Anime Orbit is an irregular column where I summarize a stop along my journey through anime, manga, and the related spheres of popular culture over the past week.
Expect spoilers for covered material, where relevant.
This has been a weird season, particularly for speculative adventure anime. The two original frontrunners, Hell’s Paradise and the unrelated Heavenly Delusion, have respectively gotten kind of boring and completely unhinged in a way where I, personally, am holding off on covering it for now. That leaves a gap, and where there’s a gap, other things will step up to the plate. If you’re asking about what adventure anime I’ve been enjoying in a comparatively uncomplicated way, there are two answers, neither of which I would’ve expected giving just two weeks ago; Magical Destroyers (which was unhinged from the start) and this, Dead Mount Death Play. Neither are flawless by any means, but the nature of expectations is sometimes such that you end up enjoying things that you expected less out of in the first place more than things you had high hopes for that may or may not live up to those hopes.
As for DMDP itself, the gist since we last checked in with our necromancer boy Polka and his funky phantom friends is this; he’s joined the organization that was hunting him down back in episode one. He’s a coup, really, for this shady group of assassins, and their leader, the mysterious Clarissa [Atsumi Tanezaki]. (A side note, we’ll be calling “Polka” “Kabane” from this point out, referring to his character bio, because distinguishing him from the guy who used to be Polka Shinoyama is going to be important shortly) Misaki, predictably, is also around again, having been revived at the end of episode 2 following some exposition about Polka’s past. I was not crazy on the show’s attempts to sell both Kabane and Misaki (who seem to be co-headlining as leads at this point) as “sympathetic bad guys”, but the rest of the episode was quite good, including a sequence where Kabane rescued some kids from a fire in an unlicensed orphanage via summoning their parents’ souls into skeletons. He even caused a huge social media firestorm in the process, setting up a lurking background plot thread as we roll into episode 3 here.
Episode 3 quickly confirms that, regardless of whether or not he’s truly “villainous”, we are going to get to see Kabane properly fuck some people up. It’s really pretty straightforward; for as much as he might want to live a peaceful life in his new home, he does need money, and his talents point him toward assassination as a possible career path. He doesn’t even hand-wring over it, really, and his only token objection is shot down by Misaki pointing out that he was competent enough to kill her, and, after all, she’s a professional assassin too. Kabane and Misaki get a good dynamic going here when the time comes to smack around some yakuza. (Or something. They sure seem like yakuza to me but the show never uses the term.) Misaki, now basically a zombie, is immune to minor inconveniences like gunshots and such, so she handles all of the rough-and-tumble physical aspects of fighting. Kabane, the necromancer, finishes things off with his magic.
It’s also because of Kabane that they end up in this situation in the first place. One of Dead Mount Death Play’s recurring tricks is to set up a scene in one way—here, by making it seem like Kabane is talking to a guy who comes to Misaki for protection—and then reveal that he’s actually been talking to ghosts. In this case, that means deliberately leading himself and Misaki into a trap to get some vengeance for the many children-spirits that haunt this particular group of bad guys. These aren’t really meant to be twists, exactly, but it’s still a cool way to convey the narrative. It’s especially helpful when the show’s visual chops are otherwise more functional than great. (Although there is a really wonderful moment here where Misaki Naruto-runs for a couple seconds. That can make up for a lot of so-so cuts.)
Death Play seems to be setting up this thing where Kabane is, in a sense, less of a villain than the real-world sorts he crosses swords with; hitmen and so on. There’s an intriguing bit in here where he and Takumi, the hacker who’s now serving as his mission control of sorts, have a conversation about the value of human life. Kabane likens human life to toys. But, he says, he’s fond of toys, because they make children smile. This prompts Kabane to reflect on whether the real disconnect in their thinking is not how they value people but how they value things. It’s an interesting little dialogue, although the larger points it might be trying to make have not really connected just yet. Oh, somewhere in here it’s also mentioned that Polka—the real Polka—is still alive, and his soul is bound to a small drone that Kabane took control of last week. Where is all that going? Who knows!
We also learn about “Lemmings” here, in a separate exchange, apparently some kind of assassin-boogieman with a codename that, personally, just makes me think of the computer game. “Lemmings” doesn’t really remain a mystery for long. The closing minutes of the episode introduce us to two new characters who’ve shown up before but not gotten any spotlight before now. These are Tsubaki Iwanome [Takuya Eguchi] and Kouzaburou Arase [Nobuhiko Okamoto], a pair of cops who work for a branch of the government that deals with the paranormal. They get on Kabane’s trail because of the aftermath of the yakuza fight; a massive knot of clumped-together earth and mangled bodies, all of whom are still alive, because Kabane is hardcore like that. Thus, our first major arc sets its wheels in motion, and Dead Mount Death Play seems to snap into focus.
This is not a flawless show by any means; it’s visually a bit too dark (enough that it’s occasionally hard to puzzle out what’s going on), and the sense of humor is markedly dated. Sometimes in a charming way (Misaki’s whole kooky murder-girl personality) and sometimes in a very grating one (basically everything else), and its use of totally shameless fanservice feels pretty out of place in something like this. Still, the show is solid fun, and I enjoy tuning in every week.
Of course, what I would really love is to see it take that extra step up and go from good to great. Will it? Only time will tell.
Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter, Mastodon, or Anilist, and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category. If you have any questions about this or any article, feel free to leave a comment, or pop on over to my RetroSpring and ask me there. It’s up to you!
All views expressed on Magic Planet Anime are my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
Seasonal First Impressions is a column where I detail my thoughts, however brief or long, about a currently-airing anime’s first episode or so.
You can probably picture it from the word “isekai” alone, but humor me here; somewhere in a nondescript, grim fantasy universe, a stoic antihero named Sir Shagura closes in on his greatest nemesis, the dread necromancer known only as the Corpse God. The two trade displays of immense power; Shagura, as both a master swordsman and sorcerer, has both literally bone-cracking physical strength on his side and a rune-spamming sort of instant spellcraft that Dead Mount Death Play inherits from an older, pre-isekai boom, strain of narou-kei. (It wouldn’t look too out of place in A Certain Magical Index, if my memory’s serving me right.) The Corpse God, of course, has his necromancy, and conjures whole hordes of skeleton soldiers and a pretty badass undead dragon to stop Shagura’s heroic rampage. As the two fight, it becomes clear that this cool-looking but profoundly D&D-ass setup is just one layer of something deeper and stranger. Shagura, it turns out, has an “evil eye” that lets him see the ghosts of those he’s killed, from monsters and bandits all the way down to birds and bugs. So does the Corpse God. They put this power, it’s fair to say, to pretty different ends.
But just as it seems like “what if an isekai protagonist had necromancy powers” might be all DMDP is working with, it flips over its first card. The Corpse God, near destruction, casts some bizarre spell that Shagura’s never seen. Shagura, apparently, dies, as the actual video starts to glitch and sputter out like a damaged VHS tape. After his death, Shagura awakes in yet another strange and wonderful world. You’ve probably heard of it, because it’s ours.
Shagura opens his eyes in the body of one Polka Shinoyama [Yuki Sakakihara], dazed and confused as memories of both his own past life and that of his new body’s come back to him in a slow trickle over the course of the rest of the episode. This whole “memory bleed” phenomenon has been explored in a lot of isekai, so it’s interesting to see it inverted (if not necessarily disregarded) here. Polka is set in a state of gentle wonder by Japan, where he finds himself, noting that the children he sees seem to be happy, that there’s little violence, and, more to his chagrin, that there isn’t really much magic either. He’s so taken by all this, in fact, that he doesn’t notice the huge gash in his own throat that he’s somehow surviving just fine. He certainly doesn’t notice the mysterious man monitoring him via drone-cam, shocked that this guy is up and walking about. It’s pretty clear from even this fairly early stage that something is going on, but what remains a mystery.
The usual isekai protagonist footnotes do still apply; he pretty quickly regains the ability to speak Japanese after waking up (despite a cool segment where he can’t understand the police officers who try to ask him about that huge cut across his neck, who get subtitled with keysmashes in the English sub track), and he deduces a whole bunch of things unreasonably quickly. This dude is still an isekai protagonist, while he’s notably less obnoxious than many examples of the genre (and DMDP is notably less so in general, no stat screens here so far, thank god), he still is one.
Thankfully though, it’s not all isekai genre clichés. Some of Dead Mount Death Play is other genres’ genre clichés. Which, to be honest? Is kind of welcome at this point. Here’s one I never get tired of; the initially friendly girl who turns out to be a gleefully murderous assassin. In DMDP, that’d be Misaki [Inori Minase], who provides us with one of the season’s most Twitter-ready oneliners as she yanks Polka away from the cops. As she does so, DMDP flips the script twice more.
Surprise #1: she’s actually the girl who killed Polka the first time, and now she’s back to finish the job. (And it must be said, she looks great while doing it; that jacket with “GET HOOKD” written on the back? That’s a killer fashion statement.) There is a fight that takes place in a building that the yakuza have been using as a body-disposal facility, which turns out to be flooded with ghosts.
Surprise #2: “Polka” is not actually Shagura. The guy we’ve been following since the transition to “our” world is actually the Corpse God himself, who we learn cast some sort of spell on himself mere moments before Shagura offed him. (I like to think it has some equally D&D-ass name like Isekai Self or something.) He disposes of Misaki by drawing on the power of the spirits in the building in an admittedly pretty badass little sequence where he impales her on an enormous skeletal appendage. He tosses down a quip/vague mission statement about how this will help him lead a truly peaceful life (I would love to know fucking how, but that’s a question for next week I suppose). Roll credits.
All told, I like Dead Mount Death Play so far, but I wouldn’t quite say I love it. And as far as its relationship to its parent genre, DMDP is not a piece of frustrated hatemail like last year’s The Executioner & Her Way of Life, so I’d advise against going in with the expectation that you’re going to see isekai as a format ripped apart or anything of the sort. A lot of the standard isekai beats are still here, but they’re mostly inverted by the change of scenery, and that alone is worth something in a genre this oversaturated. (This is the second one I’ve covered this season and I don’t even seek these things out.) But the fact that they are here at all makes me wonder how much staying power this thing truly has, even given that it has two cours to fully explore its potential.
On the other hand, the show works in two pretty effective twists in its first episode. If it keeps doing that sort of thing, it might be pretty hard to predict where the hell this is all going. DMDP, as a series from former Baccano! and Durarara!! writer Ryougo Narita, had a fair bit of hype behind it going into this season. I’m not going to claim I understand that hype yet, exactly, but this first episode was, at the very least, extremely entertaining, a few notably sour bits aside. (The show’s humor is very dated, something viewers will either find charming or incredibly offputting. I’m not sure where I fall yet.) It would be pretty easy for this series to lapse back into nothing but cliche without much effort. Misaki’s presence in the marketing as a main character makes it pretty obvious that she’ll be brought back to life at some point, which will put her in his debt in an abstract sort of way, or possibly a magically-enabled literal one, a truly draining tendency of isekai fiction to a far greater extent than it is in any other genre of anime. There are a lot of ways this could go wrong, and I’m sure the reappearance of the real Shagura in the episode’s closing minutes, which indicates that his world will continue to play a role in the story, will put some off as well.
But! I remain optimistic for the time being. Plus, we don’t get a lot of urban fantasy action anime anymore, and if one has to piggyback on the isekai boom to get made, well, maybe that’s not the worst thing in the world.
Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live.If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter, Mastodon, or Anilist, and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directoryto browse by category. If you have any questions about this or any article, feel free to leave a comment, or pop on over to my RetroSpring and ask me there. It’s up to you!
All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.
Hi again, folks! I think most of you know how this works at this point, so I’ll justlink the survey immediately, but if you’re new around here or would like a primer, let me briefly explain. Even returning voters might want to give this a read first, though, since I’ve changed the selection process a teensy bit this year, and, as you can see, there’s a bit more than just a call to vote this season.
Every season (with the notable exception of this past season for Various Reasons), I cover one or two anime on a week-by-week basis here on Magic Planet Anime as they air. I like to leave the selection of at least one of those anime to You, The Reader. In the survey linked above, you can vote for any number of the anime from the upcoming—and absolutely packed—season. This season, though, I trimmed the list of candidates somewhat, restricting it to a narrower selection of 18 shows I have an at least marginal interest in, in addition to the usual exclusions of second seasons of things I haven’t seen, and so on. (Marginal Service isn’t here, funnily enough. I wasn’t impressed by the trailer and while it’s the sort of thing I might check in on anyway in a slower season, this is not a slower season.) I did however leave an “Other” field with a customizable response, so if you’re really dead set on getting me to watch Summoned To Another World For a Second Time or what have you, you can at least try to rally 30 of your closest friends to get it to win out.
This season, since things have been quiet here lately, I wanted to be a bit more thorough than I usually am. Since this coming season is so packed, it helps to have some idea of what these candidate shows actually are. Why don’t we run down the list here, so we can get a sense of the shows in question? Hell, I’ll link the trailers too.
Oshi no Ko
Right off the top, this is the big one. Every season has a few high-profile manga adaptations. In 2023’s Spring season, this is probably the highest profile. Superstar status is pretty fitting for Oshi no Ko, though; the series is a dark, incisive examination of the underbelly of the entertainment industry. If you’re like me and your main complaint with a lot of idol anime is the lack of proverbial blood on the stage, you absolutely need to watch this; it’s some real “the spotlights here can burn holes through the stage” shit. There’s just one catch; the show also has a completely absurd shock value high-premise, one the triple-length first episode will explore in detail. A lot of people aren’t super keen on that part of the series, but I have to admire the incredible power play of putting out a 90 minute first episode in this anime season. That takes some serious confidence.
I have to be honest, this is easily my most anticipated show of the season personally, and I will probably cover it at least occasionally regardless, but I’m really pulling for this, specifically, to win the poll. I even cheated a little bit, using its romaji title, which encases the show’s name in square brackets, to boot it to the top of the list. You can’t be afraid to get a little underhanded in the entertainment industry, folks! Did I mention the manga is written by Aka Akasaka, of Kaguya-sama: Love is War! fame? And illustrated by Scum’s Wish mangaka Mengo Yokoyari? Also that much of the Doga Kobo team who did the gorgeous Shikimori’s Not Just A Cutie adaptation from last year are on this? I’m just saying, I think we’ve got a star in the making here. Check out the very much not fooling anybody trailer below, which mostly tries to present the series as a zany comedy.
alice gear aegis Expansion
Here’s a weird one for you. Is it an idol anime? A battle girl series? Both? Neither? I’m going with “CUE! with power armor” at the moment, but that’s admittedly only so much of a description. I’ll confess that I mostly chucked alice gear aegis Expansion—which is apparently capitalized like That—onto the list because it seems to at least be within the rough ballpark of the battle girl genre, and those are pretty hard to screw up. Even when they’re bad, they’re usually at least funny-bad.
Of course, I’m well aware that by saying that I’m practically jinxing myself. But hey, I’d still be willing to give it a shot, even if it does turn sour. Also, it’s based on a video game I’ve never heard of? So that’s cool. Check out the weirdly rambly, somewhat inscrutable trailer below.
The Blue Orchestra
Let’s say pop stardom isn’t your thing but you still want to see me cover an anime about music this year. If that admittedly narrow description applies to you, you might want to cast a ballot for Blue Orchestra. I’ll be honest – I don’t know a ton about the manga this is adapted from, aside from the fact that it’s well-liked. The trailer, in all its CGI band glory, tries to give the idol anime treatment to something decidedly more down-to-earth and personal. Will it work? I’m interested to find out. Check out the trailer below, and make an amusing mental note of how similar the protagonist looks to Ishigami from Kaguya-sama: Love is War!
Birdie Wing: Golf Girls’ Story – Season 2
Birdie Wing is just one of those things; you either get it or you don’t. The first season of the Golf Girls Story aired about a year ago to sudden cult fandom, as the series’ combination of strong lesbian undertones, hilariously over-the-top interpretation of golf, and more than a little no-shit social commentary were weaved together surprisingly well. But, the outwardly ridiculous bit of Birdie Wing is over, and I’m admittedly interested to see if the show can keep its pace up in its second half, as the golf mafia and life-or-death stakes are replaced with more mundane golf tournaments and interpersonal drama.
Ah, who am I kidding? It’s probably still going to be crazy as hell. Check out the trailer and it’s intoxicatingly chipper soundtrack below.
Dead Mount Death Play
Here’s the sum total of what I know about Dead Mount Death Play: 1. the manga was written by the Baccano! guy, 2. it’s a two-cour anime, which is noteworthy here because almost everything else on this list either is the second cour of something or is only one cour long, as far as we know. 3. it’s an isekai? Or something? It’s tagged as an isekai on sites like AniList and MyAnimeList anyway, and that gnarly skeleton monster from the trailer sure looks like something out of an isekai.
Beyond that, I really have no idea what to make of this thing. (I have to admit with some embarrassment that I missed the Baccano and Durarara hype trains back when those anime were an active, going concern.) But that’s precisely why it’s interesting! The trailer, which I will direct you to below, offers tantalizing glimpses of mystery and violence soundtracked to a nice minimal piano piece. Also, check out that girl with the glasses. Any time a girl with glasses gets to cause violence a show is at least going to be decent, don’t you think?
Otaku Elf
Otaku Elf!
Otaku elf.
An elf who is an otaku.
An elf who primarily enjoys pop culture media from Japan.
An otaku elf, if you would.
This really seems like it should be one of those “the title says it all” affairs, and it mostly does seem to be shaping up that way, but aside from the fact that I am willing to watch anything that reaches for this particular kind of comedic vibe—check out that shot in the trailer of the titular elf being flanked by a pair of actual-ass Red Bull cans while some shoujo stuff happens—there’s also a hint of an actual story here, something that might dig into why this particular stock fantasy character is such an otaku, maybe? This is one that I’ll probably cover at least a few times even if it totally washes out in the poll. I can’t stay away from something with this much 2006 energy. Check it out in the trailer below, but watch out for that incredibly catchy theme tune.
Jigokuraku: Hell’s Paradise
I have to give Hell’s Paradise—or Jigokuraku? I’m not sure what’s going on with the English name situation for this one—a very important award here; most bitchin’ trailer. This shouldn’t be confused with best trailer, those are different things, even if this one is pretty great. But if you’re like me and you need a “completely crazy action anime” quota filled each season and feel a little unsatisfied when it’s not met, you’re going to love this one. This is one of the anime on this list I knew the least about when I checked out its trailer (the third of three, apparently, in fact), but it’s now up there as one of my most anticipated shows of the season. It’s funny how that works, isn’t it? I don’t know much about Buddhism, but despite the series taking place in a Buddhist hell, that doesn’t seem like it’s going to be a huge obstacle; anybody could pop for this.
Check out the trailer below, and be prepared for the needlessly hard soundtrack to kick in about halfway through.
TOO CUTE CRISIS!
You know what’s missing from anime these days? Aliens. The Invaders from last year’s Teppen!!!!!!! made an admirable go of it, but they were only a pretty small part of a large ensemble cast. Here, with TOO CUTE CRISIS!, the aliens are the majority. But if that does nothing for you, the sheer stupidity of the comedy on display here should. Sure, the aliens try to destroy the Earth but can’t bring themselves to do it because cats are really cute. Why not? Check out the extremely fuwa fuwa trailer below, where I believe the lead character compares cuteness to a black hole.
Mobile Suit Gundam: The Witch From Mercury – Part 2
Look, I’m not going to pretend anyone needs me to explain Gundam to them in 2023, especially not the second half of this Gundam, which is interesting and important in all sorts of ways. I’ll be totally honest, I was actually kind of hesitant to even put The Witch From Mercury on the poll, because I don’t know if I’m totally up to the task of covering a Gundam anime week by week. Nonetheless, if you all should find it in your hearts to assign it to me, I will do my very best. That’s about all I have to say on this one.
Check out the trailer, full of blood, iron, and drama, below.
Insomniacs after school
Figure this one out; after years of being quite possibly the least impressive anime studio regularly making shows on its own two legs, Liden Films have managed to really turn things around over the past few. Between Insomniacs after school here and last year’s excellent Call of The Night adaptation, they might even be establishing something like a studio specialty.
Far from a re-tread, though, Insomniacs after school promises a kind of dusky romantic magic all its own, charged not with danger like Call of the Night’s, but with a galactic, midnight sweetness. The real highlights here are the shots in the trailer that nail this home; a shrine gate against the night sky, our two leads prancing through a dreamlike reflection of the Milky Way itself. You can check out the dizzyingly romantic trailer for yourself below.
Kizuna no Allele
Every year, there are a few anime that I treat less on the terms they probably want to be taken on and more as….mysteries to be solved, perhaps? Sometimes it just isn’t totally clear what a show is trying to do. Kizuna no Allele is one of those.
At first glance, Allele seems like a fairly standard idol anime with a virtual twist, with a color-coded cast of candy-haired girls who want to put on their first concert and become big stars and so on. What makes Allele odd are its ties to real-world VTuber Kizuna Ai, whose level of involvement in the project is fairly unclear at this point and who haunts the trailer (which you can check out below. Are you sick of me saying that yet?) like a ghost. That, plus some of the more surreal stuff in said trailer (what’s up with that room with the metal box in it?) make this an odd one. Airing in the same season as Oshi no Ko might sap this thing’s chances of getting a real fanbase, at least in the west (even if Oshi no Ko is only an “idol anime” in a fairly broad sense), but I am nonetheless somewhat intrigued by it.
Oh, also, the main girl’s name is Miracle. I’m not clear on if that’s her VTuber name or what, but I just think that’s funny.
Mahou Shojo Magical Destroyers
Stop me if you’ve heard this one before; in the grim darkness of the near future, nerd shit is outlawed by an oppressive government, and it’s up to a ragtag band of otaku heroes to save the day. No, I’m not describing Rumble Garanndoll, though I could be. It and Mahou Shoujo Magical Destroyers here are bedfellows as part of the niche self-aware otaku action-comedy genre. I’m kind of a sucker for these things and I like them more than I probably should, but even with that in mind, Magical Destroyers here is shaping up to be a strong example of the form, even if hiding the fact that you have a male lead until fairly late in the PR cycle does scan as a bit disingenuous.
If there’s a real star here, it’s Red Anarchy, the crimson-haired mahou who, in the trailer, is rocking a black t-shirt with the word “RAGE” written across it in all caps. And yes, that is Ai Fairouz you hear, staking out the exact middle ground between her voices for Power and Cure Summer with laser precision. What a talent.
A Galaxy Next Door
Remember a few entries up where I mentioned all the space imagery in Insomniacs after school? Well, here we have an anime that is bold enough to ask, what if there literally was A Galaxy Next Door?
I’ll be upfront about it, this is another one that I don’t know a ton about, but the premise of a mysterious otherworldly woman turning an everyman lead’s life upside down does appeal to me when it’s done right, and the hints of the literally supernatural going on here sweeten the deal. This looks like it could be low-stakes fun, and in a season this busy, sometimes that’s a nice thing to have.
Skip & Loafer
Three words I will never truly tire of no matter how old I get: coming of age! I don’t know what it is, but there’s a certain brand of summery, glinting story about the ups and downs of youth that just hooks me right in almost every time. I feel like it’s been a while since we had a truly great anime of that sort. Was the last one still O’ Maidens in Your Savage Season? Possibly. It’s too early to call if Skip & Loafer will be great, but it’s shaping up to at least be pretty good, with its powerfully scrunkly lead and J-Rock soundtrack. I’m just very fond of this one, okay? I’m rooting for it like a parent for their kid during a baseball game.
Heavenly Delusion
Here’s a guy I bet most people were betting would never show up on this site again; Masakazu Ishiguro, once and future mangaka of And Yet The Town Moves, and the same for Heavenly Delusion, a series that is, in quite possibly all ways, absolutely nothing like And Yet The Town Moves.
Heavenly Delusion stands as a rare cult favorite manga getting an adaptation that seems like will actually elevate its already-impressive source material. I’ll admit to being only passingly familiar, but something like this—a fairly heady sci-fi seinen—getting an adaptation from Production I.G. of all people should be cause for celebration. I’ll admit that the trailer looks absolutely fantastic, beaming all the spec fic sci-fi specifics directly into your brain without wasting a second on belabored narration, and then cutting to the next while you’re still processing the first scene.
If I seem a little more muted on it than you might expect, given all that, that’d be because Heavenly Delusion is being brought over to the states by Disney+, and I do so hate the Mouse and his increasing investment in the medium I love. Last year, almost no one was able to watch Summertime Render, also a top-shelf adaptation of a cult favorite manga, and one of the year’s strongest anime overall, because Disney+ simply sat on it for months and then released it with no fanfare whatsoever a few months ago. I hope they don’t make the same mistake with Heavenly Delusion, but I have my doubts about whether they’ve learned any real lesson here. Disney seem to be in the anime streaming game more to deny rights to their competitors than they are out of any desire to actually let this stuff be seen by an anglophone audience. If that seems like a paranoiac reading of their actions, I encourage you look into their historical business practices.
Nonetheless, if it’s even possible to do so, I would love to cover the series. Time will tell if that’s doable. Check out the trailer and get combination hyped / irritated that we might not get to watch this for like 9 months with me below.
Yuri is My Job!
Another nefarious yuri! Yuri is My Job! is an interesting one, being a girls’ love series equipped with a pretty novel high premise. The gist is this; our lead gets roped into working at a character cafe` where, basically, the workers act as though they’re in a school setting. The sort one might find in ye olde Class-S stories, back in the day. I won’t spoil any further details, but you can intuit some of the metacommentary that might arise here from the setup alone, and the lead’s charmingly bitchy personality is the lemon in the confectionary that ties things together.
Admittedly, the anime’s soft, jelly candy art style is not the first choice I would’ve gone with to adapt this material (I might’ve advocated going full-on retro shoujo pastiche. Admittedly, that’d be quite effort-intensive), but the trailer makes it look pretty good in motion. To me, my fellow lesbians!
World Dai Star
Rounding things out, we’ve got another idol anime but actually it’s about acting sort of thing. This is another niche subgenre of anime that I’ve become a bit of a mark for over the past couple of years, although it’s definitely possible to do badly. (See CUE! How has that come up twice in this article?)
Will World Dai Star do it well? Honestly, this early on it’s kind of hard to say. I was drawn in by the colorful character designs (the handiwork of Fire Emblem and VTuber character designer Mika Pikazo), but the trailer itself has not given me much to work with other than pondering how I’d navigate the sight of anime girls doing what seems to be a stage version of Aladdin. I suppose we will leave that question for if the time comes.
Thus ends the list! If you haven’t already, go and vote for your favorites (remember you can vote for as many shows as you like) if these candidates. I should note that this season, I’m only running the poll until the end of this weekend. So, I will take the final tally sometime after Sunday ticks over into Monday.
I hope you’re all excited, I’ve missed writing for you guys, and it’s great to be back.
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