Posted on January 8, 2022 in anime, Let's Watch, Seasonal Impression Roundups

Let’s Watch MY DRESS-UP DARLING: Episode 1

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

You wanted it, you got it. When I put out the word for my first-ever community survey to help me pick a series to cover this season, My Dress-Up Darling was easily the most popular choice, with 47% of the vote. (The next-highest show was a full 15 points lower.) Admittedly, I was a little surprised by this! Romance anime tend to be divisive just in concept alone. But being only passingly familiar with the Dress-Up Darling series prior to the anime’s premiere, I figured there must be a good reason behind the enthusiasm. And having seen the first episode, I still think that, but I want to take things a bit non-linearly and get into what this column will actually be for My Dress-Up Darling. I’m out of my wheelhouse in more than one sense for this one, so bear with me.

What I mean is; I think it’s very easy to construct an uncharitable narrative around works like this. I myself am pretty romcom-skeptical most of the time. The exceptions are outliers like Kaguya-sama: Love is War! that also dip their toes into other genres and are just generally more ambitious than the norm. I like Dress-Up Darling, at least so far, but “ambitious” is not a word I’d apply. To wit, throughout this first episode, we hear only one internal monologue, that of our nerdy male lead Wakana Gojo. (Played by Yu-Gi-Oh! VRAINS veteran Shouya Ishige.) He seems to regard not just women but other people in general as enigmas. And he gives off a vaguely self-pitying vibe. To be honest, for a decent chunk of the episode I found him a bit annoying, only changing my mind when he started nerding out toward the end.

Then there’s Marin Kitagawa, (Hina Suguta, in her first major role) our female lead and Gojo’s love interest. Marin, being both a gyaru and a pretty huge nerd, is treated as an exotic anomaly. This character archetype–the “surprisingly nice gyaru who happens to share some of the male lead’s interests”–is a standard trope of its own by this point. That’s without getting into the fact that the camera nakedly leers at her from time to time (in shots that mostly seem like they’re from Gojo’s perspective.) How, in the final part of the episode, Gojo is rewarded for meticulously pointing out how bad Marin is at sewing (a traditionally feminine craft.) Etc. etc. You get the picture.

I want to be careful in how I phrase this, because I do genuinely think that others’ work is just as valuable as mine, and I can imagine people–especially other critics–having sharply divergent opinions on this series. I want to respect those opinions.

To put it bluntly, we are not really going to be grappling at length with that side of Dress-Up Darling. I think these issues (to the extent that they are issues, I think some are more serious than others) permeate the medium, and some of them are endemic to popular art in general. I could hold Dress-Up Darling accountable for not addressing them, but I think that would be an unrealistic burden to place on what is at its core an extremely simple series. Given the choice to be negative and rake a series over the coals for its faults or to praise it for what it does well, I will generally choose the latter. (And frankly, I have written more than enough negative material on this blog recently. It’s unfair, but it’s hard for me to hold much against a series airing in a season that also contains Police in a Pod.)

None of this is to say I am excusing these issues entirely, and if I think Dress-Up Darling has committed some particularly notable offense I will mention it, but it is not what I’m going to be focusing on. Because I think at what it sets out to do, Dress-Up Darling is pretty good so far. To be totally honest, I would just rather talk about that.

So, you may ask, now that I’ve spent six paragraphs running in circles, what does it set out to do? Oh, you know, boy meets girl. Simple stuff.

Fundamental to understanding Dress-Up Darling is understanding that Gojo is a turbonerd, but not just any kind of turbonerd. If we were dealing with a garden variety otaku, Dress-Up Darling would be a lot less interesting. No, Gojo makes outfits for traditional Japanese dolls. His grandfather, who he lives with, makes Japanese dolls. It’s kind of their whole thing.

Having a rather niche hobby that he devotes quite a lot of his spare time to, Gojo does not have any friends. And often when an anime says something like that, it’s an exaggeration. But as far as I can tell, no, Gojo literally has no friends. There’s even a mean/funny moment as he’s walking to high school mid-episode where another guy runs up to him and playfully smacks him on the back. Naturally, it turns out that this is a rando who thought he was someone else. Ouch.

Teenagers, being in general, assholes*, notice Gojo’s lack of friends, and generally both are hesitant to talk to him and take advantage of his timidity to dump classroom chores and such on him. Gojo is sad about all this, because he feels he’s being ostracized for having a niche interest. This being a romance anime, you can probably guess what jolts him into self-improvement.

Here’s a hint; this is one of the most hilariously on-the-nose meet-cute sequences I’ve ever seen. Marin trips and falls while entering the classroom, and somehow rockets over to Gojo’s seat, entering his life like a near-literal bolt from the blue. It is, in every sense of the word, incredible.

^{If this happens to you, you may be entitled to financial compensation.}

This is, even more remarkably, not actually the meeting that gets them talking. Between this and that, we do get some additional insight into Marin’s character, which has the benefit of making her not just a complete slate for geekboy projection. (Among other things, she turns down guys who make fun of her for being a nerd. That’s pretty smart! Although damn, it’s sad that she’s already had to learn to recognize negging despite being, like, what, fifteen? Sixteen?)

The real meeting comes later, when Gojo’s sewing machine at home breaks and he comes up with the brilliant idea to use the school’s apparently abandoned home ec. room’s as a substitute. Surprise! Marin has had this same idea.

^{The expressions in this show are pretty great.}

Not to work on doll costumes in her case, but cosplay outfits. They get to talking, and Marin surprises Gojo by being interested in his dollmaking hobby. She, in turn, shows him the cosplay outfit she’s been working on. (In what is probably the most unapologetically horny scene in the entire episode, given that she changes clothes in front of him with only his word that he won’t peek. Marin, honey, I’m glad that you like the guy but be a little more cautious!) The aforementioned Gojo-criticizing-Marin’s-sewing scene happens, and Marin, of course, counters that hey, if Gojo’s so good at sewing, why doesn’t he make her cosplay outfits? (When you think about it, aren’t cosplay outfits just doll clothes but person-sized? No, they aren’t, but that’s the premise this entire anime is built upon, so just roll with it.)

I’m going over all of this pretty briskly, but Marin’s genuine enthusiasm for Gojo’s dollmaking is, really, quite endearing.

^{The sub track has Marin refer to the doll as a “little hottie,” which is one of my favorite pieces of translation work of the season so far.}

It’s probably the single most important emotional beat for this episode to nail, and it does so admirably. And, yeah, even this early on the two are transparently pretty into each other. I’m not afraid to say it’s cute.

So that’s Dress-Up Darling. Or more accurately, its first episode, “Someone Who Lives in the Exact Opposite World as Me.” (A line from one of those vaguely annoying inner monologues I mentioned.) If I were grading this like a first impressions article, I’d probably give the show a B or so. It has some issues, but I like it overall. (I worry I’ve come across as perhaps rather sarcastic in this article. Some of that is on purpose, but I did genuinely enjoy this episode.)

This, of course, isn’t a first impressions article. Like I said, anime fans, you wanted it, and you got it. Dress-Up Darling will return to this column next week.

See you then.

Extremely important bonus screencap: Marin’s clique of friends goes unnamed here, but I wanted to give a shout out to this girl. I have no idea if she’ll ever be important to the plot of the series, but I love her two-tone black and red hair. That’s a look.

*If you are a teenager, and not an asshole, I apologize for the generalization, but I’m speaking from experience here.

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Posted on October 26, 2021November 24, 2021 in anime, Let's Watch

Let’s Watch TAKT OP.DESTINY: Episode 4

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime. Expect spoilers!

It starts out so simply! “Let the Performance Begin -Showtime-“, takt op.Destiny‘s fourth episode, opens with Takt and Destiny engaging in a little bit of training under Lenny’s guidance. It’s a great little demonstration of the kind of thrilling combat animation that takt op seems to be able to just summon with a casual flick of the wrist. Laser fire bounces off of scenery like rubber, a D2 is whacked to pieces like a busted action figure.

The usual. Eventually, this builds into what is probably takt op‘s most natural episode since its premiere. Perhaps “natural” is a funny word to use to describe an anime, but the focus here, at least with regard to Takt and Destiny, is the pair learning to fight like duet partners. And, on a less literal level, learning to find meaning in their new calling as protectors of the weak.

But first; we were promised a trip to Vegas last week. When our heroes roll into the town itself, it initially seems like we’ve been misled. Most of Las Vegas as we know it today is, here, abandoned, and a majority of the population survives by farming in fields outside the ruins. Our brief tour around the Vegas fields here is charming, but it quickly becomes clear that not everything is above-board. Most viewers will start to get the impression that something’s amiss with the introduction of Mr. Lang, a man wearing a decidedly not-farmer-ish suit and escorted at all times by a pair of armed bodyguards. When he’s introduced as the land’s “owner”, one need to connect only a few dots to intuit that the man is, at best, an exploitative landlord.

Before that particular thread can be tied up, though, we should also touch on Leonard’s interactions with Takt, here. We’ve only known Leonard for a little while, but he fills the role of the somewhat-cryptic (but seemingly, largely good-natured) mentor well. He and Takt discuss the meaning of music itself in one of “-Showtime-“‘s quieter scenes. Leonard espouses that music is a bringer of joy and a figurative guiding light. He argues that this is true even if the music itself can only come into existence through pain or loss, a fair enough idea. Less scrupulously, he also uses this concept to defend the Symphonica’s policy of not necessarily telling endangered populations that D2s may be nearby. The reasoning is sound, if cynical; fear saps peoples’ motivation, and that isn’t something that can be afforded when the world is just starting to get back on its feet. That, and they can’t really do anything to defend themselves without a Conductor around anyway. (Perhaps tellingly, Leonard doesn’t say that last part himself. It’s Takt who picks up the ball there.)

Leonard is an interesting and somewhat ambiguous figure, and his driving the episode’s plot doesn’t end here. It’s he and Titan who take the initiative into investigating Mr. Lang, uncovering a secret casino–a remnant of old Las Vegas in both physical form and spirit–without much effort. And while Takt, Destiny, and Anna eventually make their way to this place, too, it’s Leonard who gets in without a fight. When Destiny eventually drags Takt and Anna there, it’s because she’s following “vibrations” under the ground, and she’s more than happy to kick the living daylights out of Lang’s security guards to get in.

Of course, the inevitable eventually happens and Mr. Lang’s underground gambling den is promptly invaded by freaky spiked beetle-gorilla D2s, who bust in through the floor and bounce around the place like Sonic The Hedgehog in a casino level’s pinball table. Leonard gives Takt a sort of live-fire exercise here, and it’s over the course of this sequence where he and Destiny finally learn to “play” together like a proper pair of musicians should. Because this is takt op, that entails kicking a lot of monster ass. And indeed, much of it is kicked over the course of these few minutes. It’s the kind of scene that makes you want to break out old-timey adjectives like “rollicking” and “rip-roaring.” The show’s just fun to watch, OK?

After all this, we bid goodbye to Lenny here, with him shaking Takt’s hand Conductor to Conductor as he wishes our protagonist well. Their own business in Vegas taken care of, Leonard and Titan ride off into the sunset. I suspect we’ll be seeing them again. Oh, and if you’re worried about Mr. Lang, don’t be. Titan rounds him up in the episode’s closing minutes. What exactly happens to him is left to our imagination, but aside from confirming that yes, he was stealing money from the farmers to fund his bougie casinoland fantasies. This sequence also proves that Titan can be quite scary when she puts her mind to it! I really do hope we see more of her.

^{“This shot is mostly just to remind you that I’m not human and also carry a firearm.”}

This episode lays some groundwork for future ones, certainly, but more importantly than that it’s the kind of engaging fun that you (or at least, I) look for in a series like this. It’s a nice reprieve after the rather serious nature of the last two episodes without being so lightweight that it feels inconsequential. This is what you want out of a traveler story series, and I hope many more episodes like this are to come.

Until next week, anime fans.

Posted on October 12, 2021 in anime, Let's Watch

Let’s Watch TAKT OP.DESTINY: Episode 2

Let’s Watch is a weekly recap column where I follow an anime for the course of its entire runtime, and provide thoughts and analysis on each episode. You should expect spoilers for both the current episode and all episodes before it.

Serious question; did people think that takt op.Destiny needed to like, explain itself?

Surely some people must have. That’s the only explanation I can really muster for the puzzling note on which the second episode, “Music -Reincarnation-” opens. We open not by picking up after last week’s riotous romp, but at some point before then. A sort of “how we got here.” takt op here runs through its world’s and protagonist’s backstories competently, but without much flash. We see that Takt lost his father. We see him struggle and, frankly, fail, to cope by holing up in his room for an unknowable amount of summers, pounding away at his piano but interacting with no one but Cosette and Anna. (The former of whom acts notably differently here than she does in the first episode, but we’ll get to that.) He gets snippy with them and balks at the suggestion that anything is wrong. Typical traumatized teenager stuff, mostly.

None of this is bad, but it’s a far cry from the knock-you-on-your-ass bombast of the opening episode. Certainly I don’t know how those who liked takt op.Destiny’s more lighthearted side are going to react. And while it’s certainly tolerable, it would be a pretty disappointing note for the show to continue on if it weren’t leading up to something. Thankfully, it is.

You see, it turns out that a traveling, Symphonica-sponsored music festival will be arriving in town. Surely, nothing bad could come of this.

For a while, nothing does. Grand Maestro Sagan (the one responsible for the “music ban” in the first place) makes a brief but notable appearance. Other than that, the festival sequence is fairly lighthearted and warm. Takt and Cosette even play piano together at one point. It’s cute.

^{Oh you cishets and your instruments.}

Of course, this is not the sort of show where things stay copacetic for very long. Soon, a band of D2s are attracted to the festival and everything goes to hell. Cosette nearly dies, Takt loses an arm. If that doesn’t seem to immediately square with what we’ve known of the series so far, you’ll want to hold on to your monocles, because the final few minutes are where “Music -Reincarnation-” really earns its stripes. (And, yes, explains its title.)

We don’t get the specifics–and why would we need them?–but Takt unintentionally does some kind of music-magic that infuses Cosette with new life and seemingly transforms her into a Musicart. We end on a cliffhanger, but not before some truly stunning, wonderfully melodramatic dialogue and imagery.

The remainder of this past-set story to be resolved sometime next week, we must assume.

In general, it’s kind of an odd follow-up to the first episode. Mostly for how tonally different it is, and for the implication that the Cosette we got to know last week is not “really” her. (I suspect, even though it doesn’t come up explicitly here, that being infused with a Musicart somehow changes one’s personality. Recall that Cosette was almost android-y at times last week.) But if takt op.Destiny wants to trade in some of its visual oomph for melodrama, I think it turns out to be well-earned here. I just hope the series doesn’t forget why people tuned in in the first place.

The Magic Planet

Tag: Let’s Watch

Let’s Watch MY DRESS-UP DARLING: Episode 1

Let’s Watch TAKT OP.DESTINY: Episode 4

Let’s Watch TAKT OP.DESTINY: Episode 2