Category: Let’s Watch

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Let’s Watch CHAINSAW MAN Episode 3 – Nyako’s Whereabouts

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

We don’t really use the term “antihero” too often anymore. I think perhaps, collectively, we were a bit burned out on it somewhere around the mid-2000s. But it describes Denji to a tee, so I hope you won’t mind if I pull it out here.

To wit; our boy’s primary motivation throughout this episode is, once again, to touch a boob. This time, Power’s, in exchange for helping her rescue her pet cat (a less easy task than it may sound, given that said cat is imprisoned by a powerful devil, but we’ll get back to that). It’s such an idiotically basic motive that the word “motive” itself almost seems too grandiose. But hey, after god knows how many years of anime protagonists who “want to be a hero” or other similarly abstract things, I at least appreciate a protagonist whose motives are understandable if not exactly noble.

The cat-hunting is more in the latter 2/3rds or so of the epsiode. Before that, the series goes some way toward establishing Denji and Power’s push-and-pull dynamic. Notably, right off the top, Power gets in trouble for killing the Sea Cucumber Devil at the tail end of last week’s episode, and her first instinct is to immediately—and badly—lie and try to pin the blame on Denji.

In general, Power is pretty interesting, and it’s worth pausing here to talk about why. One of the best ways to make a character distinct (South Park influence notwithstanding, go look that up if you’re curious), is to pile on enough small character tics that aren’t notable in isolation but add up to a peculiar whole. Power is rather slovenly, as conveyed by the hoodie that’s often half-hanging off of her shoulders. She’s incredibly violent and prone to lying. But she also intermittently speaks in a screwy, stilted dialect of Japanese that the sub track translates as spurts of weirdly archaic English. (Even in that screencap up there, note that she phrases it as “It was he who commanded me to kill” and not something like “He told me to do it” or what have you.) She also noticeably clams up around Makima, who she is comparatively deferential toward, and seems perhaps even afraid of. All of this sums up as a character who is really pretty unique in the current anime landscape, and, accordingly, she’s a lot of fun to just watch bounce around the screen.

She has one further quirk; a fondness toward cats. As mentioned, this episode’s main plot consists of Denji being convinced to help her rescue her pet cat Meowy. (Or Nyako. They mean basically the same thing.) Power, as a Fiend, is pretty broadly disdainful of humans and, really, most life in general. Cats though, she seems to have a fondness for. Later in the episode we get a flashback about her initially meeting Meowy and it’s genuinely very sweet despite the fact that Power spends the entirety of said sequence naked and covered in grime. (CSM is bizarrely good at putting emotional resonance into scenes that read as ridiculous on paper.)

Denji, ever the gentleman, is openly disdainful of this affection….until Power makes the aforementioned offer to let him touch her chest if he helps her recover Meowy. At which point, he’s suddenly fuming mad about “that fucking Devil” stealing poor little Meow-Meow. The soundtrack even revs up alongside him. It’s pretty funny.

Elsewhere, Makima gets a few spotlight scenes as well, which serve to add some further depth to her character. Also, they serve to sate my endless thirst for this show’s insanely good use of characters’ lines-of-sight as non-verbal tells about how they’re feeling. Aki, in his only real scene in this episode, questions Makima on the wisdom of having Denji in his squad. If you were only listening to the dialogue, you would take Makima’s response as fairly cool and natural. If you look, however, she visibly glares at him (from behind, so he can’t even see it) for a moment before replying. Somebody doesn’t like their authority questioned, is all I’m saying.

I think if someone who looked like this looked at me this way I’d die on the spot. But hey, I’d die happy.

Also of note; a meeting between Makima and her superiors is the first glimpse we get at the wider state of Chainsaw Man‘s world. This particular council of anonymous, vaguely military-types makes mention of “war hawks” over in America and The Soviet Union (!), and rumors of devils deployed for military purposes. How true any of this is, we don’t yet know. But it is worth making note of the fact that even this council refer to Makima’s underlings as “dogs,” in case you were wondering if the people she works for are any nicer than she is.

As for the whole cat rescue situation? Well, Power was lying. She had no actual intent to help Denji fight the Bat Devil or anything of the sort, instead offering him to the Bat Devil as a sacrifice, so that the larger devil might heal his wounds by drinking Denji’s blood. This ‘brilliant’ plan has several flaws.

Flaw 1: The Bat Devil is a dick.

As soon as Power shows up with a half-conscious Denji (who she’s whacked over the head with one of her bloodmallets), the Bat Devil collects his sacrifice and starts squeezing our boy dry in a decidedly unpleasant way. (Seriously, he vomits blood, and the Bat Devil drinks it. Chainsaw Man is not afraid to get nasty; remember this.)

Power demands Meowy back, but, surprise, the Bat Devil thinks Denji’s blood tastes terrible, and he takes out his frustration on Power by eating her cat in front of her. Then, while she’s having the flashback scene described above, he eats Power herself, too.

Flaw 2: There is no flaw 2. Flaw 1 got her eaten alive, what else do you want?

Anyway, this all makes Denji rather unhappy.

As far as battle cries go, it’s not exactly “you shall not pass,” but hey, whatever works.

The final act of the episode is a truly stunning fight scene; easily the best in the series so far. Denji and the Bat Devil tear a cityscape to pieces, ripping up chunks of concrete and twisted metal as they slug it out. And in what is arguably his first act of something vaguely like superheroics, Denji actually rescues a couple people. (He also throws a car at the Bat Devil with the driver still inside it, but, hey, nobody’s perfect.)

All told, this stands as probably the strongest single episode of CSM so far. It manages to keep a pretty noteworthy number of plates spinning, and it looks great while doing it. Here’s hoping to much more of that to come.

And now, making its grand debut, the Bonus Power Screencap, because I know what the fans like. This one is from this week’s ED. A simple Power, but strong, and bold.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch SPY X FAMILY Episode 16 – “Yor’s Kitchen; The Informant’s Great Romance Plan”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

I don’t like the term “mid.”

Not because things can’t be mediocre—they certainly can—but because I feel like it gets slapped down on the table as an all-purpose “I didn’t really like this and don’t feel like really explaining why” card. When most people say “mid” they can mean anything from “decent but not my thing” to “outright terrible.” Rarely will they bother to explain which they mean or why.

But, you know, I say all this, but sometimes the only adjective you can pull for something truly is “mid.” There were some good parts and some bad parts and the whole thing is kind of just not that great overall. It’s not terrible, certainly, but maybe it’s a sign of bad things to come. Or just an unusually weak spot in an otherwise fine show.

Thus, we have episode sixteen of Spy x Family, the first Yor-centric episode in quite a while and also, unfortunately, easily the least essential since the series came back from hiatus.

The episode’s basic plot is pretty simple, revolving around Yor secretly learning how to cook from her coworker Camille (remember her? She was first relevant way back in episode 2). What the episode wants to be about is the simple joy of home cooking, the knowledge that you’re preparing something for someone close to you and, in a very real way, putting your heart and soul into it.

This is all well and good, and when the episode hits its primary climax at about the 15 minute mark, it does hit well enough to feel roughly worth it. Yor ends up cooking a stew (topped with a fried egg!) of some kind for Anya and Loid, and it’s genuinely pretty cute.

But the problem is getting there. Between the start of the episode and this little story’s conclusion is a parade of iterations on what might be the most overdone joke in the entire shonen format; the classic “oh no, someone is bad at cooking and their food looks like unidentifiable purple gunk” gag.

“Twists” on the trope in this case include Yuri, Yor’s obnoxious younger brother, who of course co-stars in this episode, actually loving Yor’s terrible food because he grew up with it, and….well honestly that’s kind of it. There’s some other stuff where Yor has difficulty properly preparing ingredients because her assassin instincts kick in and she ends up essentially butchering them. It’s marginally more unique, but not really any funnier. A lot of this really just seems far too basic for something like Spy x Family, which has previously demonstrated both much stronger characterization than this and much stronger comedic chops. Why waste time on this?

Yor does, at least, get the jump on Loid in one important way here, in terms of character development. She is the first one to realize that her “fake” family now matters to her more than what it was originally a cover for, and her coming to terms with that is an easygoing kind of heartwarming that perhaps more of this episode should’ve aimed for.

So, we end up with a very weak series of gags leading up to an emotional beat that is nice but doesn’t entirely feel earned. Is that “worth” it? It’s hard to say.

But don’t worry, this is a double episode, because Yor isn’t allowed to be the protagonist of an entire 22-minute stretch of Spy x Family. That would be silly.

No, instead, the latter half of this episode is about Frankie.

Yeah.

Uncle Scruffy here spends his half of the episode trying to enlist Loid’s help in hooking up with a cigar shop employee with the mildly amusing name Monica McBride. Presumably her mother is named Molly McBride and she has two sisters named Matilda McBride and Mary McBride.

Loid’s help mostly consists of telling Frankie to be himself—he tries making a way-too-thorough conversational chart too, but, perhaps wisely, Frankie thinks using that would be weird. There are some decent gags here, like when the two are having a full-on shouting argument and a stage direction pops up onscreen to inform us that they’re actually whispering.

Also, Loid uses his disguise skills to turn into a spitting image of Monica herself. I have to say, holding this against the show is astoundingly unfair of me, but when I’m already a little cold on an episode, hitting me with the dysphoria pangs does not improve my assessment.

On the other hand, it proves that Loid Forger could have tgirl swag if he wanted to.

Naturally, Monica turns Frankie down. (Sidenote here; it would’ve been very funny for the joke instead to be that she likes little awkward fuzzballs, a sort of hairy version of an Android 18 / Krillin situation. But that would’ve put a win in Frankie’s column, which I suppose is unacceptable for some reason.) Loid then closes out the episode by making one of his little speeches about how “people like them” can’t afford to be emotionally attached to others. Sure, dude. Keep telling yourself that.

And that’s where we end for the week! Again, I don’t hate this episode or anything, but a lot of this is just not all that interesting. The more emotional moments are the highlights, but there aren’t really enough of them to bring it above mediocre. Thus, again we must turn to that dreaded descriptor; mid. This is a mid episode. If you put a gun to my head and made me score it out of ten, I’d give it an even 5.

But, hey, next week is an Anya episode, and it’s been a while since we’ve had any episodes taking place entirely at her school. Hopefully that will be fun.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch CHAINSAW MAN Episode 2 – Arrival in Tokyo

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

I didn’t point it out at the time, but last week, Denji’s then-boss described our hero thus; “the good thing about Denji is that he does what he’s told.”

Today, in the first part of its second episode, that point orbits around several times. With Makima, Denji has effectively traded one master he must unconditionally obey for another. One could argue it’s a slight upgrade, since, as we’ll see, Makima treats him materially much better than the old yakuza boss who ordered him around before this point, but his life still isn’t really his own.

He knows this, on some level. A very early scene here sees Makima describe Denji as her dog. This little smidgen of animal symbolism is probably Chainsaw Man‘s single most well-known thematic motif. Dogs, after all, generally do what they’re told as long as you take care of their needs. Denji is briefly angry about being treated like one, but upon Makima promising him a hot meal of whatever he likes, and offering him her coat to wear so he’s not walking around shirtless, his disaffection mostly evaporates. A few scenes later, and he is almost literally eating out of the palm of Makima’s hand.

It’s important to remember that Denji isn’t unique here. Most people will put up with a lot as long as their material needs are being met. Even given the line of work he’s being asked to take up, it is hard to imagine that many people, in his situation, would not do the same. (Some of you will say something like “RIP to him but I’m different” to that statement. We’ll get back to you as the show goes on.)

Not just an everyman, it’s important to remember that Denji is, too, a hormonal teenager. In addition to the obvious food and clothing benefits, Denji goes along with what happens here in part because he thinks Makima is hot. (Hot tip for the younger people who read my blog; you will never get with your boss.) Of course, Makima isn’t even remotely above picking up on and playing to that desire anyway, and it’s pretty obvious that she’s doing so.

Chainsaw Man is very good at subtle facial expressions as silent conveyors of intent. If you’ve already seen this episode and want to look for something neat on a rewatch, I would recommend going back through those early scenes and keeping an eye on Makima’s face specifically. She’s actually quite expressive and there are multiple points where you can almost see the gears turning in her head over various things.

In any case, as much as this episode is about Makima and Denji’s newfound working relationship, Denji doesn’t actually work directly under her. Instead, he’s assigned to one of Public Safety’s many devil hunting units. Specifically, an “experimental” one, lead by a ponytailed chain-smoker named Aki (Shougo Sakata).

King of Spades

Aki’s real introduction is one of the early manga’s most memorably goofy scenes, and for perhaps the first time, Chainsaw Man the anime actually sharpens the bent for crass humor in the original, rather than backing away from it.

The result? Well, Aki takes Denji for a walk, briefly interrogating his motives. What he gets out of this conversation is that Denji is basically only in this line of work to get with Makima. That’s not good enough for Aki, so he takes Denji to an anonymous back alley and slugs him across the face, expecting the ass-kicking to teach the punk a lesson. To hear him tell it, this is his version of kindness; he’s seen people die from getting into the business for weak reasons, and as much as he doesn’t really seem to like Denji, he doesn’t want that to happen to him.

Denji responds to this particularly physical brand of thoughtful consideration by kneeing Aki in the nuts.

Repeatedly.

While a “ding!” sound effect plays every time it happens.

Immature as hell? Yes. Extremely funny? Also yes. Chainsaw Man is rarely afraid to get a little juvenile in order to take the edge off things. Probably a good call, all things considered.

Soon after this, Makima compliments Aki and Denji on “hitting it off” upon hearing what happened (a very dry sense of humor on that one), and then, in the same breath, makes it very clear to Denji that if he is ever no longer useful to Public Safety for any reason, he’ll be killed.

Your last first day.

Denji and Aki’s first mission together, to exterminate a Fiend—a devil possessing a corpse—goes awkwardly. Denji’s able to dispatch the thing very easily, with a single swing of a Public Safety-provided hatchet, but Aki is annoyed at Denji for not using his devil powers, thinking of it as evidence that the younger hunter isn’t taking things seriously. Aki, it’s established, lost his life to a devil attack. So it is pretty understandable that he’d be miffed by Denji seemingly treating the entire thing as a game.

None of that really gets through to Denji though, who begins instead thinking very hard about boobs again.

He’s such a gentleman.

In fact, his entire sequence here plays as a stone-faced parody of the usual shonen-protagonist-hyping-themselves-up internal monologue, albeit an affectionate one. Indeed, in episode two of his series, Denji has truly found his noble calling, the righteous cause he must fight for.

This is, of course, supposed to be silly. But it’s worth again remembering that when you’re this age, one does think of trivial things like “scoring” with a girl (as CR’s subtitles so lovingly render it) as matters of life and death.

In any case, even with this particular goalpost set, Denji’s life gets more complicated one more time in the final few minutes of this episode, when a different girl walks into his life. Introduced by Makima as his “partner” within Aki’s unit.

You probably already know her, but if you don’t, I kind of envy you.

Because getting to meet Power for the first time is fun as hell.

Queen of Clubs

Yes, that wonderful idiot. A fiend, not unlike the man in the apartment that Denji just killed, but one who is—after a fashion—able to be reasoned with, but that doesn’t really make her rational. She’s introduced with a galumphing, ludicrous carnival music backdrop in the soundtrack, and there’s a reason for that.

Ai Farouz, her voice actor, stands out amongst Chainsaw Man’s cast by being a comparative veteran. She hasn’t been in the industry for terribly long—her first role of note was only in 2017—but she’s had a number of prominent roles. (Notable to me personally, she was Cure Summer in Tropical Rouge! Precure last year.) She plays Power perfectly, swinging from a low growl to a smug mid-range conversational tone, to a whooping screech when Power’s really excited. All of CSM’s VAs have been great so far, but Farouz might take first place. Perhaps it’s a case of limited reference pools here, but she really does play the character like a demonic Cure Summer. It works astoundingly well.

Certainly, Power herself steals what remains of the show from the second she appears. We get a small bit of exposition during her and Denji’s first patrol together (and also more of his leering thoughts about titties), but much more important is her catching the scent of devil blood on the wind and sprinting full-force towards the devil in question, fast enough that Denji can’t actually keep up. She literally hammers the target—the Sea Cucumber Devil—to pieces with a massive mallet made out of her own blood. The BGM erupts in an explosion of pulsating techno thump, and as she smashes the thing to smithereens, she positively howls in triumph. On that note, the episode ends.

And normally I’d cut the article here, but I do also want to take a moment to point out that one of my favorite bands, ZUTOMAYO, did the ED for this episode. It’s cool to see them finally getting exposure via an anime.

Until next time, anime fans.

(I haven’t said that in a while, have I? Well, there you go, a nice return to form.)

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch SPY X FAMILY – Episode 15

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

“Boof!”

I feel like I’ve been a bit unduly mean to Spy x Family since it came back. Not in a major or intentional way, but more just out of reflex. I made clear last week that I think Spy x Family’s most recent storyline has been hitting kind of an odd note. I more or less stand by that, but part of me feels that I just haven’t been giving the series the attention it deserves. Which is unfair, because while I’m maybe not as keen on Spy x Family as some are, it is still one of the year’s better action anime and one of its better comedy anime. That’s a solid showing twice over, and it deserves credit for that.

Either way, the whole terrorist bomb dog plot comes to its conclusion here with some amount of fanfare, but much to my own joy, this episode dials back in on the comedy that made Spy x Family so endearing in the first place. In the process, it rediscovers its inner warmth. I don’t think it’d be at all a stretch to say that this episode is the best since the show came back from its hiatus.

Let’s start with the basics. If you were worried about the cliffhanger from last week; don’t be. Loid does not shoot the dog, and in fact, he goes out of his way to make sure the dog who attacked him is fine, even managing to somehow get its bomb harness off and tossed into a nearby river, where it explodes harmlessly.

Yor also gets a brief bit of shine here. It’s perhaps not as much as I’d like, but a scene where she spin-kicks the terrorist Keith through a windshield and sends him careening into a lamppost is a pretty solid showing.

But of course, the main focus is about the dog. Not just any dog, the dog who is basically already Anya’s. With the crisis averted, Sylvia, Loid’s handler, tries to confiscate the psychic woofer while incognito as the state police.

And if you can forgive your blogger here for a moment; she looks damn good while doing it.

Anya, in a shrewd moment of using her psychic powers directly for her own benefit, throws a bit of a temper tantrum and threatens to stop going to school. Which is enough to get both Loid and Sylvia to change their tunes. There’s a touching scene in here where Sylvia remarks that Anya is a good kid, and offhandedly mentions that she had a daughter her age. The past tense isn’t remarked upon directly, but combined with her cold-blooded treatment of the terrorists in last week’s episode, this certainly implies some pretty heavy shit in Sylvia’s past. (Not that this is surprising, given her line of work.)

The rest of the episode, though, is concerned with the far more lighthearted but very important work of naming the dog, who Anya has up until this point just been calling “Mr. Dog.” (Inu-san.) Anya even assumes that the simple act of having a named dog might help her befriend Damien at school. Though, in her defense, Damien’s reaction when he asks for her dog’s name and she can’t give it to him is pretty amusing. This episode is actually a veritable harvest of Anya faces in general, which is great news for anyone who’s been missing those.

We have “Imitation Yor.”

“Thonkeng.”

“The Antihero”

“Edvard Munch’s ‘Scream'”, and many, many more!

She does settle on one eventually; late in the episode the Forgers take Anya and her new pet to a dog park. There, her dog retrieves a pair of gloves surreptitiously swiped from Anya by a different dog. Anya is reminded of an episode of Bondman, and this big pile of fur and love is given the most natural name possible; his name is Bond. Forger Bond.

He likes his martinis shaken, not furred.

And with that, the episode ends later that night, with a shot of the two having fallen asleep together. Yor remarks that Anya looks like a “little angel in [their] midst.” She is absolutely correct.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch CHAINSAW MAN EPISODE 1 – “Dog & Chainsaw”

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Depending on who you are, it may not be obvious just how big of a deal the Chainsaw Man anime is. More than simply a popular shonen manga, Chainsaw Man is that rarest of things; a mainstream work of popular fiction, widely liked, that completely earns every ounce of praise it receives. Chainsaw Man, the manga, has been running for years at this point, and is on its second “book” of sorts, after an utterly massive Part 1 that ran from 2018 to 2020. The still-early-on by comparison Part 2 picking up earlier this year. (You may remember me covering it. Suffice it to say; that article, but not this one, contains massive spoilers for the entire series. Probably don’t read it if you care about that kind of thing.)

It’s easy to paint Chainsaw Man as a total anomaly; an outpost of bleak, world-hardened cynicism against a sea of its blankly chipper Shonen Jump contemporaries. In truth, this isn’t entirely fair, and there are precedents for this sort of thing going all the way back to the dawn of the shonen format. Likewise, while there is certainly the usual din of manga ride-or-dies chomping at the bit to claim that “anime-onlys ain’t ready,” the truth of the matter is that Chainsaw Man is Chainsaw Man; this is an adaption that would have to fumble the ball in a truly astounding way to be anything less than excellent. And having watched it, I have to admit I’m actually a little jealous of people who get to start the series this way.

That’s not to say that CSM’s diehard fanbase isn’t well-earned, though. I took the plunge myself earlier this year, and I loved it almost immediately. Chainsaw Man is arresting like very little else is. To put it another way; this hype train hauls cargo, no smoke and mirrors here. It says a lot that in an anime season that includes the return of both Gundam and Bleach, this still might be the most-anticipated premiere of them all.

So, the obvious question. Does it live up to the hype?

Well, maybe we should hold off on that for a bit, but here’s what we can say.

The show’s opening minutes are metal rusting and wood rotting in the rain; a cold downpour drenches the first act of the first episode, and colors everything that takes place in a frigid shade of gray. Denji (Kikunosuke Toya), our hero, is an ordinary teenage boy in every meaningful sense, but his life is defined by a crushing, oppressive poverty. He’s in debt to the yakuza, you see, and works off what he can of the negative numbers hanging around his neck by plying the only trade he knows; devil-hunting. (Devils, of course, are demonic beings that rise as personifications of human fears. I’m sure you knew that part already, it’s just common sense.)

King of Diamonds

Denji devil-hunts with a devil of his own; the diminutive Chainsaw Devil, Pochita (Shiori Izawa), who is more or less a small dog-pig with a chainsaw blade on its face. For some number of years, beginning when his father kills himself to escape his own debt, and thus passes it on to his son. Only meeting Pochita offers him even the slightest bit of recourse, after he saves the tiny devil’s life from a fatal wound by offering it the only thing he has left; his own blood. In return, he becomes a devil hunter. This continues, until he is the teenager we see at the start of this episode.

This is Denji’s life; get up, kill a devil, give the boss his cut. After however many arbitrary fees, he is left with pitifully little money to work with for even basic necessities like food and water. The case we see in the episode’s opening minutes leaves him with only 1800 Yen—about $12—to his name, to last him a whole month. (In the manga, there was a smidgen of coal-black humor in the way this was presented. That’s not really the case here, the anime plays it a lot straighter.) Denji isn’t happy, certainly, but he’s accepted this grim lot to an extent. His only real luxury is sleep. Even then; the hunger in his stomach and the anxiety about repaying his debt often steal that much from him, too.

One night, when it doesn’t, his boss does that directly instead, rousing him from his slumber to go hunt a devil in the middle of the night and earn what one could charitably call his keep. To make matters worse; he pukes up a nasty slick of blood, wondering out loud if the same heart disease that evidently killed his mother is coming for him, too.

Our real plot starts here; because there is no devil. Or at least, not one that the yakuza boss intends Denji to hunt.

Instead, he’s lured into a trap. His boss has contracted with a devil, too. The Zombie Devil, because he’s envious of Denji’s power. Denji tries to fight the devil’s minions off, but he’s overwhelmed by the zombie horde before too long. And for a moment, if you’re not familiar with this story, it doesn’t seem unreasonable to think that our protagonist is going to end his journey here and now, rotting, chopped to pieces, in a dumpster.

That, of course, does not happen. Instead, Pochita, the little Chainsaw Devil, and Denji’s only real friend at this point, offers up its own life in order to restore Denji’s. A flashback inside of a drop of blood—a drop running down a stack of old money, it should be noted—transmogrifies into a dream sequence, and before long, Denji is reborn; sans Pochita, plus one ripcord embedded in his chest. All Pochita asks for in return for its sacrifice is that Denji “show [it] his dream.” His dream to live a normal life, as a normal teenager.

We’re a long way from that, as what follows illustrates nicely.

He may be grateful to be alive, but realizing what—who—he’s lost in the process makes our boy very angry, and as he challenges the zombie horde to a rematch, they try to pile on him. This does not work, and he arises; transformed.

He is reborn in a flurry of blood, with sawtooth limbs, LED eyes, and iron teeth. He absolutely wipes the floor with the Zombie Devil and its minions, in an action scene that is a frankly pretty stunning mix of 2D and 3D animation blended almost seamlessly. Denji fights like someone self-taught, with full-body commitment to wild swings of his arms, and, indeed, the chainsaw blade that now protrudes out the middle of his head. But really, when you’re a living tornado of whirling metal and death, do you really need finesse?

The Zombie Devil isn’t the only victim; while he’s at it, Denji takes out the zombies themselves, too, including his former boss. He cackles like a madman, gleeful that now he doesn’t owe them anything. It is cathartic as fuck to watch; I am sure no small amount of Chainsaw Man‘s audience—target or not—wishes they could hack their worst boss into tiny pieces. I may or may not be including myself there, I’ll leave that up to your imagination.

After the violence, he stands statue-still. Perhaps content to simply rust as time passes.

But, as one master dies, another is born. Into the scene of the massacre, out of a black car, walks a trio of devil hunters affiliated with the Public Safety Bureau, the branch of Japan’s government specializing in devil killin’. Two are nameless goons. The third—just to disclose my biases upfront, here—is one of my favorite characters in anything.

Ever.

Queen of Hearts

This is Makima (Tomori Kusunoki). She will become very important, in many ways, over the course of this anime’s run, and in its eventual subsequent seasons. We’ll get to that, but for now, she does one main thing, which is pretty important in of itself. She offers Denji a choice; she and her backup could kill him—he is part-devil, at this point, after all—or, he can come work for the Safety Bureau. He takes the obvious choice; actual employment, a real bed, hot meals, a warm embrace.

There’s a lot I haven’t gone into. Note the way the weather changes over the course of the episode, for example; rainy for most of it, a moonlit, partly-cloudy night when Denji is lured into the Zombie Devil’s trap, and finally, sunlight parting the clouds and illuminating the grisly bloodshed, and shining a light of truth on it.

There are the vocal performances, too; excellent across the board despite Denji’s VA being, here, in his first role of any note, and Makima’s being known mostly for minor roles until quite recently. (Speaking of Makima’s voice, it is genuinely incredible, and I cannot fathom how people were unhappy with Kusunoki being cast. Her voice has a subdued, vaporous quality that just makes Makima sound all the more commanding; a sort of ambiguous sweetness that could as easily mask real warmth or deadly poison in equal measure.)

There’s also the soundtrack, which can offer quietly contemplative ambience in more downtempo scenes, sinister drones in those where something is definitely off, and can equally-well explode into splintering breakcore when things need to ratchet up a few notches.

All in all; this is a truly top-shelf production adapting one of the best manga currently running. It is, in all senses, a dream scenario. Yes, this is absolutely, obviously, completely and totally, a worthy adaption of Chainsaw Man, the manga. Incredibly, it might actually elevate the material in some ways; not an easy thing to do when you’re working with such great source material. Whether you’re a new fan or you’ve been onboard since 2018; strap in. Things are only just getting started.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch – SPY X FAMILY Episode 14

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

War, and what people do while waging it, are terrible and depressing. This is known. Armed conflict remains a serious issue throughout the world, perhaps even moreso now than it was just a few months ago back during Spy x Family‘s first cour. Again; terrible, depressing.

The same isn’t true for Spy x Family itself. Even as we get into the meat of a pretty damn serious arc with this second episode of its second cour. Throughout this arc parts, of the story get pretty grim, but Spy x Family still cuts its most serious moments with ones that are more lighthearted. This prevents what is easily the most uncomfortably real arc of the entire anime so far from being outright suffocating, but, nonetheless, it does kind of hit a weird note, doesn’t it?

What actually happens here is pretty simple; the episode is split between a cat and mouse game between Loid’s agency and the terrorists (And eventually, just their leader, the mononymic Keith.) and, separately, Anya and the clairvoyant dog from last week trying to stop a bomb from going off.

That second part is ostensibly the “lighthearted” half of this week’s episode, but even this involves the dog having a grim vision of the near future where Loid dies in an explosion, which, obviously, Anya is desperate to avert. It says quite a bit that this is still the comparatively sillier part of the episode. Mostly due to Anya’s goofy reactions when things don’t go her way.

Loid’s half of the episode is much darker and is almost entirely devoid of humor. Perhaps the most indicative scene being one where his handler, Cynthia, interrogates Keith’s terrorist ring. Things get pretty intense!

And while that conversation is, I’m sure, written from a place of good intention, it does illustrate something of a problem with this episode.

At the end of the day, it’s excellently made, and it certainly deserves to exist in an abstract sense, but cutting so close to the gritty realities of war is dangerous for Spy x Family, which tends to work better when it’s in modes that are a little less reflective of things that actually go on in the world. (Deadly-serious dodgeball games, for example.)

More concretely, it’s a little annoying how yet again Yor is reduced to a bit player in a show she is supposed to be one of the protagonists of. It’s understandable that things here play into Loid’s specialties a little more, given the whole espionage angle of this arc, and I’m not asking Yor to start shanking people in front of her daughter, but surely, she could’ve been given a little more to do? Perhaps next week, it’s hard to say. All in all, this is a well-made but somewhat disappointing episode for me personally. If you feel differently, I’d be happy to hear why in the comments.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

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Let’s Watch SPY X FAMILY Episode 13 – Project Apple

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

If it seems like Spy x Family never really left, that’s because for all intents and purposes, it basically didn’t. In practice, this episode marks the start of a second season, but on paper, what the series is doing here is a once-rare but increasingly-common split cour. Two batches of episodes considered to be part of the same “season” even though they air months apart. Confusing! But if it lets the animators rest their weary bones even a little, we should probably be accommodating.

In any case, from a plot and style point of view it definitely doesn’t feel like things have changed. Spy x Family’s second cour opens with dual plots about adopting a cute dog for Anya and preventing not-Willy Brandt from being assassinated by bomb dogs. Naturally, these two things collide into each other when Anya gets lost at a pet adoption event.

Yes.

It’s easy to forget, since the series leans pretty heavily on the “comedy” end of the “action comedy” spectrum, but there is some genuinely harrowing stuff that happens in Spy x Family. The terrorist plot is played pretty straight throughout this episode. Keith, the terrorists’ leader, is a no-nonsense right-wing extremist, and when Anya stumbles into his group’s hideout, he’s the only one who’s completely unhesitant in trying to kill her.

But Anya is nothing if not lucky (and, you know, telepathic). One of the other assets being kept by the terrorists is a living mountain of fur in dog form.

He doesn’t have a name yet, but he doesn’t need one to make a strong first impression here. He has precognitive abilities, and makes his debut in this episode by yanking a child away from a sign that was about to fall, immediately establishing him as a “good guy” dog. (Although, really, with how Spy x Family generally is, I wouldn’t be surprised if the other dogs introduced in this episode eventually turn face also. We shall see.)

Here, our canine friend heroically slinkies Anya down some stairs.

We also learn of the sinister Project Apple, from whence all these telepathic dogs (and apparently a fair amount of other weird science-enhanced animals) come from. It’s not a stretch to assume that this might have some link to Anya’s own powers.

Regardless, the episode ends mid-showdown, with Yor rescuing her daughter from the terrorists, and things setting up excitingly for next week. It’s good to have the series back, foot foot planted firmly on the gas, dead-set on sparking a sense of adventure in your heart once again. And really, for now, that’s all it needs to do.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Anime Orbit Weekly, Let's Watch

Anime Orbit Seasonal Check-in: A Gunsmoke Twilight in the Last Days of LYCORIS RECOIL

Anime Orbit is an irregular column where I summarize a stop along my journey through anime, manga, and the related spheres of popular culture over the past week. Expect spoilers for covered material, where relevant.

Magic Planet Anime posts will be extremely irregular for the foreseeable future. See this post for details.

Since we last spoke about Lycoris Recoil, the series has undergone a radical shift in scale and focus. We saw the opening moves of this maneuver back in episode 7, but by now the show has mostly disregarded any direct “nitty gritty” political engagement. There are two things LycoReco cares about right now: mapping out the long arc of Chisato’s short life, and broad, philosophical questions of destiny and free will. Even though the show’s actual setting and characters have not changed much, we’re still a very long way from the montage of high schoolers capping people from the premiere.

We’ve known for a while that Chisato has an artificial heart, some future-tech thing that doesn’t actually beat, and which is essentially irreplaceable. So it wasn’t that surprising when, a few weeks ago, a minor villain posing as a nurse injected our protagonist with some knock-out serum or another and performed some impromptu surgery. The result was hardware lockout; no one can tinker with Chisato’s heart anymore, and that includes recharging it.

She has two months left to live.

Chisato’s life has the ring of true tragedy. Raised as a child soldier but addled with an incurable heart disease, she was singled out by the mysterious Shinji Yoshimatsu as a “genius” of killing, the primary skill of all Lycorii, and given her artificial heart with the understanding that she would use this gift to become an even deadlier assassin. Even with this in mind, we learn, it was doubtful she’d live past 18. Of course, for the purposes of being a deadly teenage supercop, that’s perfectly fine; Lycorii are discharged at 18 anyway.

The entire universe of Lycoris Recoil is aligned against Chisato; the “nurse” who’s pulled the plug on her heart is one of Yoshimatsu’s people, an obvious attempt to gain leverage on her to get her to return to her alleged true calling as an assassin, her former superior at the DA is not much better, giving her back a camera she’d confiscated some time ago to try to nudge her back into DA service. And of course, there’s her heart problems themselves, a natural ailment that the artificial heart has provided only a temporary reprieve from.

Chisato rarely shows any direct concern over any of this, and frankly she’s remarkably unflappable in the face of her imminent demise, but that’s precisely part of what makes her character arc so effective. Fearing death, at least a little bit, is normal. Staring unblinking into its face as you know it’s creeping ever closer, that’s another thing entirely. The ability to do that only comes from having spent the better part of your life in a seriously bad place. Even with all she very obviously cares for—Takina, the cafe’, Mika, etc.—she seems to have accepted this as inevitable from day one. It’s heartbreaking.

Yet, when, in episode 10 (the most recent), she finds out who exactly is responsible for all of that hardship, she holds no ill will toward him at all. She’s not really even mad at Mika for keeping this secret from her this entire time! Instead, she reiterates that she sees the two of them as her fathers, and when, in the episode’s final minutes, we learn that Shinji’s being held hostage by Majima and Robota, she doesn’t hesitate to spend a day of her rapidly-shrinking lifespan trying to rescue him. (The actual hostage rescue itself being territory for next week, we must assume.)

Chisato is, at the end of the day, an incredibly strong character. Not just strong in the usual anime sense, and not just strong as in “well-written,” but possessing of a vast moral strength, too. It’s hard to know whether to take her insistence that she hear all of the terrible things Shinji’s said about her in person as an incredible capacity for forgiveness, a denial that she’s been lied to at all, or both. But all signs point to her being very much aware of her own mortality, her ability to do all of this in spite of that awareness is both admirable and more than a little terrifying. Hers is a blitheness that hides a deep pain, something we really don’t get to actually see for ourselves directly.

While this is very much Chisato’s show, it’d be a mistake to not mention that the rest of Lycoris Recoil‘s cast has continued to be great, too. Mika’s deep and very much justified regret over his role in concealing the truth from Chisato rounds out his character in an excellent way.

Takina, in the meantime, has had to deal with the impending loss of her best friend (or “best friend.” I leave that distinction up to you, shippers), perhaps the first person she’s ever truly connected to, while also, in a twist of dramatic irony, being given exactly what she initially wanted; a trip back to the DA. She and Chisato are apart for episode 10, which while sad, does give her a few moments to truly shine on her own, and her single-minded focus on trying to somehow help Chisato is very grounded and relatable, despite the fantastical stakes. (This could also be said of Mika, actually. I am sure there is at least one father watching this show who absolutely cried his eyes out this past episode.)

The only real weak spot is Majima, who’s taken the main villain role in this last arc of the show. As a cartoonish caricature of an anarchist in a world built on some already-iffy foundational principles, he is probably the only genuine weak link in Lycoris Recoil‘s character roster and embodies most of the show’s remaining shortcomings. Still, he’s at least entertaining at this point, with his utterly ludicrous plot of “hide a thousand guns all over Tokyo and let carnage ensue naturally from there” being, all at once, a decent piece of commentary, comically stupid on its face, and weirdly lazy, as far as big endgame villain schemes go. But at this point, that’s expected of LycoReco, a show that is built on contradictions top to bottom.

The plot itself has taken an all-action movie tropes twist—again—as we ride into the final few weeks. A dying Chisato prepares to rescue Shinji while Takina and the other DA Lycorii try to deal with Majima running circles around them. Much is up in the air, and it’s impossible to exactly call where it all will land.

For any flaws it could be said to have, there is absolutely no denying that, as Lycoris Recoil nears its end, it remains an absolutely fascinating show, forever pulling in all directions and only recently settling into a groove that seems to truly suit it. (No one would call the show’s early episodes bad, I don’t think, but things have definitely improved.) The last bullets are in the chamber; gun cocked, but not fired.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Anime Orbit Weekly, Let's Watch

Anime Orbit Seasonal Check-in: Hell is Other Vampires in CALL OF THE NIGHT

Anime Orbit is an irregular column where I summarize a stop along my journey through anime, manga, and the related spheres of popular culture over the past week. Expect spoilers for covered material, where relevant.

Magic Planet Anime posts will be extremely irregular for the foreseeable future. See this post for details.

Call of The Night is a show about living outside of social norms. It has been basically since day 1. Modern vampire stories lend themselves particularly well to this sort of thing, and that might be why the glove fits Call of The Night so well. But whatever the reason, it’s difficult to read the show’s tale of complex nocturnal relationships as being about anything else.

For Ko, vampirism has always represented an ideal exit strategy from the expectations of diurnal society. Vampires do not have to go to school, and since they (presumably, here as in most fiction) live very long lives, there is no need to truly manage one’s time wisely. After all, there can’t be any future problems looming over your head if “the future” never really comes.

In its past few episodes, Call of The Night has raised the obvious counterpoint to this idea; what about the vampires’ own social norms?

Recent episodes have established that as Ko is to humanity, Nazuna is to vampiredom. Nazuna is, in her own way, a social outcast as well. She’s apparently never turned another person, she’s unwilling to seduce people in order to do that, and in general she simply doesn’t seem to get along with the other vampires we’re introduced to very well. In fact, one could easily argue that Nazuna is more of an outcast than Ko is; at least Ko’s classmates seem to like him. The other vampires only just tolerate Nazuna, and that’s after learning about her and Ko’s unique situation. Before that point, one of those vampires, Kikyo Seri (Haruka Tomatsu), actually tries to kill her—and Ko, for knowing too much about vampires—marking the first genuine threat in the entire story.

Things work themselves out, sort of, but we also learn that Ko only has a year to become a vampire before being turned becomes impossible. “Failing to qualify,” as one of the other vampires puts it. What was once a choice has now been turned into a requirement, and worse, one with a time limit. The other vampires do not explicitly tell Ko that they’ll kill him if he can’t manage to turn in that time, but all evidence points to this, since then he’d be a human who knows too much about them with no way of turning into one himself. Once again, Ko finds himself up against a societal wall; expectations imposed, with consequences if they’re not met. (Rather severe ones, I must say.)

This, understandably, makes Ko anxious. Since now he feels like he needs to fall in love with Nazuna rather than just wanting to. He even tries taking her on a date, at Seri’s suggestion, but it pretty quickly falls to pieces.

Ladies, has your man ever left you feeling like this?

Things are only salvaged when Nazuna lifts him into the night once again; trying to fit anyone else’s ideas of what their relationship should be inevitably fails. It’s only on their own terms do Nazuna and Ko truly work together, not just as a couple but even just as friends.

All this said then, the question asks itself; is becoming a vampire really all it’s cracked up to be? Nazuna certainly doesn’t think so, and there is some implication that Seri may not, either. But there’s also a lingering hint that Ko may not have to face this looming problem alone.

In the most recent episode, 8, we’re also introduced to Mahiru (Kenshou Ono). Mahiru is a jovial, all-around friendly sort of guy. Ko really seems to like him, arguably to the point of a crush, and he makes a good first impression.

(I think every middle and high school has at least one guy like this. In my high school it was a stoner dude who was extremely tall. His name was Mitch, and I hope he’s doing well nowadays.) We find out, though, that Mahiru has also been seeing someone after dark, with the broad implication that he, too, may be in love with a vampire.

It seems like that for all Ko has used nighttime as an escape, his problems are not content to stay out of the shadows. As always, I am intrigued to see where the series goes from here, as it enters its final stretch.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in anime, Let's Watch

Let’s Watch RWBY: ICE QUEENDOM Episode 7 – Dreams Come Rued

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Before I say anything else, I do want to be clear that yes, “Dreams Come Rued” is this episode’s title. That’s not a typo; it’s “rued” as in the past tense of that word you only ever see in the phrase “rue the day.”

In any case, I think I have maybe not done the best job of conveying how goddamn weird this show is. RWBY: Ice Queendom is an anime that, by now, has taken place mostly within a dream world by volume. And inarguably, one of its strengths is that that world does in fact run on a convincing facsimile of dream logic. Things change on a whim according to the dreamer’s mood and, indeed, changing the dream itself is part of Team RWBY’s plan as they once again venture into the depths of Weiss’ mind, with Team JNPR’s Jaune in tow.

We open with The Funky Four + 1 More here trying a different tack; they defend one of the ice trains that continuously attempts to enter the city from the recurring White Fang attacks. In doing so, they allow one of the trains to enter the fortresslike Winter City for the first time, perhaps, ever. Weiss, notably, has to actually give the order to open the city’s gates and hesitates until the very last moment to do so, a pretty straightforward metaphor for how much difficulty she has in letting other people into her life. She actually visibly is panicking a bit as she has to make the call. Indicative of authoritarian people freaking out when they no longer have pet issues to fearmonger over or just reflective of the fact that Weiss is, like, super tightly-wound? We at Magic Planet Anime ask, is there no reason it cannot be both?

Regardless, the results are pretty magnificent. The city literally transforms around the train as it enters, and despite Weiss’ protestations that the city “will not change” and how she has to make Blake “understand” this, for a while it looks like things might resolve themselves peacefully. Team RWBY hide out of the way while Jaune enters one of the “Silly Prisons.” That’d be the literal cages where the dreamscape versions of Team JNPR are kept, as we first saw several episodes back. Unfortunately—and, call me crazy, I’m getting the impression that whoever wrote this episode is not super fond of Jaune—Jaune ends up unleashing a horde of tiny, chibi Weisses—Miniweissen, we’ll say—who promptly start babbling one-liners like this.

Now he does get ahold of one of those relics—this one yellow—too, but this turns out to be a pretty big fuckup. Frankly, the entire thing has to truly be seen to be believed; it’s nuts. If Ice Queendom was just uncut weirdness like this all the time, it’d probably be my favorite thing airing this season.

Ruby of course interprets the Miniweissen being free to run about as a good thing. And it does initially seem like it might be, because they disable the menacing robot guards from attacking by…infecting them with childishness?

But then they start making a mess of the city, and it rapidly becomes clear that whatever the solution might be to Weiss’ horrible combination of a self-loathing complex, deeply-ingrained bigoted attitudes, and a generally authoritarian attitude towards not just others but herself as well, it was not letting these things out. Before too long, they combine into larger forms—Magnaweissen?—and start levelling buildings and such.

And then, of course, Weiss calls toward the heavens….

“By the power of Studio Shaft, THIS WILL LOOK BETTER ON BLU-RAYYYYYYYYYYY!”

….and promptly unleashes her giant bronze spider mecha. What, you don’t remember that from the original show? (Honestly, I shouldn’t say things like that given that I haven’t seen it. Maybe it is in the original series.)

If I seem to have a lack of things to say here, I think it’s more because this is a transitional episode than anything else. Team RWBY have tried a different approach and it’s gone awry, and we end on a pretty intense cliffhanger as Weiss summons the aforementioned spider mecha. I have no idea where this is going, but I’m excited to find out.

Yeah, okay, maybe she’s a bad person, but the style though. Sheesh.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.