Category: Let’s Watch

Posted on in anime, Let's Watch

Let’s Watch KAGUYA-SAMA: LOVE IS WAR -ULTRA ROMANTIC- Episode 6

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

“The countdown to farewell has already begun.”

It has been three years since I started covering Kaguya-sama: Love is War! In that time, I’ve read much of the original manga, so I knew this day was coming eventually. But hindsight has a way of snapping together things that seemed unrelated at first glance. Call it reading too much into pure coincidence, call it serendipity, call it the norns at work.

In its sixth episode, the show’s third season finally rounds the bend and gets serious. These more dramatic parts of Love is War! are what the series’ reputation is truly built on. I think it would still be beloved without them, but they help the story to feel larger than its constituent characters. Even for someone far removed from the rich kids’ club of Shuchiin Academy, it can reach out and touch a point in one’s own personal timeline, creating resonances both close and far. That is what this episode, and eventually, this entire arc, is all about. Which isn’t to say it’s a drag, (most of this episode is just as funny as the ones before it) but if there are any clocks ticking in your own life, expect to hear them ever louder as you watch it.

The catalyst here is fairly simple; a parent-teacher conference. A minor rite of passage / perfect-storm anxiety machine that every high schooler goes through a few times over the course of their education. Kaguya’s dad, notably, doesn’t show up to hers.

This is perhaps to be expected from her total piece of shit of a father. A man who is a walking bundle of rotten wood held together by petty spite and pure greed, a nearly elemental incarnation of the phrase “Rich Old Bastard.” A figure who, in the scant handful of lines he’s gotten in the series so far, manages to ooze a crochety, warped old-money unpleasantness that is sadly probably the single most realistic thing about this series. I really quite strongly dislike Mr. Shinomiya, if that’s not obvious.

In any case, the person who does show up is Hayasaka’s mother, Nao Hayasaka (Toa Yukinari), who pulls double duty by both attending her own daughter’s conference and Kaguya’s. We learn here that Hayasaka is a total mama’s girl, which is pretty cute. (If also a bit sad, since their exchange here implies that they spend very little time together.)

There’s also some great work from Shirogane’s dad (Takehito Koyasu), who makes a drop-in appearance for the first time in the season, back to his usual antics of being a total weirdo but genuinely good dude.

But the real important development here is what we hear from Shirogane himself, during his parent-teacher conference.

Yes, that Stanford.

Immediately, everything else that happens for the rest of the series has this particular Sword of Damocles hanging over it. Shirogane and Kaguya’s time together in actual close proximity is ending. Not just ending but ending fairly soon. The deadline is in sight.

Kaguya-sama is notable in that its central dynamic, the “geniuses’ war of love and brains” that gives it both its tagline and original Japanese title, has faded the farther we’ve gotten from the premiere of season one. It has always felt—I think as much to its own characters as to us—that Miyuki and Kaguya have had all the time in the world to muster up the strength to finally shoot straight with each other. So their occasional throwbacks to that early period have been charming, but not felt urgent. That is no longer the case. This isn’t a slice of life series; the everyday here is not endless, and time is running out.

Give him some credit, our man knows it’s do or die time.

As I’ve gotten older, it’s felt like I should probably be able to relate to these sorts of stories—high school tales of romance and all—less. But the sense of urgency that Love is War! begins to carry from this point forward is universal. I’m 28, many people who read this column are older or younger than I, but who doesn’t feel Father Time breathing down their neck, at least occasionally?

But as we wish Miyuki good fortune and godspeed, we transition into talking about the rest of the episode. Which is, I must note, still very good, but it’s also a lot more conventional for Love is War!, so there’s simply less to discuss. In the second segment, the urgency is alleviated by one of the aforementioned throwbacks to the show’s early days. Kaguya and Shirogane both manage to galaxy brain their way out of inviting the other to a different school’s cultural festival, happening nearby. Even so, you feel for them.

In the third, Shirogane asks for the girls of the student council to help him evaluate himself “objectively.” This is mostly an excuse for wacky misunderstandings, such as here where Miko thinks he’s asking her out.

And also, for Miko and Chika to say mean but admittedly funny things about him.

But Kaguya, who can’t find a single bad word to say, is who ultimately leaves the day’s biggest impact.

Reinvigorated, Shirogane recommits himself to his plan, and it is for us and time to see if it will work out or not. Godspeed, Miyuki, and good luck.

Bonus Hayasaka Screencap: Dare I say, I think this was also how probably at least some of you reacted when Nao Hayasaka made her on-screen appearance, here.

That’s right, readers. I know your bones.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch HEALER GIRL Episode 6 – Become My Servant! Russian Food and Sweet Dreams

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

This week, Healer Girl returns to a marginally more mundane setting. Specifically; Sonia’s clinic. Much of the episode serves as a small spotlight shone upon the hitherto minor character. I’ve never disliked Sonia—her “antagonism” is extremely minor and cartoony—but it’s nice that she gets an episode to shine regardless. Haughtiness is fun, in the right hands, and Sonia’s are well-equipped to handle it.

The episode’s forehalf showcases Ria’s apprentices helping out around Sonia’s grandmother’s clinic. You may recall that Sonia has something of a self-proclaimed rivalry with Ria, but their help is at her grandmother’s insistence. (She’s bedridden dealing with backpain, you see. Which also serves as yet another small reminder that even in this world, there are limits to what medicine can do.)

Sonia is extremely haughty throughout, even as Kana tries to help despite her palpable exasperation with the white-haired healer’s antics and Reimi nerds out over the clinic’s massive archive of vintage sheet music. The entire opening half here is very charming, and caps with Sonia showing off her healer chops by singing away a burn on a young boy’s arm with almost no prep time beforehand. (That second thing being impressive is new information to us, I think, but given that the only other healer we’ve seen do much work is Kana, who is also a prodigy, it makes some sense that we didn’t know before now.)

The second half of the episode sees Sonia rope Kana into all kinds of silly bullshit. First, she drafts her into the “executive committee” of her high school’s culture festival. Then, she abuses the power she has in that position to create a “Russian Cooking Club” out of thin air and fill out the paper work letting them set up a stand at said festival. Why do this? Because she met some random little kids who wanted to eat Borscht and she promised she’d make them some sometime. It’s exceedingly random, but it mostly works as far as goofy school life antics go.

We meet a few of Kana’s classmates here too, although none get much characterization beyond their constituting the Local Kana Fanklub (which she deserves. She’s a good protagonist.)

It also manages to sneak the ancient “people who are incompetent at cooking accidentally create the weird purple muck that Grimace from McDonald’s is made out of” gag in there. It’s old hat by now but this is at least a well-executed take on the joke.

Kana manages to run herself pretty ragged while doing all this, so the episode’s last major scene is also its insert song. Sonia, adorably, soothes Kana as she sleeps. My personal guess is that the right song-medicine can make sleep more restful, turning even short naps into a viable way to recharge your batteries? It’s not spelled out to us here, but the general idea is clear. It’s also illustrative of the fact that just below her somewhat arrogant surface, Sonia is a real sweetheart, too.

At the end of the episode we’re treated to a small post-credits scene. There, a nondescript fellow (one of the very few on-screen boys in Healer Girl at all) rushes into what is presumably the high school’s student council. He declares an emergency; a huge gap in the culture festival’s schedule! And on that fun little cliffhanger, the episode comes to a close. Perhaps hinting at a full-on concert next week? I wouldn’t put it past Healer Girl. The show remains, even in minor moments, as pleasant as lemonade in July.

Song Count: Two, both sung by Sonia. There are a few ditties consisting of a couple bars each throughout, as well, although in general this is one of the least musically-dense Healer Girl episodes.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch KAGUYA-SAMA: LOVE IS WAR -ULTRA ROMANTIC- Episode 5

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

I knew this day would come eventually.

He wants to express his feelings in rap. Miyuki Shirogane, student council president of Shuchiin Academy, wants to express his feelings through song. No, through performance art, in what is probably the absolute worst medium he could’ve chosen to do so short of perhaps mime. Ask anyone who’s ever been subjected to Lil Dicky; rap and comedy do not mix. Rap and anime have a very uneven track record and historically mix even worse.

A conflux of the three should signal a truly epic crash where Kaguya-sama: Love is War! burns out and never recovers. Improbably, it does not, but that may be because this is A-1’s most impressive production on the season yet, a true cartwheeling display of visual panache put in service of a bizarre pseudo-music video. The music is still very much at its worst the closer it is to actual hip-hop, but at least it’s never unwatchable. The combined first two segments of the episode are basically this Tumblr post, I don’t know what else to say.

Anyone familiar with the “Chika teaches Miyuki to do something” skits of prior seasons will understand immediately what’s going on here. The twist this time around is that Chika is also completely clueless about hip-hop and has to teach herself before she can teach Shirogane anything. This is admittedly pretty funny, but it does drift into the notion that rap is just funny as a concept, which definitely isn’t true and is usually the domain of a specific kind of bad American cartoons. Although Shirogane’s profound badness remains hilarious. His first try at “rapping” here sounds more like a walrus dying slowly. It physically propels Chika into the air.

The “actual” rap as it eventually develops here is, I don’t know, fine. It’s not the kind of skin-peeling cringiness that I usually associate with rap music showing up in cartoons, which is a positive. Shirogane’s actual song is notably old school, having something broadly in common with the retro pop rap stylings of chelmico. and similar acts.

What is he rapping about? Well, initially this is just followup on that karaoke episode. He wants to convince Hayasaka to be more honest with herself and others and such. We also get a flashback to the karaoke place, where Hayasaka mentions that her job is to “keep tabs on” Shinomiya. Hmm.

In any case, the “musical” segment that follows this is pretty damn impressive, just from a production standpoint. For my money though it’s actually Kaguya herself who has the best song, despite it being probably the farthest-removed from hip-hop music. It also has the best visuals, including a truly inexplicable nod to Queen‘s “Bohemian Rhapsody.” (Maybe it’s a pun? “Rap”sody? I don’t know.)

In the largely-unrelated final segment of the episode, we link back up with Maki.

She seems to be doing well.

In what seems to be a recurring pattern, this section of the episode is a lot simpler and less ambitious than what precedes it. It’s mostly Maki venting to the boys again. Ishigami correctly points out that it’s usually best to be quick on the draw in games of love. The fact that all three people in the room have crushes they can’t own up to having, some more involved than others, casts a palpable irony over the whole thing, something the series itself is very much aware of. Maki’s own regret boils hot enough to burn away the tea Ishigami prepares for her, and Yu and Miyuki nearly give themselves a stroke just imagining the other person stealing their crushes.

All in all it’s a pretty simple segment that serves mostly to close out the episode. And it is nice to see Maki making friends, of a sort, it helps all the comedy at her expense feel less mean.

There’s also a new ED this week, presumably a one-off. Once again done in a totally different stlye from the rest of the show, and also featuring a hip-hop soundtrack. (One that I’d go so far to say is a fair bit better than Shirogane’s rap in the actual episode.) It’s cool, but I’ll welcome the return of the usual ED next week.

Until then, Kaguya fans.

Bonus Hayasaka Screencap: Why have one Hayasaka when you could have five?

I should here note that Hayasaka’s song is probably also the one that comes closest to having any real bite to it. It conveys her increasingly fed-up attitude with Kaguya pretty well. She even has something that might actually qualify as a Bar™ if you’re generous, rhyming that she has so many faces that she feels like “a hydra.”

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch HEALER GIRL Episode 5 – Blue Skies, Green Mountains, River Battles and the Galactic Station

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

“The light of drifting stars fills the sky.”

The fact is, it’s actually pretty easy to review something bad. Reviewing something that’s mediocre isn’t that hard either; line up its strengths and weaknesses, weigh them and determine if, at least for you, the former outweigh the latter. The real challenge is writing about something great.

And that is part of why this particular Healer Girl recap comes to you a day (possibly multiple days) late. That and a combination of truly fearsome writer’s block. If this column seems a bit less coherent than usual, I do apologize. It’s not in my general nature to “break the fourth wall” during these columns, but sometimes explanations are in order.

In any case, the actual plot of this episode is so simple that it almost doesn’t bear summarizing. Our main trio visit Hibiki’s family in the countryside. There, we learn a bit about her and her family, and a bit about Kana as well. One of Hibiki’s many younger brothers develops a precocious crush on Reimi, which is cute.

We also get an elaboration on the event that made Kana want to become a healer in the first place. When she was young, she had an asthma attack on a plane, and without an inhaler on hand, was in serious trouble. A mysterious healer, who she has been looking for since then, soothed her, thus setting her on the path to becoming a healer.

We find out almost immediately that this mysterious healer is, in fact, the girls’ teacher, Ria, who has just apparently not heard this story before. There’re a few details that don’t entirely line up about this, and I’m not sure if that’s the show trying to deliberately evoke the faulty memory of young children or if they’ll come back to that later. Either way, the reveal is humorously anticlimactic.

After all that, the episode’s real point makes itself known. It’s always been fascinating to me that so much human art is dedicated to depicting the natural world. By all rights, it’s something almost all of us are at least passingly familiar with; it’s the world out our window, or at most, a drive away. Why is it then that we spend so much time writing about waterfalls, so to speak? Why are we so fascinated with the motion of water and the little skipping and wriggling things that live in it? The girls swim in a small river, and I am reminded of my own times doing the same, visiting my father’s parents in the Pocono Mountains. These were not the happiest times for me, but they were simple, maybe that is why a tug that is something like nostalgia pulls at my heartstrings even so.

After the river scene, the girls trek toward a split-apart stone monument that reaches into the sky like the hand of a lost god. By the time they arrive, singing all the while, day’s become night.

The episode’s visual and emotional crux is a pair of landscape shots; the Milky Way rising into the sky like a plume of neon smoke. Later, the constellations that the fireflies within a cave play out on its ceiling and hovering in its air serve as a reprise. They are sights simultaneously familiar and obscure to me; even in my years living in rural Pennsylvania, there was simply too much light pollution for me to ever see that many stars. The night has always been black for me. Not so for Healer Girl, whose devotion to the natural world ranks up there with among the all-time best of its medium; Ghibli films, Yokohama Kaidashi Kikou, Kamichu!

But the sky’s vastness and beauty shouldn’t obfuscate something else important. The Night on the Galactic Railroad namecheck, brought up explicitly in conversation, is what gives this episode its title. And it is casual, but not careless. Galactic Railroad, one of the seminal works of modern Japanese literature—which was, in 1985, transmuted into one of the most stunningly beautiful films ever made—is ultimately a story about death. Recall that only a week ago we saw a man nearly die on the operating table. This week Kana relays her own brush with ill health. Are these allusions a gesture toward the flip side of the show’s very premise—those whom medicine, no matter how fantastical, cannot save—or something else? Or “just” a reminder of the circle of being? All that begins ends, and dust begets dust, and the big wheel keeps on turning?

All this from a pseudo-beach episode that is also very much about how pleasant a trip to the countryside can be may seem like a stretch, but Healer Girl can juggle all these thoughts and emotions effortlessly. Healer Girl feels a lot like Kana herself, able to pull others into its own little world with a prodigal effortlessness. (Another thing we learn this episode, but one which is only dwelt on briefly.)

For precisely these reasons, it is one of the best things airing right now. Nothing else right now makes me feel this strongly or feel this much. I am happy that it exists.

Song Count: Just one for this episode, as the girls and Hibiki’s family are hiking up the mountain.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch SPY X FAMILY Episode 4 – The Prestigious School’s Interview

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Ask any parent, even completely mundane admissions interviews are stressful. School admissions interviews are nowadays mostly the domain of college applicants and the ultrawealthy, but they used to be more common. And as with anything involving both parents and teachers, they are nerve-wracking for all involved. The Forgers, though, aren’t just any parents. We don’t actually explicitly learn if they pass the interview for Anya to get in to the prestigious Eden Academy or not in this episode, but let’s say the forecast is positive. With one…minor exception.

Before the interview itself, the Forgers—along with dozens of other hopeful families—must make a first impression on their way through the academy’s courtyard and to the halls where the interviews are being held. Even this early on, the academy has eyes on them. Recurring character Henry Hendersson (Kazuhiro Yamaji) makes his debut here as one of the school’s housemasters. Hendersson observes the Forgers, along with the other families, from a tower overlooking the courtyard, and we instantly get a pretty good idea of his character. He’s an odd man, obsessed with his personal ideal of “elegance”, but despite what may be easy to assume, he is not the antagonist of this episode. It only gains one of those in its second half.

First, though? Cattle stampede.

Yes, in what I am convinced simply must be a Revolutionary Girl Utena reference, a stampede of random livestock breaks out in the courtyard. Why does Eden Academy have a farmhouse? How did the animals break out of it? Who knows! Stop asking such silly questions. What’s really important that Yor takes out the leader of the herd with, ahem, “yoga techniques.”

Golfing! Wait, wrong series.

Also, the Forger family changes outfits twice over the course of this first half of the episode, once when helping a little boy who’s fallen into an open storm runoff(!) and then again after the cattle attack. Mr. Hendersson is first impressed, and then slightly terrified by all this.

The interview itself is of course the episode’s real focal point. For the most part, it goes well. Hendersson is joined by two other interviewers; the mild-mannered Walter Evans, and this episode’s true antagonist, a vindictive, recently divorced, woman-hating jackass named Murdoch Swan.

The interview mostly goes according to plan. Anya professes to hobbies such as “going to moozeums” and “eating the opera,” and calls her father “a spy-cialist in mental health.” Loid and Yor convincingly recite their canned backstories about meeting at a tailor shop (which is, to both’s benefit, mostly true). Anya even adorably says that she’d give both of her parents “a perfect 100 points,” and that she wants to be with them forever. All seems to be going very well.

And then Swan asks this.

And Anya starts crying. Which makes perfect sense when you remember that she’s a small child being bullied by bitter, snide snake in the grass who takes out his frustrations with his own personal failings on other people. The situation, shall we say, escalates. Loid barely restrains himself from clocking Swan directly in the face—and smashes a nearby mosquito hard enough to crack a hardwood table in two in the process—to say nothing of Yor, who genuinely looks ready to kill the man.

Yor Forger in the process of figuring out, in real time, how to murder a man with a vase and flowers.

About the only thing that stays her hand is Loid taking his “fake” family and simply leaving. His parting remark, something to the effect of not being interested in a school that bullies children as part of its educational system, would be cutting if Swan was the sort to be hurt by such things. But perhaps predictably, he doesn’t really care. (Original mangaka Tatsuya Endou deserves a lot of credit here, Swan is exquisitely hateable.) But this stain on the academy’s honor is enough to piss off Hendersson, who, after the Forgers depart, finally gives Swan what’s coming to him.

Elegantly done.

The episode basically ends here, with a tearful Anya apologizing that she couldn’t do better at the interview. All three Forgers are now worried about the future of their family, and it’s only the knowledge that Hendersson was on their side during this whole mess that prevents this from being an out and out downer of an ending. I called the forecast positive in the opening paragraph because I am quite sure that the Forgers will be fine, but they don’t know that yet. Their concern for each other is sweet. (Frankly, it trumps what I’ve seen from many “real” families in my day, but that’s another conversation altogether.)

We will find out next week, of course, if Anya’s chances of getting into Eden Academy are really as dashed as they all think. Until then, anime fans.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch KAGUYA-SAMA: LOVE IS WAR -ULTRA ROMANTIC- Episode 4

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Yuu Ishigami has a conundrum. He, with all of his nerdy insecurities, is harboring a crush on one of Shuchiin Academy’s Popular Girls ™. Our boy is distraught by this in a manner not rare for internet natives of his age. He sees the object of his affection, cheer vice-captain Tsubame Koyasu (Haruka Fukuhara) as untouchable and perfect; somebody who lives in a different world than him and is forever beyond his reach.

He has plain black hair. She has quirky anime hair complete with a two-color gradient. It could never work between them!

Ishigami’s situation would be unenviable even in a normal school. Obviously, he’s not entitled to Tsubame, and what she thinks of him we don’t currently know. But the unspoken, yet, obvious, underline here is that Ishigami’s biggest obstacle to getting Tsubame to consider him as a romantic option is actually himself. Namely his own lack of self-confidence, not any inherent difference between them. Were he in any other high school on Earth, he might get advice that actually reflects that reality. But, he is a member of Shuchiin Academy’s student council. And the person who first pries the knowledge of this crush out of him is none other than our title lead, Kaguya Shinomiya.

Kaguya, I genuinely believe, has nothing but the best of intentions when she tells Ishigami that women are attracted to power, so his first step should be to gain “clout” of some kind. (She suggests gunning for a Top-50 placement in the upcoming exams.) Now, Kaguya may not entirely be wrong in suggesting this course of action—it certainly will attract peoples’ notice if one of the school’s worst students is suddenly out-scoring most of his grade on exams—but anything she says should be taken with a grain of salt. We know, but Ishigami unfortunately does not, that Kaguya comes from a deeply broken home. The Shinomiya Family has drilled into her the importance of regarding others only as tools for self-advancement. And while it’s true that she’s shed much of that programming by this point in the series, the roots of such a dog-eat-dog hypercompetitive mentality are hard to pull out. She’s still approaching this from the wrong point of view by encouraging Ishigami to change himself rather than simply be honest. (Of course, as the series itself humorously points out, that’s as much a reflection as her own unwillingness to be honest as anything else.) Regardless of what happens next, we should keep Kaguya’s upbringing, and how it informs this advice of hers, in mind. Although it is worth noting that she does realize that he needs to do something, or else….well.

At least she’s self-aware.

She does, at least, wisely shoot down Ishigami’s ideas for “ultra romantic” confession gestures, including such bizarre notions as leaving themed flowers on Tsubame’s desk every day for a week and presenting her with a half-empty photo album and expressing a desire to “fill it up with pictures of us together.” That much is probably the right call.

Now, let’s be clear here. Regardless of any romantic intentions, Ishigami improving his grades would hardly be a bad thing. He spends the second third of the episode studying, and it’s explicitly pointed out to us that it’s not the thought of wooing Tsubame so much as simply the fact that Kaguya actually believes he can improve that motivates him to try his hardest. Recall that not many people have ever expressed even that much faith in Ishigami before.

But, in a recurring theme for Love is War!—and honestly, Aka Akasaka‘s work in general—simply wanting something is not enough. Despite his best efforts, Ishigami places only around the 150 mark. An improvement, to be sure, but a far cry from his attempted coup of the grade rankings. He is absolutely devastated. (“So bitter that blood might as well shoot out of his eyes”, in the words of the Narrator (Yutaka Aoyama).)

But, of course, failure is not the end. Kaguya confronts Ishigami, getting him to admit that he is torn up about this, and he will try his damnedest to do better next time. Kaguya approves, although (jokingly?) warns him that the “kid gloves” of her study help are coming off.

It is interesting to me, in a series that is very firmly in the romance genre, how well Kaguya and Ishagami’s relationship is written. They’re certainly not romantic partners—and many romance anime neglect to depict friendship as much more than a steppingstone to love at all—and honestly, they don’t seem terribly close as friends in the typical way one imagines such a relationship. But they clearly care for each other; Kaguya would not spend as much time trying to push him as she does if she didn’t. Ishigami, in turn, would not care about those attempts if he didn’t on some level like and respect Kaguya. It’s an interesting, tangly relationship, which makes it feel very real. The two have come along way from Ishigami frequently suspecting that Kaguya was trying to kill him back in season one to a true kouhai / senpai pair.

I do fear I’ve perhaps made this entire part of the episode sound overly serious or even dour. In truth it’s not much more so than any episode of the season so far, but I think the character work here is interesting enough to devote the bulk of the column to. The gags are great throughout, here, of course, but that’s par for the course with Love is War! I particularly like this little nod to a fact we know about Shirogane; his tendency to shadowbox when psyched. Showcased here when he again scores the #1 spot on the exam rankings.

In any case, the final third of the episode is about Chika and Kaguya FaceTiming with Shirogane while sleep deprived.

There’s nothing particularly complicated about this segment, which brings the episode to a fun close that avoids being a trifle. Chika stays over at Kaguya’s place for a sleepover. She meets “Mr. Herthaka”, yet another of Hayasaka’s alter egos. This one has….quite the backstory, as we soon learn.

But really, the highlight of the evening comes when, through a series of convoluted misunderstandings, Chika gets the idea that Shirogane and “Mr. Herthaka” are romantically involved. In doing so, she resurrects a proud, ancient tradition perfected by her ancestors.

A completely unironic nosebleed gag in an anime in 2022? Nature really is healing.

The episode ends on a sweet note, though. Kaguya, very much past her usual bedtime and barely able to think straight, nearly tells Shirogane that she’s into him, only to pass out mid-sentence. A little frustrating? Maybe, but I can’t help but find it adorable. Will these two colossal nerds ever truly have the courage to own up to their feelings? Perhaps we’ll find out next time, Kaguya fans.

Oh, and before I forget, the Bonus Hayasaka Screencap. How about the chart of the many faces of our favorite blonde maid that we get at the episode’s end?

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch HEALER GIRL Episode 4 – First Steps, Horror, and a First Job!

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Today on Healer Girl: someone almost dies on an operating table!

Yes, really!

I can’t pretend this is an entirely unexpected turn for the show. It’s been fairly clear from the jump that the practices of “vocal medicine” and, you know, normal medicine are well entwined. On its own, then, it’s not strange that Healer Girl would eventually involve someone doing Actual Serious Surgery in an Actual Hospital Setting. But I am surprised that the show went there this early. The girls have just acquired their assistant’s licenses, as they remind us at the top of this episode with Kana’s amusing bragging.

Putting them in a medical setting this dire seems like skipping a step. Especially, since, as the first part of the episode hilariously demonstrates, none of them are even really used to seeing blood. (They end up “training” by watching a bunch of splatter horror flicks, an idea that strains credulity. It’s very funny to watch them freak out, though, so I’ll let the show have this one.)

Plus, on the other hand, the girls are not doing the surgery. (Thankfully.) Instead, our heroes’ assignment here is to provide live music during a surgery, with the idea being that it calms down the surgeon and assistants and helps them focus. Healer Girl has mostly been pretty good about not pitting its own fantastical branch of medicine against the mundane thing so far, so this arrangement is smart on that front, as well.

Not that everyone feels that way. Ria is fine with it. Shouko, her assistant, is fine with it. And of course, our protagonists Kana, Reimi, and Hibiki are all (eventually) fine with it. But one person who isn’t is the actual operating surgeon. Not because of any “this isn’t real medicine” ideological conflict—something I have to admit I became worried about when the character was introduced—but simply because this is his first surgery, too, and he thinks his skills are being belittled.

Despite his distaste, he goes along with it. (The person in charge of his department favors experimenting with live music in a surgical setting and is an old college classmate of Ria and Shouko’s, so really, he’s outnumbered and outranked.) And for a while, it seems like everything is basically fine. The girls sing in shifts, with each of them ducking out and letting the other carry the tune for a while to rest their voices and get some water at set intervals.

Then, just as he’s about to finish up, the surgeon notices that the issue with the patient is far more widespread than initially realized, and they need to do more than they initially planned. This goes badly. As in, “shots of the heart rate monitor going down and one of the nurses yelling ‘he’s critical!'” badly. In keeping with how we’ve seen this work before, the girls’ song-environment promptly falls to pieces under the stress, all three of them are shaken. But crucially they don’t actually panic. Instead, Reimi pulls Kana back in to the song with what might be my favorite two-line exchange of the whole season so far.

Healer Girl really loves imagery of ground and earth being knit back together after a cataclysm, this is the second of these “song spaces” to invoke that particular visual trope, and it looks even better here than it did two episodes ago when Ria comforted a pregnant woman. Angels fly from the skies and return everything to a serene—and slightly surreal—calm.

In terms of the actual surgery, a more experienced doctor intervenes and fixes the patient up. Crisis averted; everything is fine.

The girls take the well-earned time to bask in a job well done, and Ria is relieved that she didn’t actually have to intervene, praising the girls for their good judgment and level heads. The grumpy doctor, if you were wondering, does eventually thank the girls for their services, though only in a rather brusque and abrupt way. (You ever stepped in front of someone’s car while they’re pulling out of a parking lot? Not the best idea, usually.)

More importantly, back home, the girls text each other in the episode’s epilogue. Kana thanks Reimi for encouraging her. It’s a cute, warm end to another casually dazzling episode. How does Healer Girl make it look so easy?

Song Count: Just one, technically, this time around, but what a song it is.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch SPY X FAMILY Episode 3 – Prepare for The Interview

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Spy x Family takes a slightly more relaxed, downtempo turn this week. Really, that’s fine, with two cours split across half the year, the series has time to stretch its legs. As such, “Prepare for the Interview,” its third episode, only briefly involves any actual forward plot motion. It’s mostly scene-setting, and an opportunity to put the Forgers in a genuinely domestic context. If only, perhaps, to endear us to them further so that later, when this status quo is threatened, we feel all the more sympathetic. (Not to be cynical about it, that’s just good storytelling.)

We can basically break the episode down into a couple different kinds of scene. There are scenes where the Forger “family” achieve the illusion of domesticity, there are scenes—usually immediately following that—that break said illusion to comedic effect, and there are finally the scenes that actually move the show’s core narrative forward. All three are important in different ways, and there is groundwork laid here that’s sure to pay off later.

The actual interview bit is a fairly minor part of the episode, coming after Loid and Anya help Yor set up in their new, collective home. (Everyone has their own room, which we’re shown in detail. More importantly, we’re reacquainted with Anya’s plushie Mr. Chimera.)

They briefly try some interview practice right away, but it doesn’t go particularly well. I like this little gem here, Yor’s response to the question of what her “parenting philosophy” is.

The bulk of the episode simply revolves around the Forger family having a nice “upper-class outing.” Loid reasons that maybe getting some culture will help.

This is all on the quiet side, but there are still some pretty great gags in here, like Anya briefly getting scared of Yor when the latter has a stray thought about how she once accidentally hugged her brother too hard and cracked his ribs. Anya’s pretty great in general in this episode. She expresses shock when Loid bluntly tells her that she didn’t really help get the house ready for Yor to move in, she falls asleep at an opera, and at an art museum, this happens.

Yor gets in a few good gags too, mostly revolving around her character tic of blushing whenever something related to violence is around. (At one point she fiddles with a knife at the restaurant they’re at. At the museum, she gets all dew-eyed over a painting of a beheading.)

There are a few more serious scenes as well, such as Anya getting a bit of esper overload when the family hangs around a political rally and has to be escorted away.

The episode’s focal point, though, comes when the trio, taking in some fresh air at a small overlook, happen to see a purse snatcher rob an old woman. Loid, being naturally inclined to not draw attention to himself, doesn’t initially do anything, coldly commenting that the woman should’ve been more careful. It’s Yor who springs into action, and while Loid is eventually the one who takes the crook down (Yor loses him), the old woman thanks them both. Loid thanks Yor for inspiring him to action, and she blushes, which leads to another astute observation from Anya.

The episode concludes with more interview practice, and the promise that we’ll see the real thing next week.

If I don’t seem to have much to say about this episode that’s because, in the grand scheme of things, it’s not a terribly important one. Other than that scene with the thief, this one is best enjoyed by just hitting play and letting it wash over you.

Until next time.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch KAGUYA-SAMA: LOVE IS WAR -ULTRA ROMANTIC- Episode 3

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Here’s the first line in this week’s episode of Kaguya-sama: Love is War -Ultra Romanic-.

Pretty bad, right? Of course, because this is this show, it quickly becomes obvious that Nagisa Kashiwagi (Momo Asakura), the short-haired girl there, is overreacting, and that her boyfriend, fellow C-String character Tsubasa Tanuma (Taku Yashiro) is not actually cheating on her. But he has been spending time with another female student, one Maki Shijo (Kana Ichinose), Kaguya’s distant relative and perpetual loser of the love games that the entire rest of Shuchiin Academy seems to be caught up in. And that’s suspicious enough for both Nagisa herself and for Kaguya. This leaves Miko to play the role of the straight man. Pity her.

As always, -Ultra Romantic- spices up what was a fairly straightforward scene in the manga with all kinds of weird audiovisual tricks. When Kaguya and Nagisa both immediately conclude Tsubasa is cheating, their halves of the table are “squished together,” and their voices are run through what sounds like a flutter filter. A pretty effective way to convey that Miko, the only reasonable voice at the table, feels like she’s losing her mind.

When the topic turns to the fact that the accused were recently at a karaoke booth together, Kaguya of course immediately changes her tune, only for Miko to agree that that is solid evidence of cheating, since “people often do indecent things at karaoke.”

The whole thing turns out to be a misunderstanding, of course. Maki and Tsubana had spent the day together because the latter wanted help picking out a six-month anniversary gift; an extremely cheap-looking heart necklace. All girls present—including Chika, who happens to arrive just as this is all happening—think it’s hopelessly tacky. But Nagisa loves it, so this particular sketch ends on a happy note. At least, for her. Not necessarily for everybody.

If you’re next thought, for some reason, is “but what about Maki?” Do not fret, Love is War has you covered. As mentioned, Maki is the loser of Kaguya-sama‘s cast. She, as we learn here, has been crushing on Tsubasa for months, maybe years, and is all burnt up about Nagisa hooking up with him, so seeks out the Student Council’s advice on the matter. Specifically, that of Shirogane and Ishigami. (Irony of ironies, you may remember Nagisa and Tsubasa only got together in the first place because of Shirogane’s advice, way back in season one. If you don’t, the show explicitly calls attention to it, so no worries.)

Maki is a somewhat pitiable character. She’s basically Kaguya herself minus the charisma and most of the status—she takes a lot of pride in being a member of a minor branch family of house Shinomiya—down to the fact that they have similar mannerisms. This segment of the episode is less heavy on the wonky visuals, although there are still certainly some. Especially when the series needs to draw comparisons between Maki and Kaguya.

Ishigami has an interesting role here. He completely cuts through all of Maki’s anime trope defenses, eventually getting her to drop the tsundere act, but also making her pretty sad in the process when he outlines how being someone’s second girlfriend is different than being their first.

But eventually, the two do convince Maki to at least make an earnest attempt at telling her crush how she feels. She also does explicitly say that even just talking to someone about this makes her feel a bit better. I’ve never been entirely able to love the Maki mini-arc, maybe because she reminds me too much of a few people I’ve met over the course of my life whereas most of the other romantic misunderstandings in Kaguya are firmly in goofier territory. Nonetheless, she does get a last laugh here, as she’s about to leave (and as Kaguya enters), this happens.

Of course, to keep the show’s main plot going, Shirogane can’t exactly just say that it’s because Maki reminds him of Kaguya.

The third and final segment of the episode is a classic “Chika sets up a game” sketch.

The series has done these since near the start of season one, and they’re always fun, so I’m happy to see them make a return. Chika’s grand plan for this particular round is to play a common group date game. (Called the “Ten Yen Coin Game.” It’s basically group truth or dare without the “dare” part and restricted to Yes/No questions.)

Chika has never struck me as all that interested in romance, quite unlike the entire rest of the cast. Indeed, a throwaway line in the manga seems to imply she’s aromantic, whether or not she was deliberately written as such. But she does love games, especially if she can use them to fuck around with people, and that is precisely what she does here. She even brought a lie detector along, just to make sure no one tells any fibs.

The questions quickly take a turn for the heavy as soon as it’s Ishigami’s turn to ask. This is, of course, played for comedy. But damn dude, asking people if they secretly hate you is not generally a great strategy toward making sure they don’t. (One person answers yes anyway, probably Miko. Ishigami promptly breaks down in happy tears that it’s only one person.)

Miko isn’t much better, asking if they really need her around. And when no one answers no, she’s also absolutely ecstatic.

Ishigami tells her that she shouldn’t go on group dates because she’s so easily swayed by flattery that she’d be an easy mark. It’s a little rude maybe, but honestly, it’s solid advice.

As for Kaguya and Shirogane, you can probably guess that they use the game to convolutedly try to scheme into getting the other to confess their feelings. It does not work out, although both leave the game on a positive note. As they clean up, Shirogane feels the need to make it clear to Kaguya that nothing, you know, happened during that whole karaoke incident. Kaguya believes him, though she doesn’t make that totally clear.

The episode ends on a sweet note, then. But I can imagine that some of you might be hungry for this plot to move along a little faster. I can’t say when, but I do have a hunch that more substantial developments are on the horizon. There’s only one real way to find out if that’s true though, so to that end, I’ll see you next Friday, Kaguya fans.

Bonus Hayasaka Screencap: This one was hard. Hayasaka isn’t actually in this episode at all other than a brief flashback scene (and I feel like that doesn’t really count.) So instead, have a shot of her appearance in this season’s ED, a wonderful fantasia where Shirogane and Kaguya are star-crossed lovers on opposite sides of a war in a faraway steampunk kingdom. The whole thing is just Shirogane’s dream, of course, but he does have quite the imagination, doesn’t he? Anyway, Hayasaka sells the soldier look quite well.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

Posted on in anime, Let's Watch

Let’s Watch HEALER GIRL Episode 3 – Cleanup, Run Run Run

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Okay, yeah, we’re doing this.

Healer Girl, if you’ve not seen my prior post on it, is an absolutely mesmerizing little series from Studio 3Hz. It’s about girls who sing to heal people. Songstress-doctors. Idol-medics. Whatever compound term you care to come up with. It is the best anime airing right now, and even though I have basically no “good reason” to cover it from a practical point of view—it’s not that popular from what I can tell, which is a tragedy I hope to play some small part in fixing—I definitely have a good reason from a personal point of view. I love this series; it’s a sparkling, scintillating ocean wave of pure joy.

So, this is the only warning you’re going to get. If you’re averse to just straight-up fangirling, this is probably not a column you’ll enjoy. But if you aren’t, well, welcome to the cult.

We’ve missed an episode, but thankfully Healer Girl‘s second was not too complex, so we can quickly run through it here. The episode introduced two new characters; the stuck-up Healer prodigy Sonia Yanagi (Chihaya Yoshitake) and her assistant / friend, an aspiring composer named Shinobu Honosaka (Miyu Takagi). The former is obsessed with trying to show up the clinic that our main girls work at, and essentially strong-arms her way into the story as their self-declared rival. The latter just sort of goes along with it. These two will doubtless play an integral role in the story going forward, as will another fact established in episode two—that Healers panicking can adversely affect their ability to treat patients—so that’s the gist of what we skipped by my not covering episode two.

Episode three is about our girls studying for, taking, and waiting for the results from, the stressful medical exam they need to pass in order to become certified Healer Assistants. They spend most of the episode’s opening half studying for and/or panicking about this. Particularly Kana, whose pharmacological (there’s a fun word) knowledge is sorely lacking. Because this is Healer Girl, the episode actually opens on the three studying by singing. Remember; this is also a musical. I’m particularly fond of the bit where one will call out a music term and another will sing back the definition. It’s wonderfully bouncy. Toe-tapping, even.

The series manages the difficult feat of showcasing the three’s personalities through their singing alone. Kana is Healer Girl‘s ostensible lead character, but it’s really more Reimi who is the “leader” of their little clique, and her forceful, almost rock singer-ish vocal style and fuller timbre emphasizes that. Kana, meanwhile, has a peppier and lighter tone, which fits her status as the not-too-bright lead. Hibiki, the most mature of the three, actually has the highest tone, but it only serves to reinforce her playful, never-taking-things-too-seriously nature.

Of course, the show’s spoken dialogue is full of personality, too. During a study session, where Kana and Reimi stay overnight at Hibiki’s room at the clinic, Kana recounts a story about why she’s so bad at learning about medicine, and I really cannot do justice to her completely absurd excuse except to reproduce it in full.

Any Discord servers out there looking for a :NotLikeKana: emote?

To which Reimi correctly replies.

In general, the whole “study scene” does a lot to remind us that, while it’s true that these girls have an extraordinary and very important job within the context of their world, they’re also still just teenagers. (And frankly having to take a medical licensing exam when you’re in high school sounds like an utter nightmare.) Given how important it is for any “slice of life” anime to make its characters feel human and relatable, this is pretty important.

There’s also an interesting scene where the three visit a shrine (to pray for success on the test, natch) and Hibiki, witnessing some miko perform a kagura, wonders aloud if Vocal Medicine works by faith. Reimi even mentions that the exact mechanisms by which it functions are obscure, even though it’s been proven to work. (This part is less absurd than it sounds, given how opaque the precise workings of even a lot of chemical medicine were and, in some cases, still are.) If you were being really uncharitable, you could maybe spin this into Healer Girl promoting pseudoscience or faith healing. Suffice it to say, I think such a reading would be an extreme stretch.

Boxing at shadows aside, the shrine scene (and a sung-over montage immediately after it) transition us into the second half of the episode. Here, the girls have already taken the exam and are simply waiting for their results. The stress from the waiting has made them, shall we say, a bit off-key.

I’ve been there, girls.

Ria (the girls’ teacher, and the Healer they’re assistants to, if you’ll recall), decides to try to get their minds off of things. How? By entering them in a town sport and field competition. Why not?

The girls sing all of their dialogue in this second half of the episode in an amusingly flat, slightly off tone, to illustrate how tired they are. This continues—with slightly more spirit in the singing—even when Sonia shows up to cause a general ruckus and gets on Reimi’s bad side by dissing Ria. Naturally, the two decide to settle things by seeing which team between the two of them can score more first-place leis. (They give out leis instead of medals at this competition. I don’t know.)

I really must make it totally clear that Reimi’s half of this whole exchange is sung. It’s great.

Things are neck in neck, until the grand prize for the overall competition winner is announced. You may wonder what a mere county meet could offer as a compelling first prize. I will tell you in three words; Enormous Dog Plushie.

The injection of pure motivation this provides is instantaneous and noticeable.

This is also how I feel about large plushies.

Reimi wants it too, since conveniently apparently Ria collects merchandise of this character and this is another chance for everyone’s favorite blonde lesbian disaster to get in good with her teacher (in her own mind, anyway). With the spirit of competition raised to even greater heights than before, Sonia also starts singing. (Her second number in the show, in fact, after her Healing Song from last episode.)

But Reimi and Sonia’s fired-up neck and neck competition ends up not mattering. Because apparently Hibiki, who quickly overtakes both of them from behind, is a musical Speed Force user or something of the sort.

The competition ends with the giant plushie going to Hibiki. She promptly sends it to her many adorable younger siblings, meaning no giant plushie for Reimi to give to Ria. Don’t worry, though, because Reimi did win the second-place plushie, and gives that to Ria instead. Ria is duly grateful and hugs her student, thus giving Reimi specifically a very happy ending for this episode.

After the ED, we see that the girls also did, in fact, pass their exams. It’s a heartwarming note for the episode to end on. And, for us here at MPA, an apropos one, too.

Song Count: Two full songs in the episode’s first half. The girls’ dialogue is almost entirely sung in the back half, as mentioned, depending on how you want to count that.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.