Posted on in anime, Let's Watch

Let’s Watch CALL OF THE NIGHT Episode 3 – A Lot Came Out

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Literally speaking, Call of The Night is about a boy who’s down bad for a vampire. But more abstractly, and perhaps more importantly, its main theme, at least so far, seems to be otherness. I mentioned this a bit back in episode one, but “A Lot Came Out” really hones in on the concept, through a number of techniques both related to its actual narrative and more abstract material like its visuals.

To wit; this episode formally introduces Akira Asai (Yumiri Hanamori), Ko’s one actual human friend and, as one would expect from a pretty ordinary schoolgirl, she’s mostly active during the day. Despite that, Call of The Night never steps outside of its nocturnal purview; the only times we get to see actual daylight are during flashbacks.

Both ends of twilight are fine for present-set storytelling, but never broad day. That’s a forbidden zone that I doubt the show will ever breach unless it’s trying to one of a few very specific things.

What does that have to do with being an outcast? Well, as previously discussed in this column, a vampire can be a symbol for almost any kind of “other” in a narrative. In the creature’s roots as a being of the horror genre, this was used to stir up fear, but nowadays, as in Call of The Night, using vampires as a kinder (although not without some issues) metaphor for anyone who lives outside of one’s established frame of reference is fairly common. Ko, in his desire to become a vampire, has basically already committed to the choice of eventually joining that “other.” I imagine that much of the rest of the series is going to be testing that resolve. There are a lot of ways Call of The Night could do this (in future episodes look out for Ko running afoul of curfew laws or something of the sort, it almost seems too obvious not to do), but here it takes a fairly simple form. Akira, as a normal high schooler just like Ko himself, is representative of the kind of normal life that Ko is leaving behind.

Maybe that’s all fair enough but you’re wondering what actually happens in the episode. Thankfully, that’s pretty easy to explain; Ko and Akari reconnect after years of not talking to each other and start hanging out. Nazuna gets kind of jealous and she and Ko have a minor fight. They make up at the end, roll credits.

The devil (or vampire, as it were) is in the details, though. In flashback scenes that establish how Ko and Akira first met as young kids, Ko notably avoids playing with the other children on the playground. Instead, he studies a line of marching ants, finding their hurried resource-collecting amusing in its own way. (I’m not saying he’s definitely supposed to be neurodivergent, but when the shoe fits….) Akira, who converses with him and eventually joins him in his observation, comes across as a kind girl in this flashback, but they’re clearly coming from different places. This leads to some confusion when they meet again in the present day.

Which isn’t to say that she doesn’t like him, mind you….

When the two get back in touch (via the whole watch situation from episode 2), they start meeting up regularly. Akira gets up very early to go to school, you see, which conveniently lines up with Ko’s nocturnal schedule. In fact, between Akira and Nazuna, Ko is well on his way to building an entire nighttime social circle. But, there’s the small bit of trouble in paradise that, because Ko is now hanging out with two people, not just one, he has to cut into his time with Nazuna a bit. The episode doesn’t spell this out until the very end, but it’s obvious that this makes Nazuna a bit jealous. She ends up confronting the two, and any pretense at keeping the whole “vampire” thing a secret evaporates when she promptly sucks the blood out of Ko’s neck right in front of Akira. (If this entire dynamic sounds slightly uncomfortable to you, it’s that way in the show itself as well, although thankfully not to the extent that it ruins the scene or anything.)

The three hit up a restaurant to hopefully hash out their differences. (Which, frankly you could boil down how far removed Nazuna is from Akira or even Ko, yet, by pointing out that while Akira gets a full breakfast and Ko just gets a coffee, she gets a cartoonish-looking stein of beer.) Nazuna and Akira have a brief but fairly tense conversation, during which Akira also makes the mistake of inviting Ko back to school. This ends with Nazuna abruptly leaving after asking Akira why, if she’s really such a good friend of his, she hasn’t reached out to him in the past few years at all. (Akira, it’s worth noting, does not respond. Although arguably she doesn’t really get a chance to. My assumption is we’ll circle back to her side of things again next week.)

It’s telling that after Ko picks up her bill (classic vampire dick move, that, leaving a restaurant without paying), he rushes after her. We can think of Akira and Nazuna as representing two, roughly, different approaches to life. Whether we should boil that down to something as simple as “straight and narrow” vs. “dangerous but wild” or look at it in a more nuanced fashion will hinge on where the show goes from here, but when he sprints out the restaurant door, it’s very clear that Ko has already made his choice.

Ko and Nazuna’s little fight ends when the two meet up on a random rooftop—this show loves random rooftops—and the two have this exchange, which is worth reproducing in its entirety, if you’ll forgive the avalanche of image embeds.

And that really is the thing. No matter what else happens, Ko has already committed to going “over to the other side.” Despite what anyone else might think, and despite his own reservations. Nazuna likes to tease, but her and Ko’s relationship, while they definitely are also friends, is also much more involved than a simple biter / bite-ee thing, whatever you choose to map that to. (Although her constantly cracking jokes about how their relationship is ‘purely physical’ certainly pushes the viewer in a….certain direction.) As they resolve their differences, Nazuna notices that Ko’s bloodied his lip from tripping up the stairs to the roof. And then, in defiance of contemporary romance anime and manga structure, and in what I genuinely think is a pretty bold move, this happens.

A make up turns to a makeout, Nazuna flies off as the dawn breaks behind her, telling her “friend” that she’ll see him again tomorrow. A stunned Ko can only retort that “friends” don’t normally, you know, kiss and such.

Now to be fair, maybe—and it’s a huge maybe—vampires and humans have different ideas of what constitutes ‘romance’, and it is definitely not impossible that the show will try to walk this back. But I rather doubt it will try to do so with any substantial force. As mentioned, Ko has already made his choice. The show is called Call of The Night, after all, and only one of the two girls he spoke to in today’s episode is nocturnal.

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in Manga, One Piece Every Day

ONE PIECE Every Day – Chapter 44

One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.

Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!

We open today immediately after the conclusion of yesterday’s chapter, on Luffy and the floating diner’s head chef arguing over whether our boy will work for the chef for a week, a year, or if he’s willing to pay a different sort of price.

I am reasonably sure that this is not how that works.

This actually isn’t the main plot of the chapter though—it’s more a humorous B-side, as the whole thing is played pretty goofy—instead, the real Point A to Point B here comes from a conflict between Sanji and a new character, a surly cook with a….Brooklyn accent? I think that’s what they’re going for? Named Patty. Patty is not a very good cook apparently, and he frequently minces common customer service sayings (there’s even a ‘monsieur’ -> ‘mon-sewer’ bit straight out of Looney Tunes). But he does very strongly believe that the customer is king, which puts him into conflict with Sanji who, you’ll recall, is beating the shit out of that Fullbody fellow because he didn’t like Sanji’s soup. There’s some pretty great dialogue here and, honestly, all throughout the chapter. Lots of little bits of wordplay and double meanings and stuff like that, it’s fun.

This continues even after the chapter socks you with its main twist; one of the captive pirates from Fullbody’s ship has escaped and, oh no, he’s on the restaurant boat.

Despite this colorful introduction, the fellow isn’t actually much of a threat. Patty, who is apparently crazy strong because of manga reasons, knocks him in the head and tosses him out onto the deck. Here we get the chapter’s actual twist, which is that Sanji, despite absolutely ripping Fullbody earlier, is the kind of guy who’ll give some rice to a starving man even if that man might not necessarily “deserve” it. (Everyone deserves food whenever they need it, in my world view, but Patty does not seem to agree.)

The chapter—and the volume!—end here, with Luffy observing Sanji’s act of kindness and thinking that just perhaps, he’s found his cook.

One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!

Also consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

Posted on in Manga, One Piece Every Day

ONE PIECE Every Day – Chapter 43

One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.

Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!

Today on One Piece; a lesson in not wasting your food.

It starts off simple enough; our heroes pull up to the oceanbound restaurant mentioned last chapter, a magnificently goofy thing that is shaped like a fish.

But we’re introduced in short order to the guy who I was pretty sure was going to be this arc’s antagonist, but I’m actually not so certain at the moment for reasons I’ll get to in a bit. In any case, he’s quite the character.

Yes. A Navy Lieutenant. Named Ironfist Fullbody. I imagine in the dub they had someone do a really gruff and low voice for him for maximum impact. Again, I think this is a slight bit of misdirection, but he does make quite the first impression here. Almost immediately after this, he orders one of his cannoneers to sink the Merry Go.

Now, our heroes’ ship is fine, because Luffy blocks the cannonball with his, ahem, ‘gum gum balloon.’ The restaurant on the other hand, is not, because it turns out that Luffy doesn’t have great finesse as to where the things he deflects with that little trick end up.

Cut to the inside of the restaurant—the main body of the ship has thankfully not been hit by the deflected cannonball, evidently—and we get to see Fullbody trying to impress his, one assumes, fiancé, by dazzling her with his knowledge of wine.

Yes, Ol’ Ironfist here is a sommelier. But it’s actually worse than that, because as we soon learn, he’s a wannabe sommelier, as shown when he asks the restaurant’s ‘waiter’ if he’s right about the wine.

Sanji here—one of those rare few One Piece characters I knew by sight before reading this—basically clowns Fullbody’s entire existence. He denies his attempt at coming off as a Cool Wine Guy, and when Fullbody finds (or, I think, plants) a bug in his own soup, Sanji tells him to just pick it out. Which hey, fair thing to Fullbody here; that’s fucking gross. But on the other hand, you’re in the middle of the ocean. Perhaps you don’t get to be picky, navy boy.

Things keep escalating like this, but eventually Sanji’s had enough, simply because he can’t stand to see good food wasted, and the end result is that the big invincible monster heel we’ve been building up all chapter ends it looking like this.

That’s not quite the end of the story, though. While all this is happening, Luffy is taken aboard the restaurant. This leads to some further, ah, interesting conversations.

Thankfully Luffy is misunderstanding this whole scene and he did not actually blow off a guy’s leg. But still, you can see why he’d think that. Luffy is here drafted to work aboard the ship without pay for a year to make up for the damages incurred by his, you know, blowing a hole in it, and the chapter properly ends there, leaving the whole rest of this to be resolved tomorrow.

Hopefully you’ve enjoyed this slightly-longer-than-normal column, pirates. I’m hoping it makes up for my absence yesterday. See you all tomorrow!

One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!

Also consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

Posted on in Manga, One Piece Every Day

ONE PIECE EVERY DAY One Day Hiatus Notiice

Hi everyone. Short announcement here: it was bound to happen eventually! There will not be a One Piece article today. My internet was out for a while yesterday and I just didn’t have the time to get around to it because of that. I’m going to try to get a couple written up tonight to hopefully prevent this from happening again anytime soon.

I hope you’re all doing well, and I’ll see you tomorrow, Straw-Hats.

Posted on in Manga, One Piece Every Day

ONE PIECE Every Day – Chapter 42

One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.

Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!

Chapter 42 is what you might call an interstitial. If One Piece were a piece of prose, chapter 42 is a “and then” clause, serving primarily to link the previous and the next story arc, without doing too much of its own. But that doesn’t mean there can’t be some interesting or fun ideas in it. For instance; here’s Luffy’s shot at a pirate flag.

Usopp ends up giving it a shot a short while later and, well, he does a much better job.

This chapter has a bit of a “Usopp shows off some skillz” thing going on, actually, because just after this, we learn that he’s a crack shot with a cannon. I’m not sure I buy his slingshot skills transferring, but what matters much more is that the random rock he uses for target practice was occupied.

By two people Zolo knows.

Because coincidence is for suckers.

The pair, after some initial swords-first confusion, establish themselves as Johnny and Yosaku, old colleagues in the pirate-hunting biz of Zolo’s. (Johnny actually uses the term ‘brother’ but I’m not clear on how literal he’s being. I think it’s being used in a colloquial sort of way, but if I turn out to be wrong then, well, throw me overboard.) Yosaku is basically dying on the deck of the Merry Go at first, before some quick thinking from Nami makes it clear that his problem is that old pirate’s ailment; simple scurvy.

Grateful, and taking note of a conversation about how the Merry Go could really use a cook, the pair point our heroes toward an ocean-going restaurant, and in doing so, presumably set up the Straw Hats’ next adventure.

Personally, I’m interested to see where this goes. I assume “ocean-going restaurant” means that it’s literally a restaurant on a ship? But maybe it’s something more exotic. We’ll see in the days to come.

One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!

Also consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

Posted on in Manga, One Piece Every Day

ONE PIECE Every Day – Chapter 41

One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.

Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!

Did you think we were done with our big emotional climax after last chapter? Well, we mostly are, but not quite yet.

Two things happen in this chapter; for one, Kaya gifts Luffy’s crew a caravel, which I and any other former Civilization III players reading this will recognize as a mid-sized vessel common in the 16th century. It’s hardly the Queen Anne’s Revenge, but this ship, the Merry Go, is the first proper vessel our heroes have ever had. 41 chapters in, we’ve already covered a lot of ground (even if we’re still very early on in the greater scope of things), so it’s nice to see them tangibly upgrading to something bigger and better.

Secondly, Usopp says his last goodbyes to Kaya. Granted, not before overpacking to the extent that his comically large backpack causes him to topple over and role down a hill in true slapstick fashion.

Other than a few other jokes (including a great bit where Luffy has to be told not to eat the entire bones of a fish), the main takeaway here is that Kaya will be just fine, and that Usopp’s chronic lying actually has a reason behind it. A pretty sad one! Although you could probably guess that much.

To be honest, this strikes me as a little unnecessary? The simple fact that Usopp’s mom isn’t around kind of makes it obvious from the start that something’s happened to her. That said; the target audience for this manga is, or at least was at the time, kids, so maybe being a little obvious is fine.

As the chapter ends, Kaya talks to Merry—her actually loyal butler—about her dreams for the future, while Usopp’s former “crew” gallavant through the town, continuing his, ahem, sacred work.

Usopp himself and the rest of Luffy’s crew? They’re gone, back on the deep blue sea.

Tomorrow: new adventures.

One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!

Also consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

Posted on in anime, Let's Watch

Let’s Watch LYCORIS RECOIL Episode 3 – More Haste, Less Speed

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Before I begin today, I want to clarify that I tried to do something a little different with this writeup. Since its premiere, the main opinion I’ve expressed on this blog about Lycoris Recoil is that I think it’s really cool. I stand by that. It’s hard on a fundamental, entertainment level, to fuck up “girls with guns.” This is a style of story that, in anime, dates back to at least Dirty Pair. 2000s-era cult studio Bee Train also built their entire reputation on that kind of thing, and that legacy went on to inform the present day school of what I call battle girl anime, a tradition that Lycoris Recoil is very much part of. (It stands off in the comparatively more ‘realistic’—heavy scare quotes there—quadrant with other ‘spy girl’ anime like Princess Principal, RELEASE THE SPYCE, and so on.)

But today I want to get into the weeds just a bit, to the question of what Lycoris Recoil is actually about on a level beyond its literal plot. What it is trying to say, what assumptions it’s working off of, etc. As I say all this, I want to remain perfectly clear; I do really like this show quite a lot, and it would have to fuck up pretty badly for that opinion to change. Nothing I am about to say is meant to disparage the show, just to explore it in a slightly different way.

We’ll come back to that; for now, let’s start with the obvious, no-qualifiers positives. For the third week in a row, Lycoris Recoil delivers a knockout showcase of style. Throughout “More Haste, Less Speed” it is consistently entertaining as hell, and the production values are top-shelf in a way that is very hard to come by this consistently these days. Even scenes where characters are doing little more than talking to each other are absolutely chockablock with little physical tics—what the Sakurabooru crowd generally call character acting—and the action scenes toward the end of the episode remain, really, without much competition.

The actual plot is decent fun, too. The episode’s core premise is fairly simple; Chisato has to return to DA headquarters to get a physical exam so she can continue operating as a Lycoris, Takina tags along under the misguided belief that, since she’s been performing well, if she can get the commander’s ear she might be able to convince her to let her rejoin the force.

This does not happen, obviously, since then there would be no more show. Instead, we learn a few more interesting things about the incident that lead to her suspension; talk of radio interference and a possible hacking of Radiata, the DA’s ‘AI’ system that also handles its communications, absolves Takina of some actual responsibility in said incident. (Not that the DA commander knows, or, indeed, would care, as Chisato points out. That the higher-ups absolutely would feign ignorance in this kind of situation is one of the better observations LycoReco pulls out, here.)

Much of the actual conflict of this episode is more interpersonal though. It’s clear that however well she has or hasn’t been getting along with Chisato, Takina has been treating her assignment to the cafe’ group as a temporary thing, very much under the impression that she will be allowed back into what seems to be the main force of Lycorii, who are based out of the dorms in DA headquarters, eventually. Her hardnosed, by-the-book nature again comes into conflict with Chisato’s here. (There’s a fun bit early on where she refuses an offer of candy from Chisato. When the episode ends, after all that happens here, she accepts it instead, a cute visual metaphor for their increased trust in each other.)

Takina’s notion that she’ll be allowed back is, as she discovers here, itself wrong. The DA commander tells her to her face that she has no intention of bringing her back, and the other Lycorii, including her own former partner Fuki, are openly antagonistic toward her. (Honestly, Fuki is quite the baby authoritarian in general.)

This starts with verbal sparring, and by the episode’s end, culminates in a mock gunfight between Chisato and Takina’s team and Fuki, alongside her new partner Sakura.

Here, though, we should circle back around to that question of what Lycoris Recoil is actually trying to say. Because this is the first episode that’s really gone into any detail about how all this Lycoris stuff actually works, and what it shows us—and what it does not show us—is illuminating.

There is a lot of talk of “independence” and “leaving things behind” and such in this episode. To me, this is a strange bit of framing on Lycoris Recoil‘s part. Most of its important characters are orphans drafted into some kind of shadowy supersoldier program that, the more we learn about it, the less ethical it seems (and keep in mind we started with “orphan child cops”). The various Lycorii—for instance, Fuki, Takina’s former partner—talking about the DA as their “parents” is weird. It’s probably supposed to be weird, but I’m not totally clear on why Lycoris Recoil thinks it’s weird.

I will not disparage Fuki in the regard of her obvious crush on Mika, though. He’s a handsome guy if you’re into older dudes.

To me, that notion reeks of straight-up brainwashing, and the obvious best conclusion for this series is for Chisato, Takina, and ideally everyone else, to simply break away from this system entirely. (If they can dismantle it in the process, hey, bonus points.) Lycoris Recoil‘s actual qualms with this system, though, are hard to identify, seeming to equate them as it does to overprotective parents in a way that belies a paternal-authoritarian worldview. (Pro tip: if you’re equating anything to parents that’s not like a close friend or mentor, something has gone terribly wrong. The state is not your parents. Some kind of secret supercop department of the government is definitely not your parents.) If that’s so, it’s a disappointing failure of imagination. There is no reason a TV series for adults should be lapped in the “protagonist entirely rejects abusive system” department by, say, Fresh Precure.

But on the other hand, that is me making a lot of assumptions, and there is plenty of sign that Lycoris Recoil might have more ambitious plans in mind. As Takina continues to struggle with being so thoroughly rejected by the DA and by her former peers, Chisato says this, hugging Takina tight in a delightfully queer public display of affection. (Shortly after this she straight up lifts her off the ground and twirls her around in order to mock some homophobic onlookers. This is all very great.)

The question that springs from Chisato’s comment is a natural one; what kind of things can you gain by losing something? What can Takina gain from losing her membership in the DA? I would say all sorts of things. There’s what LycoReco itself implies; Chisato’s friendship1, her other friends at the cafe’ which she will perhaps come to regard as a found family, a sense of purpose, etc. But I would also add to that, freedom in the truest sense, a true unshackling from the system that is still very much invisibly stepping on both her neck and Chisato’s. It’s a fool’s game to try to predict where a piece of serial fiction will eventually end up thematically, but I want Lycoris Recoil to go there. That would take it from a very good show to a great one.

But as it is, we must look at the show we have and not the one we build up in our minds. LycoReco isn’t there yet, and it may never get there. Indeed, there are any number of minor nitpicks I could add on to this; why is Fuki’s new partner, the openly antagonistic Sakura, the one with the shortest hair and the somewhat boyish voice? Strange choice for a series with a massive periphery gay fanbase. Why does the DA commander (whose name I’ve not written down, because she’s awful and doesn’t deserve one) suddenly act all proud behind the scenes after Chisato and Takina leave? Of course, even as I write these things I’m cognizant that they are, again, nitpicks. One could easily wave them off as a byproduct of the many-hands approach that almost all modern serial television is made with, and I am largely inclined to do so.

So, do any of these, not even faults exactly, but potential future faults ruin the episode or make it bad or anything like that? No. Lycoris Recoil remains a masterclass of stylish and engaging animation and direction. The question for me is more whether or not the themes will prove themselves worthy of that style. To put it in an admittedly very dumb way; Lycoris Recoil probably has a spot on my end-of-year writeups on its looks and fun-to-untangle twisty-turny plot alone. And there are lots of little bits about this episode that I didn’t even get the chance to mention, alongside the aforementioned nitpicks; a few hints about Chisato’s past as “the hero of the radio tower,” the daily board game tournaments that apparently go on at the cafe’, etc.

Whether it comes out the other side of these twelve weeks saying something meaningful or interesting is what will decide if it ranks high on that list or ends up in the honorable mentions next to, say, Princess Connect Re:Dive. Neither is anything to remotely be ashamed of, and I would find it hard to actually slam Lycoris for the aforementioned potential failures of imagination unless it colossally dropped the ball in a downright offensive way—I don’t get my politics from cartoons and you shouldn’t either, go read Capitalist Realism or something—it’s just a question of its placement on the proverbial podium.

Put plain; I still really like Lycoris Recoil, but I am interested to see if it can raise the ceiling even more.

1: As strong and well-worn as my shipping goggles are, I don’t think you can really argue the two are actually going out, based on what we see. Yet. We’ll see what the rest of the show looks like. (And, hey, I’m not going to tell fanartists they can’t mine that little pick-up-and-spin-around bit for weeks. Are you? What are you, some kind of killjoy?)

Like what you’re reading? Consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in Manga, One Piece Every Day

ONE PIECE Every Day – Chapter 40

One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.

Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!

In today’s chapter: farewells and castings-off.

The defeated Captain Kuro is batted out of the series with one final panel of Luffy piledriving his head into the ground. I actually particularly like this because we also see his glasses bounce away, crushed. It’s fun to see a character’s personal symbol of sorts destroyed as a visual metaphor for their defeat.

And Luffy manages to get off one last bit of “I’m gonna be king of the pirates” chest-puffing before promptly collapsing from exhaustion and/or blood loss. (Don’t worry, he’s fine. You know how shonen protagonists are.)

But for the most part, this chapter is about Usopp, who decides to swear his “crew”—as well as everyone else—to secrecy, so that the people of his town don’t worry about the pirate raid that they only just avoided being caught up in.

I remain rather averse to the “boy who cried wolf” trope, but I like Usopp basically twisting it inside-out here, relying on his own bad reputation to protect the townsfolk’s peace of mind. One can understand where he’s coming from in a very immediate way, that’s a nice thing in a story like this that more or less lives and dies on the readership being able to connect to the characters in an immediate, intuitive way.

At the end of the chapter, he strikes off on his own, now dead-set on becoming a real pirate, rather than simply a teller of tall tales. Of course, in order to do that, there’s a group of people he has to bid farewell to.

As he leaves his “pirate crew” behind, Usopp makes the boys swear to keep pursuing their own dreams. It’s genuinely really sweet.

All this to say; Usopp is a good lad, my initial impression of the character wasn’t terribly favorable, but hey, that happens sometimes.

Now then, before I bid you all farewell for the day, I’ve decided that fielding y’all a question every ten chapters or so will be a fun way to keep things fresh.

Last time I asked you what manga you were reading other than One Piece itself (and hey, if you’ve picked up something in the interim, feel free to share). Today I’ll ask what anime you’re watching this season, if any. Y’all can reasonably intuit from my anime columns that I’m watching Lycoris Recoil, Lucifer and the Biscuit Hammer (the recap for which I’m slightly putting off by writing this first, in fact….), and Call of the Night. In addition to that I’ve been keeping up with Smile of the Arsnotoria, Teppen (although it actually skipped its second episode for absolutely wild reasons I won’t go into here), YUREI DECO, Tokyo Mew Mew New, the RWBY anime Ice Queendom, and carrying over from last season, Summertime Render (don’t tell Disney). What about you?

One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!

Also consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.

Posted on in anime, Let's Watch

Let’s Watch LUCIFER AND THE BISCUIT HAMMER – Episode 2

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

Special Notice: As I established in the very first entry of this particular Let’s Watch column, I maintain a belief that this anime is very bad. I strongly encourage you to read the Lucifer & The Biscuit Hammer manga instead.

This week, we see an arguable improvement from Lucifer and the Biscuit Hammer‘s slipshod anime adaption, in that it is mostly bad in ways that are simply unflattering as opposed to ways that are out-and-out depressing.

The story of this episode is basically a miniature training arc, but I’m not going to condescend to anyone reading this by pretending you need me to recap that. Yuuhi gets it in his head that he should be more manueverable. Sure. The real question is whether or not Biscuit Hammer has meaningfully picked up at all from last week. The answer is just barely “yes,” but not in a way that inspires terribly much confidence going forward.

The truly maddening thing is that there are moments where it mostly works. But they’re so fleeting and scattershot that their presence more highlights how woefully deficient every other part of this adaption is than it does say anything truly positive. Unsurprisingly, most of these pinpricks of light revolve again around Samidare.

Near the front end of the episode, she works out as part of her apparent training regiment by doing pushups while Yuuhi sits on her back. It’s cute. Granted, it was cute in the manga, but it’s worth pointing out when something actually manages to come through mostly-unscathed. (Strap in, that’s what a lot of this column—both today’s entry in particular and in general—are going to be going forward.)

I tried to come up with some pun about how this is a visual metaphor for Samidare carrying the whole show on her back, but I couldn’t quite get there. Maybe you can.

Another instance comes when Yuuhi asks her a very reasonable question: why does she want to destroy the world? That is, after all, a ferociously violent thing, if you really think about it. Her response here—as in the source material—is cryptic, but illuminating, painting her as selfish and egomaniacal to a rare degree. (Do remember, this is our heroine, here.)

But that selfishness is exactly what makes her so interesting as a character. Again, this largely being a writing-side decision, it’s something the anime can’t entirely squash, even if this entire scene is a lot flatter and less impressive than in the manga. A lot of these shots actually look better as stills than in motion. (Which is saying a lot, because they’re not exactly painterly in this format either.) As with last episode—and I imagine, many to come—there are a few moments like this where you can squint and see the echoes of a much better version of this story in there. But that one has to work so hard to do so speaks to the problem.

I want to highlight this shot in particular. Whoever keeps deciding to juxtapose Samidare and Yuuhi against the vast, ominous shadow of the Biscuit Hammer itself should be working somewhere else, because they at least have an idea of what they’re doing. Even with the somewhat “starfield on the side of a van”-y quality to the backdrop, it’s way more visually striking than anything else in the show.

Samidare also gets probably the only half-decent bit of action in the show so far, where she chucks a fucking car at this week’s golem. (Yes, there’s one in this episode too, get used to them.) It’s not choreographed terribly well but, hey, it’s hard to completely mess up someone tossing a car.

Elsewhere, the series’ decisions are sometimes simply confusing. For instance, in the image below, Yuuhi is contemplating his grandfather’s ill health, and also on his own weakness. We can deduce from what we already know that Yuuhi’s grandpa is not a great guy, and we get the details not long after this scene, so he’s probably pretty conflicted in this shot. Why, then, is the soundtrack a full battery of chuga-chuga-chaw heavy metal guitars? Was the audio editor just taking the piss?

The annoying thing is that the last leg of this episode largely works pretty well. The dread Yuuhi feels toward his grandfather is explained as largely the result of said grandfather being a genuine abusive shithead. Those chains we keep seeing as imagery aren’t metaphorical, they’re trauma flashbacks literally intruding into the reality of the show, as Yuuhi was once literally chained up and locked in a closet for a few days by his grandfather. It’s really no wonder that when he gets news of his grandpa’s bad health here he’s very reluctant to go see him.

The impact of that abuse is something Biscuit Hammer handles with a surprising amount of nuance, given even more detail here as Yuuhi himself falls sick from trying to leap across the local river (it’s complicated), and has to have Samidare tend to him. But the entire time I watched this, even feeling as I do that it’s the part of the episode that works best, I couldn’t help but wonder how much of that feeling is holdover from the manga.

I largely think the print pacing works better here, because cramming both Samidare’s little speech a bit farther up this page and this whole thing about Yuuhi’s grandfather into the same 22 minute space just feels unpleasantly jumbled. I obviously cannot say this for certain, but I feel like this episode probably does not hit nearly as convincingly for someone who isn’t already familiar with these characters.

Thus we settle into what I think will be the story of the Biscuit Hammer anime’s entire run (which might well be two cours, going by the BD listings). Moments of brightness left over from the manga’s original structure intercut with an awful lot of unimpressive-to-outright-awful visual production.

I am, then, judging Biscuit Hammer as much on what it represents as what it actually is. I remain unconvinced that there is any reason for this anime to exist beyond someone trying to do a quick IP flip to raise some money. The open question is whether it will eventually succeed even as something that nakedly unambitious, whether it will at least be a competent obvious cash grab. So far, the answer to that question feels like a flat “no.” Even the scenes in this episode that mostly work only do so by inheriting the manga’s existing strengths. There is not a single thing here that enhances or even meaningfully changes the source material. In the weeks to come, we will see if it remains so thoroughly pointless.

Biscuit Hammer Scorecard for This Week:

Times Samidare Literally Carried the Show: 2
Bad Perv Jokes I Didn’t Bring Up in The Main Body of The Text Because There’s Already So Much to Complain About: 1
Scenes that Actually Kind of Work for a Period of More Than a Few Seconds: 1
Lizard Moments: 3
Samidare Cuteness: 10/10

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All views expressed on Magic Planet Anime are solely my own opinions and conclusions and should not be taken to reflect the opinions of any other persons, groups, or organizations. All text, excepting direct quotations, is owned by Magic Planet Anime. Do not duplicate without permission. All images are owned by their original copyright holders.

Posted on in Manga, One Piece Every Day

ONE PIECE Every Day – Chapter 39

One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.

Please keep in mind that many other readers are also first-timers. Do NOT spoil anything beyond this point in the comments!

I like the way today’s chapter is put together. Functionally, you’ve got two fights; one between Luffy and Kuro and another between Kaya, Usopp’s ‘crew’, and Django (which later gets two extra participants as the chapter comes to a close). The chapter keeps up the tension with the fairly simple trick of swapping between them, so there are no real “dead moments” at any point.

One Piece is good about this in general, but I find chapter 39 fairly exceptional in this regard. Basically everybody—at least, all the ‘good guys’, excepting Nami—get a solid badass moment. In something this long, you cannot expect every single chapter to have major story revelations or anything like that, but it’s good one when can make an exceptional showing on the Cool Points front, if nothing else.

It’s Luffy who gets the bulk of them, as despite Kuro’s techniques, he’s not much of a match for the rubberband pirate (assuming he doesn’t have some other secret trick up his sleeve anyhow), and Luffy is able to lay him flat without too much trouble over the course of the chapter.

Kuro of course panics about this, and we get one of those huge open-mouthed hollers that Oda seems to love drawing.

Meanwhile, Kaya is willing to sign the will without being mind-controlled, if Django will just leave Usopp’s little friends alone. The hitman hypnotist is having none of it, though, and Kaya actually has to threaten to hurt herself in order to get him to even consider it.

And Usopp’s crew promptly get their moment a few pages later when they charge him from behind and knock him on his ass. Which buys all involved just enough time for Zolo and Usopp to show up.

It’s actually Usopp himself who gets the final blow on Django, hitting him with some sort of exploding projectile via his slingshot.

And meanwhile, back at the beach, Luffy seems to put Captain Kuro down for good. Look at that neck; I don’t know if he’s coming back from that one.

Tomorrow: Is the battle over, or just beginning?

One Piece Every Day relies on reader support even more than most of my columns do. Please consider sharing this article around if you liked it!

Also consider following Magic Planet Anime to get notified when new articles go live. If you’d like to talk to other Magic Planet Anime readers, consider joining my Discord server! Also consider following me on Twitter and supporting me on Ko-Fi or Patreon. If you want to read more of my work, consider heading over to the Directory to browse by category.