So OSHI NO KO is Getting an Anime, Let’s Talk About That

“Perhaps the next time you read about Oshi no Ko on this blog, it will be about an upcoming anime adaption.”

I don’t want to say “I called it.” But I’m actually lying, because I totally do want to say that.

To be fair it did not take a genius to know that this day would come eventually. Oshi no Ko is popular, well-liked, written by one of the new greats in his field and drawn by another in hers (Aka Akasaka, also of Kaguya-sama: Love is War! and Mengo Yokoyari, of Scum’s Wish, respectively). Nonetheless, I’m glad that it has. Oshi no Ko is like very little else; a dark, intense examination of the entertainment industry and what it means to be famous from almost every angle on one hand, and a strange, and occasionally even off-putting supernatural mystery on the other. As a kaleidoscope of tones and emotions, Oshi no Ko goes significantly farther, even, than that other manga Akasaka is known for, and Yokoyari’s illustrations really sell the series’ more out-there elements. It’s not flawless—what is?—but I love it a lot.

But of course, we’re not here to talk about the manga, which I will not spoil over the course of this brief article. (I did that pretty thoroughly when I wrote about it last year, so fair warning if you end up reading that article.) We’re here to talk about the upcoming anime. Let’s go over what little we’ve learned over the two days since its announcement. (I’m quick on the draw for this stuff, ain’t I?)

First, the studio; Doga Kobo. Those familiar with DK might think them an odd choice for a series like this, and, honestly, that was my first reaction, too. Doga Kobo are more known for laid-back slice of life series or lightweight romance anime. They are not the first studio that comes to mind when one thinks of intensity or drama, but the pairing makes a sideways sort of sense.

Over the past few years, they’ve begun branching out a bit with somewhat more serious endeavors like Sing “Yesterday” For Me and Selection Project. But interestingly, even some of their “fluff” has gained a visually compelling edge recently. Just last week, an episode of the pleasant but normally unremarkable Shikimori Isn’t Just a Cutie shaded the show over with rain and intense emotion by focusing on the story of a minor side character, and that show’s opening animation depicts a dimension-hopping adventure that is totally unreflective of the show itself. To me, these are possible signs of restless talent, a notion backed up by the fact that said opening animation’s director—Saori Tachibana—will be the assistant director on the Oshi no Ko anime. I am eager to see if I’m correct about all this or not.

As for who she’s assisting, here it’s worth circling back around to the Selection Project connection. (The Connection Project.) Because that show’s director, Daisuke Hiramaki, is also directing this show. I will admit to not having been terribly taken by what little I saw of Selection Project, but I did appreciate the show’s visual moodiness. Something that, if Hiramaki brings to the Oshi no Ko project, I think will suit the series well. Character design—a broad role despite the simple name—is being handled by Kanna “kappe” Hirayama, who also helped direct the Shikimori OP. I don’t envy her for having to help translate Yokoyari’s art style to motion, but my impression is that she’s up to the task. The only real question mark for me here is Jin Tanaka, mostly known for scripts and whose other series comp credits don’t have much in common with OnK. Still, needless to say, I am optimistic about the staff in general.

I’m honestly not super much of a production hound in this way most of the time. (I usually prefer going into an anime with as few preconceived notions as possible, but for an adaption of a manga I’ve read a good chunk of that’s already impossible.) But I will take anything as an excuse to get excited. There is a lot wrong with the anime industry, but when things align just so, there is a lot of fascinating, compelling art that comes from it as well. I am hoping the Oshi no Ko adaption can contribute to that tradition.

We don’t know a ton else about the series yet. Trailers, release dates, etc. are all things of future concern. For now, all we have is our hopes, our dreams, and the single picture of Ai that graces this article’s banner, where she stands alone under a smoldering spotlight, one finger pointing to the sky, singing her heart out to an audience of anonymous faces who lift cherry red glow sticks like antennas to heaven.

This is not the last time I will write about Oshi no Ko on this site. I intend to cover the anime weekly once it starts airing, at the very least, and I may well make another “hype” article like this when the proper trailers start dropping. I have one character in particular I’m eager to see adapted to the silver screen (those of you who’ve read my previous article on the manga already know who I’m talking about, most likely). But mostly, I am just happy that an excellent manga seems like it’s going to get a worthy adaption that lives up to—perhaps even elevates?—the source material. It’s the least Oshi no Ko deserves.

See you then.


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The Frontline Report [10/3/21]

The Frontline Report is a weekly column where I briefly summarize the past week of my personal journey through anime, manga, and the related spheres of pop culture. Expect some degree of spoilers for the covered shows.


One season ends and another begins, the world turns here on Magic Planet Anime.

The Heike Story

Japan races toward war. The third episode of The Heike Story only reinforces what we’ve known from day one, but it’s the method that really sticks out here. We know the character of Lord Saiko, for instance, for mere minutes. But he is the first to speak truth to power in opposing Shigemori’s father, Lord Kiyomori. For his defiance, he is beheaded, in a brilliant cut–in every sense of that word–that flickers from the falling of the sword to a flower landing in water. Elsewhere, archers fire at warrior monks and pierce portable shrines in the process, telling us that even already, nothing is truly sacred in the power struggle that’s about to ensue.

Biwa sees the bloodshed ahead, as Shigemori prepares to attack his own father to stop his power-hungry madness, but seems powerless to stop it. Only time will tell if that’s truly so. There is little in the way of embellishment to say about Heike Story, it simply is a gripping period piece drama.

Miss Kobayashi’s Dragon Maid S

In a meta sense, it’s not that strange that a show like this remains somewhat controversial. “Be yourself, ignore what society tells you” is about as close as Miss Kobayashi’s Dragon Maid ever gets to a proper theme, and it certainly follows its own advice, for better or worse. But while it’s no philosophical treatise, the writing can be surprisingly characterful when it remembers to get out of its own way. Dragon Maid S actually ended a bit ago now, but I only watched the final two episodes this past week, and that’s definitely true of both of them, especially the actual finale with its festivals and faux wedding ceremony. It re-centers the focus on Kobayashi and Tohru themselves, making for the series’ strongest showing since, well, the last time I covered it on this column.

But Dragon Maid‘s thesis of ethical hedonism aside, the real story here in the long run remains the triumphant return of Kyoto Animation. I won’t drag the point out; all twelve episodes of the show look amazing, and while what they’ve been through will probably weigh heavy over the anime landscape for a long time, it’s just really good to have them back. See you all for 20th Century Electric Catalogue?


Elsewhere on MPA

I debuted my Seasonal First Impressions column this past week (which you’re going to be seeing more of literally today if everything goes as planned), but I’ve also put up a review, another episode of KeyFrames Forgotten I’m rather proud of, and just in general am keeping a decent clip of things. Remember to toss me some coins in the footer if you’ve liked anything I’ve written this week and are able to!

Seasonal First Impressions: SELECTION PROJECT – The season gets off to a truly “and the crowd goes mild”-style start with an idol anime that left me very, very nonplussed. It’s annoying to dislike something because it’s simply “not doing anything new”, and I wouldn’t even say I do dislike Selection Project per se, there’s just not much to it at the moment, which is unfortunate.

(REVIEW) The Far Side of Summer, SONNY BOY, and MeSonny Boy is one of those anime that’s going to be rolling around in my noggin for years. I don’t think I’m as huge as a fan as many of the show’s biggest defenders, but that’s splitting hairs. Immaculately produced, uncommonly nuanced, and contemplative to its core, Sonny Boy is a show we’re going to be hearing about for a long time.

KeyFrames Forgotten Episode 3 – WINDY TALES – Hey you, reading this right now, listen to our podcast about Windy Tales! The show is good and the podcast episode is also good! I don’t hear people discuss Windy Tales much anymore, and I’m not sure why? It’s a lovely little thing.

See you on the next, anime fans.


Wanna talk to other Magic Planet Anime readers? Consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Seasonal First Impressions: SELECTION PROJECT

Seasonal First Impressions is a column where I detail my thoughts, however brief or long, about a currently-airing anime’s first episode or so.


As a critic, it’s a terribly annoying thing to feel unsatisfied with a work that doesn’t actually do anything wrong. But, the profession’s one requirement is honesty. And I can genuinely say that I just can’t find it in me to care all that much about Selection Project.

Here’s the thing; not just anybody can make an idol anime. The genre is more brittle than I think many realize. One needs a strong, well-defined and delineated cast, strong writing, and of course good music to make a truly good idol anime. But on top of all that, we the audience need to have a desire to see the cast succeed. It’s hard enough to do that when the main characters are all part of the same idol group. Doing it while the cast are part of an X-Factor-style competition, as is the case here, feels borderline impossible.

Studio Doga Kobo have, of course, tried anyway. Selection Project‘s first episode, as I said, is not by any means bad, but something feels palpably missing from the whole affair. On a production level it’s certainly professional. The animation is clean and at times characterful, and the character designs are distinct from, at least, each other. Conversely though, they’re not terribly anything new overall. “Solid, but not amazing” is the operative phrase here.

Probably the most interesting shot in the episode is this neat bit that loosely evokes Abbey Road.

The opening here tries to tug at your heart strings from the top. We (very briefly) learn that our lead, Suzune, used to be hospital-bound and used the in-universe Selection Project show itself as a form of escapism. We even briefly see her watch her own favorite idol, Akari Amasawa, win the first season of the show. There’s clearly an intent to portray Akari’s music touching Suzune’s heart, and to pass that sensation along to the viewer, but something about it just fails to connect. Maybe it’s just that this entire scene is very short. Maybe it’s that the song, “Just One Yell”, sounds just enough like “Eat the Wind” by Yorushika (one of my favorite Japanese pop songs from last year) to be distracting. Maybe I’m just cynical. It’s hard to say.

Perhaps the issue is that from that opening scene, everything about Selection Project‘s first episode (with one minor exception, which we’ll get to) feels almost too neat. It has a near-mechanical predictability to it. Watching a fully-committed genre show tick along can absolutely be a good time, but generally they need to at least try to do something to set themselves apart from the pack. Selection Project airing in the same season as the still-ongoing current Love Live installment, and just days before the premiere of the premisewise-bonkers PRIDE OF ORANGE certainly does it no favors here. It is perhaps just a little too straightforward to truly stand out.

The way this most obviously plays out is with the characters. Suzune is a very standard main character for this genre; she’s earnest, hardworking, and passionate with light brown hair and a light, airy voice. Even in a trainwreck like say, last year’s crushingly disappointing 22/7, the main character was different enough from the ISO standard to be memorable. Suzune really isn’t. She looks like the lovechild of any number of idol anime protagonists. Her most distinguishing feature is probably that she has a ponytail, and while she’s certainly cute enough, that’s not really a great sign.

The other characters don’t fare much better. One we briefly meet, Nodoka, is defined solely by her love of sweets, after which she predictably voices a worry about the show having a “weight limit.” Another, Ao, is a sporty tomboy with short hair whose parents are gym freaks and whose one bit of characterization here is someone else telling her that she should be careful to not sweat too much, because her makeup might run. Probably the most notably distinct is the catgirl-inspired Shiori, who may have the unenviable task of carrying the series on her back if her costars don’t develop more interesting personalities soon.

Y’know, like, nya?

All of this would be easy enough to roll with if Selection Project gave you much of a reason to care about any of these people. And maybe it will, in the episodes to come, but Suzune’s general lack of any kind of hook is a much bigger problem. But, lest it come off like I’m being way too hard on this show, I will give it credit, because there is one trick that it pulls off toward the episode’s conclusion that points to some possible interesting developments.

As it’s her turn to sing “One More Yell” in order to try to pass the regional semi-final of the in-universe Selection Project series, Suzune falls to the ground and nearly faints. She actually loses the audition to her apparent friend Seira, who herself seems uncomfortable with winning. Now, Seira is not on Selection Project‘s poster art (which you can find all over the internet). So it seems likely that, some way or another, Seira is going to have to drop out or be disqualified, and Suzune will sneak in to the final round of the competition that way, the remainder of the show taking place there. But it at least shows some willingness to break with convention. The closing shot is her walking home alone with her rolling suitcase. It’s the only bit of Selection Project‘s desperate attempts to make you, dear viewer, Feel Things, that actually works.

There are a few other positives and things that are at least interesting to point out. For one, the show’s direction is quite nice. There are a number of fun visual tricks it uses throughout this episode to stay on the engaging side of the line. For another, there is a probably-deliberate overtone of weirdness baked in to the Selection Project series-within-a-series itself. There’s a brief moment of near-literally religious reverence for Akari, who we learn died in the car crash “at the height of her career” (the show’s words, not mine) some years ago.

Is she praying to the dead idol? Because that would make Suzune kind of awesome. If also very creepy.

And while he’s incredibly obnoxious, the show-within-a-show’s bear-like mascot character does inject some flavor into things. It makes things feel a little weird, and for a show that really needs something to stand out, weird is good.

So yes, it’s wholly possible that Selection Project will develop better character writing, or alternately will fly wildly off the handle and become at the very least, a compellingly strange show. But it’s far from a given, and for that reason I don’t think I could really recommend this series to anyone but idol genre diehards. But of course, the joy of seasonal anime is that the future stands unknown before us. Who knows, maybe I’ll be eating my words in only a few weeks’ time.

Did I mention Shiori has a butler? Forget the whole idol competition, I want a show about these two.

Grade: C
The Takeaway: A pass for anyone but dyed-in-the-wool genre enthusiasts. Might be worth your time in a few weeks if it picks up some positive buzz.


Wanna talk to other Magic Planet Anime readers? Consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.