One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
Today we come to a problem I was pretty sure we’d face eventually.
So; this chapter is really good. The issue is that it’s almost entirely a single action scene. This is something you can do in the serial manga format. If your average chapter is 20 pages, and you’re reasonably confident that you’ll get enough chapters to tell the, you know, story parts of your story, you can stretch your legs a bit. Some chapters are entirely or almost entirely the “blood” part of the ancient “love, blood, and rhetoric” triangle. This is one such chapter. It’s just always a bit of a challenge to write about something so kinetic.
I can give you the actual events of things in a single sentence; Luffy and Zolo fight Axe-Hand Morgan, and Morgan loses. We learn a few more things in here, admittedly. Morgan seems to have some weird sway over his men, as at one point he orders them to shoot themselves for “cowardice” and they almost do it. Mind control? Something Else? Who’s to say? It’s early days. (For me, at least. I’m sure at least some of you have read One Piece before and are smirking right now.)
Although, on the note of supernatural abilities, this chapter does make mention of the “Devil Fruit” first alluded to back in Chapter 1. My guess then is that these devil fruits are the manga’s plot tokens; Luffy became a rubber band man upon eating one. I’m quite sure that other varieties of fruits could grant different powers. (Honestly, now that I type it out, it just seems obvious. Is this what the vending machine coins in Gleipnir were riffing on?)
Sir, I would like to venture that you—a man named “Axe-Hand Morgan” who, in fact, does have a hand that is an axe—are not a good judge of what is ordinary or not ordinary.
The only other things of note that occur are that Zolo and Koby both get little moments of solidarity with Luffy. The former’s is depicted in the column banner, and Luffy replies to it in a very Luffyish way.
And Koby is brave in the face of what may well be death as Morgan’s son takes him hostage. He needn’t be scared, of course, since Luffy rescues him as part of the battle that unfolds here.
Beyond that, I’m honestly at a bit of a loss. I will say that Oda’s panel composition and command of visual storytelling are really spot-on even in this early stage of the manga. You could remove the dialogue and still have a solid idea of what’s happening, and all of this stuff is just a genuine treat to look at. But aside from that, there’s only so many ways to rephrase “this is all really badass.” Still, if we’re truly in for the long haul I suppose I should be okay with repeating myself at times. So let me say; this is all really badass.
My absolute favorite pages in this chapter are actually the last two, where we see Morgan attacking, and then the aftermath of his being struck down by Zolo on the following page, but not the strike itself, a lovely little visual trick that gives you a brief “wait, what happened?” jolt before what exactly occurred dawns on you. It’s a neat way of making Zolo’s attack somehow seem even cooler by not depicting it at all. I imagine some kid reading that on their way home from school in ’97 and thinking it was the raddest thing they’d ever seen, and that just puts a smile on my face.
Now, it’s not clear if Morgan is actually dead. Generally, in work like this, if you don’t see someone literally get a head chopped off or something similarly definitively fatal, their return is always a possibility. (And either way they still have Morgan’s annoying son to deal with.) Is more stylish violence to come? I suppose we’ll see.
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All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!
This week on Spy x Family: dodgeball.
Yeah, dodgeball. You know. That horrible game played in elementary and middle school classes the world over where you chuck specially made pain orbs at each other. It will not surprise you, I hope, to learn that yours truly, who grew up to become a professional anime critic, does not have the fondest memories of the sport in any of its many variations. But, hey, kids getting socked in the face with dodgeballs is kinda funny. Thus, this episode, which is seriously like a solid 75% kids getting socked in the face with dodgeballs.
Also this.
The core conflict that makes these particular 22 minutes go are dead simple; someone in Anya’s class starts a rumor that getting MVP in a gym class game can get you a stella star. Anya wants a star, so she’s going to do her best at dodgeball. Damian wants a star too, because it might get daddy to notice him (that’s called building a sympathetic motive, friends). The obvious thing for Spy x Family to do here might be to have Damian and Anya on opposite teams. But instead, they’re on the same team, and the real threat is this fellow.
Yes, Bill Watkins. Age 6. Built like a brick wall and whose father is, as we briefly see in a flashback, apparently M. Bison from Street Fighter. Bill Banner here is an absolute volleyball monster. He’s the Scott Steiner of first grade volleyball, and no one else in class is even playing in the same league. (Obviously! This is Spy x Family, not Jojo’s Bizarre Adventure.)
Both Anya and Damian have been training though, in very different ways. Yor tries to teach her daughter some—ahem—killer techniques. With enough enthusiasm that she almost blows her cover.
The “training” scenes are a particular highlight of this episode. Both the goofy shit that Yor puts Anya through and, later on, Damian training with The Boys are absolutely hysterical. In the former, Yor chucks a volleyball so hard that she casually prunes a tree by doing so.
In the latter, Damian and co. imagine themselves on what is very clearly Namek, while in real life they’re just messing around with a tire swing.
None of this actually helps when it comes time to face Bazooka Bill, who downs most of Anya and Damian’s team with comparative ease. (The only thing stopping the carnage from being worse is that they’re playing whistle dodgeball here, which is a slower, basically turn-based variant that, somehow, is even less fun than normal dodgeball.) There are plenty of “dramatic” (comedic) scenes of characters taking the bullet for one another here. Here, for instance, is Emile, one of Damian’s friends, leaping in front of him to block one of Bill’s shots with his face.
And here’s Damian doing some Naruto shit to defend Anya—yes, Anya. Remember, he’s a tsundere—from the same.
Anya’s “killer move” doesn’t do much either. She definitely throws the ball hard, but messes up at the last moment and ends up chucking it at the ground, and she’s promptly eliminated moments later.
None of this even ends up mattering, as Master Hendersson explains, there is no Stella star awarded for something as minor as winning a single game in gym class. Thus, the entire episode is a gigantic, lavishly animated anticlimax that progresses basically nothing. Even any development of Anya and Damian’s ‘relationship’ is pretty muted. They immediately have a fight after the match is over.
But such a stretching of legs suits Spy x Family just fine, especially after last week’s comparative seriousness. Next week marks the penultimate episode of the first cour, I imagine something a bit more dramatic will begin brewing then.
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All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!
An odd thing about covering anime and manga, at least for me, is that over the years I’ve run into a lot of things that I really love certain parts of but really dislike certain other parts of. It’s way too early to tell if One Piece will eventually enter that particular box, but it’s certainly true of this chapter, which is probably both the best of these first few we’ve read so far and the first one I’ve had any serious qualms with.
Both of these stem from a flashback that takes up the bulk of the chapter. This, basically, is Zolo’s backstory. These kind of one-chapter “here’s this guy’s Whole Deal” narrative shotgun blasts have been common in anime and manga for a long time, but this is a pretty solid one, and I do like what it does for Zolo’s character.
The gist here is simple; Zolo was, as a child, a sword-fighting student at a dojo, and was constantly beaten in training exercises by his rival, Kuina. He gets so frustrated by his constant losses that he challenges said rival to a real duel with real swords, only to lose that too and walk away unscathed only because Kuina spares him any actual harm. The two talk; Kuina and Zolo both have their frustrations, and the two eventually vow that one day, one of the two will become the world’s greatest swordsman. But, not long after they make that solemn oath, Kuina dies in a freak accident. Zolo must now keep the promise himself, and become the world’s greatest swordsman on his own. He even learns how to fight with three swords, solely so he can use Kuina’s as well.
As a piece of stylistic work and economical storytelling, this is great stuff. Stories like this have very old roots, so it’s not exactly innovative, but there’s a lot to be said for technique. The trick of widening the blackspace between manga panels to indicate a flashback is utilized really well here, and it adds a palpable weight to the reminiscence. The drawings within the panels themselves are stylish, too. I’m particularly fond of this one, where Zolo and Kuina clash against a full moon.
But here’s what bothers me, okay? Kuina, Zolo’s late childhood rival, was a girl. A girl who laments that she’s a girl, because AFAB people1 tend to lose muscle mass and get a bit weaker as they get older, and she thinks it’ll stop her from reaching her true potential. To both the character of Zolo’s credit and that of the manga on the whole; this idea is pretty sternly rebuked as unimportant by Zolo himself. In fact, that refutation is what leads to their promise to begin with.
But, of course, Kuina dies. Off-panel, even. By falling down the stairs, even. Now, there’s only so much I can hold all this against One Piece, considering that it was still finding its footing this early on, and that it is hardly the first or last piece of literature to do something like this, but it’s not exactly a terrific sign when the first female character in the whole thing with some actual motive and characterization gets killed off almost immediately, is it?
So, that’s not a storytelling decision I’m fond of, certainly. But the flashback in general is at least a strong foundation on which Zolo’s character can be built. Zolo is one of just a couple One Piece characters I was at all aware of before starting this project (it’s hard to miss a guy with a sword between his teeth), and it’s cool to know the Watsonian explanation for that iconic design element. (I think the Doylistic one probably boils down to Oda asking himself “wouldn’t it be badass if a guy had a sword between his teeth?” Feel free to correct me in the comments if I’m wrong and he’s actually explained this in an interview or something.)
Meanwhile, back in the present, a bunch of navy boys line their guns up to execute Zolo. (In fact, the whole flashback happens because he despairs about how he can’t die yet because he’s still got a promise to fulfill. You know how it goes.) Not to worry, though; our favorite stretchy pirate boy comes to his rescue.
It’s a classic bit of shonen badassery, and Zolo is so impressed—or perhaps just grateful that he can still fulfill his promise—that he pledges to join Luffy’s crew right then and there. And just like that, Straw Hat Luffy gains his first crewman. And hey, a guy with three swords isn’t a bad place to start!
1: Obviously the manga does not put it quite in those terms, being a comic for young boys written in the late 90s, but you get what I mean.
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All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
I really like the opening panel of chapter 4.
Mostly the guy on the right. Look at him! He’s so scandalized! It’s almost adorable.
I’m not sure how true this remains going forward, but assuming that Luffy continues to act in a generally similar fashion throughout most of the manga, I think the fact that he’s just so blunt may be a factor as to its popularity. Kids love the idea of being able to just tell someone off, especially if they’re someone older than them. Luffy does that all the time, and if people continue giving him issues, he socks them in the face. (Except here he doesn’t, this is the first chapter where Luffy doesn’t punch somebody in the kisser. I’m a little sad, to be honest.) There are several examples of this attitude here, and they’re all charmingly kiddy. I’m particularly fond of Luffy totally blowing off Koby’s concern here.
And his not taking “no” for an answer when he tries to press-gang Zolo, here.
The newest target of Luffy’s attitude is Captain “Axe-Hand” Morgan. He combines his son Helmeppo’s massive self-regard with an obsession with status (literally! he goes on and on about his “rank” in the navy here) and the fact that, well, he has an axe for a hand. He’s not a nice man! Over the course of this chapter’s brief 20 pages he kills two subordinates, one just for scuffing the massive statue of himself he’s having erected, and on top of that orders his men to kill the little girl we met last chapter. (One of the two henchmen Morgan kills in this chapter meets his end because he refuses to even consider carrying out the order. Poor guy, imagine dying in chapter four of one of the longest-running manga of all time.) For “defying” him by talking to Zolo. Famously, small children are normally obedient and deferential.
Luffy doesn’t know or care about any of this of course, and literally rockets into a confrontation with Morgan. Again, the chapter ends on a cliffhanger, so we don’t see them actually properly fight here.
I do also want to mention that Koby gets a solid moment here, too, when he unties Zolo’s binds in the yard. Luffy doesn’t do this because he wants to make Zolo one of his crew members. His “plan” for doing so is to steal Zolo’s swords back from the tower they’re being kept in and only return them if Zolo joins his crew. This would be antiheroic if it were at all a competent plan. For his part, Zolo seems more in awe of how “dumb” Luffy is, and a little shocked about the whole “aspiring king of pirates” thing. Who wouldn’t be, I suppose?
One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!
Also consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
In today’s chapter, Koby successfully navigates Luffy’s ship to a navy town, a feat that astonishes the young pirate. The fact that Luffy apparently expected to become King of the Pirates by just aimlessly drifting from place to place is pretty great.
More importantly, we meet a couple people here. Chiefly there’s Roronoa Zolo, the tough-as-nails bounty hunter mentioned who was mentioned in the last issue and is currently taking up the banner image for the first but probably not last time. Luffy ponders trying to get him to join his crew, while Koby reveals that he has extremely simplistic views on rehabilitative justice.
Like everyone else we’ve met in One Piece so far, he’s a classic archetype; the bounty hunter with a heart of gold. Everyone in town is terrified of him, to the point that Luffy just mentioning him causes a ruckus at a local tavern. (The same happens when he mentions the “Captain Morgan” who apparently runs the whole place, but we don’t meet him yet here.)
But when we actually meet him a bit later, it becomes obvious that he has a soft center. He has an old school “tough guy / cute little kid” friendship with a local girl, who comes to bring him food and talk to him while he’s serving his sentence of being tied to a post in the prison yard. That friendship arouses the displeasure of one of the local bigshots; the other character we meet in this chapter.
Honestly, “mean, privileged rich guy” is almost cheating when it comes to creating antagonistic characters. Doubly so when their privilege is inherited and they threaten to “tell daddy” when something goes wrong, both of which are true of Helmeppo. Triply so when they’re also such a vile motherfucker that they’re mean to kids, which Helmeppo also is. (Not content with making a guard escort the little girl out of the prison, he smashes her rice balls into the ground! What a dick!)
It very briefly looks like Helmeppo might at least have a sense of fair play; he’s been telling Zolo that if he can survive for a month tied to that post, he’ll be free to go. But, shocker, at the end of the chapter we learn that that’s not actually true, and he’s planning to have the bounty hunter executed in three days. Upon learning this, Luffy delivers on his apparently once-per-chapter obligation to sock a bad guy directly in the face.
Helmeppo’s bloody-mouthed quip about “making an enemy of the navy” is where the chapter ends, setting us up with a thrilling cliffhanger for next time.
I haven’t really been mentioning the after-chapter bonus pages up ’til now, because I’m not terribly clear on if they were part of the original print run or were added at a later date in a rerelease. (Allusion to “Luffy’s Flag”, which hasn’t shown up yet, makes me think the latter.) I’m mentioning this one, though, because it’s a cute little drawing exercise—the sort of thing that really drives home just exactly how young One Piece‘s target audience is, or at least initially was—and I thought y’all might potentially be interested.
I gave it a quick go myself. I admit; I’m not much of a visual artist. But I think for doodling it in Paint.NET with my mouse it certainly could’ve come out worse.
Now available on your local NFT marketplace.
If you deign to partake in this particular game and can doodle a more convincing jolly roger, do feel free to drop a link in the comments or to show me on Twitter. I’d be delighted to see such a thing.
One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!
Also consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
“I’ve set myself to become King of the Pirates…and if I die trying…then at least I tried!”
The very first person Luffy D. Monkey tells about his ambition to become King of the Pirates is a dejected, down-on-his-luck cabin boy named Koby. I don’t know what it is, but that’s just absolutely hilarious to me for some reason. He’s the Jimmy Olsen to Luffy’s Superman, except I think if you put Koby and Olsen in a fight, Olsen would probably win.
I said when I began this project that I wouldn’t sugarcoat my opinion if I felt One Piece did something problematic or just straight up bad. We don’t cross into the latter at all here, but the former….eh, yeah, kind of. There’s just something a little weird about this chapter’s villain, a beauty-obsessed overweight woman with a huge mace named Lady Alvida. That said; I’ve definitely seen a lot worse, so I’ll not harp on it too hard, here.
Mostly, she serves as a decent starter villain for Luffy. Her modus operandi seems to be very simple; she asks her crew, under her wood-deck tyranny, who is the fairest of them all. If they don’t say her, she hits them with a giant mace.
When Luffy confronts her, he has an obvious opening; since his body is made of weird magic rubber stuff, he can’t be hurt by the mace, which Alvida doesn’t see coming because, well, why in the living thunder would she? Luffy takes advantage of her confusion, and promptly decks her across the face. I really hope he keeps doing this to every villain, it’s funny as hell.
More important is that we get a little bit of exposition here! Koby balks at the very notion that Luffy could ever be King of the Pirates, which eventually leads him to reply with this article’s lead quote. He incredulously mentions that Luffy will have to go to the Grand Line if he wants to accomplish such a thing. What’s the Grand Line? Who knows! A “graveyard for pirates”, apparently, which sounds suitably dangerous for our hero. Also, I had no idea that One Piece was named after an actual thing within its universe, but apparently Gold Roger’s treasure is called the “One Piece.”
In general this chapter does a lot to establish that, yeah, even ten years after the prologue, Luffy is still kind of amusingly dumb. It’s a likable sort of dumb; he doesn’t really sugarcoat anything and speaks his mind in an extremely straightforward way, even when he maybe shouldn’t.
The beginning of the chapter reestablishes that he can’t swim (who am I to judge? Neither can I), and he almost dies by being sucked into a whirlpool. Only to emerge like this a few pages later.
Luffy is an odd one, and he ends this chapter with a new boat (still just a small dinghy, but hey, it’s a new small dinghy), and a new companion; the aforementioned cabin boy, who wants to eventually join the navy.
A pirates’ graveyard and a mysterious bounty hunter. I wonder what sort of adventure our boys are about to sail themselves into? I suppose we’ll find out tomorrow.
Until then.
One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!
Also consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
The temptation when starting a project like this is always to make grand statements of intent and purpose. I’ve already explained my reasoning at length in the intro article, though, so all that’s really left to do is aweigh the proverbial anchors and set sail. As I mentioned there, some back of the envelope math tells me that even if I keep up the rate of one chapter per day, every single day, with no breaks, and even if no new material came out at all, it will take me somewhere on the order of three years to catch up to the current chapter. Lots of things can happen in three years, but the great cliché goes that the journey of a thousand miles begins with a single step. We take that step today, together. I do hope you’re reading along.
I wonder what it was like, on that hot July day in ’97, to read the first chapter of One Piece. Did people read this and just know that they had something special on their hands? I certainly didn’t, I was a mere three years old at the time and even if I could’ve read comic books of any kind, I don’t believe One Piece was translated into English for some time until after it debuted.
I suspect that most people took away from the first chapter back then basically what I took away from it today; it’s got some really great action scenes and some nice cartoony art. For the first step of a thousand-mile journey, that’s probably more than enough.
Another thing that strikes me right out of the gate is a strong—albeit, simple—theme. There’s some solid thoughts had about the true nature of strength itself here. We’re introduced to Monkey D. Luffy as a kid, and he has a kid’s idea of what it means to be strong. His role model / eventual hat donor Captain Redhair Shanks just taking it in stride when “mountain bandits” intimidate him and his crew in a bar confuses Luffy. (And because Luffy is a young boy in a shonen manga, he expresses that confusion loudly and angrily.)
But when they go after Luffy himself later in the chapter, Redhair’s crew dispatch most of them with minimal fuss, proving that they could have fought off the bandits all along. There’s having strength, and there’s knowing what to do with it, and over this chapter, Luffy learns the difference. (Or at least, gets the first of however many lessons.) I think the key is here, fairly early on, where Redhair pretty much lays it out plain.
I’m particularly fond of the scene where the bandit leader kidnaps Luffy. He’s eaten by a sea serpent—a properly cartoony-monstrous thing, all crocodile teeth and fish fins—and it’s up to Redhair to fight the thing off and save Luffy. The fact that he loses an arm in the process barely seems to faze him. He saved his little buddy, that’s the important thing, right?
So the prologue ends, and years later when Luffy sets out on his own journey, he avenges his mentor by clocking that “local sea monster” right across the face as he paddles out to sea in nothing more than a wooden rowboat. The two-page spread of Luffy womping the monster is nice and dynamic, incidentally, it’s probably the best art in the whole chapter.
If you’re not reading along you’re probably puzzled as to why he has Mr. Fantastic-esque stretchy powers. The answer is that he ate a magic fruit. Manga truly is a medium without parallel.
An image that strikes me even more though, is the final page of the chapter. Luffy, despite being alone on a little rickety-rack ship in the middle of the ocean, loudly declares to no one in particular that he’s going to become king of the pirates! To surpass Redhair Shanks (and eventually return the older captain’s straw hat!), presumably find Gold Roger’s buried treasure which we learned about in the chapter’s intro. All that good stuff! Adventure, hoy!
As in the ocean, so on land, and as he goes, so too do we.
One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!
Also consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!
This week, Healer Girl goes Halloween. Yes, it’s time for the fall festival at the clinic, and must of this episode’s real estate is taken up by charming slice-of-life scenes. The girls planning a Halloween event for the clinic, shopping for treats to give away, etc. But it’s also an episode about Hibiki, the first to center on the white-haired healer since episode five.
We also get the very important sight of Baby Hibiki.
This episode paints her as someone plagued with chronic self-doubt, something that’s been broadly alluded to a handful of times but hasn’t really been explored until now. The episode is fairly nonlinear; we cut back and forth several times to Hibiki’s childhood as well as her first day leaving for Tokyo to study to be a Healer. The episode also dives into her own bad habit of comparing herself to Ria, whom she often feels as though she falls short in comparison to.
The Halloween party itself ends up being a huge hit, of course, but there’s a notable bit where Ria seemingly has to intervene because the song the girls are singing is just that powerful. It’s not spelled out explicitly, but it does seem to imply that the whole “image song” technique can potentially be deleterious somehow. That this is snuck into an otherwise pretty unassuming episode is fascinating and is another example of Healer Girl‘s clever repurposing of typical slice-of-life tropes. (Alternately; I’m reading too far into it and it’s just a nice episode in which not a ton of importance happens. That’s fine too.)
But! After the credits roll, we get an interesting little conversation between Ria and her assistant / probably-wife. It’s cryptic; full of mention that the girls need to learn proper “control,” and that “time is limited,” and that soon Ria’s own “time will come.” What any of this means is deliberately left opaque; we’re an outside party looking in for this conversation, and these are simply mysteries to be solved in the two weeks that remain of the show’s run.
Until then, anime fans.
Song Count: 3, making this one of Healer Girl‘s more musically dense episodes. I’m particularly fond of the third song.
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Anime Orbit Weekly is a weekly column where I summarize my journey through anime, manga, and the related spheres of popular culture over the past week. Expect spoilers for covered material.
Hi folks! I don’t have a ton to say up here today. I’ve been trying to get back into the swing of things while still dealing with a bunch of life stuff, so happy as I am that this week’s been devoid of interruptions so far, I don’t want to make any promises about what the immediate future looks like. (Down to whether or not I’ll be able to finally cover Healer Girl on time for once tomorrow. That’s a big We’ll See.)
But in any case, I’ve gotten a lot of writing done this week, and if you’re a devoted enough fan of the site to be reading this, sincerely thank you for reading so much of it. I’m quite proud of the column this week, and I think you’ll see why as you read on. Also! I don’t want to promise anything (see previous paragraph), but I might have a special project starting up this week. We’ll see which way the winds blow.
Seasonal Anime
Birdie Wing
With episode 8, Birdie Wing closed the door on its “golf underground” storyline. The consequences were real and, in their own way, dire, despite the show’s absurdity. Eve has fled Nafrece and can’t ever go back, mob boss Rose Aleon is dead, shot in the face by a vengeful rival mob in a truly, utterly, indescribable pastiche of proper gangster cinema that Birdie Wing somehow managed to pull off flawlessly. The aftermath didn’t seem to bother Birdie Wing though, the very last shots of that episode were of Eve being goofy on a plane, literally flying away from the poverty she was adopted into, her and her family reaping the spoils of her improbable golf skill. The latter by being safe from that very poverty, the former by going to Japan to pursue her Golf Waifu.
So, in a way, this represents more the beginning of something than the end. An even slightly more ordinary anime would transpose the order here; introduce Eve as an ordinary high school girl and then eventually build up to the climactic confrontation with the, ahem, Golf Mafia. But Birdie Wing is not a remotely ordinary anime, and so, at the end of episode 9 we see that she’s enrolled in a Golf School in Golf Japan to pursue a Golf Romantically Charged Shonen Rivalry with fellow Golf Lesbian, Aoi, the aforementioned Golf Waifu. All this sets in as the sound of Tsukuyomi‘s “Nightjar”—the show’s needlessly beautiful ED theme—fills the sky and a shot of a golf ball dissolving into a full moon hangs overhead. It’s nuts.
It is still hard to know exactly how to reconcile Birdie Wing‘s ridiculousness with its sincerity. It’s been nine weeks and I’m still processing it; a show that transmutes the world’s most boring sport into high camp shouldn’t work as well as Birdie Wing does. Especially now that the series has seemingly abandoned the class element that made the first arc something worth chewing on thematically. By all rights Birdie Wing should fall apart here. But if it ever will, it’s not this week. From here, we golf sublime. If anything, I want to take Birdie Wing even more at face value than I already was. It somehow completely buys its own hype.
The first six or so minutes of episode 9 don’t even feature Eve at all. Instead, we focus on a new character who we’ve only briefly seen before. This is Ichina Saotome (Saki Fujita), an Ordinary Golf Schoolgirl whose greatest desire in life is, no shit, to be a professional golf caddy. She says things like this.
Saotome makes a hell of a first impression; among other things she’s late for Golf School because she missed the Golf Bus. Readers who aren’t watching this series may wonder if me appending “golf” to the front of random nouns is some kind of running joke or if the show is actually like that, and I am delighted to tell those readers that it is, in fact, both. Saotome’s school has a prominent Golf Club (haha. golf club), it is very serious business, and one of its members is the other character we properly meet here, Haruka Misono (Rina Satou).
Any fear that all this might make Birdie Wing even marginally more normal is dashed by the fact that Eve greets the both of these girls by deliberately driving a ball between them as they talk in order to get their attention.
Her blunt attempts to get a meeting with Aoi are pretty funny, but not as funny as the fact that Eve can somehow speak Japanese, and even she doesn’t know how. In a show that bought in less to its ludicrousness, this would be an obvious joke. Here, I almost wonder if it’s not some kind of foreshadowing about things we’ll eventually learn about Eve’s pre-amnesia life. (It can be both, of course.)
Her ability to meet with Aoi is eventually staked on a golf game (of course) by the Golf Club’s president. She gets an obvious victory over Haruka, although it’s closer than one might assume, and I suspect the now-shattered first year might serve as yet another rival to Eve.
Meanwhile, Aoi’s reaction to meeting Eve again is this.
Golfing!
Ultimately, the episode ends as aforementioned. Eve enrolls in Aoi’s school—obvious fake name and all—to the admiring gay screams of literally her entire classroom. And, well, god knows where the plot goes from here. I half expect Birdie Wing to turn into Revolutionary Golf Utena. It wouldn’t be out of character.
One thing is certain, Birdie Wing‘s total commitment to itself, an almost defiant attitude of “yeah, this is the Symphogear of golf, what are you going to do about it?” It’s hard to imagine Birdie Wing ever falling off in a serious way if it keeps that attitude up. Personally, I’ve joined the camp who strongly hope that this thing has two cours (no episode count was ever announced). Mostly just because I want to see what other total nonsense the show can come up with, but also because in spite of my general loathing of golf as a sport and everything it represents, I do care about these characters! I’m not afraid to say so, either. Much like some of its spiritual predecessors, Birdie Wing wrings emotional resonance from high absurdity, and it does a damn good job of it, too. It takes flight against all odds, a fighter jet of pure self-confidence.
Oh, and also; there’s a scene in here where Aoi gets all embarrassed because Eve stepped out of one of the locker room showers without a towel on but is also obviously checking her out. That’s pretty fun, too.
Ah, the classic “peeking through the gaps in your fingers” technique.
ESTAB LIFE: Great Escape
Ten weeks after its premiere, it’s still kind of hard to believe that Estab Life exists. Watching it, the threat that it will just disappear like a mirage on the horizon if you blink too hard feels ever-present. Yet, here we are, episode 12 is finally available in the Anglosphere, and the show is officially over. Its finale provides a suitably action-packed, pulpy, dramatic, and just plain weird exit for a show whose very existence feels vaguely like a taunt against all pop-artistic norms, a trait it shares with some, but perhaps not enough anime. (The Rolling Girls, and Estab Life‘s own contemporary, the above-discussed Birdie Wing, are a few that are on my mind lately.)
In a way, though, Estab Life‘s finale is a logical conclusion. How does a show about helping people escape their life situations end? By evac’ing the guy behind the whole system in the first place. For their grand finale, the Extractors extract Mr. M himself, their mysterious benefactor who turned out to also be the equally-mysterious Manager running the cluster system to begin with. Along the way, we get some pretty cool action scenes, some character model reuse that is too neat for me to call out how obvious a time- and cost-saving measure it is, an explanation-of-sorts for how the world of Estab Life came to exist in the first place. It’s a lot!
The high-tech castle facility that the Extractors infiltrate here is probably the best environ the series has ever shown off at all. It fits the high tech aesthetic inherent to an all-3DCG series to a tee. All three of the main Extractors get good turns here, and it’s interesting to note that Feles and Equa spend most of the climax by themselves; Martes seemingly sacrifices herself by exploding into many mini-Marteses (Martesi?) to fend off a swarm of angry drones.
When they finally encounter The Manager, Equa and Feles get hit with a truckload of exposition, perhaps the only part of the episode that doesn’t entirely work. (Something about how his builders created him, a nigh-omniscient supercomputer, to develop a utopia, but this is an impossible task because the natures of different people conflict too much. Sure, fair enough I suppose.) What does work is that “Mr. M” wants out of his situation as much as anyone else the Extractors have ever spirited away. He reformats himself, becoming the second character in as many episodes to change their gender presentation; this time on screen.
I will not pretend to know what this says about the people who made Estab Life, but I will take the representation—intentional or not—regardless. Before that, The Manager turns into a giant Facebook like symbol in order to thumbprint the extraction document. This is art, folks; the world’s first CTTTF (Computer to Thumb to Female) transition.
Her new body and name in tow (now it’s just “M.” No “Mr.”), she helps the Extractors escape from the facility, and in the process, we get to see her mind control a bunch of drones. Also, Martes has a huge hammer now.
The post-credits scene shows the Extractors back at their usual job, getting ready to rescue a cameoing Hachiro, who is finally ready to leave his own situation. M, now with a new look, supports the team over smartphone, and the series ends on an open, exciting note.
Incredibly, this isn’t the end for Estab Life on the whole. A mobile game is in development—though god knows if we’ll ever see it over here, see the still-in-limbo takt op. Destiny game for an example of that whole mess—and a film called Revengers’ Road. But until we meet the Extractors again, this is an excellent farewell.
Love Live Nijigasaki High School Idol Club – Season 2
“Don’t hide your brightness.”
At its core, Nijigasaki High School Idol Club is an extremely simple anime. Almost everything it does is in service of its gleaming, utopian vision; a world where truly anyone can be a superstar, if only they wish to be. This is, I think, the Nijigasaki sub-franchise’s entire appeal, but it does leave only a fairly limited tract of ground on which to grow actual conflicts. One of the few that have come up over the second season is the friction between Lanzhu and the Idol Club themselves. Lanzhu’s solo performances have been a running background thread throughout the whole season, and her unwillingness to play ball with the Idol Club is one of the show’s few actual “unsolved problems,” as it were. In episode 9, the issue is laid to rest, in a decidedly Nijigasaki fashion.
We should talk at least briefly about Mia Taylor (Shuu Uchida), the American-born idol who serves as Lanzhu’s songwriter. The two are clearly close but exactly what their relationship is has been a little fuzzy, at least to me, up until this point. Likewise, I’ve personally had a little trouble connecting to Mia as a character. She’s rather arrogant, which is fine, but given that she herself doesn’t hasn’t sung up until this point (spoiler), it’s felt a little hollow to me, as opposed to Lanzhu’s very well-earned cockiness (which is itself a defense mechanism, but we’ll get to that).
Mia’s character is actually explored in detail for the first time here, and we learn that she feels the crushing weight of expectations from being in a legacy music family. The reason she doesn’t sing herself is that she’s afraid of not living up to those expectations, and in a flashback, a young Mia is literally drowned out by applause as she steps on stage to debut as a pianist before she can play even a single note. It’s effective stuff! And her dealing with her own issues helps Lanzhu deal with hers.
A line that comes up here is “as long as you desire to be a school idol, everyone will accept you.” This is, if generalized out, basically the entire thrust of the series. It’s a little awkward—at best—if applied to the real world, but within Nijigasaki‘s own unpoppable bubble universe, it makes perfect sense. All feelings spring from music, so there is no problem that music cannot solve.
So, when Mia performs her insert song, the entirely-in-English “stars we chase”, and it breaks down Lanzhu’s defenses and she is revealed as, at her core, a very lonely girl who struggles to empathize with or even understand other people, it makes an internal sense. Lanzhu is convinced not to leave Japan (which, yeah, that was her reaction to being shown up at the idol festival, to leave the country. Girl’s a bit dramatic!) and it’s strongly hinted at that this season, possibly even next episode, will see the debut of Lanzhu, Mia, and Shioriko’s unit. Personally, I cannot wait.
She said the line!
Shikimori Isn’t Just a Cutie
Until now, I’ve largely considered Shikimori Isn’t Just a Cutie a pretty good show. If I’d had to pick an operative adjective, “pleasant” would be it. Like a summer breeze or a sweet flower. Not something one is inclined to think about terribly deeply, but definitely a positive presence in one’s life.
But sometimes shows that are “just pretty good” get episodes that are much better than that. (Highlighting these was the original M.O. behind Twenty Perfect Minutes, although I abandoned that narrow premise fairly quickly.) Singling things out like this does always feel a little unfair to me, because it’s not like what Shikimori has been doing up to now has been at all bad, but it’s been fairly straightforward. Other than a certain sweetness and sentimentality, Shikimori-san has lacked terribly much emotional resonance. That’s not a flaw per se, but it’s notable absence.
This week’s episode, the show’s eighth, is a different story.
Last week we were introduced to supporting character Kamiya (Ayaka Fukuhara), a friend of Izumi’s from some time ago, and, as we then learned, also someone who harbors feelings for him. Kamiya, honestly, sort of seems like she’s in the wrong show, or maybe the wrong genre entirely. Reflecting on romantic feelings she now knows are hopeless, she imagines herself as an impostor Cinderella, with unfitting glass slipers and who never finds her Prince Charming. Near the episode’s midpoint, she says that some girls are inclined to wait for a savior on a white horse, and it’s pretty obvious that she’s talking about herself.
During these parts of the episode, the visuals take an overcast turn. Washed out and grey, reflective of Kamiya’s own feelings, and complimented by rain of a sort when she breaks down in Shikimori’s arms in the episode’s climax. It’s extremely dramatic, and even more notably so because this is still Shikimori Isn’t Just a Cutie that we’re talking about. You know, the silly gimmick romance anime where the whole plot is supposed to be that the girl with pink hair is “cool”? That one? Maybe it’s tragic, Doylistic destiny that she could never be the lead in this particular love story; her hair is a rainwater blue, after all. And the show isn’t called Kamiya Isn’t Just a Cutie.
There are solutions to this that could please all three people. Mostly those solutions involve the sort of honest communication that teenagers are unlikely to engage in, and concepts like polyamory that they are unlikely to know much about. Failed teenage romance is hardly the end of the world, but then again, when you are that age it certainly feels like it is. This episode resurrected in me feelings I have not properly contemplated in a long time; and I think everyone has those moments. What-could’ve-been’s that haunt the less-accessed corners of our mind like lonely ghosts.
As an icon of them, Kamiya slips through the school’s doors and between its classrooms, a tragic figure in a story that isn’t her own. There is warmth and humor and all of Shikimori‘s usual strengths throughout this episode too—this isn’t She, The Ultimate Weapon or anything—but in a way their presence just makes Kamiya’s story stand out all the more, a lone storm cloud in an otherwise blue sky.
The episode’s remainder focuses on Shikimori’s own dealing with these events. She gives Kamiya what comfort she can, and Kamiya makes a sort of peace with her situation. That, at least, is good, but even through all this, it’s never in question who the main character is, here.
It’s an impossibility, but I wish Kamiya happiness in life somewhere far removed from Izumi and somewhere far removed from both Shikimori and Shikimori. She deserves to be in a series that can accommodate her massive heart and her strength of emotion. She deserves an Utena or a Revue Starlight or at least a show that’s willing to do this sort of thing more often. But, of course, that’s silly. You can rerun the tape a thousand and one times, the footage on them will never change. She is Rosencranz or Guildenstern in a play that, as much positive as I’ve said about it, is certainly no Hamlet.
Watching this episode, I was made truly, presently aware of Shikimori‘s shortcomings—or at least what is absent from it—for the first time. Paradoxically, I think that’s only made me like it more. But even so, I am not sure if I’d be more hurt if the show never returned to Kamiya’s issues or if it did so again. I suppose I will find out eventually.
Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!
I’ll level with you, dear readers. (And hopefully do so without belaboring the point.) My life has been very hectic lately and I do not know how consistent my Let’s Watch columns will be in the coming weeks. But! I want to still write them when I have enough time and energy to get them together, especially when they’re about important episodes. And this week’s episode of Love is War! is very important. (Arguably, from this point forward, they all are.) It’s also just pretty damn good, but that’s par for the course with Kaguya-sama.
We’ll be pretty much skipping the first segment this week, which is a funny-sweet little vignette about Shirogane’s terrible fashion sense. It’s cute, but it’s not hugely important to the rest of the episode.
Instead, the latter two segments of the episode form a fairly distinct whole. Throughout, we must keep in mind one central fact.
Yes, the heart. Symbol of romance throughout the world, it plays a key symbolic role in both the in-universe Hoshin Culture Festival and this arc of the series itself. We learn why in the second segment of the episode, where Tsubame happily explains the frankly rather grim legend that the festival draws its iconography from, in which a sick princess is cured by a prospective lover sacrificing his own life in order to give her his heart to make a poultice.
Still, in Kaguya‘s world, as in ours, a story’s meaning can change over time. In-universe, Kaguya speculates that the legend might’ve emerged as a way for a ruler to validate her own rule, to which Tsubame lightheartedly calls her quite the realist. Her tune changes, of course, when Tsubame also explains that giving someone a heart-shaped object at the festival is said to ensure eternal love. She gives the example of her own brother, who recently married someone he first met at the festival. By this, Kaguya is swayed.
Almost immediately, she begins to puzzle out how to slip Shirogane a heart-shaped object, something with a heart pattern on it, anything that would both “count” for the legend but also not give her away. She ponders some truly silly stuff, here.
These are the usual Love is War shenanigans, until, suddenly, they aren’t.
Kaguya reflects here and is able to actually admit to herself for the first time that, yeah, she does actually have a thing for Shirogane. More importantly, she’s able to admit it to Hayasaka, who is shocked at her actually owning up to her own feelings for once. She wonders what exactly she’s afraid of; she knows Shirogane likes her, after all, so really this should be a simple thing. Eventually, she flatly rejects the very premise of the series itself as she mulls over some of Hayasaka’s advice.
But years of being trained to bury one’s feelings are not so easily undone, so she does not make a move here. Not yet, and not now.
She does hear about someone else’s moves, though. Ishigami is planning to ask Tsubame to the festival, even if the much-mythologized “love confession” comes a bit later, the truth of the matter is that Ishigami very much realizes that Tsubame’s graduation marks a deadline for any hope of his telling her how he feels. Kaguya is up against a similar time limit, although she doesn’t yet know that. (Ishigami has also only just learned that Tsubame is even single, which is a whole small subplot in of itself that’s tied up here.)
Average 11th grader realizing they might get to hold a girl’s hand.
The scene here is wonderful, and I maintain that Kaguya and Ishigami’s friendship is actually one of the best parts of Love is War full stop. Even if Ishigami is rejected, he will have gotten his feelings out. No more regrets for our favorite gamer boy.
And perhaps that lights a fire in Kaguya as well. But we’ll have to wait for next week to learn more.
Until then.
Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category.
All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
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