One Piece Every Day is a column where I read a chapter of One Piece every single day—more or less—and discuss my thoughts on it. Each entry will have spoilers up to the chapter covered in that day’s column.
The temptation when starting a project like this is always to make grand statements of intent and purpose. I’ve already explained my reasoning at length in the intro article, though, so all that’s really left to do is aweigh the proverbial anchors and set sail. As I mentioned there, some back of the envelope math tells me that even if I keep up the rate of one chapter per day, every single day, with no breaks, and even if no new material came out at all, it will take me somewhere on the order of three years to catch up to the current chapter. Lots of things can happen in three years, but the great cliché goes that the journey of a thousand miles begins with a single step. We take that step today, together. I do hope you’re reading along.
I wonder what it was like, on that hot July day in ’97, to read the first chapter of One Piece. Did people read this and just know that they had something special on their hands? I certainly didn’t, I was a mere three years old at the time and even if I could’ve read comic books of any kind, I don’t believe One Piece was translated into English for some time until after it debuted.
I suspect that most people took away from the first chapter back then basically what I took away from it today; it’s got some really great action scenes and some nice cartoony art. For the first step of a thousand-mile journey, that’s probably more than enough.
Another thing that strikes me right out of the gate is a strong—albeit, simple—theme. There’s some solid thoughts had about the true nature of strength itself here. We’re introduced to Monkey D. Luffy as a kid, and he has a kid’s idea of what it means to be strong. His role model / eventual hat donor Captain Redhair Shanks just taking it in stride when “mountain bandits” intimidate him and his crew in a bar confuses Luffy. (And because Luffy is a young boy in a shonen manga, he expresses that confusion loudly and angrily.)
But when they go after Luffy himself later in the chapter, Redhair’s crew dispatch most of them with minimal fuss, proving that they could have fought off the bandits all along. There’s having strength, and there’s knowing what to do with it, and over this chapter, Luffy learns the difference. (Or at least, gets the first of however many lessons.) I think the key is here, fairly early on, where Redhair pretty much lays it out plain.
I’m particularly fond of the scene where the bandit leader kidnaps Luffy. He’s eaten by a sea serpent—a properly cartoony-monstrous thing, all crocodile teeth and fish fins—and it’s up to Redhair to fight the thing off and save Luffy. The fact that he loses an arm in the process barely seems to faze him. He saved his little buddy, that’s the important thing, right?
So the prologue ends, and years later when Luffy sets out on his own journey, he avenges his mentor by clocking that “local sea monster” right across the face as he paddles out to sea in nothing more than a wooden rowboat. The two-page spread of Luffy womping the monster is nice and dynamic, incidentally, it’s probably the best art in the whole chapter.
If you’re not reading along you’re probably puzzled as to why he has Mr. Fantastic-esque stretchy powers. The answer is that he ate a magic fruit. Manga truly is a medium without parallel.
An image that strikes me even more though, is the final page of the chapter. Luffy, despite being alone on a little rickety-rack ship in the middle of the ocean, loudly declares to no one in particular that he’s going to become king of the pirates! To surpass Redhair Shanks (and eventually return the older captain’s straw hat!), presumably find Gold Roger’s buried treasure which we learned about in the chapter’s intro. All that good stuff! Adventure, hoy!
As in the ocean, so on land, and as he goes, so too do we.
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