Category: Let’s Watch

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Let’s Watch KAGUYA-SAMA: LOVE IS WAR -ULTRA ROMANTIC- Episode 12

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Heart to Heart! — Let your burning love reach everyone!

– Hoshin Culture Festival Motto

How do you open the two-part finale to your long-running love story? How about your heroine turning to stone and shattering? That’s the visual that Kaguya-sama: Love is War! opens on as its third season draws to a close; girl to granite to rubble. Why? Because Miyuki Shirogane is going to Stanford, and Kaguya Shinomiya knows she can’t stop him. And moreover, knows she shouldn’t.

It’s a visual metaphor, obviously; Kaguya-sama has loved those since it started and it certainly isn’t going to stop using them now. But, the literalization of the sentence “she was shattered by the revelation” gives you a pretty good notion of what we’re all in for here. If Love is War, this is the conflict’s turning point, where the generals and foot soldiers alike earn their medals.

Spare a thought for Hayasaka, who has been mostly-unwillingly playing both roles for ages now, and is who Kaguya goes to for comfort and advice as her carefully-laid plans for a full year of dating fall to pieces. Shirogane isn’t just going to Stanford, he’s graduating a year early to account for cross-Pacific grade differences. For us, it’s an elaboration as to why he’s been acting like time is running out, if it weren’t already obvious. For Kaguya, it’s a sledgehammer to the face. Love is a battlefield, and she’s been ambushed.

Hayasaka, again in her role as a beleaguered advisor, needles her mistress. If the day has to be today, then the confession of feelings—that old Japanese pop media trope so ingrained into the anime landscape that it’s practically part of the scenery—has to be perfect. Kaguya tries different phrasings, Hayasaka shoots almost all of them down. It’s amusing, yes. Kaguya-sama fully empties its bag of visual tricks here; starting with cheerleader-based how-to-confess diagrams and references to the ancient “yukkuri shitte ne” meme.

But the real emotional heft obviously comes when Kaguya-sama reigns it back in. As Hayasaka and Kaguya talk, the room is bathed in a scarlet sunset, and the core point the maid makes is simple; there aren’t any easy outs. Kaguya just has to tell the president how she feels about him somehow. There can be nothing else.

There is just one problem; in order to confess to the president, Kaguya has to find him, first.

In the meantime, theirs is not the only story freefalling through youthful confusion. As she searches high and low for Shirogane, Kaguya catches sight of Ishigami and Tsubame, which serves as a crossfade over to their side of the cultural festival.

Ishigami remains as oblivious-self-conscious as ever, paranoid about coming across as a “creep” for having a command of flower symbology while at the same time being still wholly unaware that what he intended as a simple kind gesture has been taken by Tsubame—and indeed the whole student body—as a declaration of romantic love. Here, Tsubame begs his patience, but because he doesn’t really know what she’s talking about, things get muddled; intentions swept off the ground in the December breeze, and the half-punchline that is Ishigami’s continued unawareness can only do so much to pop the winter evening ambiance. Unintentionally, Ishigami gives Tsubame until March, when the cherry tree they’re standing under blooms, to truly answer his feelings. The gymnast is surprised by his mental fortitude, and the whole sequence is funny, but also very sweet in its own way.

It’s only after the two part that Ishigami gets some sense of what he may have actually done. A festival play recounts the legend that gives the culture festival its heart motif, and our boy comes within striking distance of figuring out that giving hearts out is an implied romantic gesture. Still, the second Tsubame herself takes stage in the play, all rational thought goes out the window for Ishigami, and he promptly stops thinking about it.

But, even if things between them don’t work out, one gets the sense they’ll both be fine in their own way.

Back at our main story, though, Kaguya is lost in her own little world as she prepares to light the culture festival bonfire via flaming arrow. She manages an impressively skippy internal monologue the entire time, as We Want to Talk About Kaguya! leads Karen and Erika cameo off to the side of the scene.

I wonder if Aoi Koga gets paid by the word.

Karen will write a doujin about this later.

But the bonfire-lighting itself is swept aside as the mysterious “phantom thief Arsene” makes his presence known; the papier-mâché dragon jewel is gone, and the thief’s calling cards float in the air en-masse as a shadowy silhouette cuts a looming figure against the night sky.

Of course, no one but us knows that Shirogane is behind all this just yet. Notably, Fujiwara tasks herself with solving the mystery, only for her grandiloquent proclamations of her own genius to dissolve into a puddle as it becomes obvious that most of the ‘clues’ she’s found are either her own inventions or deliberately planted to throw her off. This is Kaguya’s puzzle to solve, and there’s only one actual hint.

Karen, in what is to my recollection her single most substantial contribution to Kaguya-sama‘s story, points out that the small calling cards are made of flame-resistant paper. This sets Kaguya’s own mental wheels a-turning, because that kind of care and preparedness reminds her of a certain someone, and it does not take long for the rest of the game to click into place.

And to give us all just the slightest airbrake of comedy before rocketing into its last half hour, Kaguya-sama then pulls out the one-two punch of “Kaguya dropped the plastic heart she was going to give Shirogane” and “Kaguya does not know how coffee machines work.”

Very good, Miss Shinomiya.

Shirogane, meanwhile, is starting to get flustered. The usual pattern of his where he does something extremely teenager only to cringe himself half to death the following day beginning to kick in as the second day of the culture festival ends. The narrator puts it best; the final battle of this war of love is to be a fistfight.

Kaguya-sama: Love is War!‘s season finale is a fucking hurricane of romantic imagery.

Shirogane’s plan is grandiose, ridiculous, ostentatious, and the sort of thing that only a heartsick teenage boy could dream up. It leans hard on narrative convenience—the strings he’d have to pull make no real sense, and the post-hoc explanations given here don’t really either—and hard on pre-built character sympathy. If someone did this kind of thing in real life and you read about it in the news, they’d be a horrible creep and you’d hate them. This is a “proposing on the Jumbotron” gesture blown up to ridiculous fantasy proportions.

But that of course is part of the beauty of fiction. Kaguya and Shirogane love each other very much; we know this, and have known this. It’s been obvious to everyone, including much of the show’s own cast, for, at this point, real-world years. Anything that moves the needle at all is good. But this? This is insanity. Beautiful, wonderful, romantic insanity. If love is a sickness, Shirogane’s case is terminal.

He uses some mechanical doohickey to pop a massive balloon, sending scores of heart balloons out into the air above the festival, held aloft by the heat from the bonfire, the December night breeze, and the fact that anime is the highest form of art. Shirogane’s winding internal monologue about how he really wants Kaguya to confess first because he needs to feel equal to her only half makes sense, but that doesn’t really matter. None of the obvious little holes in Shirogane’s plan really matter. Do you see how hard Kaguya’s blushing? I got contact flutters from watching this. Frankly, I’m a little envious.

It would be one thing if it stopped there, but it does not.

This isn’t usually what one means when they say “popping the question,” but it certainly feels comparable.

Really stop for a second and think about what he’s asking there. Think about these two characters and their respective situations, think about the enormity of what he’s asking her to do. Even on its own, studying abroad is a huge undertaking. Studying abroad at Stanford University is quite another level beyond that. Doing so in Kaguya’s specific situation is yet another step beyond that. This is an absurd ask. Kaguya says as much.

She says yes anyway. An implicit fuck-it-all to her own upbringing and, really, her entire life up to this point. She doesn’t even really hesitate. She’s giddy, if anything.

They kiss. Obviously, they kiss. On top of a clocktower, hearts surrounding them in the air.

Elsewhere on the festival grounds, Hayasaka blushes like crazy once she realizes what’s going on, and Miko Iino, alone on patrol, is the only one not present at the bonfire. Ishigami brings her a recording—and a plastic heart trinket, for the lost and found—a much more subtly sweet moment that contrasts nicely with the star-scraping, wild gesture that Shirogane’s just pulled off. Could there be something between those two someday? I don’t think it’s impossible. (It will certainly be funny if Ishigami, the character that Kaguya-sama‘s least pleasant fans attach themselves to out of a misunderstanding of his character, ends up having to choose between two women who are into him, but let’s not get ahead of ourselves.)

And just like that, the festival switches off like a lightswitch, and we cut to the morning after. There is a postscript of sorts here; it’s very funny, and sweet in its own way, featuring a rare appearance from Kaguya’s childish “Kaguya-chan” personality. But with all I’ve said here, recapping that bit as well would feel a little pointless. It made me cackle out loud at one point, so you can consider that an endorsement.

It’s a valid question to ask; where, if anywhere, does Kaguya-sama: Love is War! go from here?

Well, not long after the episode aired in Japan, we got an answer of sorts. Whether that’s another season being announced, an OVA, a film, no one really knows yet. But Kaguya and Shirogane’s story doesn’t end here, and that’s the important part. I will spoil nothing, but there is much of the manga left to cover, so I am very curious as to what’s being planned. Kaguya-sama will appear here on Magic Planet Anime again, that much is almost a certainty.

But for now, the romantic rollercoaster ride has come to an end. Until next time, Kaguya fans.

Results for Today’s Battle: Mutual Victory

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch HEALER GIRL Episodes 11 – 12

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

The time has come for measure-taking. Healer Girl ended today. I will not make a secret my feelings; I absolutely love this show. It’s a soft, glowing rainbow light that revitalizes the soul. If you don’t have the patience for unchecked fangirling, I suggest you turn back now.

A certain kind of studio hound will want to know where I rank Healer Girl among Studio 3Hz‘ other two well-known originals—Flip Flappers and Princess Principal—but in truth I find them so different that any comparison would be irrelevant. So instead, I will say this; Healer Girl, regardless of whether it’s the best or anyone’s personal favorite, is certainly the most healing and soul-soothing of the three. How appropriate, given its name.

We’ll spend much of this article talking about today’s episode, the finale, but it’s important to discuss last week’s as well (which I wasn’t able to cover on time). The gist is simple; our girls have found themselves in a rut with their C-Rank exams dangerously near on the horizon. When they try to sing, their image song breaks, and each of them is yanked out of it by a trio of biting orca-like creatures. Ria has the idea to send them to a training camp of sorts, spearheaded by Reimi’s former maid.

Over the course of the camp, they visit museums, take a pottery class, go bunging jumping, and hike in the mountains. None of it helps, because even as the diverse experiences temper and strengthen their songs, an underlying issue isn’t addressed: jealousy.

There were a few broad hints before, but episode 11 foregrounds the fact that all three of our leads are, in one way or another, jealous of each other. Once again, Ria actually notices this long beforehand. At the end of the episode, we’re given a quick peek at her notes, and they’re pretty revealing.

In a way this represents the first major interpersonal conflict these characters have ever had, but it’s entirely believable that a trio of teenagers, no matter how naturally talented, might develop inferiority complexes over that very same talent. All this leads to perhaps Healer Girl‘s single most unexpected scene; a full-on shouting match between the leads, each of them venting their jealousy. Even this, it’s to be expected, is sweet in its own way, given that the three are mostly yelling about how talented each of them thinks the other two are. (If you’re a certain sort of person, I could imagine finding this saccharine. But if you are that sort of person, I doubt you made it this far into Healer Girl unless you’re also a masochist.)

It will not surprise you to know that getting all of this out is exactly what they needed, and indeed if you read Ria’s notes up there, you’ll see that having the three of them grow closer together on their own, without her interference, was the plan all along. The camp completed; they return for exam day.

The image song, as sung during their exams, is a thing of beauty. They are more in harmony after their little fight, despite being physically apart and taking their exams in different rooms, than they were together, and the results are spectacular. Kana in particular, perhaps the one among them with the most raw talent, metamorphoses into a butterfly-winged fairy as she sings, the orca rendered nothing more than a blooming flower itself.

They all pass, because of course they do.

As the episode’s obligate heartwarming post-credits scene ends, Ria cheerily announces that all three of them are expelled. It’s a slammed door played like a punchline, but the underlying idea—that she’s taught them all she can, and they now have to stand on their own two feet—is sound. Ultimately though, any expectation that they move on permanently is to be ignored. Spoiler alert; at the end of the show they rejoin Ria’s clinic. Again as understudies, but also as proper healers in their own right. Still learning, but able to stand by themselves.

Still, episode 12 does deal with the girls out and about on their own for the first time. It splits into three parts for its first half, showing us the month-long internships that the girls enter. Reimi cuts her long blonde hair short and takes up residence at Sonia’s clinic. Hibiki interns at the newly founded audio medicine department at the hospital from episodes 4 and 9. Kana, who the episode returns the central spotlight to, interns abroad, at a hospital in what appears to be California.

This part of the episode is charming, especially in its depiction of how the girls remain in touch even when physically apart. Although Hibiki and Reimi in particular aren’t actually far from each other, and it seems like they occasionally hang out at the clinic. (Where Hibiki might still live? I’m not totally clear on this.) In what is easily the episode’s silliest scene, they embody every meaning of the term “moé blob.”

In general, episode 12 is concerned with legacy and the meaningful passage of knowledge and love from one generation to the next. Ria spends much of it with her own mentor, Sonia’s grandmother, but the real clincher takes the form of multiple callbacks to episode 1. Kana, in a land where she does not speak a lick of the local tongue, nonetheless soothes a crying, lost girl in the hospital’s lobby. Unlike her technically unauthorized use of healing from that first episode, this is exactly what she’s supposed to be doing, and it’s only through her study under Ria that she can accomplish it. Thus, here on her own, she draws on both her own life and the legacy of those who came before her. This is a difficult thematic balance to strike, but Healer Girl pulls it off.

There is an extremely funny comment made by Abigail, the woman with brown hair on the left, where she’s startled by “what Japan’s C-Ranks can do.” This would maybe come across as a little self-aggrandizing if this scene took place anywhere but the United States. As someone who lives here; yeah, that’s fair.

Later, when the threes’ internships end, Hibiki and Reimi get a cryptic email from Kana on the eve of her anticipated return to Japan. True friends and, apparently living in a world where commercial flight does not cost a small fortune, the two actually take a flight to California, where they find Kana helping out with the aftermath of a wildfire.

In any case, it’s on their return flight that Healer Girl makes this parallel between its first and final episodes most explicit. One of the passengers, a young girl, has an asthma attack. Our girls, of course, volunteer to help, directly referring back to the very incident that made Kana want to become a healer in the first place. I honestly cannot do this scene justice with words alone; the soothing song itself is one thing, but the imagery of Kana spiritually duetting with the younger incarnation of her master got to me in a way that I struggle to properly describe. The parallel invites you to imagine that the young girl they sing to might one day become a healer herself; wouldn’t that be a beautiful thing?

Amazingly, Healer Girl has another trick up its sleeve, its last, as the finale comes to a close. When the girls return home to Japan, they’re formally “given investiture” as healers (another of the series’ many strange and mystical religious parallels). And as they depart the graduating ceremony, they sing the song from the OP. The long version, with more verses.

Healer Girl—the very show itself—dissolves into magical dream sequence; their song fills the air like the light of drifting stars. Their friends and teachers come to join them. Is this all literally happening? Is it artistic license? A better question for you; who cares? In an interview, Director Yasuhiro Irie cited the Symphogear series as an influence on Healer Girl. These anime are, on many fundamental levels, very different. But they are alike in that both have a deep, intuitive understanding of the fact that with enough raw emotion, you can transmute literal events into symbols and back again.1 So the question of whether this is “really happening” is irrelevant, what it is, is Healer Girl‘s case for itself. A definitive answer to the question of whether these twelve weeks have been worth it.

During this fantastical, mesmerizing ending sequence, any lingering doubt vanishes like shadows against the morning Sun. Healer Girl takes its final showman’s bow, and it exits, as suddenly as it arrived.

If you feel it, it’ll heal you. That’s all there is to it.

Song Count: In episode 11, just one, but they sing it four times, only completing it on the fourth. In episode 12, three in total, all of which are wonderful in their own way. If you’ve liked the show’s songs and have more money than I do, consider buying the soundtrack or official vocal album.

1: Incidentally, Hibiki Tachibana would make a great healer. And the girls from this show would probably be pretty good Gear-wielders as well. There’s a free idea for the four of you who read this site but also write fanfiction.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch SPY X FAMILY Episode 11 – Stella

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Last week’s dodgeball plan out the window, Anya Forger needs to find a new way to earn Stella stars if Operation Strix has any chance of succeeding in the long term. In this week’s episode of Spy x Family, she finds a way, although not intentionally, and not without a fair bit of harrowing suspense beforehand.

The episode opens simply, with Loid again struggling with Anya as the latter’s grades continue to sink, although with a more understanding approach than we’ve previously seen. (Also, at one point Loid mentally refers to Anya as his daughter with no further clarifiers, which I think is sweet.) Even from the point of view of a mundane parent, Anya’s scores would be a problem; we see at least three F’s, and there may be several more, so clearly, he’s got to do something. Anya’s academic woes aren’t solved in this episode. Even as she has a fun internal monologue about how she can totally just read other peoples’ minds to cheat, and makes an attempt to sound like Loid while she does so, it’s clear that things need to change for Anya to have any hope of getting a Stella.

All of this vexes Twilight. And indeed, Anya’s ESP means that since she can read his mind, his worries become hers in a very real and immediate sense; a literalization of the idea that children tend to inherit their parents’ anxieties.

He does hit upon one possible solution though, a father-daughter “ooting” to a local hospital. There, he hopes that perhaps Anya acquiring a taste for volunteer work might eventually lead to her getting a Stella for being an exceptional community member. If not any time soon, at least eventually.

Loid gets far more than he bargained for. Initially, this is played for comedy. Anya, being a girl of recall, only five or so, is terrible at helping out around the hospital, first breaking a vase and then shirking her task to reorganize the hospital library by reading their comics section. (Presumably, something they keep around to entertain young patients, which Anya definitely falls in that bracket.)

Just when this gets bad enough that the Forgers are practically kicked out, though, something much more serious occurs. A young boy named Ken, attending a physical therapy session in the hospital’s pool room, idles around near the adults’ pool. Not paying much attention (do kids ever?) he falls in, and almost immediately “Stella” takes a turn for the significantly darker.

Ken cannot swim, and being unable to even thrash or make noise, he simply sinks to the bottom of the pool like a rock. The direction of the episode takes a sharp detour into the visually harrowing here, with the underwater shots especially composed like something out of a tragic drama. The boy is saved only by his own thoughts; mental pleas for help that happen to be picked up by our resident psychic.

In a visible panic of her own, Anya rushes off to the pool with a flimsy excuse to help. Thankfully, Loid gives chase, because even though her bravery is admirable and her desire to help equally so, Anya can’t swim either, and it’s only the fact that Loid hurries after Anya into the pool room that saves both her and Ken. A mission well done, if ever there was one.

Her role in Ken’s rescue is enough to earn Anya the titular Stella, her very first. She gets something vaguely akin to a henshin or other kind of visual power-up sequence as it’s put on her uniform, and it puts a sweet cap on what is otherwise a rather harrowing story. Perhaps more important than the Stella is the other thing Anya has earned: some self-confidence. For the first time, she considers that her powers might be able to actually help people. (And, of course, that this might make people like her. Something she’s also still not entirely accustomed to.)

The remainder of the episode focuses on the aftereffects of all this. Anya briefly gets a bit of a big head, in fact.

But unfortunately her hopes that having earned a Stella in a genuinely heroic fashion might endear her to her classmates are quickly dashed. Some nameless girls in class are straight-up mean about it, and even suggest she might’ve faked it somehow. Only for Damian (!) to, roundaboutly at least, stick up for her by telling the gossips that if they think Eden is such a cut-rate school that they’d hand out a Stella by accident, they should transfer. (He leaves out the part where the main reason he cares about Anya’s Stella being authentic is that it hurts his pride that she got one before him. And it would hurt even more if it weren’t genuinely earned.)

Anya’s little friend Becky also suggests, running on pure spoiled-little-princess logic, that since Anya did something good she should ask for a reward. Eventually, she hits on the idea of a dog (because, you see, Damian has a dog. And if Damian has a dog and Anya also has a dog they’ll have something to talk about. And that will lead to world peace. The mind of a first-grader is incredible. The mind of a telepathic first-grader, all the more so). Anya’s able to talk Loid and Yor into it fairly easily—though not without them respectively wondering about a dog’s utility as a house guard and threat level respectively—and the episode ends there, with the promise of Dog Shenanigans next week for the last episode of the first cour.

Except, there’s a little bit more. Somewhere in a mad laboratory-turned-hellish dog pound, a group of canines who’ve had something done to them—it’s not clear what—waste away in tiny, dirty cages. A pair of villains, obvious by their poor treatment of the animals, talk about their client, who they speculate will use the animals as “bomb dogs.” What the broader implications of any of this may be are presently unclear, but the camera focuses on one dog in particular as the episode fades out, and I do suspect we’ll be seeing him again soon.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch KAGUYA-SAMA: LOVE IS WAR -ULTRA ROMANTIC- Episode 11

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

We knew this day would come. There’s been a fire burning in Miyuki Shirogane’s heart since we first learned that he’d be transferring abroad for college, probably since before then. Hourglasses wait for no one, and Miyuki and Kaguya’s dynamic has shifted fairly drastically since the first season, or really even, the earlier parts of this season.

Episode 11 is, top to bottom, filled with the actions of a man who knows he’s running out of time, and running out of time fast. We learn at the very end of this episode that the transfer to Stanford is not some far-off thing, he’s been accepted. And will be skipping his last year of high school. Shooting for the moon is no longer an option; it’s a necessity.

But as much as this episode does to pour the powder in and light the fuse, the long-awaited confessionary gun does not fire just yet. That’s for next week’s episode, a double-length finale. This week, there’s a lot of tension, a lot of buildup, and, thankfully, still quite a lot of jokes. A ton of great visual tricks here, too, most of which I don’t have the space to discuss individually.

We begin with what I’m fairly sure is a deliberate throwback to the back-and-forth antics of season one. Kaguya visits a balloon tying table, which ‘just so happens’ to be staffed by Shirogane. Obviously, she wants him to make her a balloon heart, but in her own mind she still can’t just say that, leading to her giving out an increasingly ridiculous list of things that the balloon can’t be, culminating with her arguing that flowers are animals. (It’s complicated.)

Notably, in this and a few other nods to the first season’s structure, Kaguya and Shirogane’s roles are reversed. It is now Kaguya who is at a distinct “disadvantage” when it comes to playing these little games. Notice, for instance, how things turn when she finally gets her heart balloon, and finds out that you don’t pay for them with money like you do any of the other designs.

Whoops!

Flustered, she slaps far too much money down and flees. It’s funny, but it does also show that Kaguya and Shirogane are really no longer even doing the same thing. When they both thought they had all the time in the world to work this out, the stakes were relatively low. Now that Shirogane, at least, knows that that’s not the case, he has much less to lose. (Arguably, he never had anything to lose in the first place other than perhaps a misplaced sense of pride, but you know how teenagers are.)

Eventually, Kaguya encounters Tsubame, who is having a tough time figuring out how to respond to Ishigami’s unintentional confession. Specifically, figuring out how to turn him down. She’s used to turning down playboy types who think they’re entitled to her, but Ishigami’s confession was (from her point of view, see last episode’s recap for how this whole mixup happened), sincere and straightforward, and that’s not something she knows how to deal with.

It’s not even, really, that she doesn’t like Ishigami. She just doesn’t know him very well, and is concerned that being in a serious relationship would damage other areas of her life.

Kaguya, always with a minor in villainy, initially assumes that the person she’s talking about must be someone else—and thus one of Ishigami’s rivals—and in the process she very nearly convinces Tsubame to shut him down in perhaps the worst way possible.

Thankfully things eventually clear themselves up. Kaguya and Tsubame eventually find themselves spying on Chika, who deals with the out-of-the-blue confession that she gets by challenging her would-be beaux to a quiz and then spouting koans at him.

There’s also a short scene where Iino very nearly gets sweet-talked by a pair of random incidental characters. Girl really needs to be more careful (thankfully Ishigami is there to bonk her on the head).

The remainder of the episode sees Kaguya run into Shirogane again. He promptly invites her to walk around the festival, and once again, Kaguya does not entirely know how to deal with Shirogane’s suddenly much more blunt personality. When she asks him if people won’t get the idea that they’re on a date, to which he promptly responds….

….again, he knows he’s running short on time. All of this is fairly interesting in that outside of the context of Kaguya-sama as a series itself, it wouldn’t be that notable. But within that context, knowing what we do about both of these people, Shirogane’s sudden comparative boldness is pretty striking.

This includes, for example, taking her to a fortune telling booth manned by a girl known for asking questions that border on the lascivious. Meet Yume Atenbo (Ai Kakuma). She’s what some sorts of people, a long time ago, would’ve called a one-scene wonder. She gets in, does her thing, and gets out. She’s kind of amazing, an opinion I definitely don’t hold in part because she’s dressed up as a witch and my Twitter account is called “Jane the Anime Witch.”

She needles the two to the point of, frankly, harassment. (As always, romcoms are not a good place to get your notions of proper romance or just behavior in general from, kids.) But she does also drop this particularly interesting bombshell in between all the quips about how Kaguya will make a great wife.

Is she just messing with them? Is she playing cupid? Does she have actual supernatural insight somehow? Who knows, but no matter the method, she is actually right, as we’ll come to see. She also compares Kaguya to pure water; someone whose very nature changes depending on who she surrounds herself with. (I would argue this is true of all people to some extent, but that it’s truer of Kaguya than most would not necessarily be wrong.)

The both of them flustered (but definitely happy), Kaguya and Shirogane spend much of the remaining day together, after a hilarious sequence where the two narrowly avoid having their date ruined by random interference from their friends. (My favorite of these involves Iino, who is hungry, and gets abruptly drafted into a soba-eating contest out of nowhere before she can even talk to the two of them.)

Near the end of the episode, Kaguya has this absolutely adorable thought.

The only thing putting a damper on this happy ending is what I mentioned back up there in the very first paragraph. Shirogane needs to talk about something serious, and it’s not what Kaguya would’ve wanted to hear.

Can they make it work out somehow? Will Shirogane actually find the nerve to confess his love? Will the mysterious phantom thief stealing up all the heart balloons ever be caught? (Yeah, that whole plot runs throughout the background of this episode, too. It’s why Chika’s in her Love Detective uniform up in the banner.) All of these questions and more will be answered next week in the finale. See you then, Love is War fans!

Bonus Hayasaka Screencap, which I have been shamefully forgetting to do: Here’s Hayasaka giving a full-on idol performance during the school festival.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch KAGUYA-SAMA: LOVE IS WAR -ULTRA ROMANTIC- Episode 10

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

This week; festival stuff, beginning with the haunted house that was teased at the end of last week’s episode. Even in just this opening scene, we get a lot of interesting xx. Kaguya and her cousin Maki alike prove to be cowardly within the haunted house proper, and when we flash back to how all the spooky 3D sound (yes, 3D sound) was recorded in the first place—by subjecting Miko to it—and we get maybe the only Love is War! segment that might cause untoward awakenings in certain viewers. Seriously, if you showed some of these stills to someone out of context they would very much get the wrong idea.

Thankfully I’d never do that to my loyal readers.

More to the point, back in the present, Miko catches a couple making out in the haunted house and as a result the attraction gets separated into two lines; one for boys, one for girls. By coincidence, this also ruins Ishigami’s initial plan for getting an ideal opening to confess his feelings to Tsubame, so he has to do something else instead.

On the spur of the moment, while visiting a class cafe, he wins a gigantic heart-shaped cookie for her, with the intent that doing so would just be a nice gesture. Dramatic irony ahoy, he is unaware of the whole “eternal love” urban legend, singled out by the narrator as one of about 10% of students who doesn’t know about it. This leaves Tsubame a blushing, mess, and, flustered, she runs off screaming that she needs time to think about his inadvertent confession.

And friends, let me tell you, I am someone who is pretty sensitive to second-hand embarrassment. Ishigami accidentally(!!) confessing to his massive crush on Tsubame in front of her own class, a good 20 or 30 people, did not just make my skin crawl, it made my spine shuffle around like a deck of cards. I could feel my teeth conspiratorially whispering “get a load of this guy” to each other. My hair stood on end and metamorphed, Bayonetta style, into that one meme of girls at a college party looking awkwardly at the camera. The cringe is real, and it is inside of Ishigami. I have not felt this bad for the guy in quite some time.

Later in the episode, Shirogane and Chika wonder aloud about Ishigami’s chances. Shirogane is hopeful, admittedly because if Ishigami isn’t successful, it might ruin his ability to pull off his own forthcoming confession. Chika, meanwhile, says Ishigami “doesn’t have a prayer.” Comedic rudeness aside, she does think pretty hard on Ishigami’s chances, despite her initial assessment, including grading him on “points” and trying to put herself in Tsubame’s shoes a bit. This facet of Chika has always been pretty interesting to me. What she’s doing here—treating romance between two people as an object of amusement or for study—is fairly representative of someone with a para-romantic personality. If she’s seriously interested in any crush or anything of the sort of her own, we don’t hear about it here, and I’m pretty confident we never will. (This does have the unfortunate effect of sidelining Chika any time the anime starts focusing more heavily on its dramatic side.)

My armchair psychoanalyzing of Chika aside, she indicates that thinking on it more, she actually does think Ishigami has a chance, and it is always nice to see her being genuine.

Elsewhere, we’re reintroduced to Moeha, who you may or may not remember as Chika’s younger sister. She’s also basically Chika But Sadistic, although that angle of her personality is toned back here, since this segment focuses on her newfound crush on Shirogane.

Yes, Shirogane now has another girl who thinks his dead-eyed sleep deprived stare is the sexiest thing in Japan. There’s even a great moment where Kaguya, who is initially very hostile upon finding out about this, has a “could this be one of my people?” sort of reaction as the two gush about that very feature of his.

Before that, it’s Chika who tries to sabotage the relationship, by demonstrating how terrible Shirogane is at various things. She picks a pretty random task—juggling—and sets him to do it, assuming he’ll be as awful at that as he was at singing, rapping, playing volleyball, and however many other things. Naturally, because of the laws of comedy, he’s actually pretty fantastic at juggling. And the three or four other things Chika tries to have him do.

That particular segment ends with this, a casual reminder that Moeha has a particularly warped personality. But hey, at least she’s funny about it.

Post-credits, we find out that someone’s stolen all the heart-shaped balloons at the festival! Truly, an unprecedented crime! The heist of the century! Who could our culprit be?

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch SPY X FAMILY Episode 10 – The Great Dodgeball Plan

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

This week on Spy x Family: dodgeball.

Yeah, dodgeball. You know. That horrible game played in elementary and middle school classes the world over where you chuck specially made pain orbs at each other. It will not surprise you, I hope, to learn that yours truly, who grew up to become a professional anime critic, does not have the fondest memories of the sport in any of its many variations. But, hey, kids getting socked in the face with dodgeballs is kinda funny. Thus, this episode, which is seriously like a solid 75% kids getting socked in the face with dodgeballs.

Also this.

The core conflict that makes these particular 22 minutes go are dead simple; someone in Anya’s class starts a rumor that getting MVP in a gym class game can get you a stella star. Anya wants a star, so she’s going to do her best at dodgeball. Damian wants a star too, because it might get daddy to notice him (that’s called building a sympathetic motive, friends). The obvious thing for Spy x Family to do here might be to have Damian and Anya on opposite teams. But instead, they’re on the same team, and the real threat is this fellow.

Yes, Bill Watkins. Age 6. Built like a brick wall and whose father is, as we briefly see in a flashback, apparently M. Bison from Street Fighter. Bill Banner here is an absolute volleyball monster. He’s the Scott Steiner of first grade volleyball, and no one else in class is even playing in the same league. (Obviously! This is Spy x Family, not Jojo’s Bizarre Adventure.)

Both Anya and Damian have been training though, in very different ways. Yor tries to teach her daughter some—ahem—killer techniques. With enough enthusiasm that she almost blows her cover.

The “training” scenes are a particular highlight of this episode. Both the goofy shit that Yor puts Anya through and, later on, Damian training with The Boys are absolutely hysterical. In the former, Yor chucks a volleyball so hard that she casually prunes a tree by doing so.

In the latter, Damian and co. imagine themselves on what is very clearly Namek, while in real life they’re just messing around with a tire swing.

None of this actually helps when it comes time to face Bazooka Bill, who downs most of Anya and Damian’s team with comparative ease. (The only thing stopping the carnage from being worse is that they’re playing whistle dodgeball here, which is a slower, basically turn-based variant that, somehow, is even less fun than normal dodgeball.) There are plenty of “dramatic” (comedic) scenes of characters taking the bullet for one another here. Here, for instance, is Emile, one of Damian’s friends, leaping in front of him to block one of Bill’s shots with his face.

And here’s Damian doing some Naruto shit to defend Anya—yes, Anya. Remember, he’s a tsundere—from the same.

Anya’s “killer move” doesn’t do much either. She definitely throws the ball hard, but messes up at the last moment and ends up chucking it at the ground, and she’s promptly eliminated moments later.

None of this even ends up mattering, as Master Hendersson explains, there is no Stella star awarded for something as minor as winning a single game in gym class. Thus, the entire episode is a gigantic, lavishly animated anticlimax that progresses basically nothing. Even any development of Anya and Damian’s ‘relationship’ is pretty muted. They immediately have a fight after the match is over.

But such a stretching of legs suits Spy x Family just fine, especially after last week’s comparative seriousness. Next week marks the penultimate episode of the first cour, I imagine something a bit more dramatic will begin brewing then.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch HEALER GIRL Episode 10 – Halloween • Masquerade • Butterfly!

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

This week, Healer Girl goes Halloween. Yes, it’s time for the fall festival at the clinic, and must of this episode’s real estate is taken up by charming slice-of-life scenes. The girls planning a Halloween event for the clinic, shopping for treats to give away, etc. But it’s also an episode about Hibiki, the first to center on the white-haired healer since episode five.

We also get the very important sight of Baby Hibiki.

This episode paints her as someone plagued with chronic self-doubt, something that’s been broadly alluded to a handful of times but hasn’t really been explored until now. The episode is fairly nonlinear; we cut back and forth several times to Hibiki’s childhood as well as her first day leaving for Tokyo to study to be a Healer. The episode also dives into her own bad habit of comparing herself to Ria, whom she often feels as though she falls short in comparison to.

The Halloween party itself ends up being a huge hit, of course, but there’s a notable bit where Ria seemingly has to intervene because the song the girls are singing is just that powerful. It’s not spelled out explicitly, but it does seem to imply that the whole “image song” technique can potentially be deleterious somehow. That this is snuck into an otherwise pretty unassuming episode is fascinating and is another example of Healer Girl‘s clever repurposing of typical slice-of-life tropes. (Alternately; I’m reading too far into it and it’s just a nice episode in which not a ton of importance happens. That’s fine too.)

But! After the credits roll, we get an interesting little conversation between Ria and her assistant / probably-wife. It’s cryptic; full of mention that the girls need to learn proper “control,” and that “time is limited,” and that soon Ria’s own “time will come.” What any of this means is deliberately left opaque; we’re an outside party looking in for this conversation, and these are simply mysteries to be solved in the two weeks that remain of the show’s run.

Until then, anime fans.

Song Count: 3, making this one of Healer Girl‘s more musically dense episodes. I’m particularly fond of the third song.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch SPY X FAMILY Episode 9 – Show Off How in Love You Are

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Last week’s Spy x Family, which I didn’t have the time to cover here, saw us introduced to Yuri Briar (Kenshou Ono), Yor’s weird overprotective brother. He didn’t really trust Loid, and very much still doesn’t at the start of this episode. All the absurd jealousy eventually boiled down to the bizarre cliffhanger last week ended on; Yuri’s demand that, well, if they’re really married, why don’t they just kiss in front of him?

I have to confess; I don’t really like Yuri. (Yuri Briar, I mean. I will never say a bad word about yuri the genre.) He’s easily my least favorite member of Spy x Family‘s recurring cast. Mostly, I just don’t really find the old “siscon in denial” trope particularly funny. To SpyFam’s credit, this is at least an earnest go at making the archetype work. I’m just not sure it really deserves that much gusto. This is without mentioning his day job as a member of Ostenia’s secret police, probably the closest the series’ politics ever get to being genuinely uncomfortable.

It is decently funny at least to see Loid not hesitate at all in his going in for the smooch, only for Yuri himself to freak out like a man being NTR’d and electrocuted at the same time. The whole convolution here eventually devolves into Yor sending him flying with a smack to the cheek for his troubles. Yuri himself ends the scene by developing some kind of bizarre tsundere complex for Loid. What’s that Kaguya-sama quote again? “Siblings tend to have similar tastes”?

In the fallout from all this, Yor becomes convinced (again) that she is a bad wife. She has a pretty sad inner monologue the following morning, only even slightly tampered by a cut to show Anya’s reaction to overhearing said monologue.

This is also roughly the face I make when someone enters a Discord channel and starts unpromptedly ranting about how sad they are.

Loid, who figured out Yuri’s affiliation with the Not-Stasi last week, also becomes suspicious of Yor as the result of all this, culminating with her planting a tracker on her as she goes to work and even, eventually, disguising himself and his assistant Franky as secret policemen in an attempt to absolutely eliminate all doubt from his mind that Yor might also be associated with the state. Honestly, it’s pretty despicable!

Sidenote; why does Disguised Franky on the left there look like an e-boy?

And the only thing that actually breaks his suspicion is Yor’s strong reaction to Franky’s (feigned, but still very much unwanted) advances, with the rebuke that she’s married. (Notably, Loid isn’t at all suspicious that a random secretary is able to effortlessly take Franky down, further evidence that his own sense of normalcy is off, or at least takes a hit where Yor’s involved.)

Guilty, he goes to meet up with Yor (out of disguise, of course) on both of their way’s home from work. There, he manages to stealthily take the tracker off of her collar, and, crushing it, throws it away. When the two return home—with cake, for their “first anniversary”—Anya notes that they seem to be getting along well, putting a cute end to an otherwise strained episode.

More importantly, we’re made aware of a key fact here, from a Doylistic point of view. At some point, the day may come where Twilight has to choose between his devotion to his mission and his devotion with his “pretend” family. Before this point, if that had happened, it isn’t unfair to the man to say that he would probably have picked the former. From here on, the answer is a lot less clear. Loid’s actions are impossible to defend, but they make perfect sense within the confines of the show’s narrative and genre, as well as the paranoia that comes from his occupation in the first place. (And which informed the fiction that Spy x Family is a pastiche of. It’s not The Prisoner or anything, but some of that palpable “trust no one” vibe is still present, and not just because Franky literally says that verbatim.) It is through these lenses that the episode manages to still work, despite the noticeable downshift in tone. At episode’s end, Loid has the revelation that perhaps his family being “fake” isn’t really that important, and the series once again draws parallels between the lives of spies and those of ordinary people, a recurring theme by this point.

In general, then, this is one of Spy x Family‘s least funny episodes, but it makes up for that with more complicated emotional shades. Loid can be hard to root for at times, never moreso than here, but certainly no one could accuse him of being a simple character.

Until next time, agents.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch KAGUYA-SAMA: LOVE IS WAR -ULTRA ROMANTIC- Episode 9

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

The culture festival is underway, and with it, Kaguya-sama: Love is War! drops the most lavishly-directed episode of its third season so far, with a dizzying array of style cuts and other interesting visual tricks. Despite that, we’re mostly going to be talking about the actual plot of the episode; three separate plotlines progress here, and I suspect that it wouldn’t be wrong to consider this the first part of a four-part finale. There’s a lot of ground to cover here (and for me personally, it’s already rather late in the day, whoops!), so let’s get started.

We actually begin with a flashback. An interesting choice, and one that establishes that the next few episodes are going to cut this plotline—set a year prior to where the series is at now—with the show’s present day. Here, we meet a far more bitter and burned-out Shirogane than the one we’re used to. One who hasn’t yet met the girl he’ll eventually devote so much of his time to, and one who is understandably fed up with Shuchiin Academy’s student body of rich kids, future heirs and heiresses, and so on. He isn’t wrong to feel this way, something I don’t think the show quite gives enough attention. But it is clearly hurting him emotionally, and he needs something to bring him out of that slump.

It’s here that we’re introduced to Shuchiin Academy’s previous Student Council President, an androgynous fellow that the anime gives a stylish purple undershade to his otherwise plain black cropped hair.

The former Council President is a mysterious guy, and we don’t really get the full picture behind him here. What’s important though is that he wants to recruit Shirogane to the Student Council. Why? Well, he describes Shuchiin Academy as a walled garden (true) and thinks that having someone who can look at the wider world with a “level gaze” would be an advantage. He probably isn’t wrong, there must be a reason, after all, that Shirogane eventually succeeds him. (In spite of the prejudice against “outsiders”, ie. people who didn’t come to Shuchiin directly from its associated elementary school, that we’re informed of here.) Shirogane is understandably skeptical, a skepticism expressed by an interesting visual detail; Shirogane idly picks at the decoration on the expensive ceramic the President serves him tea in when the two have their little meeting.

Before Shirogane’s even agrees to being recruited, the President has him help clean out a mucky pond on school grounds, and Shirogane understandably wonders if he isn’t just being taken advantage of. He doesn’t have time to wonder for long, though, as a genuine near-tragedy strikes as one of the girls cleaning out the pond falls in. Apparently the water is deep enough that drowning is a real risk, and everyone present wrings hands over what to do as the girl thrashes in the water. Everybody except, of course, a passing-by Kaguya, who leaps into the water without a moment’s hesitation and rescues the girl handily.

And so, Shirogane falls for Kaguya.

Kaguya-sama leans on the shadowless technique for emotional moments so often that it’s practically an internal cliche for the series. And yet, I love it every time.

Not because of her status or looks, but because of her decisive and bold nature. That may seem strange to us, the audience, given that we know Kaguya as much for her flustered pull faces, her hilarious but self-defeating exercises in denying that she has a crush on the Shirogane, etc. But the fact remains that this is the Kaguya that Shirogane first fell for; the sort of person who’d leap to rescue someone else without a second thought. And it makes sense, in a way. To step into the show’s narrator’s shoes for a moment; people are often attracted to those who possess characteristics they themselves lack. Shirogane seeing Kaguya as someone more driven and strong-minded than himself and eventually striving to meet her on that level makes perfect internal sense.

There is some interesting immediate aftermath here. Shirogane chastises himself for being indecisive and makes a mental comment to himself that it “doesn’t matter” if one was born rich or gifted, what matters is the ability to take action when it’s necessary. I’d argue this little aside is the one thing in the scene that doesn’t really work. One of Aka Akasaka‘s few notable weaknesses as a writer is an implicit conservative streak1 in some of the basic assumptions his work is built on. Here, he seems to have neglected that those born into comfort or otherwise advantaged have much more ability to learn the skills to become “decisive” in the first place. Shirogane, as a working-class student from a poor family who has nonetheless accomplished quite a lot from sheer drive, would be well aware of this.

Nearby, Kaguya tries to brush her own heroism off. Hayasaka praises her, but Kaguya claims it was just the obvious thing to do; the girl she saved is the daughter of a newspaper mogul, and being able to call in that favor someday might be important. It’s not impossible that Kaguya is telling the truth here and she really was acting out of, essentially, selfishness, but to me it seems more like the sort of mental gymnastics we’d eventually come to know her for. We could, if we wanted to be uncharitable, read her last comment here—to the effect of, “no one really does anything for anyone else without wanting something in return”—as the writer’s own beliefs. But to me, it seems more plausible that she’s again just denying her own feelings. Akasaka does seem to keenly understand how growing up in the sort of environment Kaguya did can mess with you.

All that in a flashback, which contrasts heavily with the Kaguya we see when the show returns to present.

A Kaguya who is wearing a Taisho-period traditional Japanese woman’s costume as part of her class’s cosplay cafe, yes.

Shout out to Mocksune Miku in the back, there.

This segment, which primarily focuses on Kaguya’s misadventures in said cosplay cafe, is probably the least “important” of the three here. But it does feature the return of the Ramen Guys, an advantage that cannot be so easily discounted. It also features Hayasaka “cosplaying” as a maid; ie., her normal, actual self.

And they interact, too, of course. The Ramen Guys insult Kaguya’s coffee pouring technique while complimenting Hayasaka’s (in one of the show’s oddest visual gags to date, they’re drawn as though badly greenscreened onto a backdrop depicting a galaxy. I think this may be a spoof of old educational programming, but I don’t know enough on the subject to comment.)

Ratio.

Kaguya counters that she can pour an expert cup of tea, at least, and is promptly taken up on her offer. All this causes Kaguya to miss interacting with Shirogane, which was her entire hope in working for the cafe in the first place.

But, one of the Ramen Guys (yes, I will keep capitalizing that) notes that Kaguya’s tea is so good that clearly she’s been perfecting it for a single specific person. He notes this very loudly, while Shirogane is relatively nearby, to Kaguya’s immense embarrassment.

As they depart, the taller of the two Ramen Guys wishes Kaguya well in her love story. He even briefly meets Shirogane, noting that he is “the one.” (Of course, Shirogane has no idea what he’s talking about.)

Kaguya, meanwhile, notes that she’d really like to get a bit of lead up if she’s going to confess her feelings to Shirogane at any point during the festival. Similar thoughts, meanwhile, are had by someone else.

Shirogane’s segment is the briefest of the three here, but it’s also the punchiest, and the only one in which a substantial development occurs. Before that, though, he gets to pal around with Maki, who spends these couple minutes just being a complete bummer in a very funny way.

But she also offers some genuine advice; suggesting that Ishigami ask Tsubame, who’s apparently into scary stuff, to the rather intense Haunted House one of the classes is putting on. (There’s an amusing, but also kind of sad, “I lead others to a treasure I cannot possess” sort of dynamic going on with Maki the Matchmaker here.)

There are some more shenanigans crammed in here, including a deeply awkward scene in which Maki’s former crush and his girlfriend show up. (Ishigami mentions that the latter gives him “sinister” vibes. I’m not sure if this is a callback to that whole business from early in the season where she thought her boyfriend was cheating on her, or some sort of foreshadowing. Given the bizarre visual style shift that accompanies the immediately preceding scene—that’s it in the header image—I think it might be the latter? But it’s hard to say.)

But in the end, Ishigami actually does ask Tsubame to the haunted house. Not without effort and not without some awkwardness, but hey! He did it! And she even agrees to go with him! (Whether she’s aware of his intentions or not is an entirely different subject, of course.)

Look at him, he’s like a happy puppy.

We don’t see that haunted house date here. (Although what little we do see of the haunted house looks pretty cool, and is shot like a found-footage horror film.) The episode ends on what’s essentially a cliffhanger.

So, until next week, Kaguya fans.

1: I here mean the term only in a general sense. I do not know the details of eg. Akasaka’s voting record, etc. Nor, frankly, do I wish to.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch HEALER GIRL Episode 9 – The Best Guarantee • Buy the CD

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

As I continue to struggle with getting things sorted out in my life (and consequently, on this blog as well), I’m blessed with an episode of Healer Girl built around a central visual showpiece, which makes writing about it pretty straightforward. Hooray for small miracles! Even if you’re probably still only seeing this at least a few days after the episode airs.

Episode 9 is, in a way, what the whole main “plot” of the series—in as much as Healer Girl has such a thing—has been building toward. The girls and their mentor aiding in a successful, full operation. You might note that this is in some ways an echo of episode 4’s central conceit. You’re right about that, but the tones and focuses could not be more different. Episode 4 established the limits of vocal medicine, and we nearly saw someone die. Episode 9 is more or less its total opposite; this is what the technique can accomplish at its best. (And of course, it further cements Healer Girl‘s central themes of connection, and music as a balm for the world’s woes.)

The patient is Ria’s onetime mentor, since we here learn that she was a traditional medical student before switching track to vocal medicine. The surgeon in question, interestingly, also has a connection to Kana; he prescribed her an inhaler for her asthma when she was very young, leading to her wanting to be involved with medicine in the first place. In this way, the episode neatly ties together three generations of medical professional. It also helps the episode feel a bit more meaningful than if it were just Some Guy.

The operation itself forms the episode’s centerpiece. Here, we get to see Ria work her magic for the first time, and it’s pretty damn impressive. Lasting for a solid six minutes, it is the longest “image sequence” in the show so far, and serves as a fitting launchpad as Healer Girl transitions into its final stretch.

More than that though, it’s fascinating how the sequence manages to convey so much without ever using actual dialogue. We know from earlier in the episode that the patient has some pretty serious problems; polyps on his intestines, chiefly, a very real and very unpleasant medical issue. Thus, when we see Ria flying her students down into a massive valley and removing alien-looking growths from the stone with the power of song, we know what those are and what’s going on. Nothing is said because nothing needs to be.

The images, it’s clear by now, allow the healers to enact physical change by manipulating visual metaphor, which is itself born from their songs. This is, in a less literal sense, exactly what music does to us in the real world; it can cause real, present changes in our mood and even our outlook on life by working with abstract, non-real material. Healer Girl‘s image sequences are, thus, a longform metaphor for the impact of music (and more broadly, all art) itself, a neat little thematic mobius strip that suits the series’ ambitious but low-key nature perfectly. Art that contemplates the nature and impact of art itself can seem indulgent or even pretentious, but Healer Girl never gets anywhere close to that. If it’s self-impressed, it’s only minorly so, and with good reason.

On a more literal level it is also worth noting the character development on display here. While they’re worried before the procedure starts, none of the girls freak out or lose confidence in the middle of the operation like they did back in episode 4. They’ve gone from total novices to having some real experience under their belt, and indeed this episode is iyashikei-esque in its lack of any real danger. Most everybody thinks everything will go fine, and it does, in lovely-soothing technicolor splendor.

There are also a few jokes scattered throughout, which is key to keeping the episode from feeling self-serious. At one point early on the patient jokes that he only got sick so he could hear Ria sing, to which she rebuts that he should just buy one of her CDs. (This exchange raises SO many questions about the world of Healer Girl that I’m well aware the anime has zero interest in answering.) And another early scene where Ria assures all of her students that they’ll do fine while giving them big, gentle hugs. Yes, including Reimi. She damn near dies in the process.

There’s also an absolutely adorable Zoom call between our main characters in the episode’s post-credits, where among other things, the girls discuss Hibiki’s collection of wrestling manga. This all puts a very cute bow on what is overall one of the show’s strongest episodes.

Song Count: Just one, but at a full six minutes, saying that feels unfair. There are also a few pieces of non-diegetic vocal music throughout, so you can raise the count a few if you want to include those.

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