Let’s Watch CHAINSAW MAN Episode 5 – “Gun Devil”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!


Earlier today, I had a lengthy discussion with a good friend of mine in which we went over all sorts of very personal and heavy subjects. One of these was, essentially, dreams – aspirations. These things keep us pushing forward and pursuing them often defines our lives. I, for example, would like to formally study history someday. I have an interest in the subject and think it’s an important field.

But of course, different people have different sorts of dreams, which brings us to today’s Chainsaw Man serial. You see, at the start of episode five, Denji achieves one of his dreams.

To touch a boob.

Listen, I never said the man’s dreams were noble. Or terribly fulfilling. But hey! He has them! Respect his dreams! Or don’t! I’m not a cop.

Instead of being fulfilled, Denji finds himself spiraling. Power, in a bit of the manga’s trademark askew humor, was wearing breast pads the entire time for…reasons. Who knows why, really? They’re probably Fiend reasons. Very secret, you and I wouldn’t be privy to them. Denji thus finds his boob-touching experience to be largely unsatisfactory, which plunges him into a bout of existential ennui. If there is no truth and beauty to be gleaned from the titties of the world, where then, might it be gleaned?

Well, Denji gets an answer not long later. Whether or not it’s a useful answer is another question entirely.

It’s been a moment since we last spoke about Makima’s Problematic Power Dynamics Emporium on this blog. I don’t think I’m cutting the legs off of any kind of “twist” by pointing out that Makima does not exactly have Denji’s best interests in mind, but Denji himself of course does not know that, and as an emotionally shattered teenager whose spent most of his life not knowing even the feintest hint of human kindness, Makima’s practiced, razor-sharp manipulation seems entirely genuine. What might be read flags to an experienced viewer are, instead, to both Denji and I’m sure at least some of the demographic at whom Chainsaw Man is in fact aimed—it’s a shonen manga at the end of the day, recall—genuinely alluring. They’re also instructive; as warnings.

The little lecture that Makima gives Denji here is all about physical intimacy. She tells him that sexuality is best explored with someone you know very well. She has him fondle not just the obvious but also her ear. It is all extremely charged, and it’s supposed to be. But it’s also supposed to be a little unsettling. Take note of the many cuts back to Denji’s own eyes, which Makima stares phantasmal daggers into, intentionally or not. She also asks him if anyone’s ever bitten his finger before. The sort of request that scans as a little bizarre on paper, but could easily absolutely destroy the unprepared in the right circumstance.

Make no mistake; Denji is actively being manipulated here, in a way that is extremely transparent and wildly inappropriate, considering that Makima is pretty clearly at least a bit older than Denji and is also his boss. Guys; don’t rake me over the coals for this, but I think that this Makima character might not have our boy’s interests in mind!

And sure enough, before he really even knows it, Denji is agreeing to hunt the Gun Devil, a spectre of death that appeared in—where else?—the USA some number of years ago. (Why does he agree? Other than the fact that Denji would probably do nearly anything Makima asked at that point, it’s because she offers to grant him any “one wish.” You get two guesses what he plans on making his wish. First two don’t count.)

We get a flashback, eventually revealed as Aki’s, where the creature passes unseen over a remote home and completely obliterates it and everyone inside in microseconds. Except for Aki himself, waiting for his brother to go fetch a pair of gloves so the two of them can keep playing with snowballs. Naturally, Aki’s brother never comes back.

More exposition, brief but important; the Gun Devil sheds bits of flesh—casings, basically—wherever it goes. Stick enough together, and it acts like a giant magnet, pointing you toward the Gun Devil itself. This is all the context we need for part two of this episode, where we meet some new friends.

From left to right (and skipping Power, Denji, and Aki, who we obviously already know), that’s Arai (Taku Yashiro), Kobeni (Karin Takahashi), and Himeno (Mariya Ise). Respectively, they’re straightlaced and serious, a walking bundle of nerves in the vague shape of a human who jumps out of her own skin at anything and everything, and a bisexual whirlwind freewheeling spirit whose broad smile, perhaps unsurprisingly, holds a profound inner pain. They’re all pretty great. Much of this half of the episode is character dynamic, feeding us fun little hints about this other company of Devil Hunters (such as Himeno’s contract devil being the Devil of Ghosts) fun moments for the newly-expanded cast to interact in equal measure.

Anyway, not long after this, they discover that the hotel building they’re infiltrating is looping infinitely in every direction. The episode ends there, because cliffhangers are fun.

a line of infinite ends finite finishing the one remains oblique and pure – arching to the single point of consciousness – find yourself starting back

On that note, I’d like to talk briefly about this show’s pacing, as a closing note. I think some have been surprised at the relatively easy pace the series is adapting the manga’s chapters at. It’s only skipped a very few things and most of these small arcs at the start of the series have been given an episode and a half or so to sort themselves out. It’s a pacing that feels slightly unconventional in the modern TV anime landscape, but if it is a difference, it’s a welcome one, and it suits Chainsaw Man extremely well.

Bonus Power Screencap: Behold, the hall of 100 Powers! Tremble at their infinite variety and their varied facial expressions! At this rate I’ll be able to pick these out from the ED alone every week.


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