Lush, rolling green hills. They’re such a piece of staple iconography for a certain genre of summery anime that it’s a bit of a meme in some circles. I don’t think the people behind Akebi’s Sailor Uniform would much care about that. “Irony” is a foreign word to the language this series speaks. It’s all do-your-best’s, believe-in-yourself’s, sunshine and shimmering water. Everyone in Akebi is constantly sort of half-blushing, and always looks like they might break into a grin at any moment. I think in western otakudom this school of anime filmography is more associated with theatrical movies than it is TV anime, but it’s the space Akebi works in, and it is perhaps best understood as trying to achieve that aesthetic. I would not say it succeeds, but it makes an admirable go of it. But before we get into minutiae like production, there are two things I need to disclose up front that may seem random at first, but I assure you both will be relevant.

I went to a Catholic School, and I absolutely hate the sound of people clipping their nails.
As you might guess, Akebi’s Sailor Uniform is about a schoolgirl. A girl entering a private middle school, in fact. This is Komichi Akebi. Our protagonist and, really, in this first episode, the only truly important character. (Voiced by Manatsu Murakami. This seems to be her first time in a leading role.) For reasons we have not been told yet (and which I am sure will be divulged to us at some point in a future episode), Komichi puts a whole lot of value in the idea of going to a fancy private academy and getting to wear a fancy sailor uniform.
On a basic level, I find this kind of hard to relate to, but going by their lavishly drawn house, Komichi’s family seem to be pretty well off. Maybe this is the kind of thing rich kids get really invested in? I went to a Catholic middle school, and my memories of getting the uniforms I needed are largely tied to the unpleasantly stale air inside every uniform shop I’ve ever been in. Maybe things are different in Japan, I don’t know. Komichi’s mother actually makes her uniform for her, which seems like an utterly absurd level of burden to put on the parent, here, but again, maybe this is just what rich families do. I wouldn’t know. She literally cries tears of joy when she finally gets it, which is honestly more funny than anything.

Being “unrelatable” is not a huge problem for popular art. I have never been imprisoned in a magical tower, but I like Tower of God just fine. I’ve never been a multi-millionaire, but I still listen to Rick Ross. That’s not the issue. But Akebi’s Sailor Uniform leans really hard on the–to the series, apparently self-evident–idea that sailor uniforms are near-religious symbols of prestige, class, coolness, and self-improvement. It is totally foreign to my experience, and for this reason and a number of others (which I’ll get to), my strongest impression of Akebi is not qualitative, it’s merely that this show is really freakin’ weird. Deceptively so, even, given its simple premise.

For example, the visual approach I mentioned in the opening paragraph? It actively works against the show. Akebi looks nice in a general sense, especially the backgrounds. But it doesn’t nail the look it seems to be going for, which has the effect of making everything look just a bit “off.” The characters themselves are hit hardest here, with their constant blushing and mix of old-school and contemporary design tropes making them look like stoned aliens in some cuts. The whole thing just feels strange.

The series’ take on Osamu Dezaki’s “postcard memory” technique dives full-on into the uncanny valley.
Maybe this is the lingering memory of Cocoon Entwined influencing my perception, but I almost expected something sinister to happen at some point over the course of this episode. Nothing ever does, and I don’t think it ever will, but the fact that I even entertained the possibility speaks to the series’ bizarre feel. Not helping things is the leering camera, which seems to treat Komichi herself with an almost fetishistic level of attention. Despite the fact that the show is, on a surface level, not as “horny” as the other series I covered today, I felt slightly uncomfortable way more often when watching it.
Some of this, admittedly, might be the point. But that “might” is doing a lot of heavy lifting.
In the second half of the episode, Komichi learns that, somehow, she got the design for the uniform she was supposed to give her mother wrong. Sailor uniforms are what the girls at the academy wore when her mom went to school there, but nowadays they wear blazers. (Sidenote here; for my money the blazers look way nicer and also more comfortable, but that’s just me.) Improbably, the school’s principal lets her wear the old uniform anyway, even though it will make her stick out like a sore thumb. Komichi understandably worries about being bullied about this, because teenagers are assholes.*

The fact that this woman actually kinda looks like the (extremely mean) principal I had at school does make me wonder if some part of Akebi is meant to distress me specifically.
When she actually gets to school–very early, and way before most other students–she meets Erika Kizaki. (Played by Sora Amamiya, who has been in a bunch of things but most recently of note to readers of this blog, was Yachiyo in Magia Record.) Erika does not notice Komichi when she enters the room and continues obliviously going about her morning ritual. Which consists of clipping her toenails and then sniffing the clippers.
I really want to be clear that I am not taking anything out of context here.


What the fuck.
On this incredibly bizarre note, they strike up a friendship. It’s nice, I suppose? I can buy that they genuinely get along, at least, which is important. There’s little else to the episode, and Akebi ends by establishing itself as the rare anime where the main characters do not sit by the classroom window.

To some point, I think the characters’ general strangeness may be intentional. A “wow, look at all these weird girls finding friendship with each other. Isn’t that adorable?” sort of thing. And hey, I guess it is cute, in a way. But the show’s general feel–something I acknowledge is very much based on a lot of things that vary from person to person–make it feel almost unsettling.
To be quite honest, I have basically no idea what to make of Akebi. If any of this sounds interesting, maybe check it out. Or even if not, maybe check it out, maybe my entire perspective here is just wildly off-base. I don’t know. For me, the entire episode just gives me very strange vibes, and I do not think I will be watching more Akebi. I’m sure Komichi herself will be fine, but I have no real wish to follow her story.
Grade: Sixth
The Takeaway: ???
*If you are a teenager, and not an asshole, I apologize for the generalization, but I’m speaking from experience here.
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@Garden of thoughts You don’t need to call me “OPP”, I can see every comment posted on this site.
Anyway, I appreciate your comment. The only thing I really have to add is that I will point out that the article you’re replying to is several years old. I’ve since very much softened up on this kind of thing and I think if you read some of my more recent writing on vaguely similar work you’ll see such.
I never did watch past the first few episodes of the anime but I’d like to give the manga shot someday. If I do, I may write about it, and I will probably have more nice things to say than I did here.
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As an up-to-date manga reader, as well as someone having seen half of the anime (to compare the two), I can see where some of your points about weirdness from.
The setting in the manga is nothing extraordinary: countryside, private school, rich household. But the characters’ behaviours and interactions need a considerable extent of suspension of disbelief to get used to. Almost everyone, despite being just 12, act so polite/kind/sweet/innocence/… that it’s just impossible.
One small note though, the weirdest thing about Akebi is not her being obsessed with the sailor uniform, because that’s what her idol wears. That is her ultra postitive, pure, radiant personality.
After that, you still need to overcome another obstacle for many readers/watchers: subtle erotcism. As you said about camera angles, this manga/anime use that very well to bring suggestiveness out of the most mundane scene. Not all the time, sometimes it’s just the artist flexing their skills (those angles are very hard to draw nicely). But when you see it, you “know what’s up”.
This series doesn’t sell itself as an average ecchi anime where people crash into girls’ boobs and underskirt, neither having blatant objectification/sexualization of female characters. Everything seems so tame. And that somewhat amplifies the moments when suggestive things happen, despite very subtle compared to your average shounen beach episode.
Now for the positive stuffs. The anime adapts the manga very well. Both have very good art and animation. The manga is such a monster in this aspect that I’m impressed how the anime managed to do it. If you are someone who pioritizes art, sakuga, high quality drawings/animation, this series is a must. Especially the manga.
While recognizing its problem, there’s still so much more to praise Akebi’s Sailor Fuku, but respecting the original blog topic, I will leave it here. I probably can’t convince the OPP to read/watch it, but I hope it clears some confusions and interests newcomers.
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You know, I don’t even know you, but you’re still an asshole, judging from this article, your self pitying self victimization complex, and the fact you’re hiding behind your orientation and representation as a crutch to be an asswipe. I don’t have anything against your freedom to post what you will. I’m just a reminder that there are consequences in this world. You just got one, by the way. By the way, you can be a sicko regardless of whatever. Go be jealous of female characters from fictional animated shows and mask that with claiming them as CSEM.
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@Someone I don’t normally take the time to directly respond to negative comments because A) I don’t think it’s usually worth the effort and B) because I don’t want to come off as censoring people on my website. However, your comment here really got under my skin and I think you are extrapolating quite a bit from what I actually say in this article and using it to make some pretty strong claims which I do not make in the text of the article itself.
I do not at any point call the series CSEM. This would be a wild accusation to level at the series. I do call it weird and offputting, because I personally found it to be those things, and I say its camera strikes me as fetishistic, which it did at the time. I am making no effort to “twist” or “break” anything, I was engaging with the text of the show as-written.
Given that this article is almost exactly three years old. I am not sure if I’d consider the show differently if I gave it another shot today. From what I recall, I followed it for one more episode after this, continued to find it strange and inscrutable, and promptly dropped it. I have not thought about it much since then until reading this comment.
You are, obviously, completely free to disagree with me. I have a friend who’s a huge fan of this series and I have never taken any umbrage with their appreciation of it. Different works of art mean different things to different people, I take great pains to stress this throughout the article and honestly across much of my work on this site. That is why I am upfront with my own experiences in the lead portion of this article, to clarify where I’m coming from so that the reader can understand my frame of reference.
Calling me, a transgender woman, a “sicko” who “needs help” because I did not like an anime that you evidently enjoy a great deal is honestly pretty upsetting. I am going to take it on faith that you did not really think about the full ramifications of your comment before sending it, so I won’t hold it against you, but I felt the need to clarify my position here, because what you are accusing me of saying in this piece and what I actually said in it are two very different things.
And again, this article is 3 years old. I do not know if I would feel the same way about this series today.
I am going to assume this comment answers your criticisms to your satisfaction, or that if it does not, it at least clarifies my position. Good day to you.
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This says more about you than the show. Even though I have schooling baggage too, I at least can take this show for what it is. Only really sick people desire to twist and break cute and innocent things for the sake of “reality”, and not in funny, dark humor ways or with serious pathos. You and the sickos who think this is CSEM really need help.
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