The Frontline Report [7/18/21]

The Frontline Report is a weekly column where I briefly summarize the past week of my personal journey through anime, manga, and the related spheres of pop culture.


It’s been a while! Yes, this is the spiritual successor (or whatever you’d care to call it) if my old Weekly Round-up posts. I want these to be more casual in tone, and they’ll often be on the brief side, but I do want to keep everyone up to date on where I’m at lately, anime-wise. First though, the seasonals that’ve been on my mind this week.

The aquatope on white sand – I wrote a column earlier this week detailing how I found myself unexpectedly relating to aquatope’s main character, Fuuka. I have to say I’m pleased that I’m vibing with the show a bit more now than I was when it first premiered. I wasn’t quite as blown away as most folks seemed to be, but I do think this will be a good anime, and its two-cour length gives it time to stretch its legs. No rush, y’know?

Girlfriend Girlfriend – I kind of still don’t entirely know who this show is for. I have seen it praised as a crucial step for bringing polyamory into the public conversation and also disparaged as a completely empty male power fantasy. Personally, while I don’t dislike the show, it is definitely in the lower half as far as my early personal seasonal rankings. Less because of any moral qualms I have and more just because the comedy really likes to skirt right up to the edge of “obnoxious”, and sometimes goes over it.

Sonny Boy – This just debuted this past week, and it’s easily the strongest opening episode of the season. The premise is a fairly direct riff on The Drifting Classroom, but it’s stark, abstract visual style is what’s really going to win people over here. Seriously consider checking this out, a half hour isn’t much to ask for something this intriguing.

The Detective is Already Dead – A recipe for a hospital visit: take a shot any time this show drops its own title or someone is referred to as a “legendary detective”. Detective probably qualifies as the season’s oddball. If you’re more cynical than I am you can go ahead and upgrade that to “trainwreck in progress”. As a character-driven mystery, Detective is pretty pat. As a series with no clear endgoal in sight and no method of achieving anything it might want to, it’s borderline mesmerizing. As the second episode in a row that consists mostly of characters talking circles around each other and very little actually happening, it’s probably safe to say this is a series that’s fallen off most peoples’ radars. I intend to stubbornly stick with it even as the only reference points I can reach for turn into Blast of Tempest and In/Spectre. I will never claim I know what’s good for me.

Elsewhere, I finished Fate/Zero this week after watching it a few episodes at a time over the last several. (I did a little live-tweeting of it if that’s your thing. Obviously spoiler-laden, though.) I haven’t seen enough of the Fate franchise to know if its reputation as the best-written iteration of it is entirely earned, but the show is definitely very, very good. A common thread among Fate media is characters having their worldviews challenged, and that’s ramped up here to having them just straight-up destroyed. With one exception, everyone goes through the wringer here and for that reason I wouldn’t exactly call it an easy watch, even if I do think it’s a worthwhile one.

And as far as actual anime, that’s about all for this week. It’s been a rough one personally speaking with troubles around the apartment and such, so I haven’t had quite as much energy as I’d like. Still, I hope this return of the weekly roundup posts (under a slightly different name!) excites you. My hope is that there’ll be many more to come.


If you like my work, consider following me on Twitter, supporting me on Ko-Fi, or checking out my other anime-related work on Anilist or for The Geek Girl Authority.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

The Dream is Over – Brief Personal Reflections on THE AQUATOPE ON WHITE SAND

The two girls met in the ruins of damaged dream

When I was eighteen, I wanted to be a rap producer. In hindsight, with the self-awareness I now have nearly ten years later, it was a stupid idea. Like a lot of people whose ambition far outstrips their capability, I went to school for this doomed little fantasy. Perhaps predictably, I barely lasted six months, and a decade on the only thing I have to show for this part of myself that I mostly keep buried from public view is a lengthy bandcamp page of music no one listens to and a cloud of student debt that will loom over me for the rest of my life.

I bring this personal anecdote up not to needlessly self-deprecate, but to explain something about The aquatope on white sand, and how I find myself unexpectedly relating to it. Fundamentally, most popular fiction that deals with aspiration deals with fulfillment of that aspiration. It makes for an easy-to-plan story arc and it concludes in a satisfying ending. Your protagonist(s) want to become a dancer, or a singer, or an actor, or whatever. Across some amount of story-units, they struggle and fight, that distant mountain still in reach, and they eventually achieve their dream. In anime a common manifestation of this particular story-type is that of the idol anime genre (of which there is one airing right now), relevant here because aquatope‘s protagonist, Fuuka Miyazawa, is a former idol.

And that “former” is very important here. Fuuka begins aquatope with her brief career as an idol already in the past tense, her departure from the industry uneventful but bitter. (Its depiction in the first episode reminded me no small amount of one-off character Mana in Oshi No Ko.) She is adrift for much of the first two episodes, eventually settling in with the other lead, Kukuru Misatino, simply because the latter is willing to take her in. She’s hired by Kukuru’s aquarium, which is in financial tatters, and threatens to close at the end of the summer season.

At the tail end of the second episode, Fuuka realizes that even if she cannot fulfill her dream, she can help Kukuru with her aspiration of keeping the aquarium open. Where all of this will eventually go is not yet clear–aquatope is planned for a nowadays-rare two cours, so it has plenty of time to stretch its legs–but it’s clear that the series fundamentally understands that Fuuka’s renewed sense of purpose here is just as valid as her original goal to become an idol. That’s important, because the easy thing to do here would be to try to route her back into the industry, and treat that as the only valid form of “fulfillment”. That aquatope doesn’t do that is an excellent sign. (And gives me a lot more faith that its supernatural elements, which I haven’t mentioned up ’til now, will have some greater point, as opposed to merely being window dressing.)

Also, I suppose, naive as it may be, that I just see a commonality between myself and Fuuka. Criticism, or at least the mode of criticism I prefer to write in, is nothing if not the promotion of someone else’s dream. Uncountable hours go into any even remotely professional anime production, it is not a stretch to say that one making it to screen is the culmination of not just one dream but many. My approach makes for decidedly less interesting television, of course.

In its attitude toward Fuuka we find the first traces of what I suspect aquatope will eventually forge into its core thesis; the idea that in selfless lifting up of others’ passions one can find a way to rekindle, or reshape, their own. I am quite confident that by the series’ end, Fuuka will have found something new that fulfills her and brings her life meaning. And, yeah, I do relate to that, as someone who has turned this strange hobby that I picked up on a whim into a kind-of career without ever consciously planning to, I empathize with Fuuka quite a lot.

Beyond my own personal emotional mire; character writing this delicate is a rare thing, and while plenty of anime are good natured, not nearly as many can work in shades of compassion that are this subtle. aquatope is one to keep your eye on.


If you like my work, consider following me on Twitter, supporting me on Ko-Fi, or checking out my other anime-related work on Anilist or for The Geek Girl Authority.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.