One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!
The Cover Issue: A lionizing figure leads a revolution, it would seem. I really, really want these guys to show up in the main story now. There is nothing on Earth funnier to me, in this moment, than a lion leading a pirate crew.
In today’s chapter, the battle for the hull and soul of the restaurant ship continues, but not without an interesting new wriggle. Yesterday it seemed like Gin might be betraying Don Krieg outright. Today’s chapter makes it clear that’s not true, he just feels honor-bound to kill Sanji himself. A peculiar buccaneer’s honor, if ever I’ve seen it.
Another important thing happens; Don Krieg reestablishes his bad guy bonafides. How? By tricking Luffy into almost wrecking the rest of the ship. He makes a huge show of firing a “poison gas cannonball” (yes) at the rubber pirate, but surprise, he actually filled the cannonball with shrapnel.
No, sorry, with shuriken. My mistake.
There’s also a fun small detail here, where Krieg tells his men off for letting the fact that Luffy called them “wimps” get under their skin. He says that being bothered by it only proves Luffy’s point. Not ten pages later, he absolutely seethes over the fact that Luffy won’t acknowledge Krieg as proper King of the Pirates material. Some pirates are just always telling on themselves. Things don’t get immediately resolved here, and we can assume that the battle for the oceangoing restaurant will continue well into the next chapter.
See you then, pirates. But before I do, here’s an intriguing bit of cultural flotsam included at the end of this chapter.
The very first One Piece popularity poll, so far as I can tell. I’m a little sad that Nami ranked behind Red-Hair Shanks, who hasn’t shown up since the prologue, but eh, young boys, am I right?
One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!
Also consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
Hi folks, I always do dread writing things like this. I guess out of some misplaced fear people will be upset with me?
In any case, I’ll cut straight to the point. For the next while, possibly the next long while, posts here on Magic Planet Anime will be a lot less regular. This means I’m probably not going to be hitting every column every week, and there may be fairly long gaps between posts. I sometimes might write fairly random things just for fun if I have the energy, but I’m not going to be capable of posting every column more or less on-time every day of the week like I have mostly (admittedly, not entirely) been doing for this past year.
If all you care about is the “what” and not the “why”, you can stop reading now, but I do feel like I should provide at least some explanation as to why this is happening for those who care or are curious. Hopefully without getting into TMI territory.
The short version is that I’ve been dealing with a fairly serious medical problem since back in April. I won’t go into the icky details, but it’s seriously impacted my ability to do things for myself physically as well as prevented me from walking around like I like to do, so my mental health has suffered pretty severely as well. I’ve been trying to see somebody for this for a long time, but progress has been intermittent and slow, for a whole host of reasons not worth getting into.
I think unfortunately I have been kind of using this blog’s regular schedule as a substitute for a routine, rather than simply building it on top of an existing, healthy routine I already had. This was fine last year and toward the start of this year when I didn’t have any big issues hanging over my head, but now that I do, things have gotten more complicated, and I can’t really be writing about cartoons instead of taking care of important stuff.
Plus; I do think the quality of my writing has suffered a little bit as a result of trying to prioritize consistency. I worry that in focusing on trying to convince myself that this is a “real job”—something that, frankly, is absurd. If anyone doesn’t think I deserve to be paid for what I do here, then doing it more consistently isn’t going to convince them otherwise—I’ve lost a little bit of the passion. Not much mind you, I still routinely put up columns I’m quite proud of. (See herefrom just yesterday, for example.) And plenty more that are quite fun to write (I really must stress that I’ve loved doing One Piece Every Day, even if it is going to be as impacted as anything else). My hope is that by dialing back the scale of my operations, I’ll make fewer, but better columns. And then, when I’ve got all my health issues sorted, I will be able to return in full force better than ever.
As for the immediate future, I have a couple One Piece Every Day columns that will go up over the next three or so days. After that, it’s all a big question mark, and I’m really not trying to push myself, so I don’t want to make any promises. There definitely won’t be much going on here next week, since I’ll be out of town. (I’m being taken on vacation by some close friends. Thankfully, they are paying.)
In any case, I highly recommend following me on Twitter if you want to be kept in the loop. Plus, I sometimes write (much more briefly) about anime there as well. Lastly, if this blog has ever brought you any joy or made you think about something in a new way, please do consider donating, every cent helps and I don’t have any other sources of income.
I think that’s about the shape of it, friends. I’ll be seeing you when I see you.
Oh, and yes, One Piece Every Day will be keeping its name. It would be excellent if I could keep up the “once per day” schedule, but I’ve already missed one just yesterday simply by forgetting to put it up, so uh…no promises. ^ ^;
Anime Orbit is an irregular column where I summarize a stop along my journey through anime, manga, and the related spheres of popular culture over the past week. Expect spoilers for covered material.
“Idols don’t ‘do the right thing.’ They do what they want.”
I’m breaking a personal rule with this one. Generally speaking, I don’t really like to compare currently-airing anime. Especially not if the main reason they’re being compared is that they share a genre. In my view, people generally vastly overstate the importance of genre and tend to use what should be a guideline as a box to lump dissimilar things together. Or worse, to rag on something for not fitting a particular, narrow ideal of what something in a given genre “should” be. Comparing seasonal anime on the basis of their genre alone is usually pretty basic and uninteresting.
Yet, something about the idol genre specifically reignites an old fire of partisan fandom within me. I latch on to favorites pretty hard, and even I’m sometimes at a loss as to succinctly explain why, both in terms of individual characters and—as this column will go into—entire shows themselves.
So today, I’m letting myself do something I normally wouldn’t; I am comparing two things that I fully acknowledge have little business being compared. Those things being the second season of Love Live! Superstar, about the idol group Liella, and new girl on the block SHINEPOST, about the idol group TiNgS.
But come on! How can I not? We have here two idol anime airing in the same season, appealing to the same groups of people, but with wildly different approaches. One operating from within the established Love Live franchise, and the other, a punchy outsider that evokes 2011’s seminal The Idolmaster. (Bonus points; Superstar is from the long-established Sunrise, and SHINEPOST comes to us from the still relatively young Studio KAI, perhaps best known at this point for the second season of Pretty Derby and last year’s Super Cub. They’re also working on the excellent Fuuto PI this season as well.) One is pure fluff; sunny, goofy, and, in its best moments, purehearted and warm. The other is a down-to-earth look at idols as players in the idol industry, focusing on ground-level character dynamics and getting into the heads of its significantly smaller cast.
So here we go; two idol anime, two very different takes on what that phrase even means in 2022. We will look at them one at a time, and then consider how we might use the knowledge of what each is doing to look ahead into the future.
We’ll start with SHINEPOST, the one I prefer by a fair bit. TiNgS were introduced to the world with their trailer PV toward the end of last year, and it (and the accompanying song, the scintillating banger “Be Your Light!!”), immediately hooked me.
SHINEPOST is a scrappy little anime, one that seemingly rather few people in the Anglosphere are watching. But for my money, it outstrips Superstar in a few respects; it’s more ambitious, and the particular suite of emotions on display here resonates with me more. I don’t think SHINEPOST is a “better” show in any absolute sense—I rarely think of anime in that way, and Superstar has its merits too, as we’ll get to—but it’s easily the one that’s captured more of my heart.
Part of that, I think, comes down to the fact that SHINEPOST has what is for me more relatable character writing. Particularly in the form of Kyouka Tamaki (Moeko Kanisawa, lead for the real-life idol group ≠ME). Kyouka does fall within a firmly established character archetype; she’s straightlaced, serious, a good student, and considers herself very ordinary. She turns to idol work out of a desperate desire to be special, to mean something to somebody as more than just another person. The devil’s in the details here; Kyouka’s desperation to be noticed also gives rise to a farily pronounced self-loathing streak. See, for instance, the way that she convinces herself that she’s not “really” talented in the weeks following a performance of a new song, in which she sang lead, gone awry. Throughout the show’s second major arc, she tries to settle for less, only for that to end up making her feel worse. It’s a punch to the gut. She reaches her lowest point when she slips into a McDonald’s incognito, hoping—and then actively fantasizing—that one of the other patrons will recognize her. It is, and I mean this with no malice in my heart whatsoever, truly pathetic, in the most profound sense of that term. I have been this person; lots of people have been this person, seeking petty validation from random strangers, only then to feel even worse when we don’t get it. It is a truly miserable feeling, the sort of thing that can swallow a performer’s psyche whole if left unchecked.
But SHINEPOST is not a show that wallows in these kinds of things. The point, after all, of showing you what this kind of character is like in the dark is to then lift them out of that darkness. Kyouka’s manager—an important character in his own right—is able to convince her that actively wanting to be special, that selfishly, shamelessly wanting to feel, even if just for a moment, like the center of someone’s universe, is not just okay but is expected of her. That’s where this column’s header quote comes from; and it’s one that will stick with me for a while. Sure enough, when she’s able to get out of her own head and adopt the mentality of just letting herself honestly want what she wants, she absolutely aces the next performance of her song. In doing so, she shoots her biggest fan, the one person to whom Kyouka really is so much more than just another face in the crowd, through the heart. She straight up faints; it’s hard to blame her.
Granted, this is just one particular arc. (Not even the most recent one, as Rio, the spunky short girl of the group, is the star of the current arc.) But it’s illustrative of SHINEPOST‘s character writing strengths, which make the series feel far more grounded than Superstar despite its rather weird high premise. (Would you believe something this good is being sold on the premise that the idol group’s manager can tell when people are lying? He’s a good character and all, but it’s a downright bizarre thing to hook your whole show on.)
Speaking of, let’s pivot to Superstar. Comparing the shows along a character writing axis in particular is rather unfair. After all; the Love Live series has never dealt with the ‘industry’ side of the idol industry, preferring to bubble its wholly fictional school idol concept off from real world concerns, which severely curtails the possibility of any kind of industry drama plotlines. (This despite the fact that, of course, any of the actual idols who voice the Love Live girls are industry professionals who’ve generally had to work very hard to get where they are, but that’s a conversation for another day.) Inherently, this isn’t a huge problem, and a different Love Live series, last season’s followup to Nijigasaki High School Idol Club, managed to turn that lack of serious engagement with what being an idol means ‘in the real world’ into a strength. Nijigasaki envisions, essentially, a utopia, where the distinction between idol and fan is nearly nonexistent and not only can everyone be an idol, but everyone should at least give it a shot. It has a particular kind of rare fervor that you don’t see in most of its peers over on the sunny optimism side of the idol anime spectrum.
Superstar, meanwhile, has what one could easily argue are higher stakes; its main cast are trying to win the titular Love Live. This is, in theory, a fertile ground for, if not the same kind of character drama as SHINEPOST‘s, at least something in the same general ballpark. Instead, though, most of Superstar‘s best episodes, especially here in its second season, have been a lot sillier than the looming presence of any serious competition would imply. One of season 2’s biggest developments so far is Liella expanding to eight (and eventually nine, although we’re not there yet) members. Two of those members, the stoic oddball Shiki Wakana (Wakana Ookuma), and the willful idol otaku Mei Yoneme (Akane Yabushima), recently got an episode all their own.
Shiki and Mei seen here in their natural states of “looking kinda stoned” and “being flustered and embarrassed.”
And while there was some focus on the twos’ relationship with each other (which goes past “best friends” all the way into borderline homoromantic, a plus for some viewers, certainly), the episode was mostly about wacky misunderstandings. It was a very good episode about wacky misunderstandings, but this, and similar examples throughout the series so far have made Superstar feel like a bit of a lightweight in comparison. Cheerful, fun, amusing, but not anything more than that.
Part of this, I think, comes down to Superstar‘s idols themselves. Liella are not by any means a bad group, and I’d put them on par with SHINEPOST‘s TiNgS in a vacuum, but none of its members come close to the sheer magnetism of, say, Nijigasaki‘s Setsuna Yuki or Lanzhu Zhong. You really need a certain level of camp to elevate this sort of story beyond the merely pleasant. And unfortunately, while there is camp and theatricality present in Love Live! Superstar, it’s mostly not from Liella themselves.
Let’s talk about Wien Margarete (Yuina). Or Vienna Margaret, depending on whose subtitles you’re looking at.
Introduced in Superstar‘s third episode as a rival not just for Liella on the whole but for center Kanon Shibuya (Sayuri Date) specifically, she actually hasn’t appeared in person in the two episodes since. She almost doesn’t need to; Wien has an absolutely electric magnetism that, honestly, none of the Liella girls can really match. What you have here is perhaps the classic problem of simply making the antagonist too cool. (And make no mistake, with her sneering dismissal of Liella and the entire Love Live competition, Wien is absolutely a villain, in as much as Love Live ever has those. Kanon frankly even seems a bit scared of her, despite the fact that Wien is literally a middle schooler.)
Granted, if a middle schooler with lavender hair started showing up outside my house to tell me how bad I was at singing, I might be scared of her too.
But at the same time, I’m unwilling to slam Superstar too hard over this. It is entirely possible that in the season’s back half the rest of Liella will rise to the occasion. Their actual talent, both in-universe and, outside of it, that of their voice actresses, is not remotely the problem, it’s just that you can’t beat crazy shit like glowing butterflies, iron clockwork, and a gothic lolita dress adorned with black feathers by being a pretty good idol group. (And honestly the show itself seems to be on my side here; go watch that clip and look at how Liella react to her. Those are the faces of girls who know they’re outclassed.)
Perhaps, then, Liella will meet that challenge at some point. As it stands, they just don’t have this kind of theatricality, but seeing the group transform into the sort of people who could pull that off would be very much worth watching. (If, still, an entirely different universe than what SHINEPOST is doing.)
In a sense, and to return back to our opening question, this is really less a criticism of Superstar and more of an open query. Now that this genre is entering its second full decade of being among the most successful and popular anime subgenres, where is it going? There’s a lot I haven’t touched on here, outside just these two shows. Right now, Waccha Primagi, a children’s anime that blends the idol and magical girl genres has been unwilling to let the possible outbreak of a war between humans and magic users—after the local Beyonce stand-in ascended to divinity and became an angry Sun God, naturally—interfere with its once-an-episode CGI idol performances. Last season, there was Healer Girl, which I would not really call an idol anime, but its dynamic approach to music certainly borrows something from the genre, and which it spun into hallucinatory dream sequences of rare beauty. And this very season, there are a few idol anime I simply haven’t seen; namely League of Nations Air Force Aviation Magic Band Luminous Witches, whose full English title is an absolute joy to have to copy and paste every time and which is a spinoff of the polarizing Strike Witches series, and Phantom of the Idol, which simply by starring a male lead, is already so far removed from almost everything else on this page that it’s almost another conversation entirely.
Perhaps, then, trying to say much about what idol anime will look like next year, in 5 years, in 10, is foolish in the first place. Writing this piece has been an exercise in perspective. Always a valuable thing, and I hope you’ve found reading it interesting as well.
Nonetheless, the fact remains. Whether the rest of the ’20s brings us more stories of passion and drama within the idol industry, and whatever twists they may have, more sunlit visions of a world where anyone and everyone can become the performer they’ve always dreamed of being, or something in between or even farther afield, the idol genre does not look like it’s going anywhere any time soon. People love pop music, and they love pop stars. That much seems unlikely to change.
Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!
The Cover Issue: You know who can beat both an acrobat and a lion tamer in combat? An actual lion.
I like chapters like this that are defined by a couple of solid “WTF” moments. Selfishly, that’s partly because they’re easy to write about, but also I just think it’s fun when a chapter is wholly built around one or two big punches like this.
The fight on board the restaurant’s secondary battle deck continues as the chapter opens. Sanji makes a very brave and spirited showing that he isn’t about to let anyone just walk all over the deck of his beloved ship, not with himself still in debt to Zeff for saving him.
Just one problem; Luffy is also still on board, and he has other ideas.
I do so love Luffy’s habit of just calling all of his moves Gum-Gum Whatever.
Yeah he shatters the battle deck into splinters. Because um….to be honest I’m not totally sure what Luffy’s plan is here? Something about sinking the ship so that Krieg’s men won’t get their prize? He does have some good points about Sanji’s recklessness, though.
In any case, it doesn’t actually matter, because Luffy’s little plan is interrupted by the other big “who did what now?” of this chapter.
Normally I’m not super keen on “this character we’ve introduced as a villain is secretly a decent person” as a development, but I make exceptions for characters who are based as fuck.
And the chapter basically ends there! With Gin betraying his boss and with Krieg saying this.
Tomorrow: The battle for the restaurant rages on.
One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!
Also consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!
Before I say anything else, I do want to be clear that yes, “Dreams Come Rued” is this episode’s title. That’s not a typo; it’s “rued” as in the past tense of that word you only ever see in the phrase “rue the day.”
In any case, I think I have maybe not done the best job of conveying how goddamn weird this show is. RWBY: Ice Queendom is an anime that, by now, has taken place mostly within a dream world by volume. And inarguably, one of its strengths is that that world does in fact run on a convincing facsimile of dream logic. Things change on a whim according to the dreamer’s mood and, indeed, changing the dream itself is part of Team RWBY’s plan as they once again venture into the depths of Weiss’ mind, with Team JNPR’s Jaune in tow.
We open with The Funky Four + 1 More here trying a different tack; they defend one of the ice trains that continuously attempts to enter the city from the recurring White Fang attacks. In doing so, they allow one of the trains to enter the fortresslike Winter City for the first time, perhaps, ever. Weiss, notably, has to actually give the order to open the city’s gates and hesitates until the very last moment to do so, a pretty straightforward metaphor for how much difficulty she has in letting other people into her life. She actually visibly is panicking a bit as she has to make the call. Indicative of authoritarian people freaking out when they no longer have pet issues to fearmonger over or just reflective of the fact that Weiss is, like, super tightly-wound? We at Magic Planet Anime ask, is there no reason it cannot be both?
Regardless, the results are pretty magnificent. The city literally transforms around the train as it enters, and despite Weiss’ protestations that the city “will not change” and how she has to make Blake “understand” this, for a while it looks like things might resolve themselves peacefully. Team RWBY hide out of the way while Jaune enters one of the “Silly Prisons.” That’d be the literal cages where the dreamscape versions of Team JNPR are kept, as we first saw several episodes back. Unfortunately—and, call me crazy, I’m getting the impression that whoever wrote this episode is not super fond of Jaune—Jaune ends up unleashing a horde of tiny, chibi Weisses—Miniweissen, we’ll say—who promptly start babbling one-liners like this.
Now he does get ahold of one of those relics—this one yellow—too, but this turns out to be a pretty big fuckup. Frankly, the entire thing has to truly be seen to be believed; it’s nuts. If Ice Queendom was just uncut weirdness like this all the time, it’d probably be my favorite thing airing this season.
Ruby of course interprets the Miniweissen being free to run about as a good thing. And it does initially seem like it might be, because they disable the menacing robot guards from attacking by…infecting them with childishness?
But then they start making a mess of the city, and it rapidly becomes clear that whatever the solution might be to Weiss’ horrible combination of a self-loathing complex, deeply-ingrained bigoted attitudes, and a generally authoritarian attitude towards not just others but herself as well, it was not letting these things out. Before too long, they combine into larger forms—Magnaweissen?—and start levelling buildings and such.
And then, of course, Weiss calls toward the heavens….
“By the power of Studio Shaft, THIS WILL LOOK BETTER ON BLU-RAYYYYYYYYYYY!”
….and promptly unleashes her giant bronze spider mecha. What, you don’t remember that from the original show? (Honestly, I shouldn’t say things like that given that I haven’t seen it. Maybe it is in the original series.)
If I seem to have a lack of things to say here, I think it’s more because this is a transitional episode than anything else. Team RWBY have tried a different approach and it’s gone awry, and we end on a pretty intense cliffhanger as Weiss summons the aforementioned spider mecha. I have no idea where this is going, but I’m excited to find out.
Yeah, okay, maybe she’s a bad person, but the style though. Sheesh.
Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!
Well folks, I hope you like reading my opinions on Girls with Guns anime, because we have a full double-writeup this week.
Episode 6 is a weird one, although in the greater context of Lycoris Recoil it’s actually fairly typical, dealing as it does with a mix of action and wacky hijinks. Takina moves in with Chisato as an extra defense against the recent rash of Lycoris killings (we saw one of those in episode 5), mostly to comedic effect, despite the deadly serious situation, and there’s a running gag throughout the episode about Chisato’s preternatural skill at rock-paper-scissors, as well as plenty more gay subtext for those who are watching the series just for that.
But you wouldn’t assume such silliness from how the episode opens; it begins with the DA in crisis. The targeted killings have thrown the agency into disarray, and there’s not much indication that the commander really knows what to do. That’s actually all we see of her in this episode, but it sets the tone for that part of the episode pretty well.
Let’s briefly talk about Majima (Yoshitsugu Matsuoka). Majima is the weird terrorist who’s been behind these Lycoris killings. We learn in this episode that he’s probably working for Mr. Alan (whether he knows that is an open question at this point), and that he has a pretty short fuse, threatening his cohort, the hacker Roboto, if he can’t get him what he wants soon enough. What does he want? To smash the DA. To be honest, if that motive were welded to a more developed character, you could very easily make the case that Majima is actually the good guy. But Majima is not much more than a cartoonish killer with a grudge at this point, and frankly, he’s not a terribly interesting antagonist. (At least not in this episode, but we’ll get to that.) His being the bad guy is easy to chalk up to the show’s rather simple political principles. He is a functional counterforce for Chisato, though, which is enough for this episode specifically. He becomes interested in our hero when Roboto inadvertently shows him some footage of her roughing up some would-be assailants, and from then on it’s mostly ravings about “balance.” Although there is one interesting reveal snuck in here; that Chisato is, or at least Majima thinks she is, an “Alan Lycoris.” It really doesn’t seem like our protagonist is actually working for Alan, so what that means, beyond Alan’s brief allusion to her being a “genius of killing” back in episode 4, is fairly up in the air.
The actual section of the episode where Majima and Chisato fight is strongly done, and LycoReco makes a much-needed comeback on the production front after the visually iffy episode 5, here. The fact that Majima’s favored method of attacking Lycorii starts with “run them over with a Lambo” is still deeply silly, but it at least looks suitably dramatic and menacing this time around. Most notably with this shot, where it does actually look like Chisato might be seriously injured or worse. (She is, of course, fine. No one can stop an anime high school girl with a firearm.)
Things do get dicey enough though that Takina has to intervene, although not before we get a pretty great “hero and villain fistfight while surrounded by chanting goons” scene. I’ve always loved that particular trope, it’s an easy way to inject some grit into a story. (And the between frames of a full-on slugfest are inevitably hilarious.)
There are some other interesting bits in here. For one, we get yet another piece of the puzzle as to the question of what exactly happened back in episode 1. Today we learn that the person who hacked the Radiata system—and thus, indirectly lead to Majima’s people getting their hands on the names and faces of the Lycorii he’s been hunting down—was in fact Walnut, AKA our very own Kurumi. This is basically treated like a serious but ultimately goofy mistake on her part by most of the cast, which is as odd as it sounds. The only resulting consequence being her offering Takina a tearful apology and promising to help them see the case through to the end. I feel like I’m beating a dead horse whenever I bring this up, but this show’s oddly undercooked ideological framework really just lends a weird air to developments like this, and a few other “gags” throughout the episode. It’s the show’s most serious writing-side weakness, but admittedly, Kurumi committing a serious crime being treated as an Uh-Oh Whoopsie is actually kind of funny.
This is also the presumable inspiration for episode 6’s midcards, which I will not otherwise get a chance to include here, and which really remind me of that “girl being homoerotically bullied” meme that used to go around tumblr.
Do you think someone on the staff just made this as fanart, originally? I do wonder.
We close with Takina finally beating Chisato at roshambo, with her residence at Chisato’s place on the line, although not before the latter gets her hopes up.
….And, elsewhere, with Majima swearing vengeance against this “interesting” Lycoris he’s met, thrilled that he’s found someone who can “strike a balance with him.”
Which brings us to episode 7.
Episode 7 is not only much stronger than the comparatively weak 5 and 6, it’s probably the best episode of Lycoris Recoil so far, despite forgoing one of the series’ usual strengths. (That is to say; there aren’t really any cool extended action scenes in it.)
Part of this is down to a simple shift in focus; I haven’t made a secret of the fact that I’m a bit down on Lycoris Recoil‘s worldbuilding and the assumptions that it uses as foundations. That’s still true, but this episode foregrounds a more interesting and more directly interpersonal series of conflicts that makes that a fair bit less relevant. You can think of this as the show “zooming in”, if you’d like.
Our plots here are twofold; one follows Majima and manages to make him a fair shake more interesting than he’s been since his introduction, and the other follows Chisato, who, via an unintentionally sneaked look at a phone, manages to learn more about herself and the operation that saved her life than she probably wanted to.
Majima’s plot is the more straightforward of the two, so we’ll knock that out first; he spends much of this episode running around on Roboto’s orders. All to advance some grandiose plan he has to encounter Chisato again, who he has quickly developed a dangerous obsession with. We also learn, somewhat surprisingly, that Majima was present at the much-discussed Radio Tower Incident, and in fact claims credit for “breaking” the tower in the first place. What this might mean is still unclear, but he did meet a certain deadly, familiar-looking Lycoris back then, which immediately adds a layer of the engagingly personal to his fixation on Chisato.
On the other hand, maybe this is just The Flatwoods Monster wearing a schoolgirl uniform.
His half of the episode ends with him and his band of thugs shooting up a police station, and attaching a bugged USB stick from Roboto to one of their computers. (Which is presumably somehow connected to the Radiata, to be honest this is the episode’s only plot point that I’m still a little unclear on.)
Chisato, meanwhile, happens to glance at her boss Mika’s phone one day at the cafe’. One can see why the message would catch her interest.
As much as what follows is about Chisato, it’s also about Mika. I haven’t really talked a lot about Mika in these columns, but he’s actually probably my favorite member of the adult cast. For one thing, cast diversity has badly backslid in anime over the past 20 years, so it is just nice to have a Black character who is a normal part of the narrative instead of some weird stereotype. But more than that, he’s an interesting mentor figure in his own right, past episodes have alluded to a checked past with the DA, gesturing toward the notion that Mika is not entirely the kindly man he seems.
This episode does not pull any kind of secret villain reveal, but it does confirm that, yeah, the guy used to work in the truly unpleasant part of the already-unpleasant secret government agency. Namely, because one of his buddies was Shinji Yoshimatsu. The mysterious head of the Alan Institute who I’ve accidentally previously only been referring to by his pseudonyms, I think. Anyway! That is the guy that he meets up with at Bar Forbidden, the amusingly named members-only lounge mentioned in the text message.
Initially, some of the cast (especially Takina) think that it’s possible that he might be meeting up with the commander, assuming it’s a strictly business affair. They find out the actual truth of things once they infiltrate Forbidden in, I’ll say, a very Chisato way.
Where in the world is Chisato Sandiego?
As they find out, Yoshimatsu and Mika go way back. On the one hand, we get pretty explicit confirmation that they used to be more than just friends. (Quoth Chisato, who sounds like she’s speaking from experience; “love comes in many forms.”) And Yoshimatsu attempts to psych-out Mika in an elevator on his way out. Both by acting all domineering and then by pulling back and explaining the reasons for his actions.
He, as we already more or less knew, was the one who funded her operation after the Radio Tower Incident, and did so because of Chisato’s natural talents. Those talents go unnamed here, but it doesn’t take a genius to infer that he’s referring to her skill as an assassin. Skill she hasn’t really put to use since returning to work as a Lycoris and switching only to non-lethal arms.
Here again we do kind of run smack into LycoReco’s fundamental writing issues. Lycoris Recoil seems to think switching to non-lethal ammo is a much bigger deal than it actually is. Yes, it’s great that the child soldier isn’t wantonly killing people (anymore), but she’s still a child soldier. An unsolved problem remains.
Or does it?
The series has not been shy about portraying Yoshimatsu as a villain. This is the first episode we get that really humanizes him at all, and what we learn is hardly flattering. Chisato confronts Mika and Yoshimatsu, although unfailingly politely. She learns about why she was saved, and even though she does not show it in any way but the most subtle, it’s very clear that this bothers her on a deep level. And I imagine that with Majima setting plans in motion to cause full-on disasters to attract the attention of his favorite Lycoris, her commitment to the bare minimum baseline even of just not killing will be tested in the episodes to come.
While that is not the comprehensive breakdown of the toxic structures that put all this in place that many were hoping for from Lycoris, it is meaningful. In the episode’s closing moments, she hangs up her Alan Institute pendant inside her closet, implicitly locking that part of her identity away. She is clearly bothered by what she’s been told here, even if it’s not in her nature to make that obvious. Hopefully, the next time we see the pendant, she throws it out for good. (And Mika, certainly, feels like he’s failed Chisato in some way by letting her find out about this. I really do think the two have an endearing surrogate father / daughter sort of thing going on, and you really feel for him here.)
Making things worse is that Yoshimatsu tosses this comment toward Takina, possibly hinting at a future wedge between the two. (Even if not, Yoshimatsu is clearly trying to make one.)
The episode ends on a brilliant little match cut; Chisato hanging up her pendant with Majima idly dangling his in the air as he plots his next move. This is the most alive Lycoris Recoil has felt for a few weeks, and whatever happens next, it’s sure to be explosive.
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One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!
The Cover Issue: It seems like Buggy’s former crew are still slugging things out. I’m still rooting for the acrobat.
In middle and high school English classes, they sometimes teach you to try to search for the “main idea” of a story. Usually, they use purpose-built short stories for this, or a carefully-curated selection of classics that you can more or less fit into that mold if you squint. But this practice neglects the multitudes that even very brief bits of fiction can contain. Chapter 58 of One Piece is, of course, just one tiny part of a much larger whole. But on its own, it’s also a riveting 18 pages of oceanic desperation. Sure, this is Sanji and Zeff’s backstory, but it’s also just a damn compelling piece of life-at-its-limits storytelling. In this chapter we learn how Sanji and Zeff survived for 80 days—nearly three whole months—with nothing but a single sack of food on a deserted sea stack.
Initially, Sanji is optimistic about their situation, dividing his rations into 20 portions so he can stretch out nearly a month’s worth of food, even if he’s only getting the bare minimum. That initial optimism turns to grim, do-anything-to-survive desperation as the weeks wear on. We get to see it happen, mostly within the span of a single page, in what is probably One Piece‘s greatest feat of storytelling economy up ’til this point.
Eventually, he gets desperate enough to try attacking Zeff, to steal his food. Only to learn that the old pirate doesn’t actually have any food with him; he’s been sitting there, slowly starving, for months. The only bag he had was filled with gold and jewels, not a morsel of actual food. When he cut his leg off last issue? That was because it was hurt, sure, but he was also preparing to eat it. All that to keep Sanji alive.
That all leads up to this page, a genuinely poetic lament from the very much dying Zeff, as he confides in Sanji that he too seeks the All Blue, and also shares with him his new dream; to open an ocean-going restaurant.
Thankfully, for both Zeff and for us, a ship comes by not many days later, and the starving pirate and equally-starving Sanji are saved.
We then, of course, cut back to present.
Tomorrow: Sanji vs. Pearl.
One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!
Also consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!
The Cover Issue: It would seem that some of Buggy’s crew are figuring out who’s going to take up the captain’s hat the old-fashioned way. I don’t remember these twos’ names, but I do remember that Lion Tamer Boy here was a dick to that dog, so I’m rooting for the acrobat guy.
Today, we learn how Sanji and Zeff went from being on opposite ends of a pirate raid to having the complicated relationship they do now. Spoiler alert; Zeff’s pirates’ raid on the Orbit does not go as planned.
Most of the Orbit’s crew are willing to roll over for Zeff, but not Sanji himself. Convinced his life is in danger, he attacks not just the pirate crew in general but Zeff himself with a pair of kitchen knives, wounding the captain notably badly.
Despite this, when the cook-to-be goes overboard, Zeff is the one who kicks down the ship’s mast in order to give him something to hold on to.
When the storm clears, Sanji finds himself washed up on a deserted island with no one but Zeff himself for company, the splintered wood of the Zeff’s own ship filling the water as the two try to survive for as long as possible.
More than most, there’s a real sense of the nautical to this chapter; sheets of at-sea rain, thrashing, wild waves, a gorgeous, fading island sunset, and so on. It’s definitely one of the best-lookingOne Piece chapters so far. If more of this is in store for us, I really can’t wait.
In any case, the chapter ends with Zeff taking a sharp rock to his leg. (Presumably it was infected.) Thus providing some context to Sanji’s earlier statement. Irony is a real jerk, isn’t she?
One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!
Also consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!
The Cover Issue: A context-free but pleasant scene of Sanji and Luffy wrangling some buffaloes. One of whom is smoking!
This is quite an information-dense issue, but we can basically break down what happens into three main parts.
One: Gin threatens to kill Zeff, offering to spare his life if and only if Sanji and the rest of the cooks get off the ship ASAP. Sanji refuses, cryptically stating that he’s already taken so much from Zeff that he can’t allow him to lose anything else.
(In general, this is a rather intense chapter, and the art is more dynamic and impressive than normal, which is saying something, because One Piece already looks pretty good most of the time.)
Two: Uh-oh, Pearl is not actually dead. He kicks the shit out of Sanji, threatening his life by clapping the cook’s head between two of his shields. He also lights the ship on fire again (or maybe it just never went out from last issue), threatening the lives of everyone on board, including his own. Again.
Three: Sanji’s being knocked out is used as a transitional into a flashback, where we meet him at the young age of just 9, when he was an apprentice aboard a ship called the Orbit. He learns—and for the first time, we learn—about the legend of the ocean “All Blue”, a place where all the world’s oceans meet. It’s of keen interest to the other cooks aboard the Orbit, since anywhere where all the seas meet would have all of the world’s fish in it as well—at least, that’s their logic—and thus be a veritable seafood buffet. Of course, they don’t really believe in the thing, unlike Sanji, who very much does.
But that’s interrupted by the Orbit’s peaceful voyage being disrupted by a pirate raid, led by a very familiar captain.
One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!
Also consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!
The Cover Issue: We catch up with some of Buggy’s other crew here, who are apparently under the impression that he’s dead. I love the little funeral portrait they’ve made out of the ship’s timber, that’s a cute touch.
Here’s a fact to ponder; fire is actually super dangerous at sea. It was even moreso during the era of wooden ships. It would spread quickly, and it was difficult to get under control partly because there just isn’t really anywhere else to go, so it’s hard to manage on top of that.
This fact is relevant in today’s One Piece. Can you guess why?
Honestly, I got nothin’. This is a manga where we’ve already seen a guy destroy an entire ship with a single sword stroke, and somehow this is the first thing that just leaves me totally speechless. It just feels really random? Like sure, he can somehow make fire with his shield and he does it just as a reflex because he has jungle PTSD. It’s not even a bad development really, it’s just perplexing.
Out-of-nowhere-ness aside, his outburst does result in the predictable.
Although not for long. Pearl is actually defeated in this chapter, too, in a pretty solid battle mostly between him and Sanji but also featuring an assist from Luffy, who deflects one of Krieg’s huge spike ball things as a crucial moment when Krieg decides that Pearl’s causing more trouble than he’s worth. (Also in here; Zeff deflecting some of Pearl’s fireballs with nothing but the wind force generated by his kicks. Have I said “because manga is the only valid form of art” enough times in this column for it to count as a catchphrase yet?)
In any case, Krieg doesn’t seem to have the highest opinion of his second-in-command.
But there is at least one pirate who can pull his weight in Krieg’s crew.
Random question; do you remember Gin?
Tomorrow: Chef Zeff at gunpoint!
One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!
Also consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
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