAY – EPISODE 17 – “THE JAPAN CUP”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime.

For the Cinderella Gray column, new installments will be posted either on the Sunday each episode airs, or as soon as possible over the succeeding week. Expect spoilers!

Cinderella Gray can be watched, legally and for free, on It’s Anime By REMOW on Youtube. A link is provided below for your convenience. The descriptive blurbs for these articles are taken from those of REMOW’s Youtube uploads.

We open with Oguri on the practice track, remembering the sting of defeat at the Tenno Sho. Today, she swears to herself, is the day she closes that distance. Is it really? Can our ash-haired champion make a comeback?

One of the lovely things about the relatively curt episode titles that Cinderella Gray has used so far is that they point out certain reflections and repetitions within the story. Each of the episodes we’ve had which are directly named after a race—of which this is the third—have marked major inflection points in the series. “The Japanese Derby” showed us Oguri at her most dominant, a competitor so good that her absence overshadowed the race that was actually run. “The Fall Tenno Sho” focused on Tamamo Cross, Oguri’s strongest rival thus far and the first since her transfer to actually defeat her. This episode, then, seems to promise at least the possibility of a comeback story for Oguri.

In typical Oguri fashion, she’s not content to simply run. She wants to try something new and a bit daring. Specifically, she asks Musaka if she can run in the pace chaser style as opposed to staying farther back as she usually does. Her idea here being that Tamamo Cross mainly won due to being able to spurt farther ahead on the last leg of the Tenno Sho. If she’s in a better position, Oguri reasons, she’ll have a better shot at actually outpacing her. It’s a pretty sizable switchup, but Roppei agrees. Again, the elements for a comeback are all here.

Except, of course, the fact that Tamamo Cross and Oguri Cap are not the only two people running in this race. A walkout sequence quickly brings in all the competitors we met or met again last week, saving two in particular for last: Tamamo Cross herself, and Obey Your Master, who meet for the first time on their way out to the field.

Obey, apparently not above taking the low road, makes a psychological play. We know from earlier in the series that Tamtam is normally pretty nervous before a race, but, as with the Tenno Sho, she seems calm here. (We don’t know who exactly, but Tamamo Cross was on the phone with someone, evidently someone important to her, earlier in the episode. Perhaps these two things are related.) So it certainly seems like she’s in great shape both physically and mentally, until Obey tries getting under her skin. It’s not hard to conclude, following on from last week, that Obey is deliberately attempting to psyche her biggest competitor out. She’s surprisingly good at it, too, initially leading with a bit of fake buddy-buddy talk that Tama immediately catches on to, only to hit her with this.

Mood down?

This doesn’t seem to properly rattle Tamamo Cross, but it definitely at least ticks her off. A more stabilizing presence though is, unsurprisingly, Oguri Cap herself, and it’s cute to see the two of them do the whole “I won’t lose to you!” rival bit.

Once the race starts, Oguri actually seems to be doing rather well right up until she finds herself next to Michelle My Baby. Michelle, being American, does not have the sense of decorum most of the Japanese racers—Oguri included—are necessarily used to. What I mean by this is that when Oguri finds herself in a spot Michelle wants, Michelle has no problem attempting to take it by literally elbowing her out of the way. (Similar things play out up and down the pack, including between Ellerslie Pride and Gold City towards its back half. Noteworthy, as the two got a bit of banter in before the start of the race.)

Aside from being pretty borderline in terms of whether or not it’s actually allowed, this is also terrible news for Oguri in general. Already lower on stamina than she’d like to be given that she’s pace chasing (and thus having to run harder to stay near the top of the pack), Michelle’s rough tactics sap her of most of her strength entirely, and she falls back to the second half of the pack in the last few minutes of the episode.

It’s a pretty disheartening showing for our protagonist, and it’s hard to imagine her coming back from it. Though, as Musaka points out, the race isn’t over ’til it’s over.

At around this point, Toni Bianca, the favorite of the overseas racers and, as we established last week, really the smart money to win this thing in general, stops playing around. Bianca has up to this point been biding her time in the dead middle of the pack, so this is her going for the win. As she does so, she remarks that Tamamo Cross—coming in from the outside to avoid the physical contact stuff from the foreign racers—must be very arrogant to think that that kind of recklessness is going to help her against someone like Toni.

Here’s the thing though, it absolutely does help her against Toni. For the second time, we see lightning strike the racecourse.

About “the Zone” (almost always written in quotation marks, from what I’ve seen): it’s a natural question to ask whether what we’re seeing is “real” within the context of the fiction—regardless of whether anyone who’s not an elite racer can actually see it—or if this is visual metaphor presented for the sake of us, the audience. I think, though, it’s an imperfect and incorrect question. Umamusume likes to play coy with whether or not “magic” (or at least something sufficiently close to it) exists in its universe beyond the obvious conceit of the horsegirls themselves. I think the honest answer is that leaving it open to interpretation actually makes these scenes more compelling. Is this merely Tamamo Cross breathing rarified air, giving it 110% with whatever powerful but still mundane techniques she’s learned, or is there actually some kind of Horsegirl Domain Expansion thing that she has access to? I personally lean more toward the former, since I think it’s largely more interesting. But I also admit that there’s part of me that practically vibrates in my seat at the thought of umamusume with superpowers, so it’s not a clear-cut case of one being better than the other. Hitting both sides of that internal divide is one more stylistic thing that makes Cinderella Gray so great.

Everything, then, seems primed for Tamamo Cross to take another G1, which would put her at a ridiculous seven such wins in a row. Here’s a question though, about the “Zone” and about Cinderella Gray in general; is there any reason at all to believe Tamamo Cross is the only umamusume who can do that?

And that’s the note we end the episode on! Tamamo Cross a streak of lightning across the track, suddenly staked to the ground by a sinister, all-seeing eye. What the finale of the race holds, we can only guess. See you next week, umadacchi.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Anilist, BlueSky, or Tumblr and supporting me on Ko-Fi. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is manually typed and edited, and no machine learning or other automatic tools are used in the creation of Magic Planet Anime articles, with the exception of a basic spellchecker. However, some articles may have additional tags placed by WordPress. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch UMAMUSUME: CINDERELLA GRAY – Episode 16 – “The World’s Best”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime.

For the Cinderella Gray column, new installments will be posted either on the Sunday each episode airs, or as soon as possible over the succeeding week. Expect spoilers!

Cinderella Gray can be watched, legally and for free, on It’s Anime By REMOW on Youtube. A link is provided below for your convenience. The descriptive blurbs for these articles are taken from those of REMOW’s Youtube uploads.

Hello, umadacchi. Your beloved blogger is a bit under the weather this week, but luckily, this particular episode of Cinderella Gray is mostly one of laying groundwork and doing some character introductions. As such, it’s pretty simple to cover.

Plainly, this episode serves to introduce (or reintroduce, in a few cases) Oguri Cap’s competition at the upcoming Japan Cup. The episode is actually structured as such that it largely introduces Oguri’s foreign rivals first—which makes sense, there’s more to cover there—but we’re going to flip that around and talk about her domestic competition to start with. There are just fewer umamusume in this category, and one of them, Tamamo Cross, is essentially the show’s defending champion. Tamtam gets a nice little practice vignette with her trainer, who warns her against pushing herself. A gentle reassurance from someone who cares, or foreshadowing of something greater? We can’t yet say, but it’s good to see Tamamo around, and it also gives us the delightful treat of seeing her with her head ornamentation removed. Cute!

Oguri’s other main competitor from Japan is Gold City, who actually practices with her at Musaka’s behest as they try to build Oguri’s stamina, given that the Japan Cup, at 2400 meters, is longer than any race Oguri’s yet run.

Oguri and Gold City, in a nice change of pace from some of Oguri’s more serious rivalries, hit it off pretty much immediately, and the episode’s penultimate scene is a funny exchange between the two of them wherein Oguri asks Gold how she keeps her hair so nice, leading to a whole bit about shampoo.

Perhaps unsurprisingly, the international competition is given a bit more focus. Umamusume doesn’t get the chance to feature horsegirls from anywhere but Japan terribly often, so when they do, they tend to go all out. It is also worth noting that this is another case where the umamusume aren’t named directly after the real racehorses—rights issues, one imagines—and it’s fun to compare whose legally-distinct name is an upgrade and try to imagine how they might have gotten from one name to another.

Easily the most prominent of the umamusume featured here is Toni Bianca [Kaida Yuuko, based on the real horse Tony Bin], presented as a genuine menace. Enough so to merit an at least passing comparison to Symboli Rudolf (herself the last Japanese horsegirl to win the Japan Cup). She has an impressive record, too, most notably, she’s the most recent Prix de l’Arc de Triomphe champion.

Of the girls introduced here, Bianca is perhaps the most classically in the ‘arrogant rival’ mold. When our good friend the reporter Fuuji, a recurring presence throughout this episode, asks her what she intends to accomplish by running in the Japan Cup, Toni replies nothing. She intends to win, and she will win, and that’s that. Fuuji is impressed by this of course, but there’s the subtle implication of something more complex going on when later, on her own, she contemplates that the upcoming race will be her magnum opus. What that could mean, we don’t yet know, but it’s enough to raise some intrigue about a character who is otherwise a bit broad.

Even more so is the UK’s representative, Moonlight Lunacy [Sekine Akira, based on Moon Madness. I’m honestly not sure how they got away with that one].

She has a refined and elegant design, and some banter with Fuuji reveals that the two have at least some prior history together—she apparently competed in the last Japan Cup, only to come in fifth—and she kicks him for being tactless when he brings up her previous defeat in the race. Still, I’d say she’s firmly the least interesting of the umamusume introduced here.

Contrast, for example, Ellerslie Pride [Tomita Miyu, based on Bonecrusher, easily the biggest name downgrade here], the sole Japan Cup runner from the southern hemisphere and representing the hope of not just her home country New Zealand, but that entire half of the globe in general.

Her somewhat tough appearance (and the straight-up intimidating name of her inspiration) belie a horsegirl who is clearly a little desperate to put her country on the map. She actually visits a shrine as her first order of business in Japan, apparently praying for her own success. (Fuuji bothers her, too, and gets a giant shrine bell dropped on his head for the trouble.)

And of course, there are the Americans. Michelle My Baby [Takagaki Ayahi, based on My Big Boy] is incredibly tall compared to almost every other character we’ve seen in the series so far. We don’t learn terribly much about her—although on a fact-finding mission for Musaka, Belno Light describes her as having the strength of a bulldozer—but when you’re introduced by slam dunking a basketball from across the court, maybe you don’t need much in the way of complicated character motivation.

Which leaves us with one last character to meet. The other American umamusume is an apparently utterly unremarkable racer, no G1 wins, no record of really any note at all, and she’s also rather hard to get ahold of. Fuuji tries to find her but doesn’t succeed. Belno does, though, although one gets the sense it might be because she wanted to be found.

This is how we meet Obey Your Master

[Ishigami Shizuka, based on Pay The Butler].

When Belno finds her, Obey is literally face down, ass in the air, sniffing the grass. Why is she doing this? Who knows! Belno asks her, and her response is that it “smells amazing.” So at first, one might reasonably conclude that Obey is just weird. Weird girls are not new territory for Umamusume—see Gold Ship, a generational cryptid sort of girl, as just one example—but Belno, and indeed Oguri Cap, are not so lucky. Obey seems to immediately cotton on to what Belno is doing (and jokingly calls her “James Bond”). In fact, Obey knows all about Oguri Cap, starting from her career as a regional star in Kasamatsu up to the Fall Tenno Sho where she lost to Tamamo Cross. But actually, Obey even knows who Belno is, and it is with some sense of alarm that Belno Light processes that the last girl she’s been sent to find is not normal.

We can just say it. Obey is a freak. I fucking love her, she is one of my favorite charcters from Cinderella Gray in general, but she is an odd, odd character. The combination of everything we see here; her wild eccentricity, the star-shaped pupils, her encyclopedic knowledge of the competition, and of course the episode’s instantly-infamous final scene where she dances alone in the dark, Oguri Cap and Tamamo Cross’ race playing on her television and her rivals’ photos plastered all over her walls, brings to mind nothing less specific than Kurokawa Akane from Oshi no Ko. In fact, despite some obvious differences, she comes off as an outright interpolation of the character into a radically different context. I can’t prove that the inspiration actually worked that way—if it did, mangaka Kuzumi Taiyou would have to have been pretty quick on the draw, as Cinderella Gray and OnK started serializing around the same time—so if that reference point seems improbable to you, we can also just say that Obey comes off as a bit serial killer-y in, especially, that final sequence. This is, of course, fantastic, and it implicitly suggests that the true showdown in the Japan Cup will not be between Oguri Cap, Tamamo Cross, and—as one could be fooled into thinking from the start of this episode—Toni Bianca, but between those two and Obey.

Obey explicitly identifies Tamamo Cross and Oguri Cap as her “enemies” for the Japan Cup. And they both, it seems, will have to be careful to not be her next victim.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Anilist, BlueSky, or Tumblr and supporting me on Ko-Fi. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is manually typed and edited, and no machine learning or other automatic tools are used in the creation of Magic Planet Anime articles, with the exception of a basic spellchecker. However, some articles may have additional tags placed by WordPress. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch UMAMUSUME: CINDERELLA GRAY – Episode 15 – “Our Story”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime.

For the Cinderella Gray column, new installments will be posted either on the Sunday each episode airs, or as soon as possible over the succeeding week. Expect spoilers!

Cinderella Gray can be watched, legally and for free, on It’s Anime By REMOW on Youtube. A link is provided below for your convenience.

Let’s talk about Super Creek [Yuuki Kana].

Actually, before we talk about Super Creek, let’s talk about characters, and how Umamusume handles them. Full disclosure, I’m going to be pulling extensively here—both in this column specifically and, honestly, probably whenever I talk about Umamusume going forward—from IronicLark’s excellent Umadacchi Densetsu blog, a fantastic resource for all things Umamusume and, so far as I am aware, easily the most thorough exploration of the series and its various components available in English. I highly recommend diving into it yourself sometime if what I am doing in these columns interests you even a little bit. Frankly, Lark is significantly more knowledgeable on the subject than I am.

So, characters. Most things I cover on this blog are either standalone anime projects, or they’re anime adapted from some single specific source, a manga, a light novel, etc. Umamusume belongs to the other category of things I cover here, and has more in common structurally with, say, Love Live, than most other anime I write about. What I mean by this is that it’s a media mix1 franchise. Without getting too into it (because that distinction alone is worth having a long conversation about) what this essentially means is that rather than one component of the franchise being the “primary” unit that all other adaptations pull from, there are many distinct components given roughly equal weight. Now, this isn’t strictly the case with all or even most media mix properties, as in the case of Umamusume and many others, there is a “central” project—the game—but the distribution of influence is much more horizontal than it is in something like, say, the Yano-kun anime airing this season, which is a straight one-to-one adaptation of a single specific story.

This approach changes how a series handles many things, but most relevant here is how it handles characterization. Because, if you primarily know Super Creek from the Umamusume game—and I’m betting that describes at least some of you—you might wonder how that character and her doting, motherly personality fit in to the generally fairly serious ‘sports anime’ tone that Cinderella Gray has going on. The answer is that Umamusume, as with many media mix properties, tends to emphasize or scale back different character traits depending on the needs of the story. As such, different iterations of the same character can feel pretty distinct, even if the “core” remains the same. (As a complete tangent, the most extreme example of this approach I can think of is actually Transformers, a series in which this guy, this guy, and this guy all have the same name, at least some of the time, despite being nothing alike.) Nothing so extreme as that example is present in Umamusume, but I bring all this up just to say: when we see Creek here, she is somewhat different from the Super Creek you’ve seen people make all those googoo babies jokes about on the internet. (Although, elements of that doting characterization do remain, I don’t want to overstate the differences.)

Creek is formally introduced here after having kicked around in the background of Part 1, and—not to spoil anything—we are going to be following her, at least intermittently, for quite a while. Her introduction is actually relatively low-key at first, though. We see her training. We see her trainer, Fumino Nase [Yū Shimamura2] apparently a prodigy who’s brought her trainees pretty significant success even early on in her career, beset by reporters. Nase seems to find all the media attention annoying at best (and particularly bristles at an offhand mention of her father, evidently also a trainer), but she’s willing to throw them a bone by telling them that she intends to have Super Creek compete in the Kikuka Sho, one third of Japan’s Triple Crown and, importantly, the longest race of the three. This comes as a surprise to the reporter interviewing her as, to hear that reporter tell it, Creek’s race results haven’t been that impressive, and she’s actually not even a sure thing to so much as run in the race, as someone would have to drop out first. Nase is of course aware of all this, though, and explains that as a trainer, she considers it part of her job to believe in miracles, no matter how unlikely they might be.

Naturally, just then, word comes down the line that one of the other competitors has had to drop out. Super Creek has an in.

The actual Kikuka Sho race follows both Creek and one of her main competitors. Yaeno Muteki, whose name you probably remember. It’s hard not to feel a bit bad for Muteki, who keeps getting put in these situations where she’s trained so hard and has good prospects only to end up facing a rare, generational talent.

And make no mistake, Super Creek is one of those. For a race as long as the Kikuka Sho both physical stamina and clarity of mind are important, so while Muteki holds the most promising position for a majority of the race, Creek is eventually able to angle her way from the middle of the pack straight to the front, and she ends up not only winning but winning by a pretty large margin. (A quick reference check on the real race that this episode is based on shows that the real Super Creek overtook the second-place horse, Gakuten to Beat, by five lengths. I am choosing to assume a similar margin here, in the absence of any other evidence. I suppose he really did beat Gakuten.)

Creek’s strength, as emphasized here, lies in her incredible endurance. Something she and Nase have evidently been working on for some time. A brief flashback between the two invokes the Cinderella metaphor once again.

Apropos of nothing, it is worth pointing out that Creek and her trainer seem very close.

It’s worth going over again, the term “Cinderella story” refers to, in sports, a longshot victory by an underdog. Usually several such victories over the course of a tournament or the like. In the context of Cinderella Gray, well, the second part of the title spoils that this mostly refers to Oguri Cap. But it can, just as easily, be taken to refer to many of Oguri’s contemporaries, including Tamamo Cross and, yes, Super Creek as well. (Given her chestnut brown hair, she’s an almost-literal dark horse.) Her victory here is clearly hard-fought, and the fire in her eyes on the final spurt is really something to behold. I’m probably not going to surprise anyone by saying I absolutely love Creek, especially this incarnation of the character. I am hoping this episode might turn at least a few more people in the world into Super Creek fans. Fingers crossed.

(On the note of “beholding”, it’s worth addressing the elephant in the room at least briefly. There has been some amount of discourse about the show’s somewhat reduced animation prowess from the first part of the first season, the Kasamatsu arc. There’s some truth to this, probably related to staff being shuffled around, but the highlights of this race stack up to anything else in the series so far. We’ll see how the rest of the season plays out in this regard. I feel the need to give a good amount of credit to the show continually paying attention to how the racers run, though. Even in the weakest moments of the race, Creek is consistently drawn as taking long, comparatively slow strides. Right up until that final spurt, where she starts really putting the pedal to the metal.)

In any case, while Yaeno Muteki takes her loss hard, she and her master keep up their training. Muteki has an endurance of her own, in this regard, and as I’ve gone through this story she’s become one of my favorite supporting pieces of Cinderella Gray‘s cast, which is not exactly lacking for strong characters.

And as for the Ashen Beast? Well, this arc does mark the point at which Cinderella Gray goes from being largely about Oguri Cap to being something of an ensemble piece, and I suspect we’ll get a lot more of these focus episodes in the weeks (and hopefully, years) ahead. But, she is here. The entire time Super Creek is making history on the racetrack, a pair of distant eyes are on her, and they are those of none other than our very own Gray Monster. She, Belno, and Musaka make a number of comments during the race, in fact, but what sticks out to me most are the ice-blue bullets Oguri stares into the screen when she senses she has gained yet another rival. Truly, our girl is a monster.

Super Creek will not be the last girl to give Oguri a hard time this arc, by a long shot. A brief post credits scene introduces us to Toni Bianca [Kaida Yuuko], the Italian umamusume who stands as one of many international racers Oguri and all other Japanese racers competing in the Japan Cup will have to face. Toni is wildly dismissive of them, time will tell if she can back up that talk.

Oh, and there’s another umamusume from abroad who arrives as well. Some blonde girl with tacky stars-and-stripes leggings. Probably no one important, in any case.

Famously a thing us Americans say a lot.

But! We’ll get to find out together. See you next week, Umamusume fans.

1: While the Japanese term “media mix” is quite similar to the English phrase “mixed media”, I’m rendering it as-is here, because “mixed media” has a different connotation in English, whereas a “media mix” is something a fair bit more specific.

2: As with the Sirius Symboli case in Part 1 of the anime, my usual sources are not helping me here, but I found a few stray references indicating that she’s voiced by Yu Shimamura, and am taking those at their word.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Anilist, BlueSky, or Tumblr and supporting me on Ko-Fi. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is manually typed and edited, and no machine learning or other automatic tools are used in the creation of Magic Planet Anime articles, with the exception of a basic spellchecker. However, some articles may have additional tags placed by WordPress. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch UMAMUSUME: CINDERELLA GRAY – Episode 14 – “Another Peak to Climb”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime.

For the Cinderella Gray column, new installments will be posted either on the Sunday each episode airs, or as soon as possible over the succeeding week. Expect spoilers!

Cinderella Gray can be watched, legally and for free, on It’s Anime By REMOW on Youtube. A link is provided below for your convenience.

Oguri Cap faced her first major defeat on the race track at the hands of her rival Tamamo Cross in the finale of Cinderella Gray‘s first cour back in late June. Since then, the world has appreciably changed for Umamusume as a series. Perhaps most notably, the Global (read: English-language) version of the mobile game this is all meant to promote finally launched, and I know for a fact I was hardly the only person there on launch day to redeem my 3* voucher to get Oguri herself. This is relevant because, due to the game’s success, there is a very real possibility that this column going forward will have a much larger potential audience than it did back in Part 1. To that end, I’m gonna go ahead and say that if you’re not caught up with these columns, I, a completely unbiased source, think they’re pretty worth reading, and you can do so here. Also, welcome aboard.

I’ve also read the manga, or at least, what exists of the manga fan translated into English. I won’t spoil any twists before they come, but it has given me the confidence to say that Cinderella Gray not only remains as good a powerful sports shonen narrative as it was in the first cour, but it actually gets even better over time, right up to the present. There are stories I can’t wait to share with you all, and characters I can’t wait for you to meet. But we’ll get to those as they happen.

What’s not a spoiler, or indeed a surprise to anyone who’s been watching the trailers ReMOW has been putting up, is that this upcoming arc focuses on the Japan Cup, a prestigious international race that will see Oguri and some of her domestic rivals compete against umamusume from all over the globe. That Cinderella Gray returns today, on the day of the Prix de l’Arc de Triomphe—a different prestigious international horse race that Umamusume as a series is somewhat obsessed with (it was a plot point in Umamusume‘s third season, in fact. This despite the fact that a Japanese horse has never won it)—feels significant.

Interestingly though, that’s not where Part 2 starts. Instead, it makes the rather interesting decision to adapt the one-off spinoff The Mermaid Left Behind. What this means is that rather than diving straight into the Japan Cup stuff—what all of Part 2’s trailers were about, mind you—we instead return to the setting of the first half of Part 1, Kasamatsu, and the first story of the second cour is not about any of Oguri’s current rivals, but her first: Fujimasa March.

As Umamusume goes, what unfolds here is a pretty simple tale of rivals whose emotional bonds are unaffected by the physical distance between them. March is fresh off a haircut and a major loss at the Tokai Derby. We saw her conversation with Oguri Cap back in episode ten, where it seemed to reignite her competitive fire and give her renewed confidence to try again.

Yamano Thousand, the umamusume that March actually lost to in the Tokai Derby, does not see things that way.

Thousand is offended that March keeps trying to chase after someone who isn’t even here, and accuses her of running after ghosts. (She also insults the Norn Ace / Mini the Lady / Rudy Lemono trio by calling them Oguri’s “groupies”, which is admittedly pretty funny.) But if this seriously shakes March in any way, we don’t see it. It’s Mini, funny enough, who assesses Thousand accurately; her bark is worse than her bite, and her end closer strategy is a poor fit for a track with corners as tight as the ones here. In the end, March’s renewed passion perhaps as much as any strategic consideration lets her win handily, and she explains to Thousand—and implicitly to us as well—that she’s not chasing Oguri’s ghost. She’s chasing the real thing. This is the same March who first lit Oguri Cap’s competitive fire, and Thousand failing to understand that the glint in her eye and the blush on her cheeks are both because of Oguri Cap is part of why she loses. I don’t believe we’ll get another check-in on Fujimasa March like this, so this episode is, in a way, a nice sendoff to a Oguri’s first rival. A promise that her story is still being written, somewhere just out of view.1

The second half of the episode returns us to Tokyo. It largely focuses on Oguri’s national rivals but, once again, opts to refocus on who we already know instead of rushing headlong into introducing new characters. Most of these little vignettes focus on the umamusume preparing for their next race. For Oguri, that’s the Japan Cup that’s the center of this arc. Some of her rivals will be there too, but others, such as Dicta Striker [Hanamori Yumiri] have different aims. The latter in particular leads to a very charming scene where Striker attempts to do the old “intimidating rival challenging the protagonist on a level playing field” bit, talking about how she wants to hand Oguri her second loss in the Mile Championship, only for Oguri to promptly explain that she isn’t actually running in that. (She’s tailing Tamamo Cross, of course: the Japan Cup and the Arima Kinen, best known to players of the Umamusume game as where careers go to die, are her next two destinations.)

If there’s a unifying theme here, it’s that Oguri Cap and Tamamo Cross’ showdown has inspired everyone with an eye on the scene, from Oguri’s hometown friends to her rivals in the nationals, to greater heights. Even Sakura Chiyono O, the actual winner of the Japanese Derby that really was haunted by the ghost of the missing Oguri Cap, gets a scene here to show off that she’s not resting on her laurels. Nor is Yaeno Muteki, another of Oguri’s rivals and a perpetual underdog. Dicta Striker will get to run against her eventually, as well: she’s aiming for the Arima Kinen, too.

This even applies to Oguri herself to some extent, as Fujimasa March looks toward her, so does Oguri look toward Tamamo Cross. Each serves as the proverbial new peak to climb for the previous racer. (We must naturally assume that there is, thus, also some fresh-faced new student at Kasamatsu who thinks of Fujimasa March as an ideal to aspire to.)

All told, this is an odd and transitional episode and, generally speaking, a bit of a strange choice for Cinderella Gray‘s triumphant return. Still, it’s nice to see Fujimarch again, and the strong thematic throughline makes it make emotional sense as a returning point. Plus, the few crumbs we get here are going to feed March x Oguri fans for the next several months, so it certainly isn’t a bad episode by any means. It’s hard to deny though that the real lightning-in-a-bottle moments from this arc are very much still ahead of us. Part 2 is short—just ten episodes as opposed to the thirteen of the first cour—so I imagine we’re going to be getting into the main body of the arc relatively soon, within a couple episodes at most. We’ll see what that looks like in the weeks ahead.

1: Interestingly, March’s race against Thousand is also done in full racing silks. This goes against the series’ usual conventions as I understand them, where only national G1s are run in silks. Still, I’m not going to complain. March’s snazzy blue outfit is lovely.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Anilist, BlueSky, or Tumblr and supporting me on Ko-Fi. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is manually typed and edited, and no machine learning or other automatic tools are used in the creation of Magic Planet Anime articles, with the exception of a basic spellchecker. However, some articles may have additional tags placed by WordPress. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch UMA MUSUME – CINDERELLA GRAY Episode 13 – “Japan’s Best”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime.

For the Cinderella Gray column, new installments will be posted either on the Sunday each episode airs, or as soon as possible over the succeeding week. Expect spoilers!

Back at the very beginning of this series, when we had only just met her, Oguri Cap was presented to us as “someone we could root for from the bottom of [our] hearts.” Those were the words of Kitahara Jou, her original trainer, who saw something in her. A spark, a fire. That rare, ineffable, and hard-to-qualify thing known as star power. There is just something about Oguri that makes people like her. This isn’t even restricted to Oguri Cap the anime character. Even the real, historical horse was so popular that cheering crowds chanting his name were known to pop up when he made an appearance. Regardless of the time, place, or even the medium, people love Oguri Cap. We want to see them succeed.

Essentially, this is us. (I’m Norn Ace.)

And succeed she has! When the only major defeat you’ve suffered so far was not at the hands of a fellow racer but bureaucracy, you know your career’s in a good place. Cinderella Gray has spent this entire season building that goodwill, contrasting her thunderous victories with her good-natured and straightforward personality, making us cheer for Oguri no matter where she runs or whom she runs against. That is still true here, in the final episode of what is already becoming retroactively known as Cinderella Gray Part 1. Make no mistake, her main rival in this race, Tamamo Cross, is also a great character. Enough so that she basically carried last week’s episode on her own, as Oguri was largely kept out of the spotlight there. But this is Oguri’s show. Oguri is who we’re here for. And this finale boils the series down to its barest essentials; a stable of powerful rivals, a race, a mountain to be conquered. There is nothing remotely complicated about the narrative here, all Oguri has to do is run.

And yet, even running is not really a simple thing. The episode opens with some recapping of last week, this time from Oguri’s perspective—the way she waxes poetic about how Tamamo is so obviously different from the rest is really something, the girl has it bad—before getting into the real meat of the race, the final stretch of the course. This, both the show and Oguri herself make note of, is basically where the real race begins. The Tokyo racecourse that hosts the Tenno Sho ends with an absolutely brutal incline, making all of the “climbing the peak” metaphors deployed throughout this season stunningly literal as it speeds to a close. (I would not be surprised if the incline was, from a writing perspective, where all those metaphors came from.) As Tamamo passes front-runner Lord Royal, the race boils down to Tamamo herself and Oguri, two ash-haired racetrack demons who are, by all evidence, equally matched.

And then Tamamo gets a leg cramp. For a minute, it seems like Oguri’s last race of the season will play out as a victory with an asterisk; outside conditions throwing her dominance into question. What actually happens is much more stark, a much cleaner break, than something that cheap.

Tamamo Cross grits her teeth. She remembers her childhood; an old man with a strong accent teaching her the fundamentals of running as the sun sets next to a river. That old man, the same we met a few episodes ago as he lay in a hospital bed, clearly doing very badly, is who she thinks of as she steels herself. Suddenly, she is somewhere else. All sound fades away, and she is a streak of lightning across the racecourse.

Rarified, transformative states of this nature are a rare thing. Depicting them in fiction is really, really hard. Symboli Rudolf, who’d know a thing or two about this subject, just refers to it as “the Zone.” I can think of no better term myself, so I’ll defer to her, here. This is not the first time such a thing has been depicted in Uma Musume—a good chunk of the visual spectacle of the New Era movie, for example, comes from scenes like this—but it’s the first time Oguri Cap has stared down its barrel. For the first time in the series, she is on the receiving end of the same kind of buzzer-beater blowout performance she’s dealt to so many other racers. Tamamo Cross takes the gold in Part 1’s final race. Oguri Cap has lost.

Musaka, who can spot Oguri hitting her limit the second it happens, remarks that no matter how many times one endures it, defeat never feels less bitter. Norn Ace, watching back in Kasamatsu and probably Oguri Cap’s biggest fan, tries to talk herself out of feeling disappointed but is clearly crushed. Belno echoes many fan sentiments with saying that Oguri’s victory seemed predetermined. Nonetheless, the fact of the matter is that no one truly knows how a race like this—any competition like this—is going to go until it happens. (And remember, while Oguri Cap is who we’ve been following, for Tamamo Cross this is a major victory. Not only does she become the first racer to ever win both Tenno Sho races consecutively, the victory clearly means a lot to her trainer, who’s shown weeping with joy from his hospital bed.)

Perhaps the person with the most perspective on the whole issue, though, is Oguri Cap herself. Is she disappointed? Absolutely. We see her tear up after Tamamo crosses the finish line, and she attempts to reckon just why she lost. But she recovers almost instantly, brimming with motivation now that she’s found someone who can actually match her. Tamamo and Oguri talk after the race, swearing to run against each other again, officially declaring each other as their rivals with a whole lot of blushing that gives the scene as much gay subtext as anything from this franchise has ever had. It’s a wonderful bow on the episode.

So Oguri’s defeat here is not really a sad thing. For the first time, she has a rival who is not just at but above her level, and the episode ends with her as her same old cheerful self getting ready to train. There’s a new mountain to climb, and while we’ll have to wait ’til Fall to see just how Oguri plans to summit that particular peak, it seems inconceivable that she won’t. Cry if you must, but don’t dig a grave. To paraphrase Uma Musume‘s resident trickster Gold Ship, a loss is not the same as dying. Oguri Cap will be back.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Anilist, BlueSky, or Tumblr and supporting me on Ko-Fi. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is manually typed and edited, and no machine learning or other automatic tools are used in the creation of Magic Planet Anime articles, with the exception of a basic spellchecker. However, some articles may have additional tags placed by WordPress. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch UMA MUSUME – CINDERELLA GRAY Episode 12 – “The Fall Tenno Sho”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime.

For the Cinderella Gray column, new installments will be posted either on the Sunday each episode airs, or as soon as possible over the succeeding week. Expect spoilers!

I’ve largely been pretty happy with how Cinderella Gray has presented its storytelling so far, but there’s an obvious disadvantage to the particular way this series, and really Uma Musume in general, is constructed. Because these stories are loosely built around real events, you don’t have the luxury of really picking and choosing what characters play what role in a given circumstance. Because of this, the Fall Tenno Sho is the first time Oguri Cap and Tamamo Cross have actually competed against each other in any way. And as a direct consequence of that, Tamamo has not gotten a ton of screentime.

That began to change last episode, and the trend continues here. If there’s a single thing this episode absolutely nails, it’s giving You The Viewer, should you perhaps have been skeptical, reason to care about Tamamo Cross. A pretty impressive amount of character work is crammed into these 20-odd minutes, and it’s probably the episode’s biggest accomplishment. In addition to, you know, all of the usual high points that Uma Musume hits.

There are two main techniques at play here. First, the episode opens with a straight-up flashback, depicting a very young Tamamo and her mother as, somewhat surprisingly, vagrants of some sort. To my recollection, this is the first real indicator that poverty as such exists in Uma Musume at all, and it’s a bit shocking to see them break that particular seal so casually. [A rare after the fact edit from me here: This was my initial read, but a friend has since pointed out that it’s possible they were just trying to find a home near a racetrack, and this would explain the more casual nature of the scene while still leaving the stakes roughly intact and honestly makes a bit more sense. This is what I get for writing late at night!] Still, the scene is effective, showing the two attempting to find housing in Kasamatsu and failing. Oguri’s mother even makes a brief cameo, pretty heavily implying that if things had worked out just slightly differently, Oguri Cap and Tamamo Cross would’ve known each other as children.

In addition to being excellent fuel for fanwork, that kind of what-if is meant to tie Oguri and Tamamo even more strongly together, the idea that these two were in some sense always “meant” to meet is a powerful one, and it bleeds over into their interactions in the present day.

Before we get into that, though, spare a thought for Lord Royal [Yamamura Hibiku], who has her first and, if I had to guess, probably last moment of any real relevance in this episode.

Royal, a frontrunner introduced in last week’s episode, is the only one of the other contestants given much attention aside from some jokes. She clearly thinks very highly of herself, and she actually has an impressive, commanding lead for much of the race. Arrogance is a hell of a thing though, and as soon as she starts imagining herself in true royal attire as the race’s obvious winner, she is interrupted by a streak of white lightning to her right.

Most Uma Musume racers, if their style is brought up, are defined by a single approach. As once again laid out by journalist and commentary character Sensuke, you have your frontrunners, pace chasers, late surgers, and end closers. Four different approaches that roughly demarcate how a particular horse girl runs; frontrunners attempt to get to the front of the pack early and stay there the entire race, pacers match the pace of the leading runner from not far behind her and attempt to overtake her at the end, surgers do much the same but from farther back, and end closers attempt last-second bullet zooms as the race comes to a close.

These categories aren’t absolute, but they are the boxes that most race styles fit into. Tamamo Cross, it’s noted, is an end closer. Adopting this approach after an incident during her debut where she collided with another horse girl mid-race. Her reputation as such seems to bother her a bit, as she runs here, she notes being unsatisfied with a style defined by her fear of the pack. (This makes her come off as both brimming with a charismatic, earned confidence, and as a bit of a trickster. The cool factor cannot be overstated.) And accordingly—and unusually—she completely switches her approach for this race, surprising even her own trainer. She keeps pace with Lord Royal for most of the track, and Royal is ahead of her for most of that time, but while Royal has a strategy of her own—deliberately making it seem like she’s tired out, when she in fact still has gas in the tank—she does not have the winds of destiny at her back. Thus, in the final leg of the race, Tamamo Cross passes her with ease. Better luck next time, Royal.

That’s not to say that Tamamo Cross’s victory is a sure thing, because the entire time she’s running, she feels something from behind her. Not the pack itself, but some singular, immense pressure. Like a force of nature bearing down on her. Something….monstrous.

This is, at the end of the day, Oguri Cap’s show. She is the titular Cinderella gray. In this arc people have started calling her “The Ashen Beast”, a title more fit for a Dark Souls boss than a racehorse. We don’t actually see who wins, here, as the episode ends on a truly wicked cliffhanger, but the show is doing an incredible job of making it seem plausible that it could be either her or Tamamo. Roppei points out that all of Oguri Cap’s victories have taught her to trust her raw power; unlike Tamamo, who is performing a dramatic switchup of her style here, Oguri is doing what she’s been doing this entire season, running low to the ground, tearing through the track like a monster, and leaving no survivors.

So who takes it? The White Lightning or the Gray Monster? The Ashen Beast or the trickster with the supersonic feet? Goku or Vegeta? We don’t know! But that kind of edge-of-your-seat tension, simplicity itself in description but impossibly difficult to actually nail, is what makes this series so great. Here, it accomplishes this with a clever perspective flip that effectively makes Tamamo our protagonist for the first part of the final race. It’s enough to leave the results up in the air. The finale, and the finish line, await.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Anilist, BlueSky, or Tumblr and supporting me on Ko-Fi. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is manually typed and edited, and no machine learning or other automatic tools are used in the creation of Magic Planet Anime articles, with the exception of a basic spellchecker. However, some articles may have additional tags placed by WordPress. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.