Category: anime

Posted on in anime, Seasonal Impression Roundups

Seasonal First Impressions: The Cat Comes Back in TOKYO MEW MEW NEW

Seasonal First Impressions is a column where I detail my thoughts, however brief or long, about a currently-airing anime’s first episode or so.

In 2005, Tokyo Mew Mew, under the localized title Mew Mew Power, became one of the very, very few non-Sailor Moon magical girl anime to ever make any real inroads in the United States. It wasn’t a runaway hit—in fact, it was one domino among many that eventually lead to downfall of infamous chopjob dub house 4Kids Entertainment—but it’s stuck around in a nebulous, cultural sense. As one of the tiny handful of magical girl anime that’s ever made any kind of dent stateside, it’s at least stuck in peoples’ memories. I was not one of the people who saw its US run, and in fact today marks the first time I’ve watched any Tokyo Mew Mew in any form, but the fact that it has that tiny little toehold in the minds of Anglophone magical girl fans matters, and it makes the series’ return in rebooted form as Tokyo Mew Mew New something of an event (if perhaps only a minor one). I imagine at least a few people will find their way to this article by looking up the new series.

New arrives nearly 20 years to the season that the original Tokyo Mew Mew premiered in its home country, and it returns like no time has passed at all. Almost every element of the series is relentlessly, unapologetically old school, for both good and ill, and it’s hard to imagine something like this being written nowadays were this not an old property for a lot of reasons.

At its core, the story is a simple one. Ordinary high school girl Ichigo Momomiya (Yuuki Tenma), has a crush on her school’s kendo star, Masaya Aoyama (Yuuma Uchida). She gets word from the mysterious Mint Aizawa (Mirai Hinata) that the guy loves his animals and, what a coincidence, she happens to have two tickets to an endangered animals exhibit at a local zoo that she’s willing to part with. Ichigo, being a pink-themed magical girl protagonist, does not think twice about how odd this is, and takes her up on the offer. At the zoo, Ichigo is hit with some kind of magic ray gun by a pair of handsome scientists(?!), which causes her to commune with some kind of cat spirit, and transforms her into a magical girl. Then, of course, she has to fight off a giant rat monster. You know, typical schoolgirl stuff.

You know, normally only Medicine Cats have visions of Star Clan.

Tokyo Mew Mew New arguably doesn’t really need to “separate itself from the pack” or anything of the sort. (There really isn’t much of a “pack” nowadays, with New‘s only direct competitor being the concurrent Delicious Party Precure.) But it does so regardless via two main things; the aforementioned old-school sensibility, which mostly comes through in its heavy focus in the first episode on an idealized sort of teen girl romance, and its concern for the environment.

The former is….a bit of a mixed thing. In a way, it’s charming to see something this straightforward and earnest in 2022. Ichigo’s brain seems to be stuffed with romantic notions of movie dates and love letters, and the show itself is absolutely flooded with classic shoujo tropes, many of which I imagine might be wholly unfamiliar to some younger viewers. Speaking personally, it’s been a long time since I last saw the whole “gaggle of girls fawning over a hot guy doing A School Sport” thing played completely straight. (Emphasis on the “straight”, perhaps.)

Some of this brushes up against uncomfortable implications, but it doesn’t cross that line yet, even as details like Ichigo’s magic power tattoo appearing on her thigh and an actual, honest-to-god, “whoops I fell on top of you and we accidentally kissed” scene make me raise my eyebrow a bit.

This happens. They even show the lip lock in the cut after this, a genuine rarity for any TV anime these days.

It’s too soon to call whether the environmental messaging will be put to good use or not. Certainly, it is a hell of a bit of tonal whiplash to go from Ichigo and Masaya enjoying their date to the latter gravely expositing about the Endangered Species List and how “humanity has committed sins” (that is a paraphrase, but he seriously does put it in roughly those terms). Certainly the climate crisis has not gotten any better since the original Tokyo Mew Mew aired, but there is a thin line between an actual effective thematic core and one that’s confusing, hysterical, or just bizarre. Time will tell which side of that line New falls on.

But in general, New‘s fuck-the-trends attitude helps it a lot more than it hurts. It’s honestly just invigorating to see something this classically magical warrior mahou shoujo, even as it also evokes, as well, sci-fi tropes that are much less common to the genre. (Remember Corrector Yui?) More than anything, I’m just happy to see another magical girl anime airing at all. The genre has seen healthier days, but maybe a bit of mew mew power and mew mew grace can breathe some new life into it.

The Takeaway: Keep a cat’s eye on this one if you’ve got any interest in the genre at all. If not, still check it out to see if the retro shoujo vibe catches your interest.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Seasonal Impression Roundups

Seasonal First Impressions: Logged in and Losing it in YUREI DECO

Seasonal First Impressions is a column where I detail my thoughts, however brief or long, about a currently-airing anime’s first episode or so.

Entertain this particular dystopian thought for a moment; what if the world ran on Twitter likes? That, more or less, is the backbone of the society envisioned by YUREI DECO, a neon-block dystopia where the Metaverse has grown beyond its Silicon Valley bounds and swallowed the real world whole, such that there is no longer any meaningful distinction between the two. (This isn’t me reaching, it’s literally called “The Hyperverse” in-show.) Social media tokens called “Love” equate one to one with the sum total of your personal value, and seemingly the whole world is overlaid with a second digital layer of reality that there is no meaningful escape from. Dual implants in each eye, the DECOs of one half of the title, ensure that everyone is plugged in at all times. Truly, Yurei Deco‘s world is one where we are all terminally online, and there is no logging off for anybody.

This is the setting we’re dropped into, handy explanation and all, at the start of this series’ first episode, as we sit in on our main character, Berry (Mira Kawakatsu) and the glorified Zoom class that she calls school. Immediately, we get the sense that Berry is someone who plays outside the rules, as she pulls off some minor computer wizardry to be able to talk to two of her classmates without their teacher noticing. Passing notes for the cyberpunk age, perhaps.

(Somewhere in his lecture, which also serves as our introduction to the setting, Berry’s professor calls the city they live in “the purest expression of liberalism ever to have existed.” Subtle!)

We soon learn that a mysterious person—or perhaps a force—called Phantom Zero has been hitting whole neighborhoods at a time and draining their Love accounts, a big deal in a city where Love is both money and social status. Berry is obsessed with Phantom Zero, and it’s through her eyes and ears that most of this first episode takes place. Including when one of her DECO implants starts glitching out, and she finds a strange origami flower stuck to a lamppost.

That flower, we eventually learn, is the doing of our other main character, a slang-tangling hacker-conman who initially seems like they might be behind the whole “Phantom Zero” thing, given that one of the first things we see her do is sucker a random influencer out of most of his Love. This character’s name, incidentally, is actually just is Hack (Anna Nagase), although you’d have to look at supplementary materials to know that at this point, since it’s not said outright in the first episode.

.hack//Cool Visor, Kid

Berry of course becomes fixated on Hack, who she believes to be responsible for the Phantom Zero phenomenon. Without indulging in an overabundance of detail, she turns out to be wrong, and the real culprit is someone even more mysterious.

The show’s actual plot details aside, what do we make of YUREI DECO so far? Personally, I’m happy to have it around. It’s been a bit since we had a show with interesting visuals that tried to tackle Serious Subjects, or at least, one that didn’t flame out disappointingly. (Sorry, Tokyo 24th Ward.) The series definitely reminds me a fair bit of DECA-DENCE, another colorful cyberpunk series with an all-caps title. More distantly, it recalls Kaiba, and while I’ve not seen Dennou Coil I know enough about it for the multiple comparisons I’ve seen between the two on social media to make sense to me.

A lot of lofty expectations tend to get placed upon anime like this, and this one in particular also happens to be its director’s first TV anime (Tomohisa Shimoyama, though it’s worth noting that he has various credits on things going all the way back to some animation work on Chobits. There’s a show you probably haven’t thought about in a while). While this first episode is a pretty good indication that YUREI DECO is up to that challenge, I do hope folks won’t lose the forest for the trees. There’s a lot to love here already, regardless of where it ends up going.

The Takeaway: If you’ve been looking for the next visually interesting Big Ideas show to come along, you should absolutely be watching this. As for anyone else, I think it’s certainly at least worth checking out.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch LYCORIS RECOIL Episode 1 – Easy Does It

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Erase, delete, eradicate, and beautify.

It opens like this; sunrise over a peaceful Tokyo, a gleaming monument to some sin or glory enshrined in the skyline. Our lead, Chisato Nishikigi (Chika Anzai), does stretches in front of her apartment window. A call comes in, and she’s out the door like a bolt of lightning. She monologues, extolling the virtues of Japanese politeness and the serenity of her hometown at dawn while the visuals supercut through scenes of high school girls packing pistols as they apprehend criminals. One appears to execute somebody. These are the Lycoris—named for the spider lily—agents who manufacture the peace that this Tokyo’s citizens enjoy.

Halfway across town, she arrives in time to see another such high school supercop toting a chain gun—that’s Takina Inoue (Shion Wakayama), our other lead—gun down a room full of arms dealers, and nearly hit one of her teammates in the process. Chisato, watching from a building over, whoops and cheers.

Takina’s stunt, meanwhile, gets her expelled from her department—the “DA”—and transferred to Chisato’s, LycoReco, which is rather inexplicably based out of a cafe. (This was the source of much of the show’s early promotional material.) There, she meets Chisato herself, the enigmatic owner Mika (Kousuke Sakaki), and alternately tries to adjust to her new role and openly wonders how she might find her way back to the force.

This, all of it, is Lycoris Recoil. This missile barrage of violence, cute girls, cafes, and tension-ratcheting authoritarian imagery is how it chooses to open. There have been anime somewhat like this before—Princess Principal, RELEASE THE SPYCE, to a lesser extent Assault Lily Bouquet—but of them, this might have the most openly bonkers, beat-your-fucking-head-in introduction of all. There is a sublime unease to the juxtaposition of Chisato’s cheery, upbeat narration and the blunt violence of what we see, even as all of the visuals have a sleek, modern edge that distantly recalls but does not actually look like its ancestors in the “girls with guns” boom of the 2000s. (Rest in peace, Bee Train.)

The episode’s second half sees some additional context. The Chisato and Takina’s unit handles what one might charitably call odd jobs. Chisato’s description is….vague.

They help out at a daycare, then a Japanese-as-second language school, and deliver rare coffee grounds to a mob boss. In the second half of the episode, they help a woman deal with a stalker. The woman’s stalkers turn out to be connected to the same arms deal that got Takina shunted over to Chisato’s unit, and Lycoris Recoil quickly establishes that in its world, everything is a connected, dizzying clockwork of interlocking plots and motivations. Coincidence is for suckers. That’s how we go from “three girls talking out a problem in a restaurant” to “hostage situation” in perhaps ten real-time minutes.

Takina actually intentionally lets the woman get kidnapped, to lure them out. Real piece of work, this girl.

This is all also connected to a mysterious hacker named Walnut—think The Laughing Man from Ghost in the Shell: Standalone Complex if he had a fursona1—and an eccentric, sinister billionaire named Allen Adams, who at one point we see cause an explosion in a building by remotely tapping a few commands into his Tesla’s touchscreen.

The inevitable and valid question is what all this adds up to, but the fact of the matter is that we simply don’t know yet. It’s clear that Chisato, despite her sunny front, has seen some things. The “symbol of peace” in Tokyo is evidently the result of some situation that she was involved with, and in deed, if not by name, she’s famous throughout the country. She lets a few remarkably cynical comments slip a couple times, and, frankly, given that supporting character Mizuki Nakahara (Ami Koshimizu) notes that Lycorises (Lycori?) are often recruited from orphanages, it’s not hard to imagine why. She and Takina’s original department also seem to have very different ideas of how to keep a place safe and worth living in; her narration—and her habit of helping out just about anyone—point to a belief in focusing on the community itself. And the DA, well, we see them shoot people. It’s not hard to draw a contrast, there.

That may well be the source of Takina’s already-established tendency to use violence as her first and only solution to any obstacle in her way. And this is to say nothing of the Lycoris Cafe’s owner, Mika, who himself seems to be an old hand in the field, the aforementioned villains, the DA’s director, who seems to have her own agenda, and on and on. There are a lot of interesting characters in Lycoris Recoil, and an absolute ton happens, even in its first 24 minutes.

No matter what happens from here on out; Lycoris Recoil should be remembered for a premiere that hits like information overload. Between the silenced pistols and shining city streets, conspiracies form in the broken glass on the floor. I won’t pretend to have all—or even any—answers, as this is clearly a series with a lot going on. But to me, that is part of the adventure. What’s next is unknown and unknowable, and for us to discover together.

1: I did not know this myself, but the text circling his avatar is a reference to a James Joyce story. God knows how that factors in to all this.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Misc. Anime

Announcing the Summer 2022 Let’s Watches

That’s right, we’re doing this in style now.

I’ve changed my methodology for these a few times over the past couple seasons, but this time it’s very straightforward. After voting myself to break a tie (something I’ve not had to do in any previous community poll, things were much closer this season than they’ve been in any past season), I took a screenshot of the final vote tally at around 10PM last night (I checked again this morning just to make sure nothing had changed, don’t worry). I will be covering the top three shows, because honestly, I’ve been at a bit of a loss for what to cover this season. Putting it in the fans’ hands is a simple and practical solution.

Why don’t we make it a bit of an event? Here are the winners, starting from the third-place winner, and working up to the first.

Third Place: Call of the Night

Filling in the “exceedingly horny rom-com” gap that must have been left in all your hearts following the end of My Dress-Up Darling a season ago, Call of the Night is an interesting one. I read a very small bit of the manga for this, back when it was new. I liked it but failed to keep up with it (I am very bad at keeping up with manga), so I’m going into this just-shy-of-blind. Still, what I do know is promising. Take the Sentai blurb, for instance.

Wracked by insomnia and wanderlust, Kou Yamori is driven onto the moonlit streets every night in an aimless search for something he can’t seem to name. His nightly ritual is marked by purposeless introspection — until he meets Nazuna, who might just be a vampire! Kou’s new companion could offer him dark gifts and a vampire’s immortality. But there are conditions that must be met before Kou can sink his teeth into vampirism, and he’ll have to discover just how far he’s willing to go to satisfy his desires before he can heed the Call of the Night!

Sentai Filmworks

That’s really quite a lot to fit into your high premise. And it’s not like vampirism as a metaphor for coming of age—especially the less wholesome parts of that whole process—is anything new, but I do think this really has the potential to be something special. Whether or not it will actually deliver on that is another question, of course.

I do also want to point out the involvement of Tomoyuki Itamura in the director’s seat here. Just earlier this year, he wrapped up his work on The Case Study of Vanitas, a completely different horny vampire anime. That show is very good (if certainly not without a couple issues), so it gives me hope that Call of the Night will similarly be so. I suppose we’ll all find out together.

Coverage begins on July 8th. (If you’re reading this the day it goes up, that’s a week from today.)

Second Place: Lucifer and the Biscuit Hammer

Ahahaha. Oh no.

This one getting as many votes as it did quite surprised me. If nothing else, you can take its presence here as evidence that I didn’t tamper with the vote in any way, because I actually wasn’t planning to watch it at all, at this point!

I love the original Lucifer and the Biscuit Hammer manga. It’s one of my favorite action manga full stop, actually, and that’s mostly because of its deep characterization and solid thematic core. But it’s also because Satoshi Mizukami is a goddamn genius, and everything he draws is gorgeous. The only other anime he’s ever had a strong hand in, Planet With, did manage the incredibly tall ask of translating his distinct visual style to animation. Because of that, it managed to stand out in a year that was absolutely stuffed with great anime.

But that was in 2018, four years that might as well be four centuries ago, given all that’s happened since. Now, it is 2022, and the Biscuit Hammer adaption is being handed to a studio of little note (NAZ, they did Sabikui Bisco earlier this year alongside the similarly named Studio OZ), a director who is basically a total unknown (Nobuaki Nakanishi), and a series compositor best known for an utterly infamous flop (Yuuichirou Momose, of My Sister, My Writer notoriety). Combine that with the utterly hideous key visual sitting at the top of this entry, and a pair of trailers best described as “absolutely terrible” and “okay I guess”, and this one is going to be an active challenge to get through, barring some miracle. It would not be the first time that Mizukami has drawn blood from a stone, but no one should be expected to pull that sort of thing off twice.

I guess we’ll find out if it really is that bad or if all this doomsaying will look foolish twelve weeks from now soon. Coverage begins on the 9th.

First Place: Lycoris Recoil

What is Lycoris Recoil?

The interesting thing about an original series that’s yet to premiere is that it can, in our hearts and minds, be literally anything. Lycoris Recoil has had Key Visuals and trailers and all the usual accoutrements that come with being a TV anime in the modern day, but no one really seems to have a good grasp on its character. Will it be lighthearted? Dark? How big of a role does the cafe` we know is a central setting point of the story play? The chrome pistols and spider lilies in the above KV art certainly imply something sinister is going on, and “Lycoris Recoil” itself is a two-language pun combining the scientific name of the spider lily with just one inevitable consequence of firing a gun. But all of these things raise more questions than they answer, and we’re all going into this show with little to go off of but our own notions about what makes art interesting.

To me, this is fascinating. I can recall an upcoming original series capturing the public imagination in this way twice in recent times. The first time, we got Wonder Egg Priority, an anime I dearly love, but that’s an opinion that puts me firmly in small company. The second, we got Sonny Boy, which I also really like, and is also divisive (although much less so). Putting Lycoris Recoil in that company is probably attaching unrealistic expectations to it; if you want my earnest guess, I’m thinking this will be more of a piece with anime like Princess Principal or the underrated RELEASE THE SPYCE than either of the aforementioned. But honestly, who knows?

Well, we will pretty soon. Lycoris Recoil premieres tomorrow. Coverage will begin then, barring some unexpected circumstance.

See you then, anime fans. But, as a parting item of interest, here is the entire top half of the poll, if you’d like to see what else got a lot of votes. I am particularly surprised at how well Uncle From Another World did.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Reviews

(REVIEW) BIRDIE WING -GOLF GIRLS STORY- Just Doesn’t Give a Damn

This review contains spoilers for the reviewed material. This is your only warning.

“The Symphogear of Golf”

-Blurb for a now-deleted review of the first episode by Anilist user SolidQuentin.

Just accept that it makes no sense. Birdie Wing doesn’t care about your feelings—toward golf or toward anything else—and that includes how serious you think it’s being. This is sports anime as Rorschach Blot, a series that practically dares you to take it on its own terms even as it’s consistently the goofiest fucking thing that aired in its season.

Consider this; it’s ED theme (which I may or may not be listening to as I write this), is the achingly beautiful Tsukuyomi track “Nightjar.” For a series like this, it’s totally incongruous as an ending at first glance; a deeply sincere piece of work attached to an anime that is on its face, absolutely ludicrous. It’s right there in the premise; golf taken as deadly-serious as a shonen martial arts tournament or a mob movie, with all the camp that tonal dissonance implies. Over Birdie Wing‘s criminally short 13-episode first season, lives and livelihoods alike are staked on golf games. Pride is, too, and absolutely all of this is given the same narrative weight. (With one exception, as we’ll get to.)

Somehow, in that ED, when a shot of a golf ball dissolves into the night sky, an eagle cutting a shadowy figure against the moon, it makes a kind of sense. If it’s absurd, it’s not in a bad way at all.

It begins with illegal betting; our protagonist Eve (Akari Kitou) makes what little money she can to support her adoptive family by pulling off impossible shots. Golf balls fire like revolver bullets between moving train cars and lop the limbs off of trees. It’s totally insane, and, in its own way, hilarious. But as Eve meets her rival / golf girlfriend Aoi Amawashi (Asami Seto), and the series continues to tick on, things like that just keep happening. Every time, you expect Birdie Wing to tip its hand and reveal that the entire thing is a joke, but it never does. Not when we’re introduced to Golf Mafia Boss Rose Aleone (Toa Yukinari), not when we see that another mob boss owns an illegal underground course that can physically morph its shape into a new, random course every time, not when Eve’s first major hurdle as a player is a woman with a snake motif named Viper the Reaper (Kaori Nazuka) who tries to psyche her opponents out with a scented tattoo. Not ever. It almost feels like a challenge, Birdie Wing dares you to blink first, because it certainly isn’t going to. About the closest it ever gets is this joke about Eve’s inexplicable, fluent Japanese.

Rose Aleone eventually dies. Seriously, she loses a golf game, and her life is snuffed out in a pastiche of old gangster movies that is way, way better and more genuine than it really seems like it should be. Eve moves to Japan and effectively stars in a second, different, marginally more conventional absurd-serious golf anime for the series’ second half. That shouldn’t really work either. It does too, to the surprise of no one. I’ve barely even found time to mention the flirty toying that Eve and Aoi are constantly engaged in. It definitely slots the series comfortably next to, if not outright in, the yuri genre.

I’ve spent a lot of time describing Birdie Wing and rather little elaborating on my own feelings on it. To tell the truth, because of its nature wherein what one brings to Birdie Wing strongly influences what one takes away from it, I almost think it’s not really meant for people like me. Folks who can’t really shut off the analytical part of their brain even when they’re totally enjoying something. But enjoy it I did, so on the other hand, maybe I’ve been played as thoroughly as any other member of this show’s audience. (In this respect, it very much is like Symphogear, making it the second anime in as many weeks that I’ve reviewed to have some trace of the seminal singing-girls-punch-things anime in it.)

Let me put it this way. Late in the series, we’re introduced to supporting character Kinue Jinguuji (Mai Nakahara). Jinguuji is a fairly classic character in the “had to give up on her dreams because a passion for something is not the same as being good at it” mold, something many other anime have done before and plenty others have done in a way that is, at least on paper, more poignant. But somehow, the fact that Jinguuji’s dream is this—golfing, the most boring sport in the world, and one of the hardest to take seriously—makes what would ordinarily be a light tap feel like a sucker punch. Through sheer commitment to the bit, Birdie Wing will make you care about this.

In the end, the show’s first season ends in a shrug, setting up more plot points than it resolves. Why? Because it knows it’ll return like a golfing T-1000. The 13-episode count was a fakeout, and season two is slated for next winter. What else is there to say? Bury Birdie shallow, it’ll be back.

Update: Season two has premiered! You can read my coverage here.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Anime Orbit Weekly, Misc. Anime

Site Update: The End of Anime Orbit Weekly & Other Future Plans

Hi folks, as is often the case with these short “site update” PSA things, I’ll keep this brief.

The very short version is that I will not be doing any Anime Orbit Weekly posts anymore, and will be replacing them with something else. If you don’t really care about my reasoning, you can stop reading now, I’ve gotten the most important thing across.

If you do care about my reasoning; the fact of the matter is just that AOW posts are not read by most people. They get absolutely miniscule numbers, a fact that is especially stark when weighed against my other posts. We’re talking around 1/4th of those that articles dedicated to a single show or topic get, sometimes less.

This makes sense, if you think about it. Articles about a single subject are much easier to tag, which leads to better SEO, which leads to more page hits. It’s as simple as that.

As for what I’ll be replacing them with, my current plan is to just occasionally do “seasonal check-ins” on anime I think are doing something interesting over the course of a given season or are just worth talking about in some other way. This will preserve the function of AOW but in a form that’s easier to navigate and is more likely to draw in new visitors.

I will probably give these columns their own dedicated space on the front page, and the Anime Orbit Weekly archive will either be deprecated entirely or moved to the very bottom of the Anime section. (Frankly, the archive is itself another factor here. It’s ugly and extremely laborious to update, which is why it’s months behind everything else on the site.)

I might still call these new articles “Anime Orbit” or something related (it’s a good name, and it’d be a shame to waste it), but I don’t want to make any hard commitments at this juncture.

That’s about all, anime fans. Hopefully this change will improve your reading experience here on Magic Planet Anime. Stay safe out there.

Posted on in anime, Let's Watch

Let’s Watch SPY X FAMILY Episode 12 – Penguin Park

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Today, in its cour finale, Spy x Family circles back on its core strengths, those things that make it good in the first place. To wit; the series is an action comedy. There’s a lot of both in ” “. What more do you need?

Well, I don’t know about any of us, but Loid “Twilight” Forger really seems like he could use a few vacation days.

The opening minutes of this episode establish that, on top of the ongoing Operation Strix, Twilight has been picking up extra missions by the armful. (He blames a staff squeeze, and I see no reason to question his expertise.) He’s been getting home late often enough that the apartment complex’s local hens have started to notice, and some of the women in question even wonder aloud if he’s cheating on Yor. (He would never, and I’m vaguely offended at the notion.)

Determined to keep up the appearance of the Forgers being a normal family, Loid insists on taking them out for a weekend trip, suggesting the local aquarium. This proves to be a problem for two reasons. One; some of those local gossipy housewives are also at the aquarium. Two; Twilight’s agency happens to foist another mission on him as he enters the building, to retrieve a film roll smuggled into the country via penguin.

Things unfold as you might expect; Loid has to go undercover as a penguin handler in order to get close to That Specific Penguin, and in the process completely shows up the lead aquarist. He fights an enemy agent, who also wants to get his hands on that bird’s precious info. Said agent “kidnaps” Anya—by which I here mean that Anya clings to his shirt and shouts “I’m being kidnapped!”—and the predictable result is him getting his shit kicked in by Yor. Loid wins a giant penguin plushie for Anya.

It’s a good, solid, fun end to the series’ first half. A rounding-out as it closes the first cour. There’s also a pretty excellent post-script where Anya inducts her new “secret agent”—that is, the penguin plushie—to her spy agency. AKA, her apartment.

Spy x Family will apparently return with a 13-episode second cour in the fall season. Until we rendezvous once again; be seeing you, anime fans.

You are #006!

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Seasonal Impression Roundups

Seasonal First Impressions: Hacking and Slashing Through RWBY: ICE QUEENDOM

Seasonal First Impressions is a column where I detail my thoughts, however brief or long, about a currently-airing anime’s first episode or so.

Rarely do I feel the need to start an article with disclaimers, but this is one of those few cases. The RWBY phenomenon largely passed me by, in its original form as a 3DCG cartoon. I was dimly aware of the much-hyped color trailers, the fanbase the series eventually acquired and the eventual backlash to that fanbase. I was also aware, again in only a broad sense, of its status as Rooster Teeth‘s golden egg, of the deeply sad passing of original series creator Monty Oum, and in a general sense, of its history. I even personally know a number of people who are or were huge fans, including my three younger siblings (this is probably the first thing I’ve ever written that there is a non-zero chance they might stumble upon).

Nonetheless, in spite of all that, RWBY was very much something I just knew about. I never really engaged with it at all, beyond occasionally playing the fighting game BlazBlue: Cross Tag Battle, in which some of RWBY‘s characters appear. (My younger brother bought it for our then fairly new PlayStation 4.) So, when I write about Ice Queendom today, its curious spinoff / reboot / reinterpretation / something at the hands of Studio Shaft, I write about it as a more or less total outsider. I am judging it largely on its own merits as an action anime, not in terms of how faithful it is or isn’t to the original story, which I’m largely not familiar with, or how well it executes some abstract “vision” for the franchise. (Every long-running franchise has such a thing, an ideal, imaginary form that only exists in the minds of individual creators and fans. Rarely is discussing them productive for anyone.)

To me, Ice Queendom is primarily interesting because of that connection to Shaft. As a studio, it’s hard to argue that Shaft aren’t noticeably past their prime, with their biggest impact on the world of anime—the original Puella Magi Madoka Magica—over a decade in the rearview at this point. But that doesn’t mean they can’t still make good things, and they have recently, including both Madoka’s own spinoff Magia Record and another battle girl anime, Assault Lily Bouquet. There’s some pedigree here, and while I’m only broadly familiar with the man’s work, industry lifer Toshimasa Suzuki seems like a solid choice to direct such a thing, too.

But perhaps predictably, it’s more complicated than that. Through a morass of wonky art, confusing pacing, and at least one hackneyed political allegory, RWBY: Ice Queendom‘s first episode(s?) adds up to perhaps the year’s most confounding premiere. Given that 2022 has given us sheer WTF bombs like Estab-Life and Birdie Wing, that’s pretty impressive in its own way, and not all of the surprises here are bad. But suffice it to say, I think you’d have to be a fairly particular sort of person to want to watch this. Even its format is somewhat screwy; Crunchyroll lists the single-video premiere as “episodes 1-3.” God knows what’s going on there.

But upon starting the episode, what struck me first were the character designs. I’ve never seen the original RWBY, but I have seen screenshots and gifs of it—I had a tumblr in the early 2010s, it was practically omnipresent—and while it never struck me as a visual buffet or anything, it at least looked distinct. The same isn’t really true here, with all four of the main heroines being squashed into a frankly rather generic-looking visual mold that seems suited for an anime much less ambitious than this. Over the course of the hour-long premiere special, I got used to it, but it took a while, which is not a great sign. (Also, in an attempt to emphasize their lips, all of the female characters are given what ends up looking a lot like lip gloss. This is a visual trope that bugs the ever-loving fuck out of me.) Occasionally they’re drawn a bit differently (presumably the result of different boarders or even different animators) and look a bit better, but it’s still going to be an adjustment not just for returning fans but for anyone who even vaguely knows what the original series looked like.

Some characters take to it better than others. I like how Blake looks, in particular.

In general, there is a distinct feeling of visual cheapness throughout fairly large chunks of this premiere. The production bubble hasn’t been kind to anyone, and this would not be the first time a Shaft production took a noticeable hit because of it. But whereas Magia Record could get away with lacking polish to some extent by leaning into its abstractness, Ice Queendom mostly does not have that option. The fantasy world here is portrayed mostly in earthen tones, both literally and thematically, and it suffers noticeably from the lacking tactility and spatial definition.

This doesn’t mean there are no visual merits; this episode is pretty good at fun action sequences, definitely. There’s some good directorial work, too, with enough clever uses of manga-style paneling that it might eventually turn into something of a signature piece of visual work for the series. But really, if you’re just here for Sakuga™, there are a couple of real highlights. And in general, the issue is not the lack of quality, it’s the lack of consistency. Some scenes are excellent, and a few even achieve a somewhat surreal, spacey vibe that might dimly remind viewers of certain other Shaft shows, but others are just terrible (there is a very blatant instance of an unfinished animation being looped several times in a row in part 3, for a premiere, that’s a bad sign), and still others float somewhere in-between.

With its production a distinctly up and down affair, that leaves the story to carry the rest of the weight. But, even after having seen the entire premiere, a lot about the world of RWBY remains rather obscure to me. It’s possible this is on purpose, but it might also be semi-by-design, a case of trying to appeal to new arrivals and old fans simultaneously but falling between two stools in the process. (See also; that Pokémon movie I reviewed a few months ago.)

As far as I can tell, RWBY’s setting is defined by the presence of monsters called Grimms, which lack “Aura”—life force, basically—and turn into “Dust” when killed. Dust, as far as I can tell, can be broadly analogued to souls from Dark Souls. It has power of its own, and also seems to be used as a currency.

Grimms are fought by Hunters, which all four of our heroines want to become for various reasons. These are Ruby Rose (Saori Hayami), the bubbly title lead, her doting older sister Yang Xiao Long (Ami Koshimizu), the aloof, proud heiress Weiss Schnee (Youko Hikasa), and Blake Belladonna (Yuu Shimamura), who is a catgirl.

For the most part, they seem like rather simple characters with simple motivations, although Ruby is the only person we really get the full story of here, in that she wants to follow in her late mother’s footsteps as a huntress. Not for nothing is Ruby also the character who works best here, she’s cute as a button but also has a huge transforming scythe-gun thing. It’s hard to go wrong with that.

There are also many other characters introduced here. North of a dozen, if I had to take a guess. We learn rather little about most of them, this early on, although a small handful like honors student / cereal box model (really) Pyrrha Nikos (Megumi Toyoguchi) and the adorably terrifying Penny (Megumi Han) manage to make a decent impact in their relatively brief screentime regardless.

The actual plot? Our girls enroll at an academy for Hunters. I don’t want to say that “Harry Potter packing heat” is the general vibe here, but in spots it kind of is. Much of the specifics of this become the victim of the premiere’s downright bizarre pacing.

There is a pretty incredible moment where, because of a news story, three of our four heroines are discussing how corrupt one “Schnee Corporation” is, only for Weiss, who is the heiress of said company, to introduce herself to the group by overhearing it and taking offense. Was she just standing around eavesdropping? Is this bit of hilarious coincidence from the original show? I honestly have no idea. I’m not entirely sure it’s meant to be as funny as I found it.

It doesn’t really matter, because not long after that scene, our characters—plus a second team of hopefuls—are flung into a forest to take their life or death entrance exam. Here, the show comes to life with properly exciting action sequences and just enough forward plot motion to be compelling. Then, when our heroines pass their exam and are formally grouped together as “Team RWBY”—all of the teams have fun, pronounceable acronyms for names, I suppose—it immediately becomes boring again, focusing on the petty and uninteresting conflict between Weiss and Ruby or other similarly dull character interactions that just don’t mean much of anything because we haven’t gotten the proper time to know these girls, yet. Ice Queendom is frustrating in this way; at several points during the premiere, I was bored to tears, only for it to burst with exciting and fluid visuals or an interesting story tidbit once again, and then again promptly fall back asleep a few minutes later.

It’s actually Blake Belladonna who gets the shortest end of the writing stick, at least so far. Blake has the misfortune of being Team RWBY’s only Faunus—that is to say, a kemonomimi person—and consequently, she is the conduit for this episode’s utterly toothless gesturing toward political commentary. Over the course of the third part of the premiere, she and Weiss get into a big argument about the (pick one) terrorist group / brave freedom fighters / people just doing their best White Fang, who Weiss loathes because they’ve killed people she personally knows, and which Blake used to be a part of.

There is a frankly incredible scene where Blake pulls off her bow only to reveal that she has cat ears that look exactly the same as her bow underneath it. It is incredible in every sense of that word.

There are, I’m sure, ways to handle this that are not completely terrible, but you won’t find them here. Blake and Weiss are treated as simply having a misunderstanding, and Weiss eventually kinda-sorta reconciles with Blake after only a few real-world minutes of self-reflection. Nothing is actually resolved, and Weiss apparent actual bigotry toward Faunus (yes, an anime girl who hates catgirls. Unreal.) is simply brushed aside. (And of course, despite the weird racism angle here, it will not shock you that at no point during the series so far has an actual POC shown up in a noteworthy role, which is just inexcusable.)

On the whole, Ice Queendom is a mess, really. Which is a shame, because there is some good stuff in here. In addition to the visual highlights there’s a neat plot—unresolved here, presumably it’ll be concluded in the next proper episode—where a Grimm that can imitate humans and trap them in mental prisons based on their own insecurities shows up. It’s defeated temporarily by a mysterious character who calls herself a “nightmare hunter.” Her exorcism method involves tying people up with weird purple string.

Bondage Joke.

It’s weird, it’s cool, and it points a way forward for Ice Queendom in general. It’s not impossible that the series will eventually find its legs. And I hope it does, both because I will probably continue watching it somewhat in spite of my own good judgment (I will remind longtime readers that I’m one of the few Blue Reflection Ray apologists, bad production has never scared me off), and because the people who have been ride-or-die for RWBY for nearly ten years deserve a good show, not something haphazard and half-assed.

The Takeaway: If you can stomach the bizarre plotting and wonky production to get to the standout action sequences and some of the weirder stuff, this might be worth checking out. If you’re a lifelong RWBY fan, you’re probably already watching it. For anyone else? I think this is probably a skip, especially with more promising-looking battle girl anime (eg. Lycoris Recoil) on the immediate horizon.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch KAGUYA-SAMA: LOVE IS WAR -ULTRA ROMANTIC- Episode 12

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Heart to Heart! — Let your burning love reach everyone!

– Hoshin Culture Festival Motto

How do you open the two-part finale to your long-running love story? How about your heroine turning to stone and shattering? That’s the visual that Kaguya-sama: Love is War! opens on as its third season draws to a close; girl to granite to rubble. Why? Because Miyuki Shirogane is going to Stanford, and Kaguya Shinomiya knows she can’t stop him. And moreover, knows she shouldn’t.

It’s a visual metaphor, obviously; Kaguya-sama has loved those since it started and it certainly isn’t going to stop using them now. But, the literalization of the sentence “she was shattered by the revelation” gives you a pretty good notion of what we’re all in for here. If Love is War, this is the conflict’s turning point, where the generals and foot soldiers alike earn their medals.

Spare a thought for Hayasaka, who has been mostly-unwillingly playing both roles for ages now, and is who Kaguya goes to for comfort and advice as her carefully-laid plans for a full year of dating fall to pieces. Shirogane isn’t just going to Stanford, he’s graduating a year early to account for cross-Pacific grade differences. For us, it’s an elaboration as to why he’s been acting like time is running out, if it weren’t already obvious. For Kaguya, it’s a sledgehammer to the face. Love is a battlefield, and she’s been ambushed.

Hayasaka, again in her role as a beleaguered advisor, needles her mistress. If the day has to be today, then the confession of feelings—that old Japanese pop media trope so ingrained into the anime landscape that it’s practically part of the scenery—has to be perfect. Kaguya tries different phrasings, Hayasaka shoots almost all of them down. It’s amusing, yes. Kaguya-sama fully empties its bag of visual tricks here; starting with cheerleader-based how-to-confess diagrams and references to the ancient “yukkuri shitte ne” meme.

But the real emotional heft obviously comes when Kaguya-sama reigns it back in. As Hayasaka and Kaguya talk, the room is bathed in a scarlet sunset, and the core point the maid makes is simple; there aren’t any easy outs. Kaguya just has to tell the president how she feels about him somehow. There can be nothing else.

There is just one problem; in order to confess to the president, Kaguya has to find him, first.

In the meantime, theirs is not the only story freefalling through youthful confusion. As she searches high and low for Shirogane, Kaguya catches sight of Ishigami and Tsubame, which serves as a crossfade over to their side of the cultural festival.

Ishigami remains as oblivious-self-conscious as ever, paranoid about coming across as a “creep” for having a command of flower symbology while at the same time being still wholly unaware that what he intended as a simple kind gesture has been taken by Tsubame—and indeed the whole student body—as a declaration of romantic love. Here, Tsubame begs his patience, but because he doesn’t really know what she’s talking about, things get muddled; intentions swept off the ground in the December breeze, and the half-punchline that is Ishigami’s continued unawareness can only do so much to pop the winter evening ambiance. Unintentionally, Ishigami gives Tsubame until March, when the cherry tree they’re standing under blooms, to truly answer his feelings. The gymnast is surprised by his mental fortitude, and the whole sequence is funny, but also very sweet in its own way.

It’s only after the two part that Ishigami gets some sense of what he may have actually done. A festival play recounts the legend that gives the culture festival its heart motif, and our boy comes within striking distance of figuring out that giving hearts out is an implied romantic gesture. Still, the second Tsubame herself takes stage in the play, all rational thought goes out the window for Ishigami, and he promptly stops thinking about it.

But, even if things between them don’t work out, one gets the sense they’ll both be fine in their own way.

Back at our main story, though, Kaguya is lost in her own little world as she prepares to light the culture festival bonfire via flaming arrow. She manages an impressively skippy internal monologue the entire time, as We Want to Talk About Kaguya! leads Karen and Erika cameo off to the side of the scene.

I wonder if Aoi Koga gets paid by the word.

Karen will write a doujin about this later.

But the bonfire-lighting itself is swept aside as the mysterious “phantom thief Arsene” makes his presence known; the papier-mâché dragon jewel is gone, and the thief’s calling cards float in the air en-masse as a shadowy silhouette cuts a looming figure against the night sky.

Of course, no one but us knows that Shirogane is behind all this just yet. Notably, Fujiwara tasks herself with solving the mystery, only for her grandiloquent proclamations of her own genius to dissolve into a puddle as it becomes obvious that most of the ‘clues’ she’s found are either her own inventions or deliberately planted to throw her off. This is Kaguya’s puzzle to solve, and there’s only one actual hint.

Karen, in what is to my recollection her single most substantial contribution to Kaguya-sama‘s story, points out that the small calling cards are made of flame-resistant paper. This sets Kaguya’s own mental wheels a-turning, because that kind of care and preparedness reminds her of a certain someone, and it does not take long for the rest of the game to click into place.

And to give us all just the slightest airbrake of comedy before rocketing into its last half hour, Kaguya-sama then pulls out the one-two punch of “Kaguya dropped the plastic heart she was going to give Shirogane” and “Kaguya does not know how coffee machines work.”

Very good, Miss Shinomiya.

Shirogane, meanwhile, is starting to get flustered. The usual pattern of his where he does something extremely teenager only to cringe himself half to death the following day beginning to kick in as the second day of the culture festival ends. The narrator puts it best; the final battle of this war of love is to be a fistfight.

Kaguya-sama: Love is War!‘s season finale is a fucking hurricane of romantic imagery.

Shirogane’s plan is grandiose, ridiculous, ostentatious, and the sort of thing that only a heartsick teenage boy could dream up. It leans hard on narrative convenience—the strings he’d have to pull make no real sense, and the post-hoc explanations given here don’t really either—and hard on pre-built character sympathy. If someone did this kind of thing in real life and you read about it in the news, they’d be a horrible creep and you’d hate them. This is a “proposing on the Jumbotron” gesture blown up to ridiculous fantasy proportions.

But that of course is part of the beauty of fiction. Kaguya and Shirogane love each other very much; we know this, and have known this. It’s been obvious to everyone, including much of the show’s own cast, for, at this point, real-world years. Anything that moves the needle at all is good. But this? This is insanity. Beautiful, wonderful, romantic insanity. If love is a sickness, Shirogane’s case is terminal.

He uses some mechanical doohickey to pop a massive balloon, sending scores of heart balloons out into the air above the festival, held aloft by the heat from the bonfire, the December night breeze, and the fact that anime is the highest form of art. Shirogane’s winding internal monologue about how he really wants Kaguya to confess first because he needs to feel equal to her only half makes sense, but that doesn’t really matter. None of the obvious little holes in Shirogane’s plan really matter. Do you see how hard Kaguya’s blushing? I got contact flutters from watching this. Frankly, I’m a little envious.

It would be one thing if it stopped there, but it does not.

This isn’t usually what one means when they say “popping the question,” but it certainly feels comparable.

Really stop for a second and think about what he’s asking there. Think about these two characters and their respective situations, think about the enormity of what he’s asking her to do. Even on its own, studying abroad is a huge undertaking. Studying abroad at Stanford University is quite another level beyond that. Doing so in Kaguya’s specific situation is yet another step beyond that. This is an absurd ask. Kaguya says as much.

She says yes anyway. An implicit fuck-it-all to her own upbringing and, really, her entire life up to this point. She doesn’t even really hesitate. She’s giddy, if anything.

They kiss. Obviously, they kiss. On top of a clocktower, hearts surrounding them in the air.

Elsewhere on the festival grounds, Hayasaka blushes like crazy once she realizes what’s going on, and Miko Iino, alone on patrol, is the only one not present at the bonfire. Ishigami brings her a recording—and a plastic heart trinket, for the lost and found—a much more subtly sweet moment that contrasts nicely with the star-scraping, wild gesture that Shirogane’s just pulled off. Could there be something between those two someday? I don’t think it’s impossible. (It will certainly be funny if Ishigami, the character that Kaguya-sama‘s least pleasant fans attach themselves to out of a misunderstanding of his character, ends up having to choose between two women who are into him, but let’s not get ahead of ourselves.)

And just like that, the festival switches off like a lightswitch, and we cut to the morning after. There is a postscript of sorts here; it’s very funny, and sweet in its own way, featuring a rare appearance from Kaguya’s childish “Kaguya-chan” personality. But with all I’ve said here, recapping that bit as well would feel a little pointless. It made me cackle out loud at one point, so you can consider that an endorsement.

It’s a valid question to ask; where, if anywhere, does Kaguya-sama: Love is War! go from here?

Well, not long after the episode aired in Japan, we got an answer of sorts. Whether that’s another season being announced, an OVA, a film, no one really knows yet. But Kaguya and Shirogane’s story doesn’t end here, and that’s the important part. I will spoil nothing, but there is much of the manga left to cover, so I am very curious as to what’s being planned. Kaguya-sama will appear here on Magic Planet Anime again, that much is almost a certainty.

But for now, the romantic rollercoaster ride has come to an end. Until next time, Kaguya fans.

Results for Today’s Battle: Mutual Victory

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Misc. Anime

Vote on the Next Let’s Watch for the Summer 2022 Season!

Summer is upon us, anime fans, and with the changing of literal seasons comes also the changing of anime seasons.

I think most of you know the drill by now, but just in case you don’t, here’s how this works. You go to this survey, you check all the boxes for shows you’d be interested in me doing one of my weekly Let’s Watch columns on (there’s no limit. Hell, you could check all of them if you wanted to, as pointless as that would be), and that’s basically it.

I’ve changed the way the list is organized, somewhat. This time around, it simply uses Anichart.net’s order, and I’ve put in every eligible series under both its English-market title and the Romaji title. (In some cases, these are one in the same, those would be the shows with only one title listed.) I don’t use unofficial synonyms. So, for example; Call of the Night is in there both under that title and under the Romaji version of its JP market title, Yofukashi no Uta, but it’s not there under the little-used manga scanlation title Night Owl Song.

As with last season, you’ll note there are a few notable omissions. This is for one of several reasons:

  • It’s a sequel to something I haven’t seen, or I otherwise don’t have necessary pre-existing narrative context.
  • It’s in “streaming jail”, making covering it weekly impractical or impossible.
  • Or I’m planning to cover it anyway. (Although that doesn’t describe anything

I’m not sure how many, exactly, Let’s Watch columns I’ll be picking up this season. There have been some recent structural changes on MPA (I’m sure you’ve noticed, say, the One Piece Every Day project), but I will certainly pick up at least one community pick. This past season I ended up covering the tied-for-third-place Healer Girl as well as the outright winner Spy x Family, so don’t be afraid to punch in votes for obscure stuff even if you don’t think it’ll win. You never know.

I look forward to seeing your responses, anime fans!

Wanna talk to other Magic Planet Anime readers? Consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.