Category: Let’s Watch

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Let’s Watch CHAINSAW MAN Episode 6 – “Kill Denji”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Chainsaw Man is a story about bad things happening to people. I have said this before, I will say it again many, many more times before it eventually ends. To really get where CSM is coming from, one should attempt to understand this. Chainsaw Man isn’t a drag; we know this already, as the series is full of humor and of more delicate character moments. But it’s not happy, either. The jokes in Chainsaw Man are those of a depressed friend. But at the risk of sounding like the most arch and stereotypical critic imaginable; that gives it a real emotional honesty. The kind that makes everything hit with appropriate weight even when it might seem egregious in an anime that wasn’t this specific kind of tuned-in.

All of this is worth restating, not for the last time, because today’s episode is another fairly slow one, despite an impressively bizarre climax. Gently pressing down the brakes on the actual plot-as-such, it spends a lot of time engaging in character building. As always, if Chainsaw Man is crass, or hedonistic, or occasionally out-and-out psychotic, it is so for a reason. Case in point; episode 6, “Kill Denji”, is a wild seesaw of tone and emotion. This remains a best-case-scenario for adapting the manga; truly unhinged, quietly poignant, and crudely funny, by turns, and as it needs to be.

Where to even start? Sure, we open by learning that, as they suspected, our heroes are trapped on the eighth floor of their hotel, but a simple “how do we break the loop?” mystery would not be nearly compelling enough for CSM. (Even so, what of that is done here is done very compellingly, complete with a small visual motif in the form of a squarish alarm clock that keeps ticking back and forth to always land on 8:18.) We can break what occurs up into roughly three categories, although they’re not entirely in discrete sequential chunks as such.

First of all; we get properly introduced to Kobeni in this episode. Kobeni, as previously mentioned, is a walking bundle of neuroses and anxiety in the vague shape of a 20something young woman. She should really not be in this line of work, and in the manga she was essentially Chainsaw Man‘s main comic relief character. Kobeni’s backstory is so dead simple that it’s lodged somewhere between hilarious and ridiculously depressing. Her parents made her sign up so she could put her talented older brother through college. It was devil hunting or sex work. Ouch.

As has been its wont, the anime sands away a bit of the dark humor here. In the manga, the format itself means that we don’t actually linger on Kobeni’s depressed rambling for particularly long. Here, it’s a full scene, which really screws in just how utterly bleak her life situation is. In a more conventional series, she and Denji might find some fast camaraderie in their poverty-stricken upbringings. In Chainsaw Man, it is she who eventually gives this episode its title, but we’ll come back to that. The main thing to take away is that, while Kobeni’s initial breakdown remains a source of black comedy, much of that is shifted over to Power’s comedically insensitive reaction, rather than Kobeni herself. Remember; to her, this is deadly serious.

We also get a fair bit more insight into Aki and Himeno’s partnership up until this point in this episode. Much of the episode’s middle third is taken up by a flashback of Himeno repeatedly trying to get Aki to try cigarettes; “life is better with a little dependence”, she says, a bit of hard-luck pithy wisdom that suits the spirit of this series perfectly.

This entire sequence is dominated by warm guitar in the soundtrack and a purple-pink sunset over the city. But, even in reminiscence, no one in Chainsaw Man is safe from reality; Himeno is jolted from one memory to another with a slap, a surgically-precise cut that bleeds out the nostalgia of the preceding few minutes in a subtly heart-rending way.

Said backhanding comes from the girlfriend of one of Himeno’s late partners. Aki, who understandably doesn’t think she deserves that kind of treatment, gets petty revenge by sticking some gum on the woman’s clothes, probably the first time in the entire series so far that we’ve seen him do something genuinely funny on purpose. The two bond over a cigarette in the scene afterward, and Aki’s chainsmoking habit is established. The entire thing is sweet, in an off-kilter way.

Back in the present, our heroes happen upon the entity keeping them trapped on the 8th floor. The creature isn’t named as the Eternity Devil here, but its identity is fairly obvious, given its powers and some of the imagery. The Devil has a very simple condition. A contract, even. If the other devil hunters kill Denji, he’ll let them go.

Kobeni and Arai (who’s also been having a hard time of it), immediately turn on Denji, with the former charging him with a big shiny knife while squealing like some kind of small, dying mammal. This doesn’t work—mostly because Himeno and Aki(!) aren’t okay with just turning over a comrade to this thing, even as Himeno points out that it can’t possibly be lying. (Short version of the exposition; if a devil calls something a “contract” it has to fulfill its end of the promise or it’ll die instantly.) The Eternity Devil itself is a cascading wave of rubbery flesh, a specific kind of body horror that you really don’t see very often in mainstream TV anime. (The only other example from this year that I can think of is the finale villain in The Executioner & Her Way of Life.)

There are other options; that mysterious sword Aki’s been carrying is apparently Cursed Or Something, and is quite powerful at the cost of literally taking years off of Aki’s life. He could use it to get them out of this situation, but Himeno objects hard enough to use her Ghost Devil to stop him. Which, itself, leads to Kobeni accidentally stabbing Aki in the side.

All this going on, is it any real wonder that Denji ends the episode by feeding himself to the Eternity Devil? He has no real plan, beyond “make it suffer enough that it’d rather die than keep them trapped in the hotel.” But long-term plans were never our boy’s strong suit.

In the rush to praise what the CSM anime will eventually get to, I do worry slightly that we’re all a bit missing the forest for the trees. This episode ably proves that Chainsaw Man is already great, early on or not.

Bonus Power Screencap: Given all the ruminating over the anime’s themes and general tone this week, I didn’t actually have time to discuss the incredible comedy break of Power deciding to win a Nobel Prize and become Prime Minister so she can make everyone miserable by instituting a “100% income tax.” Here’s her coming up with that little idea.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch SPY X FAMILY Episode 19 – “A Revenge Plot Against Desmond”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

For the second time while writing this column, I feel the need to open this article with an apology. I have to level with you here. I genuinely mostly like Spy x Family, but this is, by my count, the fourth episode in a row that’s been basically pleasant and amusing but also of no consequence whatsoever. I’m aware that Spy x Family is not some immortal drama that seeks to resonate throughout the ages, but it’s not a particularly great sign when co-seasonals of such narrative heft as BOCCHI THE ROCK! and Do It Yourself!! have had more comparative forward plot momentum this cour than SpyFam has. It’s not that I’m demanding shootouts, character deaths, and commentaries on the nature of the human condition in every episode, here, but it really and truly feels like very little is happening. This is Spy x Family spinning its wheels; in a full water-treading mode that is perhaps the unintentional result of its heavily decompressed pace. It’s not even that these episodes are bad; they’re just difficult to write about.

The good news is that, for an episode that isn’t really about much of anything—save maybe some more light pair-the-toys energy between Anya and her perpetual frenemy Damian—it at least is still a pretty good one. (Again, nothing since “Yor’s Kitchen” has even sniffed actually being bad. There’s just not really a ton going on.)

Again, the episode is split between an A and a B plot. The A plot is another Anya segment, although the real focus is on new character George Glooman, a classmate of Anya and Damian’s who we haven’t seen until this point. Georgie here is under the impression that his company has been “crushed” by the Desmond Group (the very same owned by Damian’s family). To this end, he hired a spy to try to mess with Damian’s grades—that was the B plot of last week’s episode, which we skipped here on Magic Planet Anime because I wasn’t feeling very well. It also introduced us to a new counterpart for Loid, a bumbling novice spy who goes by the codename “Daybreak.”—and when that doesn’t work, he here resorts to trying to get him expelled. Perhaps unsurprisingly, that doesn’t work either; Anya might not like Damian as much as Damian clearly likes her, but she’s unwilling to let him get kicked out of school over nothing. It would foil her beloved papa’s mission, after all.

There’s also some stuff here about George exploiting the fact that everyone—even himself—thinks he’s leaving. He asks for drinks, for caviar(!), for mementos, etc. Only to then find out from his pa that the Glooman company is just being bought out and everything is pretty much fine. Whoops!

The B plot is a bit more interesting this time around. Mostly because it stars Yor, who gets her first real chance to show off at all here since the cour started. She runs a bundle of gym clothes to Eden Academy because she gets the impression that Anya’s forgotten them. Naturally, Spy x Family being what it is, she’s actually mistaken, and the entire segment’s punchline is that she did all this for no real reason at all.

But, along the way we get some very nice animation and some unusually zany directing for this series. Including a memorably bizarre cut where Yor kicks a falling flowerpot back up onto the windowsill it fell from, in full Looney Tunes fashion.

Maybe, in the end, that’s really how I should be thinking of this show. As a half-hour Chuck Jones or Tex Avery joint, a showcase for fun animation and wacky antics. But by its very nature of having an overarching story—Loid’s mission and Anya’s part in it, and the blooming family dynamic between Loid, Yor, and Anya—it more or less resists that classification. Thus, episode 19 ends like last few have: solid, but unsurprising. The next-episode preview once again teases a new proper story arc. Perhaps we’ll get something more substantial to chew on then.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch CHAINSAW MAN Episode 5 – “Gun Devil”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Earlier today, I had a lengthy discussion with a good friend of mine in which we went over all sorts of very personal and heavy subjects. One of these was, essentially, dreams – aspirations. These things keep us pushing forward and pursuing them often defines our lives. I, for example, would like to formally study history someday. I have an interest in the subject and think it’s an important field.

But of course, different people have different sorts of dreams, which brings us to today’s Chainsaw Man serial. You see, at the start of episode five, Denji achieves one of his dreams.

To touch a boob.

Listen, I never said the man’s dreams were noble. Or terribly fulfilling. But hey! He has them! Respect his dreams! Or don’t! I’m not a cop.

Instead of being fulfilled, Denji finds himself spiraling. Power, in a bit of the manga’s trademark askew humor, was wearing breast pads the entire time for…reasons. Who knows why, really? They’re probably Fiend reasons. Very secret, you and I wouldn’t be privy to them. Denji thus finds his boob-touching experience to be largely unsatisfactory, which plunges him into a bout of existential ennui. If there is no truth and beauty to be gleaned from the titties of the world, where then, might it be gleaned?

Well, Denji gets an answer not long later. Whether or not it’s a useful answer is another question entirely.

It’s been a moment since we last spoke about Makima’s Problematic Power Dynamics Emporium on this blog. I don’t think I’m cutting the legs off of any kind of “twist” by pointing out that Makima does not exactly have Denji’s best interests in mind, but Denji himself of course does not know that, and as an emotionally shattered teenager whose spent most of his life not knowing even the feintest hint of human kindness, Makima’s practiced, razor-sharp manipulation seems entirely genuine. What might be read flags to an experienced viewer are, instead, to both Denji and I’m sure at least some of the demographic at whom Chainsaw Man is in fact aimed—it’s a shonen manga at the end of the day, recall—genuinely alluring. They’re also instructive; as warnings.

The little lecture that Makima gives Denji here is all about physical intimacy. She tells him that sexuality is best explored with someone you know very well. She has him fondle not just the obvious but also her ear. It is all extremely charged, and it’s supposed to be. But it’s also supposed to be a little unsettling. Take note of the many cuts back to Denji’s own eyes, which Makima stares phantasmal daggers into, intentionally or not. She also asks him if anyone’s ever bitten his finger before. The sort of request that scans as a little bizarre on paper, but could easily absolutely destroy the unprepared in the right circumstance.

Make no mistake; Denji is actively being manipulated here, in a way that is extremely transparent and wildly inappropriate, considering that Makima is pretty clearly at least a bit older than Denji and is also his boss. Guys; don’t rake me over the coals for this, but I think that this Makima character might not have our boy’s interests in mind!

And sure enough, before he really even knows it, Denji is agreeing to hunt the Gun Devil, a spectre of death that appeared in—where else?—the USA some number of years ago. (Why does he agree? Other than the fact that Denji would probably do nearly anything Makima asked at that point, it’s because she offers to grant him any “one wish.” You get two guesses what he plans on making his wish. First two don’t count.)

We get a flashback, eventually revealed as Aki’s, where the creature passes unseen over a remote home and completely obliterates it and everyone inside in microseconds. Except for Aki himself, waiting for his brother to go fetch a pair of gloves so the two of them can keep playing with snowballs. Naturally, Aki’s brother never comes back.

More exposition, brief but important; the Gun Devil sheds bits of flesh—casings, basically—wherever it goes. Stick enough together, and it acts like a giant magnet, pointing you toward the Gun Devil itself. This is all the context we need for part two of this episode, where we meet some new friends.

From left to right (and skipping Power, Denji, and Aki, who we obviously already know), that’s Arai (Taku Yashiro), Kobeni (Karin Takahashi), and Himeno (Mariya Ise). Respectively, they’re straightlaced and serious, a walking bundle of nerves in the vague shape of a human who jumps out of her own skin at anything and everything, and a bisexual whirlwind freewheeling spirit whose broad smile, perhaps unsurprisingly, holds a profound inner pain. They’re all pretty great. Much of this half of the episode is character dynamic, feeding us fun little hints about this other company of Devil Hunters (such as Himeno’s contract devil being the Devil of Ghosts) fun moments for the newly-expanded cast to interact in equal measure.

Anyway, not long after this, they discover that the hotel building they’re infiltrating is looping infinitely in every direction. The episode ends there, because cliffhangers are fun.

a line of infinite ends finite finishing the one remains oblique and pure – arching to the single point of consciousness – find yourself starting back

On that note, I’d like to talk briefly about this show’s pacing, as a closing note. I think some have been surprised at the relatively easy pace the series is adapting the manga’s chapters at. It’s only skipped a very few things and most of these small arcs at the start of the series have been given an episode and a half or so to sort themselves out. It’s a pacing that feels slightly unconventional in the modern TV anime landscape, but if it is a difference, it’s a welcome one, and it suits Chainsaw Man extremely well.

Bonus Power Screencap: Behold, the hall of 100 Powers! Tremble at their infinite variety and their varied facial expressions! At this rate I’ll be able to pick these out from the ED alone every week.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch CHAINSAW MAN Episode 4 – “Rescue”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

What we have here today is a simpler and more straightforward episode of Chainsaw Man than the last few have been. It’s light on (although not absent of) more subtle characterization, and mostly serves to move us between a few key plot points. This is fine, though, because it looks great while doing it, and the fight scene that kicks off the episode proper might be the best-looking in the show to date. Manga-readers will of course be thrilled by the fact that, well, if they’re going this hard for material this early on, who knows what they’ll do later, but these basic visceral thrills are worth enjoying in their own right, too.

And they are visceral. After defeating the Bat Devil, Denji has to contend with his apparent main squeeze (or former main squeeze I suppose. It’s hard to have a gf if you’re dead), the Leech Devil. The Leech Devil is….pretty gross-looking, and the episode in general follows after that beat; it’s very bloody and gory, to an even greater extent than the past few.

Not obvious from this screencap is the fact that she has weirdly detailed udders. Why does she have udders? Leeches don’t have udders.

Denji puts in an impressive showing here, despite the fact that he’s lost so much blood that he’s really less Chainsaw Man at this point and more Man, With a Hint of Chainsaw. And hey, does it all while missing one of his arms, which really seems like it’d be a major plot point but, nope, he gets it back immediately afterward via a “blood transfusion,” somehow. A perk of being part-Devil, evidently.

It’s also worth noting that he doesn’t clinch the win all on his own; Aki, alongside Division 4, a group of characters very briefly introduced here who we’ll more properly meet next week, bail him out. This is notably also the first time we see that Aki is also contracted with a devil, mentioned here as being the norm for devil-hunters. His is the Fox Devil, whom he feeds pieces of his body in order to borrow her power.

Munch squad.

After this, Denji and Aki finally reach something of an accord. Mostly, Aki lets him off the hook in as much as he can because, true enough, Denji did actually save some people. And for not the last time in the series we do see a few members of the public remarking on how grateful they are….and the guy whose car Denji threw with him still inside it being pretty understandably pissed about that whole development. But, hey, nobody’s perfect.

Furthermore, in addition to housing Denji, Aki is now tasked with keeping an eye on Power, too. And he can’t exactly say no, because that’s an order from Makima, who puts in only a brief appearance in this episode but is as excellent and charismatic as ever. The report also contains a mysterious mention of “Gun flesh.” I’m sure we’ll find out what that is in due time.

Power is a predictably terrible roommate, and mention is made of the fact that she doesn’t really bathe, among other things. But, that ends up mattering little to Denji as soon as she offers to let him collect on the deal they made last week. The episode ends with Denji’s trembling hand reaching for Power’s chest, in a way that is truly, transcendentally dumb.

Down bad.

There will be better episodes of Chainsaw Man than this, and consequently this one does feel notably minor. But it is still pretty damn good. When you’re working on this high a level, you don’t really need to worry about hitting any snags. There aren’t any.

And now for the Bonus Power Screencap.

From today’s ED we have Super Shoutin’ Power. Use her to shut your enemies up, or just to cause general disruption in a place where things you don’t care about are happening.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch SPY X FAMILY Episode 17 – “Carry Out the Griffin Plan”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!


Spy x Family returns to form this week after a rather poor showing last week. It helps that the show is here operating in one of its simplest and most effective modes; “Anya tries to galaxy brain a way into Damian’s good graces and fails spectacularly.”

The only real unfortunate thing is that this means that there isn’t terribly much to actually say about this episode. It’s funny, certainly, but there are only so many ways I can commend deft execution of simple jokes like “Anya makes a miscalculation in one of her little schemes and then makes a shocked face and says ‘Gong!’ out loud.” They are legitimately amusing, but at this point they’re fairly expected.

The more interesting material here comes from two specific characters; Damian himself, and Becky, Anya’s little friend whose parents are, if I remember properly, arms dealers? Something like that. In any case, Anya tries to pull this “oops, I dropped a cool picture” trick for the second time in as many cours, and instead what happens is that Becky sees the photo, and instead of being enamored with Bond, Anya’s big cool dog, she promptly falls head over tiny heels for Loid.

Becky reveals herself to have the same taste in men as about half of my Twitter mutuals.

The actual plot, about Anya trying to help Damian make a paper-mache griffin in an arts and crafts class so he can impress his dad, is basically just a vehicle for more gags and funny faces. It’s a decent vehicle, though, and on Damian’s part we get some further insight into just how detached his father actually is from his life. At one point, he fantasizes about his dad admiring the griffin and praising him for “honoring the family name.” Later, after school, he stands visibly apart from his classmates, talking to his butler Jeeves (really) on the phone. He asks his butler what his father thought of what went down during the initiation—you probably remember that episode—and Jeeves audibly struggles to come up with something. It doesn’t really work, because Damian knows full well that his father doesn’t think of him at all. It’s honestly pretty sad! It’s strange that Spy x Family handles this sort of “serious material” so much better than it does any other kind, but the series is pretty good at it, and I hope going back to this well several times means that some resolution is on the horizon somewhere.

After this plot runs its course, the episode again features a shorter B-segment. This is mostly about Sylvia Sherwood, Loid’s handler, and is mostly an exercise in some incredibly stone-faced humor. It’s a pretty fun one, so I’m glad it made it into the episode. The real punchline comes when Sylvia asks Loid for a report on his mission, and….she gets a different answer than what she probably expected.

There’s also an even shorter C-segment after the end credits, but it’s basically just a retread of last week’s Yor Food gags, and is thus not really worth discussing at any length. There’s a Yuri episode on the docket up next; we’ll see what the future holds then, anime fans.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch CHAINSAW MAN Episode 3 – Nyako’s Whereabouts

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

We don’t really use the term “antihero” too often anymore. I think perhaps, collectively, we were a bit burned out on it somewhere around the mid-2000s. But it describes Denji to a tee, so I hope you won’t mind if I pull it out here.

To wit; our boy’s primary motivation throughout this episode is, once again, to touch a boob. This time, Power’s, in exchange for helping her rescue her pet cat (a less easy task than it may sound, given that said cat is imprisoned by a powerful devil, but we’ll get back to that). It’s such an idiotically basic motive that the word “motive” itself almost seems too grandiose. But hey, after god knows how many years of anime protagonists who “want to be a hero” or other similarly abstract things, I at least appreciate a protagonist whose motives are understandable if not exactly noble.

The cat-hunting is more in the latter 2/3rds or so of the epsiode. Before that, the series goes some way toward establishing Denji and Power’s push-and-pull dynamic. Notably, right off the top, Power gets in trouble for killing the Sea Cucumber Devil at the tail end of last week’s episode, and her first instinct is to immediately—and badly—lie and try to pin the blame on Denji.

In general, Power is pretty interesting, and it’s worth pausing here to talk about why. One of the best ways to make a character distinct (South Park influence notwithstanding, go look that up if you’re curious), is to pile on enough small character tics that aren’t notable in isolation but add up to a peculiar whole. Power is rather slovenly, as conveyed by the hoodie that’s often half-hanging off of her shoulders. She’s incredibly violent and prone to lying. But she also intermittently speaks in a screwy, stilted dialect of Japanese that the sub track translates as spurts of weirdly archaic English. (Even in that screencap up there, note that she phrases it as “It was he who commanded me to kill” and not something like “He told me to do it” or what have you.) She also noticeably clams up around Makima, who she is comparatively deferential toward, and seems perhaps even afraid of. All of this sums up as a character who is really pretty unique in the current anime landscape, and, accordingly, she’s a lot of fun to just watch bounce around the screen.

She has one further quirk; a fondness toward cats. As mentioned, this episode’s main plot consists of Denji being convinced to help her rescue her pet cat Meowy. (Or Nyako. They mean basically the same thing.) Power, as a Fiend, is pretty broadly disdainful of humans and, really, most life in general. Cats though, she seems to have a fondness for. Later in the episode we get a flashback about her initially meeting Meowy and it’s genuinely very sweet despite the fact that Power spends the entirety of said sequence naked and covered in grime. (CSM is bizarrely good at putting emotional resonance into scenes that read as ridiculous on paper.)

Denji, ever the gentleman, is openly disdainful of this affection….until Power makes the aforementioned offer to let him touch her chest if he helps her recover Meowy. At which point, he’s suddenly fuming mad about “that fucking Devil” stealing poor little Meow-Meow. The soundtrack even revs up alongside him. It’s pretty funny.

Elsewhere, Makima gets a few spotlight scenes as well, which serve to add some further depth to her character. Also, they serve to sate my endless thirst for this show’s insanely good use of characters’ lines-of-sight as non-verbal tells about how they’re feeling. Aki, in his only real scene in this episode, questions Makima on the wisdom of having Denji in his squad. If you were only listening to the dialogue, you would take Makima’s response as fairly cool and natural. If you look, however, she visibly glares at him (from behind, so he can’t even see it) for a moment before replying. Somebody doesn’t like their authority questioned, is all I’m saying.

I think if someone who looked like this looked at me this way I’d die on the spot. But hey, I’d die happy.

Also of note; a meeting between Makima and her superiors is the first glimpse we get at the wider state of Chainsaw Man‘s world. This particular council of anonymous, vaguely military-types makes mention of “war hawks” over in America and The Soviet Union (!), and rumors of devils deployed for military purposes. How true any of this is, we don’t yet know. But it is worth making note of the fact that even this council refer to Makima’s underlings as “dogs,” in case you were wondering if the people she works for are any nicer than she is.

As for the whole cat rescue situation? Well, Power was lying. She had no actual intent to help Denji fight the Bat Devil or anything of the sort, instead offering him to the Bat Devil as a sacrifice, so that the larger devil might heal his wounds by drinking Denji’s blood. This ‘brilliant’ plan has several flaws.

Flaw 1: The Bat Devil is a dick.

As soon as Power shows up with a half-conscious Denji (who she’s whacked over the head with one of her bloodmallets), the Bat Devil collects his sacrifice and starts squeezing our boy dry in a decidedly unpleasant way. (Seriously, he vomits blood, and the Bat Devil drinks it. Chainsaw Man is not afraid to get nasty; remember this.)

Power demands Meowy back, but, surprise, the Bat Devil thinks Denji’s blood tastes terrible, and he takes out his frustration on Power by eating her cat in front of her. Then, while she’s having the flashback scene described above, he eats Power herself, too.

Flaw 2: There is no flaw 2. Flaw 1 got her eaten alive, what else do you want?

Anyway, this all makes Denji rather unhappy.

As far as battle cries go, it’s not exactly “you shall not pass,” but hey, whatever works.

The final act of the episode is a truly stunning fight scene; easily the best in the series so far. Denji and the Bat Devil tear a cityscape to pieces, ripping up chunks of concrete and twisted metal as they slug it out. And in what is arguably his first act of something vaguely like superheroics, Denji actually rescues a couple people. (He also throws a car at the Bat Devil with the driver still inside it, but, hey, nobody’s perfect.)

All told, this stands as probably the strongest single episode of CSM so far. It manages to keep a pretty noteworthy number of plates spinning, and it looks great while doing it. Here’s hoping to much more of that to come.

And now, making its grand debut, the Bonus Power Screencap, because I know what the fans like. This one is from this week’s ED. A simple Power, but strong, and bold.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch SPY X FAMILY Episode 16 – “Yor’s Kitchen; The Informant’s Great Romance Plan”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

I don’t like the term “mid.”

Not because things can’t be mediocre—they certainly can—but because I feel like it gets slapped down on the table as an all-purpose “I didn’t really like this and don’t feel like really explaining why” card. When most people say “mid” they can mean anything from “decent but not my thing” to “outright terrible.” Rarely will they bother to explain which they mean or why.

But, you know, I say all this, but sometimes the only adjective you can pull for something truly is “mid.” There were some good parts and some bad parts and the whole thing is kind of just not that great overall. It’s not terrible, certainly, but maybe it’s a sign of bad things to come. Or just an unusually weak spot in an otherwise fine show.

Thus, we have episode sixteen of Spy x Family, the first Yor-centric episode in quite a while and also, unfortunately, easily the least essential since the series came back from hiatus.

The episode’s basic plot is pretty simple, revolving around Yor secretly learning how to cook from her coworker Camille (remember her? She was first relevant way back in episode 2). What the episode wants to be about is the simple joy of home cooking, the knowledge that you’re preparing something for someone close to you and, in a very real way, putting your heart and soul into it.

This is all well and good, and when the episode hits its primary climax at about the 15 minute mark, it does hit well enough to feel roughly worth it. Yor ends up cooking a stew (topped with a fried egg!) of some kind for Anya and Loid, and it’s genuinely pretty cute.

But the problem is getting there. Between the start of the episode and this little story’s conclusion is a parade of iterations on what might be the most overdone joke in the entire shonen format; the classic “oh no, someone is bad at cooking and their food looks like unidentifiable purple gunk” gag.

“Twists” on the trope in this case include Yuri, Yor’s obnoxious younger brother, who of course co-stars in this episode, actually loving Yor’s terrible food because he grew up with it, and….well honestly that’s kind of it. There’s some other stuff where Yor has difficulty properly preparing ingredients because her assassin instincts kick in and she ends up essentially butchering them. It’s marginally more unique, but not really any funnier. A lot of this really just seems far too basic for something like Spy x Family, which has previously demonstrated both much stronger characterization than this and much stronger comedic chops. Why waste time on this?

Yor does, at least, get the jump on Loid in one important way here, in terms of character development. She is the first one to realize that her “fake” family now matters to her more than what it was originally a cover for, and her coming to terms with that is an easygoing kind of heartwarming that perhaps more of this episode should’ve aimed for.

So, we end up with a very weak series of gags leading up to an emotional beat that is nice but doesn’t entirely feel earned. Is that “worth” it? It’s hard to say.

But don’t worry, this is a double episode, because Yor isn’t allowed to be the protagonist of an entire 22-minute stretch of Spy x Family. That would be silly.

No, instead, the latter half of this episode is about Frankie.

Yeah.

Uncle Scruffy here spends his half of the episode trying to enlist Loid’s help in hooking up with a cigar shop employee with the mildly amusing name Monica McBride. Presumably her mother is named Molly McBride and she has two sisters named Matilda McBride and Mary McBride.

Loid’s help mostly consists of telling Frankie to be himself—he tries making a way-too-thorough conversational chart too, but, perhaps wisely, Frankie thinks using that would be weird. There are some decent gags here, like when the two are having a full-on shouting argument and a stage direction pops up onscreen to inform us that they’re actually whispering.

Also, Loid uses his disguise skills to turn into a spitting image of Monica herself. I have to say, holding this against the show is astoundingly unfair of me, but when I’m already a little cold on an episode, hitting me with the dysphoria pangs does not improve my assessment.

On the other hand, it proves that Loid Forger could have tgirl swag if he wanted to.

Naturally, Monica turns Frankie down. (Sidenote here; it would’ve been very funny for the joke instead to be that she likes little awkward fuzzballs, a sort of hairy version of an Android 18 / Krillin situation. But that would’ve put a win in Frankie’s column, which I suppose is unacceptable for some reason.) Loid then closes out the episode by making one of his little speeches about how “people like them” can’t afford to be emotionally attached to others. Sure, dude. Keep telling yourself that.

And that’s where we end for the week! Again, I don’t hate this episode or anything, but a lot of this is just not all that interesting. The more emotional moments are the highlights, but there aren’t really enough of them to bring it above mediocre. Thus, again we must turn to that dreaded descriptor; mid. This is a mid episode. If you put a gun to my head and made me score it out of ten, I’d give it an even 5.

But, hey, next week is an Anya episode, and it’s been a while since we’ve had any episodes taking place entirely at her school. Hopefully that will be fun.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch CHAINSAW MAN Episode 2 – Arrival in Tokyo

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

I didn’t point it out at the time, but last week, Denji’s then-boss described our hero thus; “the good thing about Denji is that he does what he’s told.”

Today, in the first part of its second episode, that point orbits around several times. With Makima, Denji has effectively traded one master he must unconditionally obey for another. One could argue it’s a slight upgrade, since, as we’ll see, Makima treats him materially much better than the old yakuza boss who ordered him around before this point, but his life still isn’t really his own.

He knows this, on some level. A very early scene here sees Makima describe Denji as her dog. This little smidgen of animal symbolism is probably Chainsaw Man‘s single most well-known thematic motif. Dogs, after all, generally do what they’re told as long as you take care of their needs. Denji is briefly angry about being treated like one, but upon Makima promising him a hot meal of whatever he likes, and offering him her coat to wear so he’s not walking around shirtless, his disaffection mostly evaporates. A few scenes later, and he is almost literally eating out of the palm of Makima’s hand.

It’s important to remember that Denji isn’t unique here. Most people will put up with a lot as long as their material needs are being met. Even given the line of work he’s being asked to take up, it is hard to imagine that many people, in his situation, would not do the same. (Some of you will say something like “RIP to him but I’m different” to that statement. We’ll get back to you as the show goes on.)

Not just an everyman, it’s important to remember that Denji is, too, a hormonal teenager. In addition to the obvious food and clothing benefits, Denji goes along with what happens here in part because he thinks Makima is hot. (Hot tip for the younger people who read my blog; you will never get with your boss.) Of course, Makima isn’t even remotely above picking up on and playing to that desire anyway, and it’s pretty obvious that she’s doing so.

Chainsaw Man is very good at subtle facial expressions as silent conveyors of intent. If you’ve already seen this episode and want to look for something neat on a rewatch, I would recommend going back through those early scenes and keeping an eye on Makima’s face specifically. She’s actually quite expressive and there are multiple points where you can almost see the gears turning in her head over various things.

In any case, as much as this episode is about Makima and Denji’s newfound working relationship, Denji doesn’t actually work directly under her. Instead, he’s assigned to one of Public Safety’s many devil hunting units. Specifically, an “experimental” one, lead by a ponytailed chain-smoker named Aki (Shougo Sakata).

King of Spades

Aki’s real introduction is one of the early manga’s most memorably goofy scenes, and for perhaps the first time, Chainsaw Man the anime actually sharpens the bent for crass humor in the original, rather than backing away from it.

The result? Well, Aki takes Denji for a walk, briefly interrogating his motives. What he gets out of this conversation is that Denji is basically only in this line of work to get with Makima. That’s not good enough for Aki, so he takes Denji to an anonymous back alley and slugs him across the face, expecting the ass-kicking to teach the punk a lesson. To hear him tell it, this is his version of kindness; he’s seen people die from getting into the business for weak reasons, and as much as he doesn’t really seem to like Denji, he doesn’t want that to happen to him.

Denji responds to this particularly physical brand of thoughtful consideration by kneeing Aki in the nuts.

Repeatedly.

While a “ding!” sound effect plays every time it happens.

Immature as hell? Yes. Extremely funny? Also yes. Chainsaw Man is rarely afraid to get a little juvenile in order to take the edge off things. Probably a good call, all things considered.

Soon after this, Makima compliments Aki and Denji on “hitting it off” upon hearing what happened (a very dry sense of humor on that one), and then, in the same breath, makes it very clear to Denji that if he is ever no longer useful to Public Safety for any reason, he’ll be killed.

Your last first day.

Denji and Aki’s first mission together, to exterminate a Fiend—a devil possessing a corpse—goes awkwardly. Denji’s able to dispatch the thing very easily, with a single swing of a Public Safety-provided hatchet, but Aki is annoyed at Denji for not using his devil powers, thinking of it as evidence that the younger hunter isn’t taking things seriously. Aki, it’s established, lost his life to a devil attack. So it is pretty understandable that he’d be miffed by Denji seemingly treating the entire thing as a game.

None of that really gets through to Denji though, who begins instead thinking very hard about boobs again.

He’s such a gentleman.

In fact, his entire sequence here plays as a stone-faced parody of the usual shonen-protagonist-hyping-themselves-up internal monologue, albeit an affectionate one. Indeed, in episode two of his series, Denji has truly found his noble calling, the righteous cause he must fight for.

This is, of course, supposed to be silly. But it’s worth again remembering that when you’re this age, one does think of trivial things like “scoring” with a girl (as CR’s subtitles so lovingly render it) as matters of life and death.

In any case, even with this particular goalpost set, Denji’s life gets more complicated one more time in the final few minutes of this episode, when a different girl walks into his life. Introduced by Makima as his “partner” within Aki’s unit.

You probably already know her, but if you don’t, I kind of envy you.

Because getting to meet Power for the first time is fun as hell.

Queen of Clubs

Yes, that wonderful idiot. A fiend, not unlike the man in the apartment that Denji just killed, but one who is—after a fashion—able to be reasoned with, but that doesn’t really make her rational. She’s introduced with a galumphing, ludicrous carnival music backdrop in the soundtrack, and there’s a reason for that.

Ai Farouz, her voice actor, stands out amongst Chainsaw Man’s cast by being a comparative veteran. She hasn’t been in the industry for terribly long—her first role of note was only in 2017—but she’s had a number of prominent roles. (Notable to me personally, she was Cure Summer in Tropical Rouge! Precure last year.) She plays Power perfectly, swinging from a low growl to a smug mid-range conversational tone, to a whooping screech when Power’s really excited. All of CSM’s VAs have been great so far, but Farouz might take first place. Perhaps it’s a case of limited reference pools here, but she really does play the character like a demonic Cure Summer. It works astoundingly well.

Certainly, Power herself steals what remains of the show from the second she appears. We get a small bit of exposition during her and Denji’s first patrol together (and also more of his leering thoughts about titties), but much more important is her catching the scent of devil blood on the wind and sprinting full-force towards the devil in question, fast enough that Denji can’t actually keep up. She literally hammers the target—the Sea Cucumber Devil—to pieces with a massive mallet made out of her own blood. The BGM erupts in an explosion of pulsating techno thump, and as she smashes the thing to smithereens, she positively howls in triumph. On that note, the episode ends.

And normally I’d cut the article here, but I do also want to take a moment to point out that one of my favorite bands, ZUTOMAYO, did the ED for this episode. It’s cool to see them finally getting exposure via an anime.

Until next time, anime fans.

(I haven’t said that in a while, have I? Well, there you go, a nice return to form.)

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch SPY X FAMILY – Episode 15

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

“Boof!”

I feel like I’ve been a bit unduly mean to Spy x Family since it came back. Not in a major or intentional way, but more just out of reflex. I made clear last week that I think Spy x Family’s most recent storyline has been hitting kind of an odd note. I more or less stand by that, but part of me feels that I just haven’t been giving the series the attention it deserves. Which is unfair, because while I’m maybe not as keen on Spy x Family as some are, it is still one of the year’s better action anime and one of its better comedy anime. That’s a solid showing twice over, and it deserves credit for that.

Either way, the whole terrorist bomb dog plot comes to its conclusion here with some amount of fanfare, but much to my own joy, this episode dials back in on the comedy that made Spy x Family so endearing in the first place. In the process, it rediscovers its inner warmth. I don’t think it’d be at all a stretch to say that this episode is the best since the show came back from its hiatus.

Let’s start with the basics. If you were worried about the cliffhanger from last week; don’t be. Loid does not shoot the dog, and in fact, he goes out of his way to make sure the dog who attacked him is fine, even managing to somehow get its bomb harness off and tossed into a nearby river, where it explodes harmlessly.

Yor also gets a brief bit of shine here. It’s perhaps not as much as I’d like, but a scene where she spin-kicks the terrorist Keith through a windshield and sends him careening into a lamppost is a pretty solid showing.

But of course, the main focus is about the dog. Not just any dog, the dog who is basically already Anya’s. With the crisis averted, Sylvia, Loid’s handler, tries to confiscate the psychic woofer while incognito as the state police.

And if you can forgive your blogger here for a moment; she looks damn good while doing it.

Anya, in a shrewd moment of using her psychic powers directly for her own benefit, throws a bit of a temper tantrum and threatens to stop going to school. Which is enough to get both Loid and Sylvia to change their tunes. There’s a touching scene in here where Sylvia remarks that Anya is a good kid, and offhandedly mentions that she had a daughter her age. The past tense isn’t remarked upon directly, but combined with her cold-blooded treatment of the terrorists in last week’s episode, this certainly implies some pretty heavy shit in Sylvia’s past. (Not that this is surprising, given her line of work.)

The rest of the episode, though, is concerned with the far more lighthearted but very important work of naming the dog, who Anya has up until this point just been calling “Mr. Dog.” (Inu-san.) Anya even assumes that the simple act of having a named dog might help her befriend Damien at school. Though, in her defense, Damien’s reaction when he asks for her dog’s name and she can’t give it to him is pretty amusing. This episode is actually a veritable harvest of Anya faces in general, which is great news for anyone who’s been missing those.

We have “Imitation Yor.”

“Thonkeng.”

“The Antihero”

“Edvard Munch’s ‘Scream'”, and many, many more!

She does settle on one eventually; late in the episode the Forgers take Anya and her new pet to a dog park. There, her dog retrieves a pair of gloves surreptitiously swiped from Anya by a different dog. Anya is reminded of an episode of Bondman, and this big pile of fur and love is given the most natural name possible; his name is Bond. Forger Bond.

He likes his martinis shaken, not furred.

And with that, the episode ends later that night, with a shot of the two having fallen asleep together. Yor remarks that Anya looks like a “little angel in [their] midst.” She is absolutely correct.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch CHAINSAW MAN EPISODE 1 – “Dog & Chainsaw”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Depending on who you are, it may not be obvious just how big of a deal the Chainsaw Man anime is. More than simply a popular shonen manga, Chainsaw Man is that rarest of things; a mainstream work of popular fiction, widely liked, that completely earns every ounce of praise it receives. Chainsaw Man, the manga, has been running for years at this point, and is on its second “book” of sorts, after an utterly massive Part 1 that ran from 2018 to 2020. The still-early-on by comparison Part 2 picking up earlier this year. (You may remember me covering it. Suffice it to say; that article, but not this one, contains massive spoilers for the entire series. Probably don’t read it if you care about that kind of thing.)

It’s easy to paint Chainsaw Man as a total anomaly; an outpost of bleak, world-hardened cynicism against a sea of its blankly chipper Shonen Jump contemporaries. In truth, this isn’t entirely fair, and there are precedents for this sort of thing going all the way back to the dawn of the shonen format. Likewise, while there is certainly the usual din of manga ride-or-dies chomping at the bit to claim that “anime-onlys ain’t ready,” the truth of the matter is that Chainsaw Man is Chainsaw Man; this is an adaption that would have to fumble the ball in a truly astounding way to be anything less than excellent. And having watched it, I have to admit I’m actually a little jealous of people who get to start the series this way.

That’s not to say that CSM’s diehard fanbase isn’t well-earned, though. I took the plunge myself earlier this year, and I loved it almost immediately. Chainsaw Man is arresting like very little else is. To put it another way; this hype train hauls cargo, no smoke and mirrors here. It says a lot that in an anime season that includes the return of both Gundam and Bleach, this still might be the most-anticipated premiere of them all.

So, the obvious question. Does it live up to the hype?

Well, maybe we should hold off on that for a bit, but here’s what we can say.

The show’s opening minutes are metal rusting and wood rotting in the rain; a cold downpour drenches the first act of the first episode, and colors everything that takes place in a frigid shade of gray. Denji (Kikunosuke Toya), our hero, is an ordinary teenage boy in every meaningful sense, but his life is defined by a crushing, oppressive poverty. He’s in debt to the yakuza, you see, and works off what he can of the negative numbers hanging around his neck by plying the only trade he knows; devil-hunting. (Devils, of course, are demonic beings that rise as personifications of human fears. I’m sure you knew that part already, it’s just common sense.)

King of Diamonds

Denji devil-hunts with a devil of his own; the diminutive Chainsaw Devil, Pochita (Shiori Izawa), who is more or less a small dog-pig with a chainsaw blade on its face. For some number of years, beginning when his father kills himself to escape his own debt, and thus passes it on to his son. Only meeting Pochita offers him even the slightest bit of recourse, after he saves the tiny devil’s life from a fatal wound by offering it the only thing he has left; his own blood. In return, he becomes a devil hunter. This continues, until he is the teenager we see at the start of this episode.

This is Denji’s life; get up, kill a devil, give the boss his cut. After however many arbitrary fees, he is left with pitifully little money to work with for even basic necessities like food and water. The case we see in the episode’s opening minutes leaves him with only 1800 Yen—about $12—to his name, to last him a whole month. (In the manga, there was a smidgen of coal-black humor in the way this was presented. That’s not really the case here, the anime plays it a lot straighter.) Denji isn’t happy, certainly, but he’s accepted this grim lot to an extent. His only real luxury is sleep. Even then; the hunger in his stomach and the anxiety about repaying his debt often steal that much from him, too.

One night, when it doesn’t, his boss does that directly instead, rousing him from his slumber to go hunt a devil in the middle of the night and earn what one could charitably call his keep. To make matters worse; he pukes up a nasty slick of blood, wondering out loud if the same heart disease that evidently killed his mother is coming for him, too.

Our real plot starts here; because there is no devil. Or at least, not one that the yakuza boss intends Denji to hunt.

Instead, he’s lured into a trap. His boss has contracted with a devil, too. The Zombie Devil, because he’s envious of Denji’s power. Denji tries to fight the devil’s minions off, but he’s overwhelmed by the zombie horde before too long. And for a moment, if you’re not familiar with this story, it doesn’t seem unreasonable to think that our protagonist is going to end his journey here and now, rotting, chopped to pieces, in a dumpster.

That, of course, does not happen. Instead, Pochita, the little Chainsaw Devil, and Denji’s only real friend at this point, offers up its own life in order to restore Denji’s. A flashback inside of a drop of blood—a drop running down a stack of old money, it should be noted—transmogrifies into a dream sequence, and before long, Denji is reborn; sans Pochita, plus one ripcord embedded in his chest. All Pochita asks for in return for its sacrifice is that Denji “show [it] his dream.” His dream to live a normal life, as a normal teenager.

We’re a long way from that, as what follows illustrates nicely.

He may be grateful to be alive, but realizing what—who—he’s lost in the process makes our boy very angry, and as he challenges the zombie horde to a rematch, they try to pile on him. This does not work, and he arises; transformed.

He is reborn in a flurry of blood, with sawtooth limbs, LED eyes, and iron teeth. He absolutely wipes the floor with the Zombie Devil and its minions, in an action scene that is a frankly pretty stunning mix of 2D and 3D animation blended almost seamlessly. Denji fights like someone self-taught, with full-body commitment to wild swings of his arms, and, indeed, the chainsaw blade that now protrudes out the middle of his head. But really, when you’re a living tornado of whirling metal and death, do you really need finesse?

The Zombie Devil isn’t the only victim; while he’s at it, Denji takes out the zombies themselves, too, including his former boss. He cackles like a madman, gleeful that now he doesn’t owe them anything. It is cathartic as fuck to watch; I am sure no small amount of Chainsaw Man‘s audience—target or not—wishes they could hack their worst boss into tiny pieces. I may or may not be including myself there, I’ll leave that up to your imagination.

After the violence, he stands statue-still. Perhaps content to simply rust as time passes.

But, as one master dies, another is born. Into the scene of the massacre, out of a black car, walks a trio of devil hunters affiliated with the Public Safety Bureau, the branch of Japan’s government specializing in devil killin’. Two are nameless goons. The third—just to disclose my biases upfront, here—is one of my favorite characters in anything.

Ever.

Queen of Hearts

This is Makima (Tomori Kusunoki). She will become very important, in many ways, over the course of this anime’s run, and in its eventual subsequent seasons. We’ll get to that, but for now, she does one main thing, which is pretty important in of itself. She offers Denji a choice; she and her backup could kill him—he is part-devil, at this point, after all—or, he can come work for the Safety Bureau. He takes the obvious choice; actual employment, a real bed, hot meals, a warm embrace.

There’s a lot I haven’t gone into. Note the way the weather changes over the course of the episode, for example; rainy for most of it, a moonlit, partly-cloudy night when Denji is lured into the Zombie Devil’s trap, and finally, sunlight parting the clouds and illuminating the grisly bloodshed, and shining a light of truth on it.

There are the vocal performances, too; excellent across the board despite Denji’s VA being, here, in his first role of any note, and Makima’s being known mostly for minor roles until quite recently. (Speaking of Makima’s voice, it is genuinely incredible, and I cannot fathom how people were unhappy with Kusunoki being cast. Her voice has a subdued, vaporous quality that just makes Makima sound all the more commanding; a sort of ambiguous sweetness that could as easily mask real warmth or deadly poison in equal measure.)

There’s also the soundtrack, which can offer quietly contemplative ambience in more downtempo scenes, sinister drones in those where something is definitely off, and can equally-well explode into splintering breakcore when things need to ratchet up a few notches.

All in all; this is a truly top-shelf production adapting one of the best manga currently running. It is, in all senses, a dream scenario. Yes, this is absolutely, obviously, completely and totally, a worthy adaption of Chainsaw Man, the manga. Incredibly, it might actually elevate the material in some ways; not an easy thing to do when you’re working with such great source material. Whether you’re a new fan or you’ve been onboard since 2018; strap in. Things are only just getting started.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.